The list is intended to include as many on-line ECD videos as can be found with
the exception of those in which the images or music are substantially impaired,
or the dance is displayed for less than 60 seconds. The quality of the dancing
is generally not a factor as long as the dancers appear to be enjoying
themselves. Where a particular dance has been uploaded repeatedly in the same
context - for example, repeat performances by a dance troupe or favorite dances
at successive annual balls, repetitive videos may be omitted. The collection
has been used largely by dancers as an aid to learning dances, by callers
planning dance programs and musicians to see how a dance works at different
tempos. Those videos that are likely to be the most useful for learning a dance
are marked with an asterisk in the listing. More than one video may be noted for
a particular dance, especially for variant interpretations or reconstructions.
When creating dance videos for instructional purposes, consider the suggestions
in these CDSS News magazine articles:
Skill-Building for Dance Promotion: How to Create Good Instructional Dance Videos and
How To Shoot Good Dance Videos.
To locate a dance video or animation search either for videos by Title, Venue/Date, Collection (who posted it), Leader/Caller/Performance group, Musicians, or Choreographer, or you browse by dance name. The header for each dance displays - when known – the choreographer and tune, dance formation, meter and key and a link a to- “Dance instruction” - (generally, choreography, sheet music. and/or descriptions of dance variation).
(Note: material provided by OttawaECDClub's Dance instruction index wiki, and by CDSS (Bolton and Sheffield Collections), are, unless otherwise noted, subject to the Attribution-Non-commercial-ShareAlike license),
For each dance with multiple videos entries appear in the order of 1) Choreographer and then 2) the name of the person or entity posting the video. .
Dance animations, formerly displayed on a separate page, have been integrated into this list. (for a list of all animations, search venue/date for "animation").
This database now has links to 1401 separate dances, with a total of 4257 videos and 219 animations. The last was added on 2024-09-13.
...but there are many English Country Dance videos that are missing! If you know of a video that you think should be included, please do reach out via the "Contact Us" link. If you fail to find a video here, you might look in some other lists, such as ...or just use your favorite search engine, with "< Name_of_the_Dance > English Country Dance".(The search function will look for all items containing the exact substring entered. For instance, if you enter "belg" it will produce the links for Belgia Retriev'd. But if you enter "Belgia Retrieved" nothing will show up. Similarly, if you're looking for Wa' is me, what mun I do? and you enter "Wa is me", nothing will show up, but if you enter "mun i" you'll find the links you seek. Apostrophes can also cause problems. For instance, for some strange reason, entering "Belgia Retriev'd" works just fine, but entering "Retriev'd" yields nothing!)
Formation: Longways duple minor improper, or Sicilian CircleKey: Am, Meter: 3/4Choreography/Music: Fried deMetz Herman (1995) to Bonny Sweet Robin by Anthony Holborne (1597)
Formation: Triad formation. All properKey: D, Meter: 3/4Choreography/Music: Fried de Metz Herman (2004) to The Old Man
Formation: Longways duple minor improper, or Sicilian CircleKey: D, Meter: 2/2Choreography/Music: Fried de Metz Herman
Formation: 3 couple longways setKey: A, Meter: 2/2Dance InstructionChoreography/Music: Trevor Monson (1997) to "The Butterfly", by Richard Smith & Maggie Fletcher
Formation: 3 couple longways setKey: G, Meter: 2/2Choreography/Music: Ann Higley (1996) to tune by Colin Hume
Formation: Longways Duple Minor ImproperMeter: 3/4Dance InstructionChoreography/Music: Choreography (2023) by Robert Jamison and music (2022) by Dave Marcus
Formation: 3 couple longways setKey: F, Meter: 2/2Dance InstructionChoreography/Music: Playford 1651, including SCA reconstruction
Formation: Duple longwaysKey: D, Meter: 2/2Choreography/Music: Jenny Beer (2018) tune by Dave Wiesler
Formation: Longways triple minorKey: Dm, Meter: 2/2Dance InstructionChoreography/Music: Gary Roodman (2005) to tune of the same name by Jonathan Jensen
Formation: Longways duple minorKey: Am, Meter: 3/4Dance InstructionChoreography/Music: David Smukler (2017)
Formation: 3 couple longwaysMeter: 4/4Dance InstructionChoreography/Music: Victor Skowronski (1999)
Formation: Longways duple minorKey: G, Meter: 9/8Dance InstructionChoreography/Music: Twenty four new Country Dances for the Year 1706; reconstruction by Andrew Shaw
Formation: LW triple or 3C setKey: G, Meter: 4/4Dance InstructionChoreography/Music: Playford, circa 1700
Formation: Longways duple minorKey: F, Meter: 3/4Dance InstructionChoreography/Music: Victor Skowronski (2009) to "Be Thou My Vision" (Irish Trad.)
Formation: 2 couple circleKey: C, Meter: 2/2Choreography/Music: Gary Roodman (2003) to Alta Vittoria, Frabitio Varuso
Formation: 4 couple longwaysKey: G, Meter: 6/8Choreography/Music: Orly Krasner (2004) to Frank Palmer by Turlough O'Carolan
Formation: Longways duple minorKey: A, Meter: 3/4Dance InstructionChoreography/Music: Philippe Callens to Siciliano by Georrg Philipp Telemann. Published in his book Antwerp Antics (2004)
Formation: 3 couple longways setKey: G, Meter: 4/4Dance InstructionChoreography/Music: Playford. 1651
Formation: Longways duple minorKey: Am, Meter: 2/2Dance InstructionChoreography/Music: David Ashworth (1991)to Doves Figary
Formation: 3-couple longwaysMeter: 3/4Choreography/Music: Cécile Laye, 2015; Music is 1st part of a Purcell Triptych "Rois et Reines"
Formation: Longways Duple MinorMeter: 6/8Dance InstructionChoreography/Music: Scott Higgs
Formation: Longways duple minorMeter: 2/2Choreography/Music: Peggy Roe to to "Let it Snow, Let it Snow" by Jule Styne, Copyright by Cahn Music
Formation: Circle mixerKey: D mixolydian, Meter: 3/4Choreography/Music: Brooke Friendly and Chris Sackett, published in Impropriety Vol. IV
Formation: Longways triple or duple minor Key: D, Meter: 4/4Dance InstructionChoreography/Music: American 1775-95
Formation: Longways duple minorKey: A, Meter: 2/4Dance InstructionChoreography/Music: Johnson. Country Dances-8. 1753
Formation: 2 couple circleKey: D, Meter: 6/4Choreography/Music: Playford 1657. Parts 2&3 revised by Cecil Laye
Formation: Duple Minor Longways, improperKey: Am, Meter: 3/2Dance InstructionChoreography/Music: David Smuckler to "Kill Him With Kindness" (after 1726.) attributed to Henry Purc
Formation: Longways duple minorKey: G, Meter: 2/2Dance InstructionChoreography/Music: Playford 1657, interp Cecil Sharpe (1911)
Formation: 4 couple set 3rd and 4th couple improperKey: D, Meter: 2/2Dance InstructionChoreography/Music: Pat Shaw (1974)
Formation: Sicilian with extra CoupleKey: G, Meter: 2/4Dance InstructionChoreography/Music: Pat Shaw (1974)
Formation: Longways duple minorKey: Em, Meter: 2/2Dance InstructionChoreography/Music: Dance and Music by Colin Hume (2006) , written for Amy Lund
Formation: Duple Minor Longways properChoreography/Music: A Dance by Brooke Friendly and Chris Sackett, 2011, music by Chris Sackett, 2006.
Formation: 3 Couple Longways SetMeter: 6/8Dance InstructionChoreography/Music: Jenny Beer
Formation: Longways duple minorDance InstructionChoreography/Music: Keith Wood December 2012 to Souffle d'Ange by Le Vent Du Nord
Formation: Longways duple minorKey: G, Meter: 3/4Dance InstructionChoreography/Music: Graham Christian (2001) to Streams of Lovely Nancy (trad)
Formation: Double circleKey: D, Meter: 3/4Choreography/Music: Gary Roodman(2008) to a tune by Charlene Thompson
Formation: 2 couple circleDance InstructionChoreography/Music: Lise M. Dyckman (1997) to Pernod Waltz, Johnny Cunningham (1984)
Formation: LW dupleKey: Bb, Meter: 3/2Dance InstructionChoreography/Music: Playford, 1721, reconstructed by Fried Herman.
Formation: 5 couple circleKey: F, Meter: 2/2Choreography/Music: Gary Roodman (2012) to Beaumont Rag, Trad
Formation: Longways duple minorKey: G, Meter: 3/2Dance InstructionChoreography/Music: Pat Shaw
Formation: Longways duple minorDance InstructionChoreography/Music: Bob Olson (2018) to Dancing Vivaldi (Double Violin Con. Op.3, No. 8 arranged by Van Kaynor}
Formation: Longways duple minorKey: G, Meter: 2/2Dance InstructionChoreography/Music: Playford 1702
Formation: Longways duple minorKey: G, Meter: 3/2Dance InstructionChoreography/Music: The Compleat Country Dancing-Master [Book 1], London. J. Walsh, J. Hare, 1718, interpretation by Andrew Shaw
Formation: Longways duple minor improperKey: D, Meter: 6/8Dance InstructionChoreography/Music: Gary Roodman(2009) to an 18th century tune, La Chasse d'Apollon
Formation: 3 couple longways setMeter: 3/4Dance InstructionChoreography/Music: Keith Wood April 2015
Formation: Triple minor longwaysKey: F, Meter: 9/8Dance InstructionChoreography/Music: Thompson 1765
Formation: 4 couple longwaysKey: A & Bm, Meter: 4/4Dance InstructionChoreography/Music: Fried de Metz Herman (1991) to "Miss Sally Surman's Delight","Trip to Tedddington, and MIss Dolland's Delight
Formation: Longways duple minorKey: Gm, Meter: 2/2Choreography/Music: Anna Rain (2015) to The Huntsmans Chorus
Formation: 2 couple circleKey: Bb, Meter: 2/2Dance InstructionChoreography/Music: Playford 1651
Formation: 3 couple longways setKey: G, Meter: 2/2Dance InstructionChoreography/Music: Charles Bolton (1986) to a tune by Pierre Phalese the Younger(1580)
Formation: 3 couple longways setKey: A, Meter: 2/2Dance InstructionChoreography/Music: Philippe Callens to Goff Hall by Dan Lanier
Formation: Longways duple minor improperKey: Em, Meter: 3/4Choreography/Music: Fried de Metz Herman to a tune by Pursell
Formation: 3-couple LongwaysMeter: 3/4Choreography/Music: Brooke Friendly and Chris Sackett (published in Impropriety Vol 1, 2002). Tune is Elocine, by Bo Leyden, 1999
Formation: Duble LongwaysKey: F, Meter: 3/4Dance InstructionChoreography/Music: Scott Higgs, 2017; : Love for Three Generations, by Clara Byom. Alternate: Shepherd’s Wife, traditional.
Formation: Longways duple minorKey: Bb, Meter: 6/8 Dance InstructionChoreography/Music: Choreography/Music: Rutherford 1756 & Thompson 1757/ See 'dance instruction' above
Formation: Longways duple minorKey: Gmajor, Meter: 9/8Choreography/Music: Brooke Friendly & Chris Oakdenk Brooke Friendly & Chris Sackett to Saint Malo
Formation: Longways duple minor improperKey: D, Meter: 2/2Dance InstructionChoreography/Music: Philippe Callens published in the CDSS News, #175, Nov/Dec 2003 and in Antwerp Antics, June 2004. Tune is Red Star Line by Kathie Talvie
Formation: Longways Duple minorKey: Bm, Meter: 2/2Choreography/Music: Gary Roodman (2015) to a tune by Rebecca King
Formation: 3 couple longways setChoreography/Music: Lorreta Holz to Autumn Splendor by Charlene Thomson
Formation: Triple minor longwaysKey: C, Meter: 6/8Dance InstructionChoreography/Music: Thompson 1782
Formation: 4 couples longwaysKey: CDance InstructionChoreography/Music: Philippe Callens interpretation from Playford 1651
Formation: Longways Duple MinorKey: D minor, Meter: 6/8Dance InstructionChoreography/Music: Robert Jamison (2023)
Formation: Longways duple minorChoreography/Music: Susan Kevra to "Malcom's Pies" by Eric Schedlers
Formation: Duple Minor Longways, improperMeter: triple timeDance InstructionChoreography/Music: Terry Glasspool (2017)
Formation: Longways duple minor improperKey: Dm, Meter: 2/2Choreography/Music: Gary Roodman to Hint of Spring by Dave Wiesler
Formation: 3 couple circleKey: D mixolydian, Meter: 6/8Choreography/Music: Jenna Simpson (2010)
Formation: circle mixerKey: C, Meter: 2/2Choreography/Music: Brooke Friendly & Chris Sackett, tune by Dave Bartley
Formation: Longways duple minorKey: Dm, Meter: 4/4Dance InstructionChoreography/Music: Walsh 2d Book of the Compleat Country Dancing Master 2a 1719. interpreted by Fried de Metz Herman
Formation: Longways duple minorKey: D, Meter: 2/4Dance InstructionChoreography/Music: Walsh c.1735, interp. by Jacqueline Schwab; and a Heritage Musick variation
Formation: Three couple Round Set –Waltz Key: Dm, Meter: 3/4Dance InstructionChoreography/Music: Pat Shaw (1974)
Formation: Longways duple minor improperKey: D, Meter: 3/2Dance InstructionChoreography/Music: Interpretation of Playford 1701 by A. Simon Kentish Hops
Formation: Longways duple minorKey: Gm, Meter: 3/2Choreography/Music: The Dancing Master, 1713; reconstruction by Bernard Bentley 1962
Formation: 3 couple longways setChoreography/Music: Bruce Rosen
Formation: 3 couple longways setChoreography/Music: Unknown. Possibly a Bath Fan dance circa 1780
Formation: Duple ImproperDance InstructionChoreography/Music: Thomas Bray, London 1699
Formation: Longways Duple MinorMeter: 2/4Dance InstructionChoreography/Music: David Smukler, June 2020/August 2023
Formation: Triple minor longwaysKey: A, Meter: 6/8Dance InstructionChoreography/Music: Thompson 1777
Formation: Longways duple minor improperKey: G, Meter: 6/4Dance InstructionChoreography/Music: Patricia Evans
Formation: 4 couple squareChoreography/Music: Hubert Collinet (1823)
Formation: Triple minor longwaysChoreography/Music: Scottish country dance, modified by Annette Merritt into an English triple minor to Perpetual Motion
Formation: 4 couple longways setKey: D, Meter: 3/2Dance InstructionChoreography/Music: Leslie Lassetter/ Come and Find the Quiet Center, trad.attrib to BF White.
Formation: 3 couple longways set (was triple mimor)Key: Am, Meter: 3/2Choreography/Music: The Dancing Master,1728;reconstruction by Bernard Bentley(Fallibroome Collection)
Formation: 3 couple Longways SetKey: Eminor, Meter: 2/2Dance InstructionChoreography/Music: Nathaniel Kynaston 1711, interpretation by Andrew Shaw
Formation: Longways duple minorKey: C, Meter: 6/8Dance InstructionChoreography/Music: Joseph Pimentel (2005) to the tune Baptist Johnson by Turlough O'Carolan
Formation: 4 couple longwaysKey: G, Meter: 6/8Dance InstructionChoreography/Music: Charles Bolton (1987) published in Occassions (1989)
Formation: Longways duple minor improperChoreography/Music: Mady Newfield to "Dawn" by Mara Shea
Formation: 3 couple longways setKey: Gm, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651
Formation: Longways duple minorKey: B flat major, Meter: 2/2Dance InstructionChoreography/Music: Susan Kevra to "One Card Short" by David Wiesler
Formation: Longways duple minorKey: Am, Meter: 3/2Choreography/Music: Walsh 1707
Formation: Double Sicilian CircleKey: Dm, Meter: 3/4Dance InstructionChoreography/Music: Pat Shaw 1970
Formation: Longways duple minorKey: Gm, Meter: 2/2Dance InstructionChoreography/Music: Playford 1721. reconstructions and Douglas and Helen Kennedy (1929) and by Charles Bolton (Retreads 1)
Formation: 2 Couple Longways MixerMeter: 4/4Dance InstructionChoreography/Music: Brooke Friendly (2024)
Formation: 3 coupe longwaysKey: A minor, Meter: 2/2Dance InstructionChoreography/Music: Gary Roodman
Formation: Longways duple minor improperKey: D, Meter: 3/4Dance InstructionChoreography/Music: Gary Roodman (2012) to tune of the same name by lydia ievins
Formation: Longways duple minor, all properKey: G, Meter: 3/4Choreography/Music: Loretta Holz (2005) to Colony Cove Waltz: by Charlene Thomson(2004) with a variation
Formation: Siciilian CircleKey: G, Meter: 9/8Choreography/Music: Brooke Friendly and Chris Sacket (2009) tune by Jonathan Jensen, published in Impropriety Vol. III
Formation: Longways duple minor improperKey: A, Meter: 2/2Choreography/Music: Gary Roodman (2000)
Formation: 3 couple longways setChoreography/Music: Philippe Callens (1999) to Downland 557 by Pat Shaw
Formation: Square of TriosKey: D, Meter: 6/8Dance InstructionChoreography/Music: John M Ramsay, 1985 to "Air Jenny"
Formation: Longways triple minorChoreography/Music: Slingee
Formation: Longways duple minorKey: A, Meter: 6/8Dance InstructionChoreography/Music: Pat Shaw 1971
Formation: Duple Minor ImproperKey: G, Meter: 6/8Choreography/Music: Elizabeth Goossen
Formation: Duple minor longways - double progression. 1st couples improperDance InstructionChoreography/Music: Pat Shaw
Formation: 3 couple set longwaysKey: D, Meter: 6/8Choreography/Music: Wright's Compleat Collection Vol. I 1742; Andrew Shaw interpretation
Formation: 3 couple longways setKey: Bb, Meter: 4/4Choreography/Music: Nathaniell Kynastan, publshed by by J Walsh (1710) as intererpreted by Andrew Shaw (2002)
Formation: Cicle all facing inMeter: 32 Jig/ReelChoreography/Music: Kathryn & David Wright (Vesey Collection 1990)
Formation: 3 couple circleChoreography/Music: Loretta Holz
Formation: Longways duple minorKey: Em, Meter: 6/8Choreography/Music: Jenny Beer (2016) to Bingo Wings by Sarah Gowen
Formation: 3 couple longways setKey: D dorian, Meter: 4/4Choreography/Music: Fried de Metz Herman (1994) to Dance (adapted) by George Vanbrughe (1713)
Formation: Longways duple minorKey: G, Meter: 3/2Choreography/Music: Brooke Friendly/Chris Sackett (c 2011) to tune Flights of Fancy by Shira Kammen (2011), published in Impropriety Vol. I
Formation: Duple minorKey: G, Meter: 6/8Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: 3 couple longways setKey: G, Meter: 2/2Choreography/Music: Gary Roodman to a tune by Jonathan Jensen
Formation: Longways duple minorDance InstructionChoreography/Music: John Ramsay to Birthday Canon by Pablo El Russo
Formation: 3 couple longways setKey: Em, Meter: 6/8Choreography/Music: Gary Roodman 1999
Formation: Longways duple minorKey: Gm, Meter: 9/8Dance InstructionChoreography/Music: The Dancing Master 9th Ed. 1695
Formation: 3 couple longways setKey: A/G minor, Meter: 6/8Choreography/Music: Fried deMetz Herman (2002) to The Witch Under the Stars (1995) and Black Cat Jig (1996) by Jonanthan Jenson
Formation: Triple minor longwaysKey: A, Meter: 2/2Dance InstructionChoreography/Music: Thompson 1778; W.S. Porter, 1931
Formation: Longways duple minorKey: F, Meter: 3/4Dance InstructionChoreography/Music: Victor Skowroski 2003 to tune by Chris Rua
Formation: Processional Double Circle, women on inside, all facing clockwiseKey: F, Meter: 6/8Dance InstructionChoreography/Music: Millar, Elizabethan Country Dances
Formation: Longways triple minorKey: Am, Meter: 4/4Dance InstructionChoreography/Music: The Dancing Master 7th Ed. 1686 Farnicle Huggy (Andrew Shaw)
Formation: Longways duple minorKey: D major, Meter: 6/8 Dance InstructionChoreography/Music: The Dancing Master, 1696-1728
Formation: Longways duple minorChoreography/Music: Brooke Friendly and Chris Sackett (2005) to Islin's Jig by Ruth Anne Fraley (2004) published in Impropriety Vol. 1
Formation: 3 couple longways setKey: F, Meter: 6/8Dance InstructionChoreography/Music: Playford 1657 and Cecil Sharp version. See 'Dance Istruction" above
Formation: Longways duple minorKey: Gm, Meter: 4/4Dance InstructionChoreography/Music: Walsh 1718, interpretations/reconstructions by Fried de Metz Herman, Kalia Kliban
Formation: 3 Couple LongwaysMeter: 4/4Choreography/Music: Robert Jamison
Formation: Longways duple minorKey: D, Meter: 4/4Dance InstructionChoreography/Music: Nathaniel Kynaston (1710)
Formation: Longways duple minorMeter: 3/4Choreography/Music: Philip Shreckhise to music by Luigi Boccherini
Formation: 3 couple longways setKey: G, Meter: 4/4Dance InstructionChoreography/Music: Playford 1703, interpretation by Andrew Shaw (2009), and Walsh 1718
Formation: 3 couple longways setKey: G mixolydian , Meter: 3/4Choreography/Music: Susan & Tom Amesse. Music by Rachel Bell
Formation: Longways duple minorKey: Dm, Meter: 9/8Choreography/Music: Joseph Pimentel (2005) tune by Debbie Jackson
Formation: Longways duple minorKey: A minor, Meter: 6/8Choreography/Music: Brooke Friendly & Chris Sackett to a traditional English tune All Among the Barley
Formation: 3 couple longways setKey: C, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651 and backwards
Formation: duple, longways, improperKey: G, Meter: 6/8Dance InstructionChoreography/Music: Mike Richardson (7/26/99) to tune by Anita Anderson
Formation: Longways duple minorKey: C, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651
Formation: Longways Duple MinorKey: E minor, Meter: 6/8Dance InstructionChoreography/Music: Val Medve (2014)
Formation: Longways Duple MinorMeter: 3/4Dance InstructionChoreography/Music: Fried de Metz Herman
Formation: Longways duple minor improperDance InstructionChoreography/Music: Chris Page (2013), here danced to East Tennessee Blues, by Richard Scher
Formation: Couple facing coupleDance InstructionChoreography/Music: M. Heffer and W. Porter in Maggot Pie to "Magot Pie"
Formation: Longways Duple Minor ImproperMeter: 3/4Choreography/Music: Alan Winston
Formation: Longways Triple MinorMeter: 4/4Dance InstructionChoreography/Music: Thomas Preston, 1800
Formation: 4 couple longwaysKey: D, Meter: 3/4Dance InstructionChoreography/Music: Gail Ticknor to Si Beag Si Mhor by Turlough O'Carolan
Formation: Longways duple minorKey: Bb, Meter: 2/2Dance InstructionChoreography/Music: Playford 1713. Nathaniel Kynaston
Formation: 3 couple longways setKey: Dm, Meter: 6/8Choreography/Music: Nathaniel Kynaston, J. Wasch, L. Hare (1718), reconstruction by Andrew Shaw (2009
Formation: Longways duple minorChoreography/Music: Susan Kevra; tune by Rachel Bell
Formation: 6 coupleDance InstructionChoreography/Music: Jean Butler
Formation: CircleKey: G, Meter: 6/8Dance InstructionChoreography/Music: William Campbell(1790)
Formation: Longways duple minor improperKey: G, Meter: 4/4Dance InstructionChoreography/Music: Sharon Green to Good King Wenceslas
Formation: 3 couple longways setKey: G, Meter: 2/2Dance InstructionChoreography/Music: Johnson 1757
Formation: 3 couple longways setChoreography/Music: Cantelo, Twenty Four American Country Dances (London: 1785)
Formation: Duple Minor Longways, improperKey: Dm, Meter: 4/4Dance InstructionChoreography/Music: Melanie Axel-Lute (2015) to Bransle de la Torche, Praetorius
Formation: Longways duple minorKey: A, Meter: 3/8Choreography/Music: Thomas Braye, 1699, and as reconstructed by Diana Cruikshank.
Formation: LW duple improperChoreography/Music: Brook Friendly and Chris Sackett, tune by Dave Bartley 2009
Formation: Longways duple minorKey: Gmajor, Meter: 2/2Dance InstructionChoreography/Music: Colin Hume 2003, rev 2007
Formation: Longways duple minorDance InstructionChoreography/Music: Bob Green/ Larry Unger
Formation: Longways duple minorChoreography/Music: Robert Moir
Formation: 2 couple circleKey: F, Meter: 4/4Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: 4 couple longwaysChoreography/Music: unknown.
Formation: The videos show two very different dances; one is Triple minor longways, and the other is a duple minor longwaysKey: A, Meter: 3/8Choreography/Music: Wilson 1808 reconstruction by Eugenia Eremina-Solenikova
Formation: Circle of 3-5 couplesKey: G, Meter: 3/4Choreography/Music: Gary Roodman (2015) tune by Charlene Thomson
Formation: 4 couple longwaysKey: F, Meter: 2/2Dance InstructionChoreography/Music: Playford 1651
Formation: 4 couple set 1cu and 3cu improperKey: D, Meter: 2/2Dance InstructionChoreography/Music: Fried de Metz Herman (1991) to Hubbub by Bryon Bonnett
Formation: 3 couple longways setChoreography/Music: Dafydd Arth to The Rights of Man trad. Irish tune(choreogrphed for 3 couples, here adapted for 4 couples.)
Formation: Triple minor longwaysKey: F, Meter: 2/2Choreography/Music: Playford 1696, and as reconstructed by Andrew Shaw. 2008
Formation: Longways duple minorChoreography/Music: Feuillet 1706
Formation: Longways Duple MinorMeter: 2/4Dance InstructionChoreography/Music: English Traditional
Formation: Longways Duple Minor, improperKey: E Dorian, Meter: 9/8Choreography/Music: Bob Olson to The Butterfly (Trad. Irish)
Formation: 4C LW 1C & 3C improperChoreography/Music: Philippe Callens
Formation: Longways duple minor improperKey: Em, Meter: 9/8Choreography/Music: Gary Roodman (1996)
Formation: Duple Minor ImproperMeter: 9/8Dance InstructionChoreography/Music: Gary Roodman, Sum Further Calculated Figures (1996)
Formation: Longways Duple MinorMeter: 6/8
Formation: Longways duple minorKey: Dm, Meter: 3/2Choreography/Music: Dancing Master (1710), Bernard Bentley in The Fallibroome Collection, to a tune by Daniel Purcell.
Formation: Longways tripleMeter: 32 bar reelDance InstructionChoreography/Music: Pat Shaw
Formation: Longways duple minorKey: D, Meter: 3/4Dance InstructionChoreography/Music: Loretta Holz (2007), tune by Jonathan Jensen(2004)
Formation: Triple minor longwaysKey: F, Meter: 2/2Choreography/Music: Dancing Master (Playford) I: 1695-1728. Renovated by Eugenia Eremina-Solenikovoy
Formation: Longways set for four couples, progressiveKey: D, Meter: 3/4Dance InstructionChoreography/Music: Pat Shaw to ‘Het Sneeker Klokspel’
Formation: Longways duple minorChoreography/Music: Philippe Callens (2010) to a tune by John Blow (1649-1708)
Formation: Circle mixerChoreography/Music: Arduina Alonzo (2016) to 'Carousel' by Charlene Thomson (2005)
Formation: 2 couple circle , facing but farther away than usualDance InstructionChoreography/Music: Alan Winston (2002) to Cast Away Waltz by Colin Hume 2009
Formation: Longways duple minorDance InstructionChoreography/Music: Bob Green to Geoge Paul's "March of the Lost Boys"
Formation: 3 couple set with 2nd couple active, waltz mixerKey: Gm, Meter: 3/4Dance InstructionChoreography/Music: Fried de Metz Herman (1994) to a tune by O'Carolan
Formation: Longways set for four couples – ReelDance InstructionChoreography/Music: Pat Shaw to ‘Cecilia’ from Oude en Nieuwe Hollantse Boerenlietjes en Contredansen
Formation: 3 couple longwaysChoreography/Music: Rosemary Hunt, tune by Stephen Hunt
Formation: 4 couple longways squareKey: F, Meter: 3/2Choreography/Music: Philippe Callens to a tune by Jonathan Jensen
Formation: Longways duple minorKey: D, Meter: 4/4Choreography/Music: Jenna Simpson to Fete de Village
Formation: Longways Duple MinorMeter: 4/4Choreography/Music: Sharon Green/David Marcus
Formation: 4 couple longwaysKey: Am, Meter: 3/2Dance InstructionChoreography/Music: Gary Roodman (2005)to Elizabethan Tango Man by Charlene E. Thomson
Formation: 3 couple longways setKey: G, Meter: 6/8Dance InstructionChoreography/Music: Johnson c. 1750
Formation: 4 couple squareKey: F, Meter: 6/8Dance InstructionChoreography/Music: Playford 1657, 2 reconstructions by Cecil Sharp
Formation: Longways Triple MinorKey: Am, Meter: 6/8Dance InstructionChoreography/Music: Miriam Newman
Formation: Longways duple minorKey: D, Meter: 3/2Dance InstructionChoreography/Music: Dancing Master 11th ed 1701;Walsh 1718; Charles Bolton (retreads)
Formation: 3 couple longways setKey: Am, Meter: 2/2Dance InstructionChoreography/Music: DancingMaster 1651-1796; Cecil Sharp 1912
Formation: Duple Minor longways. Double progression Key: G, Meter: 4/4Dance InstructionChoreography/Music: Pat Shaw 1971, Adapted by Pat Shaw from a traditional Essex song
Formation: Longways duple minorKey: Dm, Meter: 6/8Dance InstructionChoreography/Music: Sharon Green(2014, rev 2015) to a tune of the same name by Rebecca King (2014)
Formation: Longways duple minor improperKey: Dm, Meter: 2/2Dance InstructionChoreography/Music: Playford 1701 with reconstructions by Cecil Sharp, Douglas Kennedy., The Jane Austen Society, Christine Feyeabend, and others. see'"Dance Instruction' above...
Formation: Longways Duple MinorChoreography/Music: Chris Sackett, 2018
Formation: CircleChoreography/Music: Brian Wedgbury
Formation: 4 couple longwaysKey: C, Meter: 2/2Choreography/Music: Brooke Friendly and Chris Sackett, 2009, to Shira Kammen's tune 72%, published in Impropriety Vol. III
Formation: Longways duple minorKey: D, Meter: 9/8Choreography/Music: Brooke Friendly & Chris Sackett (2008) to Top o' the Mornin' by Jonathan Jensen (2007), published in Impropriety Vol. II
Formation: SquareChoreography/Music: Brook Friendly and Chris Sackett to the tune "The Maid's Complaint"
Formation: Triple minor longwaysChoreography/Music: Brooke Friendly and Chris Sackett to “The Goldfinch” by Paul Gitlitz (1999)t, published in Impropriety Vol. IV
Formation: Longways duple minor improperKey: Am, Meter: 2/2Dance InstructionChoreography/Music: Fried de Metz Herman
Formation: Longways duple minorDance InstructionChoreography/Music: Dodd 24CD 1795
Formation: Longways duple minorKey: C, Meter: 2/2Dance InstructionChoreography/Music: Playford 1679; Cecil Sharp 1916
Formation: Longways duple minor improperKey: F, Meter: 2/2Dance InstructionChoreography/Music: Naomi Alexander
Formation: 3 couple longways set; top and bottom couples improperMeter: 3/4Dance InstructionChoreography/Music: Philippe Callens (1999)
Formation: 4 couple squareKey: D, Meter: 2/2Dance InstructionChoreography/Music: Fried de Metz Herman (1992) to a tune by George Davis
Formation: Dupre monitor longwaysKey: Dm, Meter: 4/4Dance InstructionChoreography/Music: Sharon Green
Formation: 3 couple longways set 2's improperKey: C, Meter: 3/4Dance InstructionChoreography/Music: Colin Hume (2012)
Formation: 3 couple longways set & as LW duple minorKey: Dm, Meter: 3/2Choreography/Music: Jenny Beer
Formation: Longways duple minorKey: Dm, Meter: 2/2Dance InstructionChoreography/Music: Playford 1701, reconstruction by Charles Bolton
Formation: 3 couple longways setKey: D, Meter: 3/4Choreography/Music: Fried de Metz Herman (2005) to a tune by O'Carolan
Formation: Longways duple minorDance InstructionChoreography/Music: unknown (Community Dance Manuals)
Formation: Longways duple minorKey: Bb, Meter: 2/2Dance InstructionChoreography/Music: EDM Vol 2, 4th edition,1728. Cecil Sharp reconstruction 1916
Formation: Longways duple minorKey: D, Meter: 3/4Dance InstructionChoreography/Music: Bob Green to Sarah's Waltz by Kristen Grahm
Formation: 3 couple longways setChoreography/Music: Ralph Sweet
Formation: 3 couple longways setKey: G, Meter: 3/4Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: 3 couple longways setKey: D, Meter: 3/4Dance InstructionChoreography/Music: The Dancing Master 1727 (Interp. Tom Cook 1982)
Formation: Longways duple minorKey: E(D), Meter: 3/2Choreography/Music: Joseph Pimentel to tune by Dave Wiesler(2009)
Formation: Longways duple minorKey: D, Meter: 6/8Dance InstructionChoreography/Music: Thompson 1776. see "Dance Instruction" above
Formation: Longways duple minorKey: D Dorian, Meter: 4/4Dance InstructionChoreography/Music: Victor Skorownski to Ronde II, Mon Amy by Tielman Susato
Formation: Longways duple minorKey: Cm, Meter: 2/2Choreography/Music: Thomas Bray 1699
Formation: 2 trios facingKey: G, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651 - 1698
Formation: Longways duple minorKey: C, Meter: 4/4Choreography/Music: Playford 1703, reconstructed by Andrew Shaw
Formation: Longways duple minor improperKey: G, Meter: 3/4Dance InstructionChoreography/Music: Victor Skowronski (2007) to 'Cool Breezes' by Leslie Lassiter (2007)
Formation: Longways duple minor improperKey: F, Meter: 2/4Dance InstructionChoreography/Music: Cathy and John Millar (c. 1993)tune adapted from 4th movement of Arcangelo Corelli's opus 5, Sonato #10 1700.
Formation: Longways duple minorKey: D, Meter: 2/2Dance InstructionChoreography/Music: 3 couple version c. 1725; longways Trad: Peter Kennedy
Formation: 3 couple specialDance InstructionChoreography/Music: John Searle
Formation: 3 couple longways setKey: G, Meter: 6/8Dance InstructionChoreography/Music: Thompson 1777; WS. Porter
Formation: Longways duple minor improperKey: G, Meter: 2/2Choreography/Music: Fried de Metz Herman (1996)
Formation: 3 couple set; Longways duple minor variation Key: Cm, Meter: 3/4Choreography/Music: Philippe Callens; Tune is One Charming Night, from the Fairy Queen, by Purcell
Formation: Triple minor longwaysKey: Bb, Meter: 2/4Dance InstructionChoreography/Music: The Richmond Assemblies c 1790 to Coterie 204 Favorite Country Dances of 1774
Formation: Siciilian CircleDance InstructionChoreography/Music: Trad. Mrs. Boyle
Formation: Longways duple minorKey: D, Meter: 6/8Dance InstructionChoreography/Music: Twenty Four New Country Dances, 1702, Douglas and Helen Kennedy, 1929
Formation: Longways duple minorKey: C, Meter: 6/8Choreography/Music: Brooke Friendly & Chris Sackett (2003) to Cottonwood by Dave Bartley (2002) published in Impropriety Vol. 1
Formation: 3 couple set longwaysKey: Amin, Meter: 3/2Choreography/Music: Kynaston 1710
Formation: Longways duple minorMeter: 32 bar jigsDance InstructionChoreography/Music: Michael Barraclaugh, c 1979
Formation: Triple minor longwaysChoreography/Music: unknown
Formation: Triple MinorKey: A Minor, Meter: 3/4Dance InstructionChoreography/Music: Robert Jamison (2024)
Formation: 3 couple longways setChoreography/Music: Sol Weber as modified by Tara Bolker
Formation: 3 couple longways setKey: Gm, Meter: 2/2Choreography/Music: Jenna Simpson (2016) to the tune Little Sky by Guillaume Sparrow-Pepin
Formation: Dance for 12Choreography/Music: Siôn Andreas o Wynedd (Ian A. Engle) to Bourée from Bach's Suite in E Minor for Lute played as a slip jig
Formation: 3 couple longways setChoreography/Music: Loretta Holz to a tune by Dave Wiesler
Formation: 4 couple longways setChoreography/Music: Sascha Glimmann to Soldier Boy by Custer LaRue
Formation: Duple minor. All properKey: B minor, Meter: triple timeDance InstructionChoreography/Music: Fried de Metz Herman (2002) to "Crown the Year", to H. Purcell 1712
Formation: Longways duple minor improperKey: Dm, Meter: 3/4Choreography/Music: Orly Krasner (2003 rev 2008) to the English folksong collected by Sharp, One Hundred English Folksongs (1916)
Formation: 2 couple circleKey: C, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651, and as interpreted by Michael Barraclaugh
Formation: 3 couple longways setKey: D, Meter: 2/4Dance InstructionChoreography/Music: Rutherford. 1775
Formation: Longways duple minorKey: C, Meter: 2/2Dance InstructionChoreography/Music: Playford 1703, as interpreted by Colin Hume, Part 2 by Colin Hume
Formation: 4 couple squareKey: D, Meter: 4/4Dance InstructionChoreography/Music: unknown: EFDSS Community Dance Manuals
Formation: 3 couple longways setKey: G, Meter: 3/2Dance InstructionChoreography/Music: Marjorie Heffer & William Porter published in Maggot Pie (1932
Formation: Longways duple minor improperKey: G, Meter: 3/2Choreography/Music: Jenna Simpson (2016) to the tune Apollo and Daphne (Walsh 1740)
Formation: Triple minor longwaysKey: G, Meter: 2/4Dance InstructionChoreography/Music: Mary Pugh (1983)
Formation: 3 Couple Longways Meter: 3/4Dance InstructionChoreography/Music: David Macemon (1992)
Formation: Longways for 3 coupleKey: D, Meter: 3/4Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: 3 couple longways setDance InstructionChoreography/Music: Tom Senior, 2014; tune by Mady Newfield, 2014 in memory of Mars Longden
Formation: Double circleKey: C, Meter: 3/4Choreography/Music: Joseph PImentel to Yonder, Year by Year by Dave Wiesler
Formation: Longways triosKey: C, Meter: 2/2Choreography/Music: Fried de Metz Herman (1993) to a tune by Jeremiah Clarke
Formation: 3 Couple LongwaysMeter: 6/8Choreography/Music: Don Bell/Playford
Formation: 4 couples in a square setDance InstructionChoreography/Music: Keith Wood April 2010 to waltz esp. "When the Boat Comes In"
Formation: Duple Minor Longways, improperMeter: 3/4Choreography/Music: Karen Shaw to "New Moon" by Doug Plummer
Formation: triple minorDance InstructionChoreography/Music: Rebekah Valencia; tune by Ruth Valencia (triple minor)
Formation: Longways duple minorKey: C, Meter: 6/8Choreography/Music: Loretta Holz (2005) to Dancing up a Storm by Charlene Thomson
Formation: Longways duple minorKey: Bb, Meter: 6/6Choreography/Music: Brooke Friendly and Chris Sackett; tune arranged from "A Health to Betty" Playford 1651 by Chris Sackett 2007
Formation: Longways duple minorKey: D, Meter: 4/4Dance InstructionChoreography/Music: Pat Shaw 1973
Formation: Longways Duple MinorKey: D Major, Meter: 2/2Dance InstructionChoreography/Music: Robert Jamison (2010)
Formation: 3 Couple LongwaysMeter: 3/2Dance InstructionChoreography/Music: Paul Ross/Roger Davidson
Formation: 4 couple Longways Set Key: D, Meter: 2/4Dance InstructionChoreography/Music: Pat Shaw
Formation: Longways duple minorKey: Am, Meter: 2/2Dance InstructionChoreography/Music: Gary Roodman (2005) to Pell Mell from Payford 1679
Formation: Duple minor longways improperKey: G, Meter: 4/4Dance InstructionChoreography/Music: Elizabeth Goossens (oct 2013)
Formation: Longways duple minorKey: Am, Meter: 4/4Dance InstructionChoreography/Music: Playford 1651
Formation: Longways duple minor improperChoreography/Music: Naomi Alexander
Formation: Longways duple minorKey: C, Meter: 3/2Choreography/Music: Brooke Friendly & Chris Sackett to Hunana Hornpipe by Jonanthan Jensen, published in Impropriety Vol. II
Formation: 2 couple setChoreography/Music: Brooke Friendly and Chris Sackett. Tune by Shira Kammen
Formation: Long Set, 3 cpls. (orignal: triple minor)Key: C, Meter: 2/2Dance InstructionChoreography/Music: EDM 1721, Reconstruction by Andrew Shaw
Formation: CircleDance InstructionChoreography/Music: Pat Shaw (1975)
Formation: 3 couple longways setKey: D, Meter: 4/4Dance InstructionChoreography/Music: Ellen Taylor
Formation: Longways duple minorKey: C, Meter: 2/4Dance InstructionChoreography/Music: Jonathan Ogle, 2003 to 'Banks of Inverness
Formation: Longways duple minorKey: C, Meter: 2/4Dance InstructionChoreography/Music: Sharon McKinley (2007) to her tune of the same name
Formation: Longways duple minorKey: C, Meter: 6/8Dance InstructionChoreography/Music: Diane Schmit (1985) to a tune of the same name by Jonathan Jensen (1985)
Formation: Longways Duple Minor ImproperKey: Dm, Meter: 2/2Dance InstructionChoreography/Music: Brian Wedgbury
Formation: 3 Couple LongwaysMeter: 2/2Dance InstructionChoreography/Music: Paul Ross/Roger Davidson
Formation: Longways duple minorKey: A, Meter: 3/4 Dance InstructionChoreography/Music: David Macemon (2017), music: "Butterflies Waltz", Ruth McLain
Formation: Longways duple minorKey: G, Meter: 3/2Dance InstructionChoreography/Music: Playford 1702 and a reconstruction by Eugenia Eremina-Solenikovoy.
Formation: Longways duple minorKey: A, Meter: 2/2Dance InstructionChoreography/Music: Unknown, pub in Sheffield,From Two Barns, v3
Formation: 3 couple longways setKey: c, Meter: 6/8Dance InstructionChoreography/Music: Sharon Green (2009) to The Serpent with Corners by Thomas Bending (1999)
Formation: 3 couple longways set. MixerKey: D, Meter: 6/8Dance InstructionChoreography/Music: Charles Bolton (1983)
Formation: Longways for 3 couples (originally written as triple minor longways with a triple progressionChoreography/Music: Trevor Monson, 2009 to Jordan's Shore by Elvyn Blomfield
Formation: 4 couple longwaysChoreography/Music: Kimberly, Ellie & Chava Hall/Mary Hall
Formation: Longways duple minor improperKey: D, Meter: 2/2Choreography/Music: Gary Roodman(2009)
Formation: Round for as many as willKey: A, Meter: 6/8Dance InstructionChoreography/Music: Pat Shaw
Formation: 4 couple longwaysKey: D, Meter: 2/4Choreography/Music: Dance and tune by Naomi Alexander (1998)
Formation: 3-couple dance Choreography/Music: Don Corson with suggestions from Alan Winston and Colin Hume. This version is modified by Veronica Lane. Music is "Catharsis" played by Moving Violations.
Formation: Dorset 4-hand setKey: G, Meter: 2/4Choreography/Music: Community Dance Manuals
Formation: Longways duple minorChoreography/Music: Community Dance Manuals
Formation: Longways duple minor improperKey: Am, Meter: 3/4Choreography/Music: Gary Roodman (1999)/Gavotte by Pierre Caroubel (c. 1600)(?)
Formation: 3 couple longways setKey: A, Meter: 2/2Choreography/Music: Gary Roodman to a tune by David Wiesler
Formation: Sicilian Circle or duple minor imprpoerKey: G, Meter: 6/8Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: Duple minor improper longways mixerMeter: 6/8Dance InstructionChoreography/Music: Philippe Callens, 1999; Music: “Captain Tom,” published Walsh 1711
Formation: Longways duple minorKey: Bb, Meter: 4/2Dance InstructionChoreography/Music: Preston 1791
Formation: Longways triple or duple minor Key: D, Meter: 3/4Dance InstructionChoreography/Music: The Dancing Master 17th Ed. Vol. I 1721, reconstructed by Douglas and Helen Kennedy, 1929
Formation: Longways duple minorKey: G, Meter: 3/4Dance InstructionChoreography/Music: The Dancing Master 17th Ed. Vol.I 1721
Formation: Longways duple minorKey: F, Meter: 4/4Choreography/Music: Young 1710, reconstruction by Andrew Shaw
Formation: Longways duple minorKey: A, Meter: 2/2Dance InstructionChoreography/Music: Thompson (1744)
Formation: CircleKey: Dm, Meter: 6/4Choreography/Music: DancingMaster 1651;Choreography reconstructed as circle by Cécile Laye
Formation: Longways duple minorKey: Bb, Meter: 2/4Dance InstructionChoreography/Music: Thompson (1757) as reconstructed by Charles Bolton in Retreads 2 (1992)
Formation: Longways duple minorKey: Cm, Meter: 12/8Dance InstructionChoreography/Music: Playford (1713) as We'll Wed and We'll Bed, reconstruction by Bernatd Bentley (1962)
Formation: 3 couple longways set (was triple mimor)Key: C, Meter: 4/4Choreography/Music: Ignatius Sancho 1779
Formation: 3 couple longways set (was triple mimor)Key: Gm, Meter: 4/4Choreography/Music: Bernard Bentley
Formation: ‘Becket’ set with another ‘Becket’ set outsideDance InstructionChoreography/Music: Pat Shaw to ‘Sarabande op de Duchesse’ from Oude en Nieuwe Hollantse Boerenlietjes en Contredansen
Formation: Longways duple minorChoreography/Music: Bob Green to I’m Takin’ My Time by Larry Unger
Formation: Longways duple minorKey: Gm, Meter: 2/2Dance InstructionChoreography/Music: Bernard Bentley
Formation: Longways duple minorKey: G, Meter: 3/4Dance InstructionChoreography/Music: Choreography/Music: Cahusac 1801, interp. A. Simons 1970;,triple minor reconstruction:Reconstruction by Eugenia Solenikova and other variants. See 'Dance Instruction' above
Formation: 4 couple squareKey: Gm, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651
Formation: 3 couple longways set 2's improperKey: G Major, Meter: 3/4Dance InstructionChoreography/Music: Colin Hume to a tune by Roger Davidson (1991)
Formation: Longways duple minor improperKey: A, Meter: 4/4Choreography/Music: Brian Wedgbury (1972)
Formation: Long Set. 3 cpls (original: triple minor), Progression 3-1-2Key: C, Meter: 4/4Dance InstructionChoreography/Music: Walsh 1798, Recontruction by Andrew Shaw
Formation: 3 couple longways setKey: F, Meter: 3/4Choreography/Music: Bruce Hamilton (an adaptation of John Drewry's The Dunsmuir Strathspey) tune Breakaway Heart by Kathy Talvitie
Formation: 4 couple reelChoreography/Music: Communiity Dance manuals
Formation: 3 couple longways setKey: G, Meter: 3/2Dance InstructionChoreography/Music: Neal Collection(c. 1726)
Formation: 8 couples in a set — A line of two couples facing another line of two couples, behind which are two more lines of couples facing each otherKey: G Major, Meter: 2/2Dance InstructionChoreography/Music: Ernst van Brakel to a tune by Colin Hume (1990)
Formation: Longways duple minor, 2's improperKey: G Major, Meter: 3/4Choreography/Music: Peter André for Bill and Daphne Holland’s 60th wedding anniversary to Langtan efter Sally ( Longing for Sally) by Bruce Sagan.
Formation: Triple minor longwaysKey: A, Meter: 9/8Choreography/Music: Thompson 1800
Formation: Longways Duple MinorMeter: 4/4Choreography/Music: Robert Jamison
Formation: Processional Double Circle, women on inside, all facing clockwiseKey: G, Meter: 6/8Dance InstructionChoreography/Music: Unknown. Published in John Fitzhugh Milar, Elizabethan Country Dances
Formation: Longways duple minorKey: G/Em, Meter: 3/2Dance InstructionChoreography/Music: Philippe Callens, 2000 to Midwinter Blossom by Bob Pasquarello, 1989
Formation: Longways duple minorKey: F, Meter: 2/4Dance InstructionChoreography/Music: Scott Higgs, 1994
Formation: Triple minor longwaysKey: D, Meter: 6/8Dance InstructionChoreography/Music: Thompson 1783, 1788
Formation: 3 couple longways setKey: C, Meter: 6/8Dance InstructionChoreography/Music: Kevin Prigmore (2015) to the tune 'Serpent with Corners' (Thomas Bending, 1999)
Formation: Longways Duple MinorMeter: 4/4Choreography/Music: Henry Playford, 1721. Interpreted by Graham Christian
Formation: Longways duple minorKey: F, Meter: 3/2Dance InstructionChoreography/Music: Erna Lynn Bogue (1994) to Miss Gordon of Gight by Issac Cooper (1790)
Formation: Longways duple minorKey: Dm, Meter: 3/2Dance InstructionChoreography/Music: J. Johnson Caledonian Country Dances 1733, reconstruction by Bernard Bentley (1977)
Formation: Longways duple minorKey: Gm, Meter: 6/8Choreography/Music: Robin Burke to "The Tide" by Rebecca King, 2007
Formation: Duple minor longways improperMeter: 3/4Choreography/Music: Susan Kevra to "Anita's Waltz" by Rachel Bell (2016)
Formation: Longways duple minorChoreography/Music: Playford 1698 reconstructed by Andrew Shaw
Formation: Longways duple minorKey: G, Meter: 3/4Dance InstructionChoreography/Music: J. Walsh, 24 Country Dances for the year 1727; reconstruction by Andrew Shaw 2017
Formation: Longways duple minorKey: A, Meter: 4/4Dance InstructionChoreography/Music: Colin Hume (1991)
Formation: SquareChoreography/Music: Elizabeth Goossen
Formation: 3 couple longways setChoreography/Music: Fried de Metz Herman (1984)
Formation: Longways duple minorKey: A, Meter: 4/4Dance InstructionChoreography/Music: Walsh 24CD,1712 as interp. by Tom Cook, to Come Let Us Be Merry 1975
Formation: Becket circleChoreography/Music: Loretta Holz?
Formation: Siciilian Circle 3 couplesKey: D, Meter: 2/2Dance InstructionChoreography/Music: Gary Roodman(2003)' tune by Jonathan Jensen
Formation: Longways duple minorMeter: 3/4Dance InstructionChoreography/Music: Alan Simpson-Vlach to Murray's Passage by Debbie Jackson
Formation: 4 couple longways setKey: D, Meter: 3/4Dance InstructionChoreography/Music: Colin Hume(2009) to a tune by Brian Stone
Formation: Longways duple minorKey: Bb, Meter: 4/4Dance InstructionChoreography/Music: Kynaston (1690; ) Andrew Shaw recontruction (2006)
Formation: 4 couple squareKey: D, Meter: 3/4Choreography/Music: Antony Heywood, 1990
Formation: 4 couple squareChoreography/Music: Loretta Holz to a tune by Charlene Thomson
Formation: Longways duple minorKey: Dm, Meter: 3/2Dance InstructionChoreography/Music: Playford 1701
Formation: Longways duple minorKey: G, Meter: 6/8Dance InstructionChoreography/Music: Johnson c. 1750
Formation: Longways duple minor improperKey: Gm, Meter: 6/8Dance InstructionChoreography/Music: Sharon Green (2013);,tune by Martha Stokely (2012)
Formation: Longways duple minorKey: D, Meter: 6/8Choreography/Music: Fried de Metz Herman to A Soldier and a Sailor (Walsh - 1718) Dance written for Andrew Shaw
Formation: Triad. All properKey: G, Meter: 2/2Dance InstructionChoreography/Music: Fried deMetz Herman to "For Al" by John Stapledon (2004)
Formation: 3 couple circleKey: Bm, Meter: 6/8Dance InstructionChoreography/Music: Playford 1670
Formation: Longways duple minorKey: Gm, Meter: 3/2Dance InstructionChoreography/Music: Walsh & Hare, Twenty-four New Country Dances for the year 1708 as reconstucted by Andrew Shaw c2009
Formation: Longways duple minorKey: F, Meter: 3/4Choreography/Music: Playford 1696
Formation: Longways duple minor improperChoreography/Music: Terry Glasspool to tune of the same name by Charlene Thomson
Formation: 3 couple longways set, progressive - reelKey: D, Meter: 2/4Dance InstructionChoreography/Music: Pat Shaw (1972)
Formation: 8 couples in a set — A line of 2 couples facing another, behind which are two more lines facing linesDance InstructionChoreography/Music: Keith Wood November 2013 TO 4X32 bar reels
Formation: Longways duple minorKey: Bm, Meter: 3/4Dance InstructionChoreography/Music: Bob Green to tune by Larry Unger (was Flowers for Bridget)
Formation: 3-Couple Longways SetMeter: 3/4Dance InstructionChoreography/Music: Robert Jamison (2023); Tune: Evening Waltz, by Dave Marcus (2014)
Formation: Longways duple minorKey: Gm, Meter: 6/8Dance InstructionChoreography/Music: The Dancing Master 10th Ed. 1698 Walsh c. 1735 Neal c. 1726
Formation: Longways duple minorKey: G, Meter: 4/4Dance InstructionChoreography/Music: Fried de Metz Herman (1989) to "Fiddling David"
Formation: 4 couple squareKey: Gm, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651 (Faine through EDM 1670, then Fain)
Formation: Longways triple or duple minor Key: Dm, Meter: 3/4Dance InstructionChoreography/Music: Walsh 1728 reconstructed by Tom Cook (1979)
Formation: Longways duple minor improperKey: C, Meter: 3/4Choreography/Music: Gary Roodman (1996); to a tune by Michael Praetorius
Formation: Longways duple minorKey: G, Meter: 4/4Choreography/Music: Scott Higgs; tune by Thomas Farmer (1683)
Formation: Longways duple minorKey: Fmajor, Meter: 2/2Choreography/Music: John Farmer 1565-1605
Formation: Longways duple minorKey: D, Meter: 6/8Dance InstructionChoreography/Music: Walsh 1718
Formation: 3 couple longways set (was triple mimor)Key: Gm, Meter: 9/8Choreography/Music: Thompson 1773 to tune by Thomas Arne
Formation: Longways Duple Minor ImproperMeter: 3/2Dance InstructionChoreography/Music: A Finite Set of Calculated Figures (Gary Roodman, 2023)
Formation: Longways duple minorKey: D, Meter: 4/4Dance InstructionChoreography/Music: Anna Bidder (c. 1969) to A'rovin
Formation: 3 couple longways set, progressiveKey: D, Meter: 6/8Dance InstructionChoreography/Music: Thompson 1765 (triple minor), reconstucted as 3 couple dance by W.S. Porter (1931). see 'Dance Instruction' above
Formation: Longways duple minor improperKey: Bm, Meter: 3/4Choreography/Music: Gary Roodman (2003) to tune of the same name by Peter Jung
Formation: 4-couple longways; 1's and 3's improperMeter: 4/4Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: Longways duple minor improperKey: Bm, Meter: 3/4Dance InstructionChoreography/Music: Dan Seppler, 2012 to Farewell Marian
Formation: Longways duple minorKey: A, Meter: 6/8Choreography/Music: Joseph Pimentel; tune by Adam Broome
Formation: 3 couple longways setKey: G, Meter: 3/4Dance InstructionChoreography/Music: Mr. Nathaniel Kynaston in J. Walsh J Hare 1718, reconstructed by Andrew Shaw (2009)
Formation: Longways duple minorKey: D, Meter: 4/4Dance InstructionChoreography/Music: Bob Lilley(1999)
Formation: Sicilian Circle;1st couple face counterclockwiseKey: C, Meter: 6/8Choreography/Music: Fried de Metz Herman (2005)to Gloria by A. Vivaldi ca. 1708
Formation: SquareKey: C, Meter: 4/4Dance InstructionChoreography/Music: Elizabeth Goossen to her tune "Caoline's Fancy"
Formation: 4 couple longways setKey: C, Meter: 3/4Dance InstructionChoreography/Music: Colin Hume to a tune by Dave Brown (2002)
Formation: Longways duple minorKey: D, Meter: 6/8Choreography/Music: Michael Cicone
Formation: Longways duple minorKey: Gm, Meter: 6/8Dance InstructionChoreography/Music: Walsh & Essex, For the Improvement of Music 1710
Formation: Longways duple minorKey: C, Meter: 4/4Dance InstructionChoreography/Music: Joyce Walker to Nancy's Fancy by Fred Grimshaw
Formation: Longways Duple MinorKey: G Major, Meter: 3/4Dance InstructionChoreography/Music: Robert Jamison (2023)
Formation: 3 couple longwaysChoreography/Music: Ferry Crossing by Peggy Roe (2017) Music: 'Rushin' for the Ferry' by Dan Page (2007)
Formation: Longways duple minorChoreography/Music: Loretta Holz
Formation: Longways duple minor improperKey: D, Meter: 4/4Choreography/Music: Alan Winston (2007) tune by Jon Berger
Formation: Longways duple minorKey: C, Meter: 2/4Choreography/Music: Rosemary Lach to "Lady Marian" by Gregory Brown @2008
Formation: Round for 4 couplesKey: Dm, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651
Formation: Longways duple minor improperKey: D, Meter: 3/4Choreography/Music: Gary Roodman (2008)/Charlene Thomson
Formation: 4 couple longways setKey: Em, Meter: 9/8Dance InstructionChoreography/Music: Gary Roodman (1996/)A Fig for a Kiss (trad.
Formation: Longways duple minorKey: Bb, Meter: 6/8Dance InstructionChoreography/Music: Fried Herman (1991) to 'Lady Gregory's Fair Flower'
Formation: Duple Minor- lmpropeKey: Am, Meter: 2/2Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: 2 couples longwaysMeter: 6/8Dance InstructionChoreography/Music: Loretta Holz, 2011; Music: “The Gates of Heck” by Dave Wiesler
Formation: Triple minor longwaysKey: D, Meter: 2/2Choreography/Music: Dancing Master 1788-1833, John Griffiths
Formation: waltz contraChoreography/Music: Burt Hunter
Formation: Longways duple minor improperKey: Am, Meter: EChoreography/Music: Fried de Metz Herman the Lover's Petition by John Barrett 1700
Formation: Longways duple minorKey: C, Meter: 3/4Choreography/Music: Hazel Moir (April 2015) to tune "The Lovely Nymph" by J. Jones.
Formation: Longways duple minor improper, 1's alternating proprietyKey: G, Meter: 6/8Dance InstructionChoreography/Music: Sharon Green (2009)
Formation: Longways duple minorKey: G, Meter: 3/2Choreography/Music: Brian Wedgbury
Formation: Longways duple minorKey: G, Meter: 3/2Choreography/Music: J. Walsh, J. Hare 1718; reconstruction by Andrew Shaw
Formation: Longways duple minorKey: G, Meter: 4/4Choreography/Music: Unknown, American Revolutionary War period
Formation: Longways duple minorKey: C, Meter: 3/4Dance InstructionChoreography/Music: Kalia Kliban to "A Bruxa" by Anton Seoane.
Formation: Longways duple minorKey: C, Meter: 3/4Dance InstructionChoreography/Music: Dance and music by Colin Hume (2005); written for the band :focuspocus Dan and Caroline Hollingshurst
Formation: Longways duple minorKey: F, Meter: 3/4Dance InstructionChoreography/Music: Brook Friendly and Chris Sackett , published in Impropriety Vol. III
Formation: Longways duple minorKey: F, Meter: 3/2Dance InstructionChoreography/Music: Kynaston, interpretation by Andrew Shaw
Formation: 4 couple longways, 1st couple on centre line man at top, lady at bottom ? ?Key: D, Meter: 6/8Dance InstructionChoreography/Music: Julian Hill to a tune by Eileen Muscroft (2004)
Formation: Longways Duple MinorKey: A Minor, Meter: 3/4Dance InstructionChoreography/Music: Robert Jamison (2023)
Formation: Longways duple minor improperKey: G, Meter: 3/2Choreography/Music: Gary Roodman (2013) to a tune by Debbie Jackson.
Formation: Longways Duple Minor, ImproperKey: Bb, Meter: 9/8Choreography/Music: Gary Roodman tune: Jonathan Jensen @2012
Formation: 4 couple longwaysKey: G/A, Meter: 6/8Dance InstructionChoreography/Music: Traditional; pub. in Hamilton, EFSS Comunity Dance Manual
Formation: 3 couple longways setChoreography/Music: Mary Devlin to McFarland's Jug
Formation: Longways duple minor improperChoreography/Music: Fried de Metz Herman
Formation: 3-couple longwaysMeter: 4/4Dance InstructionChoreography/Music: John Sweeney
Formation: 3 couple longways setKey: G, Meter: 3/2Dance InstructionChoreography/Music: Pat Shaw (1972)
Formation: Longways duple minorKey: Gm, Meter: 6/8Dance InstructionChoreography/Music: Playford 1709
Formation: Longways duple minorKey: F, Meter: 6/8Dance InstructionChoreography/Music: Steve Sargent to tune by Daron Douglas
Formation: Longways duple minorKey: D, Meter: 9/8Dance InstructionChoreography/Music: Colin Hume (2009) to a trad. Irish slip jig
Formation: Triple minor longways (or 3 couple set)Key: Gm, Meter: 2/2Dance InstructionChoreography/Music: Thompson 1778
Formation: Triple minor longwaysKey: Gm, Meter: 2/2Dance InstructionChoreography/Music: David and Kathryn Wright/Edgeworth Bumpkins trad
Formation: Duple Minor Longways, improperKey: Gm, Meter: 3/2Choreography/Music: Gary Roodman (2015) to "Without his Tiger" by Dave Wiesler
Formation: Triple Minor LongwaysKey: E minor, Meter: 9/8Choreography/Music: Chris Sackett, 2001 to "The Butterfly" traditional Irish
Formation: 3 couple longways setKey: Gm, Meter: 2/2Choreography/Music: W, Pearson and John Young, 1718. Interp. as 3-couple set by Andrew Shaw
Formation: 3 couple longways setKey: D, Meter: 2/2Choreography/Music: Fried deMetz Herman to Orielton House
Formation: Triple minor longwaysKey: G, Meter: 2/2Dance InstructionChoreography/Music: The Dancing Master 1698 (10th Edition)
Formation: Longways duple minorKey: G, Meter: 3/4Choreography/Music: Leslie Laseter, 2002
Formation: Longways duple minorKey: Gm, Meter: 2/2Choreography/Music: Playford 1651
Formation: Longways duple minorKey: Cm, Meter: 6/8Choreography/Music: Don Theyken in 2008, to Doctor Who Pirate Jig by Martha Stokely
Formation: 6 couple longwaysKey: G, Meter: 2/4Dance InstructionChoreography/Music: unknown
Formation: 4 couple longwaysKey: A, Meter: 2/4Choreography/Music: Jenna Simpson to tune Shepherd and Shepherdess (1799)
Formation: Four couple setKey: C, Meter: 3/4Choreography/Music: Orly Krasner to Judy’s Jubilation by Dave Wiesler
Formation: Longways duple minorKey: C, Meter: 4/4Dance InstructionChoreography/Music: Playford 1688 inter. by Tom Cook
Formation: Longways duple minorKey: D, Meter: 4/4Choreography/Music: Essex 1710; Feuillet 1706. interpretation Pat Shaw
Formation: CircleChoreography/Music: Tune and dance c2014 by Sharon McKinley
Formation: Circle (from 3 to 20+ couples)Key: A, Meter: 2/2Dance InstructionChoreography/Music: Choreography/Music: Playford 1651 see 'Dance Instruction' above
Formation: Longways duple minorKey: C, Meter: 3/4Dance InstructionChoreography/Music: Greta Christina to "Welcome" by O'Carolan
Formation: Longways duple minor improperKey: D, Meter: 6/8Dance InstructionChoreography/Music: Pierre Trappeniers c. 1777 reconstriction by Philippe Callens (2002)
Formation: 3 couple longways set – Jig Key: Bflat, Meter: 6/8Dance InstructionChoreography/Music: Pat Shaw (1972)
Formation: Longways duple minorKey: Gm, Meter: 4/4Choreography/Music: Nathanial Kynaston (1718) as interpreted by Andrew Shaw (2002
Formation: Longways duple minor, 2's improperKey: Gm, Meter: 6/8Dance InstructionChoreography/Music: Sharon Green (2012 ) to G Minor Jig, by Martha Stokely (2012)
Formation: Longways triple minorKey: D modal, Meter: 2/2Choreography/Music: Orly Krasner
Formation: Longways duple minorKey: D, Meter: 2/2Choreography/Music: Brooke Friendly and Chris Sackett, to "March for Warren" by Peter Barnes (2010)
Formation: 2 couple circleChoreography/Music: Fried de Metz Herman
Formation: Longways duple minorKey: C, Meter: 2/2Dance InstructionChoreography/Music: Philippe Callens to the tune “Duke of Buckingham,” by Geoff Mendham.
Formation: Longways duple minorKey: A, Meter: 6/8Dance InstructionChoreography/Music: EDM 1696-1728; Playford 1698 to Hunt the Squirrel; Cecil Sharp 1922
Formation: 3 couple longways setKey: A, Meter: 6/8Choreography/Music: Daniel Herr 1975, to Greenholm, trad.
Formation: 3 couple longways setKey: D, Meter: 2/4Choreography/Music: Chris Sackett and Brooke Friendly to Kuparai Eeva
Formation: Longways duple minorChoreography/Music: Paul Harris/Samuel Sim for BBC'sEmma 2009 Reconstruction here by M.Angad Gaur. JASNL
Formation: 4 couple squareKey: G, Meter: 4/4Choreography/Music: Peggy Roe to a Lancashire Morris dance tune by the same name and a variant source unknown.
Formation: Longways duple minor improperKey: Em, Meter: 3/4Dance InstructionChoreography/Music: Fried deMetz Herman (1988) to Bonnie George Campbell and Wandering Willie
Formation: Longways duple minorKey: D, Meter: 4/4Dance InstructionChoreography/Music: Pat Shaw (1974)
Formation: Longways duple minorKey: Gm, Meter: 6/4Choreography/Music: Thomas Bray 1699
Formation: 3 couple longways setKey: Gm, Meter: 4/4Dance InstructionChoreography/Music: Ron Coxall to a tune by Heather Bexton
Formation: 2 couple circleKey: G, Meter: 2/2Dance InstructionChoreography/Music: Playford 1651
Formation: 3 couple longways setKey: G, Meter: 4/4Choreography/Music: Thomas Bray 1699 tune by John Lenton
Formation: Longways duple minorChoreography/Music: Charlene Thomson
Formation: 4 couple squareKey: G, Meter: 4/4Choreography/Music: Yorkshire Trad. Pat Shaw
Formation: Longways duple minorChoreography/Music: John Gardiner-Garden
Formation: 4 couple longwaysKey: Gm, Meter: 2/2Dance InstructionChoreography/Music: Playford 1651
Formation: Longways Duple Minor (or, alternatively, as a 3 couple set)Key: B Minor, Meter: 9/8Dance InstructionChoreography/Music: Scott Higgs (2018)
Formation: 3 couple longways setKey: D, Meter: 2/2Dance InstructionChoreography/Music: Philippe Callens - 1986, to Spagnolette Reformeert (Dutch traditional tune)
Formation: Longways duple minorKey: D, Meter: 6/8Choreography/Music: Fried de Metz Herman/tune by John Stapledon?
Formation: Longways triple minorKey: G, Meter: 3/4Dance InstructionChoreography/Music: Christine Helwig to Eric’s Scott's tune “Christine and Ed’s Waltz,”
Formation: Sicilian circleChoreography/Music: Nicolas Broadbridge, 1993
Formation: 4 couple square. Couples progress one position counterclockwiseKey: G, Meter: 3/4Dance InstructionChoreography/Music: Philippe Callens/ Jonathan Jensen
Formation: Longways duple minorKey: Am, Meter: 2/2Dance InstructionChoreography/Music: Gary Roodman (1992)/Rondo Alla Turca, W.A. Mozart
Formation: Longways duple minorKey: D, Meter: 4/4Dance InstructionChoreography/Music: Sharon McKinley, August 2011
Formation: 3 couple longwaysKey: A, Meter: 6/8Dance InstructionChoreography/Music: Thompson's Compleat Collection of 200 Favorite Dances Vol 3, 1768
Formation: Longways duple minorKey: G, Meter: 6/8Choreography/Music: Fried deMetz Herman (2000) to Bryant Aveniue Blues by George Davis (2000)
Formation: Longways duple minorKey: G, Meter: 6/8Choreography/Music: Loretta Holz (2006) to Joyful Jig by Charlene Thomson
Formation: Longways duple minorChoreography/Music: Elias Howe
Formation: Longways duple minorKey: C, Meter: 9/8Choreography/Music: Sol Weber (2006) to a traditional South Wales tune
Formation: 3 couple longways setKey: Dm, Meter: 2/2Dance InstructionChoreography/Music: Playford 1651
Formation: Longways duple minorKey: Bb, Meter: 2/2Choreography/Music: Thomas Bray 1699
Formation: Longways duple minorDance InstructionChoreography/Music: Keith Wood April 2012 to 16 bar march esp. Hagsätra Brudmarsch by Väsen
Formation: Longways duple minorKey: F, Meter: 4/4Choreography/Music: Melissa Running, tune by Josh Burdick @2006
Formation: Triple minor longways (or 3 couple set)Key: DM, Meter: 6/8Choreography/Music: Neal c. 1726
Formation: Longways duple minorChoreography/Music: Brooke Friendly and Chris Sackett, 2014, tune is "Walnut Hill" by Shira Kammen
Formation: 3 couple longways setKey: Gm, Meter: 6/8Dance InstructionChoreography/Music: Playford 1721, reconstructed by Douglas and Helen Kennedy (1919)
Formation: 5-couple SetChoreography/Music: Chris Sackett and Brooke Friendly (2015)
Formation: 3 couple longways setChoreography/Music: Elizabeth Goossen
Formation: 3 couple longways setKey: A, Meter: 3/8Dance InstructionChoreography/Music: Playford 1651
Formation: Longways duple minorKey: Dm, Meter: 6/4Choreography/Music: The Dancing Master 17th Ed. Vol. I 1721
Formation: Longways duple minor improperKey: C, Meter: 3/4Dance InstructionChoreography/Music: Eric Leber
Formation: Single progression longways mixerKey: G, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651 (longways and circle)
Formation: 3 couple longways setKey: G, Meter: 6/8Dance InstructionChoreography/Music: Mary Devlin (2001) to tune by Liz Donaldson
Formation: Triple minor longwaysKey: Cm, Meter: 3/2Dance InstructionChoreography/Music: Playford 1710, reconstructed by Bernard J. Bentley (1962)
Formation: Duple minor longways – ReelDance InstructionChoreography/Music: Pat Shaw to McDonald’s Reel
Formation: Longways duple minor improperKey: Gm, Meter: 3/2Choreography/Music: Gary Roodman (2005)/adapted from Virgin's Frolic(Playford 1713)
Formation: 2 couple circleKey: D, Meter: 2/2Dance InstructionChoreography/Music: Gary Roodman (1992)/Bouree from G.F Handel's Water Music, Suite No.2 in D
Formation: Longways duple minorKey: G, Meter: 3/2Dance InstructionChoreography/Music: Dance and tune by Tom Siess, 2006
Formation: Longways Dupre minorKey: Dm, Meter: 2/4Dance InstructionChoreography/Music: Paula Kelly (2007) to "Koker-yes" by Lar Dugan (2007
Formation: 3 couple longways set (was triple mimor)Key: D, Meter: 6/8Dance InstructionChoreography/Music: Thompson, Twenty Four Country Dances, 1777
Formation: 3 couple longways setKey: D, Meter: 6/8Dance InstructionChoreography/Music: Nathaniel Kynaston, 1716
Formation: Longways duple minorKey: A, Meter: 4/4Dance InstructionChoreography/Music: Sharon Green. Tune by Jonathan Jensen (2014)
Formation: Longways duple minorKey: D, Meter: 6/8Dance InstructionChoreography/Music: Playford 1696
Formation: 3 couple longways set (was triple mimor)Key: G, Meter: 2/2Dance InstructionChoreography/Music: Walsh 1736
Formation: 3 couple longways setKey: C, Meter: 3/2Dance InstructionChoreography/Music: Published: Dancing Master (Playford) I: 1703-1728 Renovated Eugenia Eremina-Solenikovoy
Formation: Longways duple minorDance InstructionChoreography/Music: Pat Shaw to 'Harlequin' from Oude en Nieuwe Hollantse Boerenlietjes en Contredansen,
Formation: Longways duple minorKey: F, Meter: 6/8Choreography/Music: Johnson c 1742 / reconstuction by Andrew Shaw (2012)
Formation: One Couple ShortwaysMeter: 4/4Dance InstructionChoreography/Music: Don Bell (2020)
Formation: Longways Duple Minor (or as a 2 couple set)Meter: 4/4Dance InstructionChoreography/Music: Diane Bell (2021)
Formation: Longways duple minorKey: Am, Meter: 4/4Dance InstructionChoreography/Music: Neal c. 1726
Formation: Longways duple minorKey: D, Meter: 9/8Dance InstructionChoreography/Music: Chris Sackett and Brooke Friendly (2006) to La Maison de Glace by Rejean Brunet, published in Impropriety Vol. II
Formation: Longways duple minorKey: D, Meter: 9/8Dance InstructionChoreography/Music: Jenny Beer
Formation: Longways duple minorKey: Gm, Meter: 6/8Dance InstructionChoreography/Music: Walsh 1718
Formation: 4 couple longwaysKey: G, Meter: 4/4Dance InstructionChoreography/Music: Playford 1651
Formation: Longways duple minor improperDance InstructionChoreography/Music: 2008, Orly Krasner
Formation: 2 couple circleKey: Gm, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651
Formation: Longways Duple MinorMeter: 3/4Choreography/Music: Michael Wood/Dave Wiesler
Formation: Longways duple minor improperKey: D, Meter: 6/8Choreography/Music: Lena Rees and John Lagden c. 1983
Formation: 4 couple squareKey: G, Meter: 3/4Dance InstructionChoreography/Music: Pat Shaw/ trad tune
Formation: 4 couple longwaysKey: G, Meter: 2/2Dance InstructionChoreography/Music: Colin Hume for Helena Moss on the occasion of her wedding to Jim Crouch, 26Mar1988
Formation: Longways duple minorKey: G, Meter: 6/8Dance InstructionChoreography/Music: Claudio Buchwald
Formation: Four–couple longways Set – JigDance InstructionChoreography/Music: Pat Shaw 1975
Formation: Longways duple minorKey: C, Meter: 2/4Choreography/Music: Bernard Bentley
Formation: Longways duple minorKey: Dm, Meter: 3/2Choreography/Music: Gary Roodman (1999)
Formation: Longways duple minorKey: Gm/G, Meter: 3/2Choreography/Music: Gary Roodman (2003)
Formation: 7 dancersChoreography/Music: Alan White
Formation: 4 couple longwaysMeter: 12/8Dance InstructionChoreography/Music: Lord Iulstan Sigewealding/ Heather Rose Jones 1990
Formation: 4 couple longwaysChoreography/Music: written by Heather Rose Jones, arranged by Paul Butler,c.1990)
Formation: Four couple Longways Set – ReelKey: D, Meter: 4/4Dance InstructionChoreography/Music: Pat Shaw, 1974
Formation: 2 couple circleKey: C, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651
Formation: 2 couple circleKey: C, Meter: 6/8Dance InstructionChoreography/Music: Cecil Sharp (Hey Boys Up Go We modified/renamed by FolkinMotion
Formation: Longways duple minorKey: Em, Meter: 3/8Dance InstructionChoreography/Music: Brooke Friendly and Chris Sackett (2003) to Spatter the Dew, trad. Irish, published in Impropriety Vol. 1
Formation: Longways duple properKey: F Maj, Meter: 6/8Dance InstructionChoreography/Music: Liz Donaldson, 2011, tune is her "Hazelfern Jig" (2000)
Formation: Longways duple minorKey: C, Meter: 4/4Choreography/Music: Pat Petersen (2014) to Highlander's Farewell (trad).
Formation: Triple minor longwaysKey: C, Meter: 4/4Choreography/Music: John & William Neal, 1726
Formation: Longways duple minorKey: D, Meter: 2/4Choreography/Music: Mr. Nathaniel Kynaston. Walsh. Hare (1718) reconstruction by Andrew Shaw (2008)
Formation: Longways duple minorDance InstructionChoreography/Music: John Nash to A Minor Slip Jig, by Martha Stokely 2006.
Formation: 2 couple circleKey: Em, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651
Formation: 3 couple longways setKey: G, Meter: 6/8Choreography/Music: Ian Hughes 1999 to Wheatsheaf Tavern
Formation: Longways duple minorKey: F, Meter: 4/4Dance InstructionChoreography/Music: Wright 1740
Formation: Longways duple minorKey: Bb, Meter: 3/2Dance InstructionChoreography/Music: Choreography/Music: EDM 1701 and a reconstruction into circular formation; reconstructions by Cecil Sharp and Eugene Solennikovoy, see 'Dance Instruction' above
Formation: Longways duple minorKey: G, Meter: 6/8Choreography/Music: Brooke Friendly and Chris Sackett (2005); to Le Brandevin by Robert Amyot (1990 & 2005),published in Impropriety Vol. 1
Formation: Longways duple minorKey: Gmx, Meter: 3/4Dance InstructionChoreography/Music: Gary Roodman(1999)/Jonathan Jensen
Formation: Longways duple minorKey: Bb, Meter: 3/4Dance InstructionChoreography/Music: Gary Roodman(2003)/Jonathan Jensen
Formation: Longways duple minorKey: D, Meter: 6/8Dance InstructionChoreography/Music: Preston, 1794, reconstruction by Bert Simons c. 1991
Formation: 3 couple longways setKey: D, Meter: 9/8Dance InstructionChoreography/Music: Thompson 1786
Formation: Longways duple minor improperKey: Gmx, Meter: 2/2Dance InstructionChoreography/Music: Gary Roodman (2003)/Branle de Cheveaux (T. Arbeau, 1589)
Formation: Four couple longways; 2's and 4's improperKey: G, Meter: 4/4Choreography/Music: Philippe Callens to Squire Parsons by Turlough O'Carolan
Formation: SquareKey: Gm, Meter: 3/4Dance InstructionChoreography/Music: Colin Hume (2017)
Formation: Longways duple minorKey: G, Meter: 3/4Dance InstructionChoreography/Music: Jacqueline Schwab & Charles Hamond, 1974. Tune: Dance to Your Daddy.
Formation: 3 coupe longwaysKey: Dm, Meter: 3/4Choreography/Music: Kynaston 1710 The Dancing Master 15th Ed. 1713 Walsh 1718
Formation: 4 couple longways squareKey: C, Meter: 6/8Dance InstructionChoreography/Music: Playford 1657
Formation: Triple minor longwaysKey: G, Meter: 4/4Dance InstructionChoreography/Music: Playford 1709
Formation: Longways duple minorKey: Dm, Meter: 2/2Choreography/Music: Playford 1721; Fallibroome Collection, Bernard Bentley
Formation: Longways duple minorKey: G, Meter: 6/8Choreography/Music: Walsh, 1713, interpreted by Michael Barraclaugh, c 1970)
Formation: longways triple minorKey: D, Meter: 2/4Dance InstructionChoreography/Music: Preston 24 Country Dances for the Year 1794
Formation: 4 couple squareKey: C, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651
Formation: Longways duple minorKey: F, Meter: 2/4Dance InstructionChoreography/Music: Thompson, 24 Country Dances for the Year 1804
Formation: CircleKey: C, Meter: 6/8Dance InstructionChoreography/Music: Katherine Creelman Skrobela(1969) to a tune by Thomas Campion (1601)
Formation: Longways duple minorDance InstructionChoreography/Music: Pat Shaw 1974 to ‘Nu wil ik een liedeke zingen’ from Oude en Nieuwe Hollantse Boerenlietjes en Contredansen
Formation: 4 couple squareKey: D, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651
Formation: 3 Couple SetKey: A Minor, Meter: 3/4Dance InstructionChoreography/Music: Choreography (2023) and music (2004) by Robert Jamison
Formation: Longways duple minorKey: Gm, Meter: 3/4Dance InstructionChoreography/Music: Fried deMetz Herman (1990) to an adaptation of Handel's Impertinence
Formation: Longways duple minorKey: Dm, Meter: 6/8Dance InstructionChoreography/Music: Brooke Friendy & Chris Sackett (1999) to Millisons Jegge, Playford 1651,published in Impropriety Vol. 1
Formation: 3 couple longways setKey: D Major, Meter: 3/4Dance InstructionChoreography/Music: Choreography (2023) and music (2009) by Robert Jamison
Formation: Longways duple minor improperKey: F, Meter: 2/2Dance InstructionChoreography/Music: Robin Hayden (1997); tune by Gustav Hoslt (1905)
Formation: Longways duple minorKey: F, Meter: 2/2Dance InstructionChoreography/Music: Playford 1710
Formation: Longways Duple Minor ImproperMeter: 3/4Dance InstructionChoreography/Music: Fried de Metz Herman
Formation: 3 Couple LongwaysMeter: 3/4Choreography/Music: Robert Jamison
Formation: CircleKey: F, Meter: 2/2Dance InstructionChoreography/Music: Colin Hume (1982) to Indian Queen
Formation: Longways duple minorKey: D, Meter: 2/2Dance InstructionChoreography/Music: Choreography/Music: EDM 1701 and a reconstruction into circular formation; reconstructions by Cecil Sharp and Eugene Solennikovoy. see 'Dance Instruction" above
Formation: Longways duple minorKey: C, Meter: 3/4Dance InstructionChoreography/Music: Elizabeth Goossen, 2002 to Susan's Waltz by Jonathan Jensen @1984
Formation: LW dupleKey: Em, Meter: 9/8Dance InstructionChoreography/Music: Renée Camus, 2018; tune is "It Rains by Dogs and Cats" by Dave Wiesler
Formation: Longways duple minorChoreography/Music: Loretta Holz/ Dave Wiesler
Formation: 3 couple set longwaysChoreography/Music: Susan Amessé to The Good Lady of Cottage Place, by Tom Amessé
Formation: 3 couple longways setKey: G, Meter: 6/8Dance InstructionChoreography/Music: Charles & Samuel Thompson 1772
Formation: Longways duple minor, gender neutralKey: D, Meter: 3/4Dance InstructionChoreography/Music: Miriam Newman to Haapavesi Waltz by Keith Murphy
Formation: 3 Couple LongwaysMeter: 4/4Choreography/Music: Robert Jamison
Formation: 4 couple longwaysKey: Am, Meter: 3/4Dance InstructionChoreography/Music: Fried de Metz Herman (1999)/Turlough O'Carola
Formation: 4 couple squareKey: F, Meter: 3/4Dance InstructionChoreography/Music: Gary Roodman to tune of the same name by Peter Barnes (2012)
Formation: Longways duple minor; second couple improperMeter: 3/4Dance InstructionChoreography/Music: Mary Williams to tune by Charlene Thompson
Formation: Longways duple minorKey: G, Meter: 4/4Dance InstructionChoreography/Music: 3rd Volume Dancing Master c. 1726, Andrew Shaw interpretation; tune arranged by Rebecca King
Formation: Longways duple minorKey: G, Meter: 3/4Dance InstructionChoreography/Music: Walsh c.1735/ Interpr. Tom Cook
Formation: Longways triple or duple minor Key: G, Meter: 9/8Choreography/Music: Asa Willcox called as contra by Ralph Page
Formation: 3 couple longways setKey: Dm, Meter: 6/8Choreography/Music: Colin Hulme to Lull Me Beyond Thee
Formation: 3 couple longways setChoreography/Music: Shanda McDonald
Formation: 3 couple longways setDance InstructionChoreography/Music: Brook Friendly and Chris Sackettt, published in Impropriety Vol. IV
Formation: 3 couple longways setKey: G or F, Meter: 3/2Choreography/Music: Jenny Beer, 2015/tune by Jonathan Jensen
Formation: Longways duple minorChoreography/Music: Jan Dale/John Stapledon
Formation: Longways duple minorKey: G, Meter: 6/8Choreography/Music: 8 different dances by this name were published between 1756 and 1809. This version is from Trumball, Gentleman and Lady's Companion (Norwich CT 1708)
Formation: Longways duple minorKey: Am, Meter: 6/8Dance InstructionChoreography/Music: Playford 1721 to "Bolt the Door 1686
Formation: Longways duple minorKey: D, Meter: 2/2Dance InstructionChoreography/Music: Playford 1702; Diagonal hey variation; Renovated by Eugenia Eremina-Solenikovoy. see 'Dance Instruction' above
Formation: 4 couple longways setDance InstructionChoreography/Music: Bob Green
Formation: Longways duple minorKey: D, Meter: 6/8Dance InstructionChoreography/Music: Choreographed and composed by Elizabeth Goossen
Formation: Longways duple minorKey: Fm, Meter: 6/8Dance InstructionChoreography/Music: Playford 1695, (interp Cecil Sharp) to tune Under and Over Playford 1652 (trad); interepretation by Pat Shaw
Formation: Longways duple minorKey: G, Meter: 2/4Choreography/Music: Raoul-Auger Feuillet English Country Dances from the French Court, 1716
Formation: Longways duple minorKey: F, Meter: 2/2Dance InstructionChoreography/Music: Playford 1670 and variants
Formation: 3 couple longwaysMeter: 3/4Choreography/Music: Alan Winston
Formation: 4 Couple LongwaysChoreography/Music: Philippe Callens (2010) to"Jane's Song' by Charlene Thompson
Formation: Longways duple minorKey: G, Meter: 2/4Dance InstructionChoreography/Music: English Dances for the Dutch Court 1755
Formation: Longways duple minorKey: Am, Meter: 6/8Dance InstructionChoreography/Music: tradtional - published in Country Dances of Colonial America (John Millar)
Formation: Longways duple minor improperDance InstructionChoreography/Music: Called as contra by Ralph Page
Formation: Longways duple minorMeter: polkaChoreography/Music: Gregory Reynolds, to Mr. Reynolds' arrangement of the "Jenny Lind Polka"
Formation: Longways duple minorKey: D, Meter: 6/8Dance InstructionChoreography/Music: Playford 1690
Formation: Round for 3 or more couplesKey: Am, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651; Cecil Sharp 1911 inter, zesty variation, Russian reconstruction. see 'Dance Instruction' above
Formation: Longways duple minorDance InstructionChoreography/Music: Dan Blim, 2012 Tipperty's Jean," traditional; "Rod's Birthday," Barbara McOwen
Formation: Longways duple minorKey: Bb, Meter: 6/8Dance InstructionChoreography/Music: Playford 17th Ed Vol1, 1721, reconstructed by Charles Bolton in Retreads 8
Formation: Longwas duple minor in canonKey: G, Meter: 6/8Dance InstructionChoreography/Music: Pat Shaw (1965)
Formation: Longways duple minor improperKey: G, Meter: 3/2Dance InstructionChoreography/Music: Brooke Friendly and Chris Sackett, published in Impropriety Vol. II
Formation: Longways triple minor (Andrew Shaw); 3 couple (Christine Robb)Key: D, Meter: 4/4Dance InstructionChoreography/Music: Walsh 1718: reconstruction by Andrew Shaw
Formation: Longways duple minor improperKey: F, Meter: 3/4Dance InstructionChoreography/Music: Victor Skowronski to Lulaje Jezuniu/Wesola Novine, traditionl Polish Carols
Formation: Longways duple minorKey: G, Meter: 6/8Dance InstructionChoreography/Music: Pat Shaw 1974
Formation: Longways Duple Minor, improperKey: G, Meter: 4/4Dance InstructionChoreography/Music: Dance and tune by Naomi Alexander (1992)
Formation: Longways duple minorKey: Bb, Meter: 6/8Dance InstructionChoreography/Music: Playford 1702
Formation: 3 couple longways setKey: Am, Meter: 3/4Dance InstructionChoreography/Music: Dancing Master 1719; Reconstruction by Fried deMetz Herman
Formation: Longways duple minor improperKey: Am, Meter: 4/4Choreography/Music: Gary Roodman (2008)
Formation: Triple Minor - (triple progression)Key: D, Meter: 4/4Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: Longways duple minor improperChoreography/Music: Brooke Friendly & Chris Sackett (2012) to "Mother’s Day Kas-a-Barh” by Shira Kammen and Ray Price (1999)
Formation: Longways duple minor improperKey: D, Meter: 6/8Choreography/Music: Philippe Callens. l996
Formation: Square, numbered CCWKey: G, Meter: 6/8Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: Longways duple minorKey: G, Meter: 3/4Dance InstructionChoreography/Music: Colin Hume (2000) to trad. tune
Formation: Longways duple minorKey: Am, Meter: 6/8Dance InstructionChoreography/Music: Playford 1690 reconstruction by Cecil Sharp (1916)/Purcell; variation in claps; unattributed variations. see 'Dance Instructions' above
Formation: Triple minor longwaysKey: D, Meter: 6/8Dance InstructionChoreography/Music: Wilson 'Pleasures of Terpsichore' 1810
Formation: Longways duple minor improperKey: Gm/Em, Meter: 6/8Choreography/Music: Scott Higgs to tune of the same name by John Kirkpatrick
Formation: Longways duple minorKey: Bb, Meter: 3/2Choreography/Music: Walsh 1714 reconstructed by Andrew Shaw (2016)
Formation: Longways duple minorKey: F, Meter: 3/4Dance InstructionChoreography/Music: Sharon Green 2011/ Jonathan Jensen's Drifting on the Dreamy Juniata
Formation: Double longways BecketKey: A, Meter: 2/4Dance InstructionChoreography/Music: Pat Shaw 1974
Formation: duple, longways, improperDance InstructionChoreography/Music: Bob Green to "Evergreen" by Keith Murphy
Formation: Longways duple minor improperKey: F, Meter: 6/8Dance InstructionChoreography/Music: Sharon Green (2006) to Silly Jig by Jonathan Jensen
Formation: Longways duple minor improperKey: G, Meter: 2/2Choreography/Music: Orly Krasner/ John Austin
Formation: Longways duple minor improperKey: Gm, Meter: 6/8Dance InstructionChoreography/Music: Walsh 1718
Formation: Longways Duple Minor ImproperMeter: 6/8Dance InstructionChoreography/Music: Fried de Metz Herman Ease and Elegance (1995)
Formation: 3 couple longways setKey: Dm, Meter: 4/4Dance InstructionChoreography/Music: Playford 1727; Tom Cook (1975)
Formation: 3 couple circleKey: Gm, Meter: 6/4Dance InstructionChoreography/Music: Playford 1728
Formation: Duple Minor longways – ReelKey: D, Meter: 4/4Dance InstructionChoreography/Music: Pat Shaw 1964
Formation: Longways duple minorKey: Dm, Meter: 4/4Dance InstructionChoreography/Music: Playford DM, 9th edition, 1695, interpretation by Charles Bolton, in Retreads I, #5
Formation: Triple minor longwaysKey: Em, Meter: 3/2Dance InstructionChoreography/Music: Jenny Beer, 2004 to traditional tune.
Formation: Longways duple minorKey: C, Meter: 3/2Dance InstructionChoreography/Music: Walsh 1719; The Dancing Master Vol. III 1728
Formation: 3 coupe longwaysChoreography/Music: Seth Tepfer to "The New Bag" by Dave Marcus
Formation: Longways duple minorKey: D, Meter: 6/8Dance InstructionChoreography/Music: Walsh 1716, as interpreted by Andrew Shaw (2006)
Formation: Longways duple minor improperKey: Gm, Meter: 6/8Dance InstructionChoreography/Music: Playford 1698 (as The King of Poland
Formation: 3 couple longways setKey: Bb, Meter: 3/2Dance InstructionChoreography/Music: DM John Young 1718. Intepretation by Andrew Shaw
Formation: 4 couple longwaysChoreography/Music: Alan Davies to Planxty Irwin by O'Carolan
Formation: 3 couple longways setKey: D/A, Meter: 2/2Dance InstructionChoreography/Music: Fried deMetz Herman (1984)
Formation: 3 dancers in a circle.Meter: 3/4Dance InstructionChoreography/Music: John Sweeney, Karen Sweeney & Lani Graham
Formation: 3 couple longways setKey: G, Meter: 4/8Dance InstructionChoreography/Music: Gary Roodman (1987)/La Basque by M. Marais
Formation: Longways, Becket FormationMeter: 3/4Dance InstructionChoreography/Music: John Sweeney
Formation: Longways duple minorKey: D, Meter: 3/2Dance InstructionChoreography/Music: Neal, 1726
Formation: Longways Duple MinorMeter: 2/4Dance InstructionChoreography/Music: Gene Murrow
Formation: Longways duple minorKey: D, Meter: 2/4Dance InstructionChoreography/Music: A Simons (Kentish Hops) 1961. dance from Noel Park) Voight 1809/Fentum 1810; music (Knowles Park ) Bishop 1788.
Formation: 4 couple squareKey: Dm, Meter: 3/2Choreography/Music: Pat Shaw to ‘Gaillarde Koepoort’ from Oude en Nieuwe Hollantse Boerenlietjes en Contredansen
Formation: 4 couple squareChoreography/Music: Dave Ricker 1982
Formation: Longways duple minorKey: Dm, Meter: 3/2Dance InstructionChoreography/Music: The Dancing Master 3rd Ed. App. 1665; interp. Cecil Sharp
Formation: Longways duple minorKey: Bb, Meter: 2/2Dance InstructionChoreography/Music: The Dancing-Master: The Tenth Edition … London. H. Playford, 1698
Formation: Longways duple minorKey: G, Meter: 4/4Dance InstructionChoreography/Music: Thomas Wilson, The Treasures of Terpsichore (1809)
Formation: Longways duple minorKey: Bm, Meter: 3/2Dance InstructionChoreography/Music: Rich Galloway
Formation: Longways duple minorKey: D, Meter: 6/8Choreography/Music: Dancing Master 1788-1833, John Griffiths
Formation: Longways duple minorKey: G, Meter: 3/4Dance InstructionChoreography/Music: Dan Seppeler (ca. 2012) to trad. tune
Formation: 4 couple longways improperKey: Cm, Meter: 3/4Dance InstructionChoreography/Music: Gary Roodman, 2016, to Mylne's Court by Rachel Bell
Formation: 3 dancers in a lineMeter: 3/4Dance InstructionChoreography/Music: Alan Winston
Formation: Longways duple minorKey: F, Meter: 6/8Dance InstructionChoreography/Music: Karen Shaw to tune by Doug Plummer
Formation: 3 couple longways set (was triple mimor)Key: C, Meter: 6/8Dance InstructionChoreography/Music: Thompson 1774
Formation: Longways duple minorKey: C, Meter: 6/4Choreography/Music: Thomas Bray 1699 reconstruction by Diana Cruckshenk
Formation: Longways duple minorKey: D, Meter: 6/8Dance InstructionChoreography/Music: Twenty Four New Country Dances for the Year 1716..by Kynaston, Nathanial; interpretation by Andrew Shaw
Formation: Longways duple minor improperKey: Am, Meter: 3/4Dance InstructionChoreography/Music: David Macemon & Cynthia Stenger/ Music "L is for..." by Bob Pasquarello
Formation: 3 couple longways setKey: Em, Meter: 3/4Dance InstructionChoreography/Music: Fried de Metz Herman (1996)/ Green Fingers by John Stapledon (1968)
Formation: 3 couple longways setChoreography/Music: Peggy Roe 2014
Formation: Longways duple minorKey: C, Meter: 4/4Choreography/Music: Loretta Holz to Hemlock Grove by Charlene Thompson
Formation: 3 couple set; Longways duple minor variation Key: D, Meter: 4/4Dance InstructionChoreography/Music: Fried de Metz Herman 1989.
Formation: Longways duple minorKey: D, Meter: 2/4Dance InstructionChoreography/Music: C. Wheatstone c. 1811
Formation: Longways duple minor improperDance InstructionChoreography/Music: Bob Green to Lisa by Larry Unger
Formation: Longways duple minorChoreography/Music: Orly Krasner to "Mr. Tesla's Magnet" by Dave Bartlett (2016)
Formation: Longways Duple Minor, ImproperKey: C, Meter: 3/2Choreography/Music: Gary Roodman (2005) to tune by David Schonfeld
Formation: Duple longwaysKey: Dm, Meter: 4/4Choreography/Music: Henry Bishop. 1788 adopted by Scott Higgs. Tune changed to Pease Strae by Niel Go
Formation: Triple minor longwaysKey: A, Meter: 4/4Dance InstructionChoreography/Music: Henry Bishop, 1788 adapted by Scott Higgs
Formation: Longways duple minorKey: A, Meter: 9/8Choreography/Music: Brook Friendly & Chris Sackett to Bob Mills' Draught by Peter Barnes, published in Impropriety Vol. III
Formation: 3 couple longwaysKey: D, Meter: 4/4Choreography/Music: David Bateman to the tune "Fisher's Hornpipe"
Formation: Longways duple minorKey: Bm, Meter: 3/4Dance InstructionChoreography/Music: Michael Barraclough (2012)
Formation: Longways Duple MinorMeter: 2/2Dance InstructionChoreography/Music: Philippe Callens
Formation: 4 couple squareChoreography/Music: Thomas Budd. 1780
Formation: Longways duple minorKey: G, Meter: 6/8Dance InstructionChoreography/Music: Scott Higgs, 2001, tune: Miss Grace Hay's Delight published by Neil Gow
Formation: 5 couple set progressiveKey: G, Meter: 2/4Dance InstructionChoreography/Music: Pat Shaw (1975)
Formation: Longways duple minor improperKey: A, Meter: 3/4Dance InstructionChoreography/Music: Sharon Green (2009) to Bluesy Waltz by Jonathan Jensen(1995)
Formation: Longways duple minor improperKey: C, Meter: 6/8Choreography/Music: Gary Roodman (2015) tune by Corelli
Formation: Longways Duple MinorMeter: 6/8Dance InstructionChoreography/Music: Fried de Metz Herman
Formation: Double Circle (circular Becket formation)Key: G, Meter: 3/4Dance InstructionChoreography/Music: Susan English(2018) to The Lighter Than Air Waltz by Daniel Engle
Formation: Longways duple minorKey: G, Meter: 6/8Dance InstructionChoreography/Music: Playford 1690/Henry Purcell and and Feuillet: Recueil de Contredance. 1706
Formation: Longways Duple MinorMeter: 4/4Choreography/Music: Michael Wood/Dave Wiesler
Formation: Longways duple minorChoreography/Music: Carmen Giunta & David Smukler / Charlene Thomson
Formation: Duple Minor Longways ImproperKey: D, Meter: 3/4Dance InstructionChoreography/Music: Sharon Green (2016) to "Paulina", Patti Cobb © 2016"
Formation: 2 couple set Key: G, Meter: 6/8Dance InstructionChoreography/Music: Pat Shaw, 1977
Formation: Longways duple-minor proper; double progressionDance InstructionChoreography/Music: Pat Shaw to 'Nachtegaaltje kleijne' from Oude en Nieuwe Hollantse Boerenlietjes en Contredansen
Formation: Improper Double Progression Dance InstructionChoreography/Music: Bob Green/ Jerry Livingston
Formation: Duple minor, improperDance InstructionChoreography/Music: Terry Glasspool 2016 to American Husband" played AB
Formation: Longways duple minorKey: Dm, Meter: 3/2Dance InstructionChoreography/Music: Sharon Green (2012)
Formation: Longways duple minorKey: D, Meter: 2/4Choreography/Music: Bernard Bentley, Fallibroome Collection
Formation: Longways duple minorChoreography/Music: Ron Coxall to the tune “Deep Water” by Heather Bexton
Formation: Sicilian CircleKey: F, Meter: reelDance InstructionChoreography/Music: Pat Shaw (1971)
Formation: Longways duple minorKey: A, Meter: 2/4Dance InstructionChoreography/Music: Preston 1791
Formation: Longways duple minorKey: G, Meter: 2/4Dance InstructionChoreography/Music: Pat Shaw (ca1974)
Formation: Longways duple minorChoreography/Music: Brooke Friendly and Chris Sackett; tune by Dave Wiesler
Formation: Longways Duple Minor, improperKey: Am, Meter: 3/4Dance InstructionChoreography/Music: Orly Krasner to her tune "Lucy's Waltz"
Formation: Longways duple minorKey: Dm, Meter: 6/8Choreography/Music: Rich Jackson (1989) to Jump at the Sun by John Kirkpatrick
Formation: 4 couple longwaysKey: G, Meter: 2/2Dance InstructionChoreography/Music: Playford 1651. Reconstruction Cecil Sharp 1910
Formation: Longways duple minorKey: F, Meter: 6/8Dance InstructionChoreography/Music: Brooke Friendly & Chris Sackett to Love and all that Hijaz by Dave Bartley
Formation: 3 couple longways setKey: Gm, Meter: 6/8Dance InstructionChoreography/Music: Walsh/Kynaston 1710, as reconstructed by Bernard Bentley (Fallibroome Collection, v II)
Formation: Longways duple minorKey: G, Meter: 4/4Dance InstructionChoreography/Music: Thomas Bray 1699
Formation: Longways triple or duple minor Key: D, Meter: 2/4Dance InstructionChoreography/Music: Altered here to LW duple from LW triple. Asa Willcox 1794
Formation: Longways duple minorKey: F, Meter: 4/4Dance InstructionChoreography/Music: Colin Hume (2018)
Formation: Longways duple minorKey: Gm, Meter: 4/4Dance InstructionChoreography/Music: Playford 1686, interp. by Taras Sleptsov (Traianon studio, Moscow) 2000
Formation: Longways Duple MinorMeter: 4/4Choreography/Music: Robert Jamison
Formation: 3 couple longways setKey: Gm, Meter: 2/2Dance InstructionChoreography/Music: Fried de Metz Herman, reconstructed as 3-couple set from Playford 1790/Fallibroome
Formation: Longways Duple MinorKey: D Major, Meter: 2/4Dance InstructionChoreography/Music: Choreography (2007) and music (2007) by Robert Jamison
Formation: 3 Couple Longways set, mixerKey: Eb, Meter: 2/4Choreography/Music: Melanie Axel-Lute to"I Will Bow and Be Simple" (traditional Shaker tune)
Formation: Longways duple minorKey: G, Meter: 3/4Dance InstructionChoreography/Music: Johnson III 1744
Formation: 3 couple longways setMeter: 3/4Dance InstructionChoreography/Music: Pat Shaw
Formation: Longways duple minor improperKey: Em, Meter: 6/8Dance InstructionChoreography/Music: Jim Kitch to The Black and the Grey aka Trip to Kilburn
Formation: Longways Duple MinorKey: Gm, Meter: 3/4Dance InstructionChoreography/Music: Thomas Bray (1699) to "The Lover's Luck" attributed to Thomas Tollett
Formation: Longways Duple Minor Improper (Feels like a contra)Meter: 2/2Choreography/Music: Alan Winston
Formation: Big CircleDance InstructionChoreography/Music: Barn Dance
Formation: Longways duple minorChoreography/Music: Melissa Running
Formation: 4 couple longways set; 3rd and 4th couples improperKey: Dm, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651; Reconstruction by Gwommy
Formation: Longways duple minorKey: Dm, Meter: 2/2Choreography/Music: Walsh 1718
Formation: Longways duple minorKey: Bb, Meter: 2/2Dance InstructionChoreography/Music: Playford 1695
Formation: Longways duple minorKey: G, Meter: 3/4Dance InstructionChoreography/Music: Joseph Pimentel to a tune of the same name by Dave Weisler (2018)
Formation: Longways duple minorKey: Bb, Meter: 6/8Dance InstructionChoreography/Music: Preston 24CD,1794
Formation: Longways duple minor improperKey: D, Meter: 3/4Choreography/Music: John Wood, published in his collection Ross of Mull. It is danced here to Ashokan Farewell by Jay Ungar
Formation: Longways duple minorDance InstructionChoreography/Music: Thomas John Senior
Formation: Round for 4 couplesKey: Gm, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651
Formation: Longways duple minor Becket Choreography/Music: Mark Hillegonds
Formation: Longways Duple Minor,properKey: F, Meter: 3/2Dance InstructionChoreography/Music: Nicolas Broadbridge, 1995
Formation: Longways duple minorKey: Bmin, Meter: 6/8Choreography/Music: Ric Goldman, 2017 to "Lt. Maguire's Jig", traditional
Formation: Round for 6, in 3 partsKey: G, Meter: 2/2Dance InstructionChoreography/Music: Playford 4th Ed (1670)
Formation: 3 couple Longways SetKey: D, Meter: 6/8Choreography/Music: Dancing Master 1788-1833, John Griffiths; James E. Morrison, 1976
Formation: Longways for 4 to 6 couplesKey: G, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651
Formation: Longways duple minorKey: A, Meter: 6/8Dance InstructionChoreography/Music: The Dancing Master 9th Ed. 1695; Walsh 1718
Formation: 3 couple longways setKey: A, Meter: 2/2Dance InstructionChoreography/Music: The Dancing Master 1675; Playford 1651
Formation: 4 couple longwaysKey: D, Meter: 2/2Choreography/Music: Tom Cook/ Brian Jenkins
Formation: Longways duple minorKey: C, Meter: 2/2Dance InstructionChoreography/Music: Playford 1690
Formation: Longways duple minorKey: Dm, Meter: 3/2Choreography/Music: The Dancing Master Vol II 1696 reconstruction by Fried de Metz Herman
Formation: 4 couple longwaysChoreography/Music: Elizabeth Goossen
Formation: Longways duple minorKey: Gm, Meter: 6/8Choreography/Music: Feuillet 1706, Pat Shaw interpretation 1960
Formation: Longways duple minorDance InstructionChoreography/Music: Bob Green to "Spring Will Come" by Claire Johnson
Formation: Longways duple minorKey: Gm, Meter: 2/4Dance InstructionChoreography/Music: Victor Skowronski, 2012 to the traditional tune 'A Provencal Carol'
Formation: 2 couple circleKey: G, Meter: 2/2Dance InstructionChoreography/Music: Gary Roodman (1996)/Gavotte by Pierre Caroubel (c.1600)
Formation: Siciilian CircleKey: A, Meter: 3/4Dance InstructionChoreography/Music: Pat Shaw (1959)
Formation: 3 couple longways set (was triple mimor)Key: G, Meter: 6/8Dance InstructionChoreography/Music: Thompson 1783
Formation: Longways duple minor improperKey: Eminor, Meter: 4/4Dance InstructionChoreography/Music: Elizabeth Zeckley (2004) to tune by Mickie Zekley, (1987)
Formation: Longways duple minorKey: Gm, Meter: 3/2Dance InstructionChoreography/Music: Marjorie Fennessy, 1995
Formation: 3 couple longways setKey: Gm, Meter: 3/2Choreography/Music: Philippe Callens /Jonathan Jensen
Formation: Longways duple minorKey: G, Meter: 6/8Dance InstructionChoreography/Music: Playford 1728
Formation: Longways duple minorKey: Cm, Meter: 3/2Dance InstructionChoreography/Music: Gary Roodman (2003)/tune adapted from Scherzo in Cm by Dave Wiesler(1999)
Formation: Longways duple minorDance InstructionChoreography/Music: Elizabeth Goossen
Formation: Longways Duple MinorMeter: 6/8, JigChoreography/Music: Alan Winston
Formation: 3 couple longways setKey: Gm, Meter: 2/2Dance InstructionChoreography/Music: W. Pearson & J. Young. 1718
Formation: Longways duple minorKey: C, Meter: 3/2Dance InstructionChoreography/Music: David Smukler, 2015 to The Argos Inn by Rachel Bell
Formation: Six couple ‘Becket’ setDance InstructionChoreography/Music: Pat Shaw to ‘Meester Jacob’ from Oude en Nieuwe Hollantse Boerenlietjes en Contredansen
Formation: Sicillian Circle of TriosChoreography/Music: G.M.S Chivers Swedish Country Dances 1822 reconstruction by Eugenia Eremina-Solenikova
Formation: Couples in a circleDance InstructionChoreography/Music: Keith Wood February 2013 to 32 bar reels, esp. Waltzing Matilda
Formation: Longways duple minorKey: Dm, Meter: 6/8Choreography/Music: Qelle: Feullet (1706), Essex (1710)
Formation: Triple minor longwaysKey: C, Meter: 3/4Choreography/Music: Fried de Metz Herman
Formation: Sicilian CircleDance InstructionChoreography/Music: Chris Page, 2016 to "Ladies In May" by Rebecca King 2016
Formation: 4-couple longways improperMeter: 4/4Choreography/Music: John Sweeney
Formation: 2 couple circleKey: A, Meter: 6/8Dance InstructionChoreography/Music: Colin Hume (1992)
Formation: Longways duple minor improperKey: G, Meter: 4/4Choreography/Music: Loretta Holz
Formation: Longways duple minor improperKey: Em, Meter: 3/2Dance InstructionChoreography/Music: Fried DeMetz Herman/ Purcell (adapted)
Formation: Longways Duple MinorMeter: 4/4Choreography/Music: Alan Winston
Formation: 3 couple Longways SetKey: D, Meter: 3/4Choreography/Music: Jonathan LF King to "Crested Hens" by Gilles Chabenat
Formation: Longways duple minorKey: Bm, Meter: 3/2Choreography/Music: Brooke Friendly & Chris Sackett (2007) to tune by Dave Bartley, published in Impropriety Vol. II
Formation: Longways duple minor improperKey: Dm, Meter: 6/8Dance InstructionChoreography/Music: Mary Devlin. Bob Fraley, Elizabeth Zekley 2005/Woodlands Walk by Jonathan Jensen
Formation: 3 couple longways setKey: Am, Meter: 2/2Dance InstructionChoreography/Music: Heffer and Porter: Maggot Pie
Formation: Longways duple minorKey: C, Meter: 3/2Dance InstructionChoreography/Music: Nathaniel Kynaston
Formation: Triple minor longwaysKey: G, Meter: 2/4Dance InstructionChoreography/Music: Thompson 1778
Formation: 4 couple longwaysKey: C, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651
Formation: Longways duple minorKey: Am, Meter: 2/2Choreography/Music: Philippe Callens, to a tune by John Eccles, 1700.
Formation: Longways duple minor improperKey: Am, Meter: 3/4Dance InstructionChoreography/Music: Fried de Metz Herman
Formation: Longways duple minorDance InstructionChoreography/Music: Bob Green/ Larry Unger
Formation: Longways duple minorKey: Gm, Meter: 2/4Dance InstructionChoreography/Music: Dan Blim (2014), set to The Carpathian Tune
Formation: Longways duple minorKey: G, Meter: 4/4Dance InstructionChoreography/Music: Erna-Lynne Bogue to a tune by Jan Coray (1995)
Formation: Longways duple minor improperKey: Eminor, Meter: 3/4Choreography/Music: Orly Krasner
Formation: Longways duple minorKey: Dm, Meter: 2/2Dance InstructionChoreography/Music: Thompson 1773, interp. by George Fogg
Formation: Longways duple minorKey: F, Meter: 2/2Choreography/Music: Peggy Roe to "In the Bleak Midwinter" by Gustav Holst
Formation: Longways duple minorKey: Dm, Meter: 2/2Dance InstructionChoreography/Music: Gary Roodman (2012)to tune of the same name by Jonathan Jensen
Formation: Longways duple minorKey: Dm, Meter: 6/8Choreography/Music: Jan Dale/Terry Willetts
Formation: Longways duple minorKey: C, Meter: 6/8Dance InstructionChoreography/Music: Lynn Jensen to tune by Jonathan Jensen (2011)
Formation: Longways duple minorKey: C, Meter: 2/2Dance InstructionChoreography/Music: Joseph Pimentel tune by Dave Wiesler
Formation: Longways duple minorKey: Gm, Meter: 2/2Dance InstructionChoreography/Music: Playford 1651
Formation: Longways duple minorKey: Am, Meter: 6/8Dance InstructionChoreography/Music: Melissa Running(2011)
Formation: Longways duple minorKey: Em, Meter: 6/8Dance InstructionChoreography/Music: Jenny Beer (2000)
Formation: 3 couple Longways SetKey: G, Meter: 4/4, 2/4Dance InstructionChoreography/Music: Thompson (1765)
Formation: Longways duple minorKey: Dm, Meter: 6/8Dance InstructionChoreography/Music: Pat Shaw 1962
Formation: 4 triadsKey: C, Meter: 2/2Dance InstructionChoreography/Music: Pat Shaw (1971)
Formation: Longways duple minorKey: Gm, Meter: 3/4Dance InstructionChoreography/Music: Pat Shaw c.1971
Formation: Longways duple minorKey: Am, Meter: 6/8Dance InstructionChoreography/Music: Johnson c. 1750; Fallibroome Collection 3
Formation: 3 couple longwaysMeter: 4/4Dance InstructionChoreography/Music: T. Budd 1781
Formation: Sicillian Circle of TriosChoreography/Music: G.M.S Chivers Swedish Country Dances 1822
Formation: Longways duple minorKey: G, Meter: 2/4Choreography/Music: David Newitt / Dudley Laufman
Formation: Longways duple minor improperKey: Dm, Meter: 6/4Dance InstructionChoreography/Music: Playford 1703
Formation: Longways duple minorKey: F, Meter: 3/4Choreography/Music: Brooke Friendly & Chris Sackett (1998)/Saturday Morning Waltz,Dave Wiesler (1997),published in Impropriety Vol. 1
Formation: 3 couple longways setDance InstructionChoreography/Music: Ignatio Sancho 1779
Formation: Longways duple minorKey: D, Meter: 6/8Dance InstructionChoreography/Music: Early American c1800
Formation: Triple minor longwaysKey: A, Meter: 4/4Dance InstructionChoreography/Music: Traditional/tune by Daniel Dow (1776)
Formation: 2 couples longwaysKey: G, Meter: 6/8Dance InstructionChoreography/Music: Pat Shaw (1911)
Formation: Longways duple minorKey: Gm, Meter: 4/4Choreography/Music: Country Dances of Colonial America (John Millar)
Dance InstructionChoreography/Music: Susan Kevra tune by Rachel Bell,
Formation: Longways duple minorKey: Am, Meter: 6/8Choreography/Music: Louis Vosteen( 2004) to Jefferson and Liberty
Formation: Longways duple minorKey: D, Meter: 6/8Dance InstructionChoreography/Music: ThomasPreston(1801)
Formation: Longways duple minorChoreography/Music: Loretta Holz
Formation: Longways duple minorMeter: 3/4Choreography/Music: Bob Olson (2017) to Call It A Night by Julie King (1994).
Formation: Duple minor longways improperKey: G, Meter: 3/4Choreography/Music: Susan Kevra (2017)to "Moonflower" by Rachel Bell
Formation: Sicilian CircleMeter: 6/8Dance InstructionChoreography/Music: Pat Shaw Collection Book 2 -Dances
Formation: Longways Duple MinorMeter: 4/4Dance InstructionChoreography/Music: The Blind Harper Dances, edited by Allison Thompson
Formation: Five couple longwaysKey: F, Meter: 3/4Dance InstructionChoreography/Music: Dance and music by Colin Hume 2010
Formation: 3C LW (was triple minor)Meter: 2/4Dance InstructionChoreography/Music: 3 Co long set Thompson Compleat vol V c 1789
Formation: Longways duple minorKey: Dm, Meter: 2/2Choreography/Music: Trad. northern England. Maud Karpeles
Formation: Longways triple minorKey: G, Meter: 2/2Dance InstructionChoreography/Music: William Campbell, 1795
Formation: Longways duple minorKey: D, Meter: 2/2Dance InstructionChoreography/Music: Playford 1721
Formation: 3 Couple Longways SetKey: C Major, Meter: 3/4Dance InstructionChoreography/Music: Choreography (2024) and music (2007) by Robert Jamison
Formation: Longways duple minorKey: G, Meter: 2/2Choreography/Music: Susan Kevra to Duck, Duck, Go by Rachel Bell
Formation: 3 couple longways setKey: Bb major, Meter: 3/4Dance InstructionChoreography/Music: Alan Winston
Formation: Longways duple minorKey: Am, Meter: 6/8Dance InstructionChoreography/Music: Gary Roodman(1999)/My Robe is New, trad.Shaker song)
Formation: Longways duple minor improperChoreography/Music: Ron Coxall c 1994. It was published in his book The Blackbrune Tunes. The tune is Miss Hariot Edwick's Favourite (a 5x32 bar jig)
Formation: Longways duple minorKey: C, Meter: 2/2Dance InstructionChoreography/Music: New Country Dancing Master 3d Bk (Walsh), 1728, Douglas and Helen Kennedy, 1929
Formation: Longways duple minorKey: G, Meter: 2/2Dance InstructionChoreography/Music: William Ganiford, c. 1940
Formation: Triple minor longwaysKey: D, Meter: 6/8Dance InstructionChoreography/Music: Pat Shaw (1971)
Formation: Longways duple minor improperKey: Gm, Meter: 4/4Choreography/Music: Gary Roodman (2003)/to Adsonn's Masque, John Adson (1621) as modified by Gary Roodman
Formation: Longways duple minorKey: Gm, Meter: 3/2Dance InstructionChoreography/Music: Playford 1695 with 4 major recostructions by: Cecil Sharp, Pat Shaw, Jane Gibson for Pride and Prejudice) and Colin Hume(2007). see 'Dance Instruction" above
Formation: Longways duple minor improperKey: Em, Meter: 3/4Dance InstructionChoreography/Music: Gary Roodman (2009)
Formation: Duple Minor properKey: G, Meter: 9/8Dance InstructionChoreography/Music: Joseph Pimentel/ Debbie Jackson
Formation: 3 couple longways setKey: Gm, Meter: 12/8Choreography/Music: Gary Roodman to Country Dance from Handel's Water Music.
Formation: Longways duple minorChoreography/Music: Sheila Bywaters
Formation: Longways duple minorKey: C, Meter: 3/2Dance InstructionChoreography/Music: Playford 1695
Formation: long set 3 cpls; progression 3-1-2Key: Dm, Meter: 2/2Dance InstructionChoreography/Music: Kynaston 1718, reconstruciion by Andrew Shaw
Formation: Longways duple minorKey: C, Meter: 2/2Dance InstructionChoreography/Music: Joseph Pimentel; tune by Dave Wiesler (1997)
Formation: Longways duple minorKey: F, Meter: 4/4Dance InstructionChoreography/Music: Bob Green to Tequila by Chuck Rio
Formation: Longways duple minorKey: Gm, Meter: 2/2Choreography/Music: Fried Herman, 1989 to "Westminster Hall" 1700's
Formation: Longways double minorKey: Bb, Meter: 4/4Dance InstructionChoreography/Music: Joseph Pimentel/ Dave Wiesler
Formation: CircleKey: D, Meter: 6/8Dance InstructionChoreography/Music: Charles Bolton, 2002
Formation: 3 Couple Longways, progression 2-3-1Key: D, Meter: 3/4Dance InstructionChoreography/Music: Philippe Callens to "At the Brow of the Hill" (c. 1745-46)
Formation: 3 couple progressive Longways SetKey: C, Meter: 4/4Dance InstructionChoreography/Music: Pat Shaw to "Christchurch Bells" (traditional)
Formation: Duple Minor LongwaysKey: Gm*32bars AABBC, Meter: 3/2Choreography/Music: Philippe Callens
Formation: Longways duple minorChoreography/Music: Williamsburg Heritage Dancers
Formation: Longways duple minor improperKey: C, Meter: 2/2Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: Longways duple minorKey: F, Meter: 2/2Dance InstructionChoreography/Music: Playford 1696
Formation: Longways duple minorKey: Gm, Meter: 4/4Dance InstructionChoreography/Music: Susan Amesse and Beverly Francis (2004) to Mr. Beveridge's Ground (1696).
Formation: 3 couple longways set (was triple mimor)Key: D, Meter: 4/4Dance InstructionChoreography/Music: Playford 1710; reconstruction by Charles Bolton
Formation: Longways duple minorChoreography/Music: Ken Sheffield
Formation: 3 couple longways setKey: Gm, Meter: 2/2Dance InstructionChoreography/Music: Charles Bolton 1986
Formation: Longways duple minorKey: Bm, Meter: 3/2Dance InstructionChoreography/Music: Playford, 1710, Recontruction by Bernard Bentley
Formation: 4 Couple Longways, 2 and 4 impoperDance InstructionChoreography/Music: Keith Wood October 2011 to a 4 x 32 bar reel
Formation: Triple minor longwaysMeter: 2/4Choreography/Music: Thomas Budd. 1780
Formation: Longways duple minorKey: Dm, Meter: 6/8Dance InstructionChoreography/Music: Playford 1670
Formation: Longways duple minorKey: D, Meter: 2/2Dance InstructionChoreography/Music: Colin Hume 1996
Formation: Triple MinorKey: D minor, Meter: 3/4Dance InstructionChoreography/Music: Choreography (2023) and music (2001) by Robert Jamison
Formation: Longways duple minorKey: C, Meter: 6/8Dance InstructionChoreography/Music: Thompson 1777 & TV version
Formation: 4 couple squareChoreography/Music: Don & Diane Bell as part of Canada's 150th birthday celebrations (2017) to ""My Cape Breton Home", " by Jerry Holland (1998)
Formation: Longways duple minorKey: Dm, Meter: 2/2Dance InstructionChoreography/Music: Playford 1651
Formation: Longways duple minorKey: G, Meter: 3/4Choreography/Music: Loretta Holz (2005) to Lavinia's Waltz by Charlene Thomson
Formation: 3 couple longways set (was triple mimor)Key: G, Meter: 2/4Dance InstructionChoreography/Music: The Dancing Master Vol. III 1728; edited by Cecil Sharp (to "Nobody's Jigg); edited by Charles Bolton
Formation: Longways duple minorKey: D, Meter: 6/8Dance InstructionChoreography/Music: Playford 1701
Formation: Longways duple minorKey: Dm, Meter: 3/4Dance InstructionChoreography/Music: Fried deMetz Herman(1996)to a Manx (Isle of Man) tune
Formation: Sicillian CircleKey: G, Meter: 3/4Dance InstructionChoreography/Music: Pat Shaw (1946)
Formation: 3 couple longways set (was triple mimor)Key: A, Meter: 4/4Dance InstructionChoreography/Music: Walsh 1718, reconstruction by Andrew Shaw
Formation: 4 couple longwaysChoreography/Music: James Blackcloak
Formation: Longways duple minorKey: G, Meter: 6/8Dance InstructionChoreography/Music: Playford 1686
Formation: 3 couple longways setKey: D Maj, Meter: 2/2Choreography/Music: Philippe Callens to "Another Classic Cliché" by Mik Lammers (1998)
Formation: 3 couple longways setKey: Bb, Meter: 3/4Dance InstructionChoreography/Music: Gary Roodman(1992)/minuet from G.F.Handel's Water Music Suite No. 3 in G
Formation: Longways duple minorKey: G, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651
Formation: three couple setChoreography/Music: Alan Winston, to the tune Alta Sierra Waltz (1993) by Larry Unger.
Formation: Longways Duple MinorMeter: 4/4
Formation: Longways duple minorKey: G, Meter: 2/4Choreography/Music: Nancy Shepley
Formation: Longways duple minorKey: Am, Meter: 3/2Choreography/Music: Brooke Friendly and Chris Sackett to Dave Wiesler's "Mr. Millstone's Defenestration".
Formation: Longways duple minorKey: G, Meter: 2/2Dance InstructionChoreography/Music: Colin Hume (2016)
Formation: 3 Couple LongwaysMeter: 3/2Choreography/Music: Margaret & Jeff Bary/Anna Patton
Formation: 9 dancersMeter: 64-bar reelsDance InstructionChoreography/Music: John Colville
Formation: 3 couple longways set (was triple mimor)Key: C, Meter: 4/4Dance InstructionChoreography/Music: Playford 1690
Formation: 3 couple longways set (was triple mimor)Key: A, Meter: 6/8Choreography/Music: Johnson c 1753
Formation: 3 couple longways setKey: C, Meter: 2/2Choreography/Music: Colin Hume
Formation: 4 couple longwaysKey: G, Meter: 2/2Dance InstructionChoreography/Music: Playford 1651, reconstruction by Cecil Sharp- Keller/Shimer variation with in-line siding; reimagined by Ju Gosling; French German, Lithuanian, Romanian; with swords; Barony of Cynbar see dance Instruction' above
Formation: CircleMeter: 2/2Dance InstructionChoreography/Music: Don Bell
Formation: Duple Minor LongwaysMeter: 3/4Dance InstructionChoreography/Music: Sharon Green (2010)
Formation: Longways duple minorKey: B, Meter: 3/2Dance InstructionChoreography/Music: Walsh 1710. Pat Shaw 1940/Simons 1973
Formation: Duple MinorKey: c, Meter: 4/4Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: Couples facing in a lineMeter: 4/4Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: Double Sicilian (two couples facing two couples)Key: G and/or D, Meter: 2/4Dance InstructionChoreography/Music: Pat Shaw to "Nibs Goes WSest" and/or "Jean on the Fiddle"
Formation: 4 couple squareKey: Cm, Meter: 6/8Dance InstructionChoreography/Music: Marjorie Heffer and William Porter, Maggot Pie, 1932
Formation: 4 Couples longways, 1 and 3 improper.Key: Em, Meter: 2/2Dance InstructionChoreography/Music: Colin Hume, Music: John New, 2006
Formation: 3 couple longways setKey: D, Meter: 6/8Dance InstructionChoreography/Music: Playford 165l Cecil Sharp (1922)
Formation: Longways duple minor improperKey: Bb, Meter: 3/4Choreography/Music: Rich Jackson
Formation: LW duple improper, double progressionKey: C major, Meter: 6/8Choreography/Music: Dance and tune by Orly Krasner, 1998
Formation: Longways duple minorKey: D, Meter: 2/2Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: 3 couple longwaysChoreography/Music: Peggy Roe (2018) Music: 'Excuse Me' (1701)
Formation: 2 couple setChoreography/Music: Elizabeth Goossen
Formation: Longways duple minorChoreography/Music: Don and Diane Bell to Part A: Furioso ll’Italiana (1600) by Fabritio Caroso. Part B (2010) by modern Canadian composer Sabrina Schroeder
Formation: Longways duple minorKey: Bb major, Meter: 3/2Dance InstructionChoreography/Music: Philippe Callens (2004)/Tune by John Stapledon
Formation: 4 couple longwaysKey: Dm, Meter: 2/2Dance InstructionChoreography/Music: Playford 1651.Sharp reconstruction.The Playford Ball variant; SCA and RenFair reconstructions see 'Dance Instruction' above
Formation: 2 couples longwaysKey: Gm, Meter: 6/8Choreography/Music: Walsh ca 1709
Formation: Longways duple minorKey: G, Meter: 6/8Choreography/Music: Fried de Metz Herman (2000) to tune by Fred Grimshaw (1999)
Formation: Longways duple minorKey: G, Meter: 3/4Dance InstructionChoreography/Music: Goulding 1820, reconstructed by A Simons 1971 and modified for this venue
Formation: 4 couples longways set w/1st and 3rd improperDance InstructionChoreography/Music: Keith Wood December 2011
Formation: longways duple minor, couple 2 improperKey: Bflat, Meter: 6/8Dance InstructionChoreography/Music: Dancing-Master 4th ed 1670; Charles Bolton (Retreads)
Formation: Longways duple minorKey: G, Meter: 4/4Dance InstructionChoreography/Music: Jenny Beer (1997), to music by Thomas Morley, 1595
Formation: Longways duple minor; 1's proper, 2's improperKey: C, Meter: 6/8Choreography/Music: Walsh, 1718. Reconstruction by Andrew Shaw (2013) tune by Rebecca King (2013)
Formation: Longways duple minor improperKey: C, Meter: 4/4Dance InstructionChoreography/Music: Victor Skowronski (2000) to Ronde IX by Tielman Susato (1551)
Formation: Triad MixerKey: Bb, Meter: Triple timeChoreography/Music: Fried deMetz Herman
Formation: Longways duple minorKey: D, Meter: 6/8Dance InstructionChoreography/Music: Preston 1805
Formation: Longways duple minorKey: Gm, Meter: 6/4 6/8Dance InstructionChoreography/Music: Playford 1695; Christine Feyerabend
Formation: 3 couple longways setChoreography/Music: Loretta Holz/ Roger Davidson
Formation: Longways duple minorKey: D, Meter: 6/8Dance InstructionChoreography/Music: John Walsh, The Complete Dancing Master ca. 1719, reconstruction by Andrew Shaw (2002)
Formation: Longways triple minorKey: Dm, Meter: 2/2Choreography/Music: Twenty Four New Country Dances for the Year 1716..by.. Natl. Kynaston; interpreation by Andrew Shaw
Formation: 3 couple longways setKey: G, Meter: 3/2Dance InstructionChoreography/Music: Kynaston in Walsh 1718; reconstructed by Tom Cook
Formation: 3 couple longways setKey: D, Meter: 6/8Dance InstructionChoreography/Music: John Walsh, The Complete Dancing Master ca. 1719
Formation: Longways duple minorKey: F, Meter: 6/8Dance InstructionChoreography/Music: The Dancing Master 12th Ed. 1703
Formation: Longways duple minorKey: G?c, Meter: 2/2Dance InstructionChoreography/Music: John & William Neal c. 1726; as revised by Rich Jackson and George Fogg 1950
Formation: Set of two triosDance InstructionChoreography/Music: Pat Shaw to ‘Ouwe wijven’ from Oude en Nieuwe Hollantse Boerenlietjes en Contredansen
Formation: 3 couple longways setKey: C, Meter: 2/2Choreography/Music: unknown (appears in Wright's Humours, vol2) by Kathryn & David Wright
Formation: Longways duple minorKey: G, Meter: 3/4Choreography/Music: Robert Moir to a tune by Janet Collingford
Formation: 3 couple longways setKey: G, Meter: 6/8Choreography/Music: Dawn Winskill to "Consider Yourself' from "Oliver
Formation: Duple MinorKey: Gm, Meter: 6/8Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: Longways duple minorChoreography/Music: Chris Sackett and Brooke Friendly (2014) to Dance of the Demon Daffodils by John Kirkpatrick (2009)
Formation: Circle for a many as willKey: C, Meter: 4/4Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: Longways duple minorKey: C, Meter: 4/4Choreography/Music: Brooke Friendly and Chris Sackett (2003, tune by Todd Barton (2003), published in Impropriety Vol. 1
Formation: 3 couple longways setKey: D, Meter: 6/8Dance InstructionChoreography/Music: Thompson 1774
Formation: Longways duple minorKey: F, Meter: 3/2Dance InstructionChoreography/Music: 24 Country Dances for the year 1713 (J. Walsh, J. Hare 1712); reconstructed by Andrew Shaw 2002
Formation: 4 couple squareKey: D, Meter: 2/2Dance InstructionChoreography/Music: Playford 1657 (as Oranges and Lemons)
Formation: Longways duple minorKey: D mixolydian, Meter: 6/8Dance InstructionChoreography/Music: Ron Coxal (2005), modified from Barry Skelton's Scottish Dance 32 bar reel
Formation: Longways duple minorKey: C, Meter: 2/2Dance InstructionChoreography/Music: Neal c. 1726
Formation: Triple minor longwaysKey: D, Meter: 3/2Dance InstructionChoreography/Music: Cecil Sharp reconstruction (1916) based on Playford 1728
Formation: Longways duple minorChoreography/Music: Ernst August Jayme: Recueil de Contre Dances 1717, based on Mr. Lane's Trumpet Minuet #1. Playford 1619
Formation: 3 couple longways setKey: A, Meter: 3/4Choreography/Music: Loretta Hotz (2006) to Trade Winds Waltz by Charlene Thomson (2003)
Formation: 3 couple longways setKey: Bb, Meter: 2/2Choreography/Music: Gary Roodman
Formation: 3-couple longwaysMeter: 4/4Dance InstructionChoreography/Music: John Sweeney
Formation: Longways Duple MinorMeter: 4/4Dance InstructionChoreography/Music: Clement Weeks, 1783; interpreted by Kate van Winkle Keller & Ralph Sweet, 1976.
Formation: 3 couple circleKey: Dm, Meter: 2/2Choreography/Music: Colin Hume to the tune Parson's Farewell
Formation: 4 Couple LongwaysKey: Em, Meter: 3/2Dance InstructionChoreography/Music: Bob Green
Formation: 4 couple square set mixerMeter: 2/2Dance InstructionChoreography/Music: Melissa Running, 2011, revised 2023; Music: Melissa Running
Formation: Longways duple minorChoreography/Music: Preston 1779
Formation: Longways duple minorChoreography/Music: Loretta Holz/ Jonathan Jensen
Formation: Longways duple minorKey: GmChoreography/Music: Peggy Roe to :"Hungarian Dance No. 5" by Johannes Brahms
Formation: Longways duple minorKey: Bb, Meter: 2/2Dance InstructionChoreography/Music: Thomas Bray 1699
Formation: 2 couples circleKey: Bm, Meter: 2/2Dance InstructionChoreography/Music: Playford 1651; reconstuctions by Cecil Sharp, SCA, Cecil Sharp, Ilballarino, and others see 'Dance Reconstruction' .
Formation: 4 couple longwaysKey: Gm, Meter: 2/2Dance InstructionChoreography/Music: Marjorie Heffer and William Porter, 1932
Formation: Longways duple minor improperKey: C, Meter: 3/4Dance InstructionChoreography/Music: Kalia Kliban, (2008) to Ye Banks and Braes of Bonny Doon trad.
Formation: Longways duple minorKey: G, Meter: 4/4Choreography/Music: Jenna Simpson /trad.
Formation: 3 couple longways setKey: D, Meter: 6/8Dance InstructionChoreography/Music: Cor Hogendijk
Formation: Duple Minor LongwaysKey: D major, Meter: 3/4Dance InstructionChoreography/Music: Sharon Green, 2014, tune by Dave Brown, Connections 1996.
Formation: 3 couple setKey: Cmaj, Meter: 3/4Choreography/Music: Philippe Callens to Kitty's Waltz by Pat Spaeth
Formation: Longways duple minorKey: 6/8, Meter: 3/2Dance InstructionChoreography/Music: Playford’s Dancing Master, Vol 2, 1713-28
Choreography/Music: Rosemary Hunt, Music The Runcible Spoon, Steve Hunt 2009
Formation: Longways duple minorKey: C, Meter: 2/2Dance InstructionChoreography/Music: Fried de Metz Herman
Formation: 4 couple squareDance InstructionChoreography/Music: James Blackcloak
Formation: Five-Couple Longways SetKey: D Major, Meter: 2/2Dance InstructionChoreography/Music: Orly Krasner (2002)
Formation: 3 couple longways setKey: C, Meter: 2/2Choreography/Music: Susan Kevra to a tune by Rachel Bell
Formation: Longways duple minor improperKey: Bb, Meter: 6/8Choreography/Music: Tom Cook, to tune of the same name by John Stapledon
Formation: 3 coupe longwaysKey: D, Meter: 4/4Dance InstructionChoreography/Music: DM Book 1, 2nd Edition +3rd ed 1735 and 4th.. interpretation by Andrew Shaw
Formation: Longways duple minorKey: Am, Meter: 3/2Dance InstructionChoreography/Music: Gary Roodman (2003) to tune of the same name by Jonathan Jensen
Formation: Longways duple minorChoreography/Music: Lou Vosteen's variation of Female Saylor
Formation: 3 couple longways setKey: D, Meter: 3/2Choreography/Music: Philippe Callens (2003) to Cromlit's Lilt (1740)
Formation: 4 couple longwaysKey: D, Meter: 4/4Dance InstructionChoreography/Music: Pat Shaw 1975
Formation: 4 couple longwaysKey: F, Meter: 2/2Dance InstructionChoreography/Music: Playford 1670
Formation: 3 couple longways setKey: F, Meter: 9/8Dance InstructionChoreography/Music: Unidentified Collection c. 1800
Formation: 3 couple longways setKey: Dm, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651
Formation: 2 couple becket setKey: A, Meter: 3/4Dance InstructionChoreography/Music: Tom Senior (2014) to "Douglas Russ" by Beth Murray
Formation: 3 couple longways setKey: D, Meter: 4/4Dance InstructionChoreography/Music: originally 1751, this variation by Graham Foster
Formation: Longways duple minorKey: A, Meter: 6/8Dance InstructionChoreography/Music: Playford 1721
Formation: 3 couples longways - reelKey: D, Meter: 6/8Dance InstructionChoreography/Music: Pat Shaw (1974)
Formation: Four–couple square set– JigDance InstructionChoreography/Music: Pat Shaw, 1974
Formation: Longways duple minorKey: Gmajor, Meter: 9/8Choreography/Music: Brooke Friendly & Chris Sackett to The Fresh Jug (Irish trad.), published in Impropriety Vol. II
Formation: Longways Duple MinorMeter: 2/2Dance InstructionChoreography/Music: by Scott Higgs for Chris Levey
Formation: 4 couple squareKey: Cm, Meter: 2/2Choreography/Music: Gary Roodman (2005)/Entree, Mertillo Suite from Il Pastor Fido by G.F Handel
Formation: 3 couple longways set (was triple mimor)Key: Bb, Meter: 4/4Dance InstructionChoreography/Music: Thompson, Twenty Four Country Dances, 1777
Formation: Longways duple minorKey: G, Meter: 6/8Dance InstructionChoreography/Music: Anna Rain (2011) to Winter Oranges by Daron Douglas (1995)
Formation: Longways duple minorKey: Bm, Meter: 6/8Choreography/Music: Brooke Friendly and Chris Sackett to 'The Split Rock' by Kevin Burke
Formation: 5 dancers in a diamon #1 in the middle and #2 with back the musicDance InstructionChoreography/Music: Colin Andrews to "Chrysalis" by Chris Sackett (2009)
Formation: SquareMeter: 4/4Choreography/Music: Scott Higgs
Formation: Duple minor kongways improper triple timeKey: D, Meter: 3/4Dance InstructionChoreography/Music: Fried deMetz Herman (1998) to Ashworth by Anita Andersen (1995)
Formation: 3 couple longwaysKey: Gm, Meter: 2/2Choreography/Music: Chris Sackett, Arbeau's 16th Century "Branle de Chevaux" as adapted by Sackett.
Formation: Longways duple minorKey: Dm, Meter: 2/2Dance InstructionChoreography/Music: The Dancing Master 8th Ed. 1690;reconstructed by Christine Robb (2011)
Formation: LW dupleKey: Gm, Meter: 2/2Dance InstructionChoreography/Music: Walsh 1715
Formation: Longways duple minorDance InstructionChoreography/Music: Called as contra by Ralph Page
Formation: Longways duple minorKey: G, Meter: 2/2Dance InstructionChoreography/Music: Playford 1701 and a reintrpretation by Pat Shaw
Formation: Longways duple minorKey: D, Meter: 9/8Choreography/Music: Brooke Friendly and Chris Sackett to The Snowy Path by Mark Kelly 1992, published in Impropriety Vol. III
Formation: Longways duple minorDance InstructionChoreography/Music: Bob Green to "Hambo from Hamilton" by Jonathan Jensen
Formation: 3 couple longways set.Key: D, Meter: 6/8Dance InstructionChoreography/Music: 24 New Country Dances, Compos'd by a Person of Quality and recommended to Mr. Nathaniel Kynaston London. Walsh, [J.] Hare, [1718] interpretation by Andrew Shaw
Formation: Longways duple minorKey: Gm, Meter: 3/2Dance InstructionChoreography/Music: Playford 1713
Formation: Longways duple minorKey: Eminor, Meter: 3/4Dance InstructionChoreography/Music: Paula Kelley for her hiking and dancing friend Ken Prince (of Westborough, MA) to the tune The Middle of Night by Peter Barnes
Formation: 4 Couple LongwaysKey: C, Meter: 4/4Dance InstructionChoreography/Music: The Dancing Master 1st Ed. 1651
Formation: 3 couple longways setKey: A, Meter: 2/2Dance InstructionChoreography/Music: Walsh 1731
Formation: Longways duple minorKey: Bb, Meter: 2/4Choreography/Music: Preston (1801) reconstruction by Pat Woods (1958)
Formation: 3-couple longwaysMeter: 3/2Dance InstructionChoreography/Music: William Brearly and Katie Sanger, 2021-2022; music by Purcell (arr. Jean Monroe)
Formation: Longways Duple MinorMeter: 3/4Choreography/Music: Robert Jamison
Formation: 3 couples longways - reelKey: Gm, Meter: 4/4Dance InstructionChoreography/Music: Pat Shaw
Formation: Longways duple minorKey: Gm, Meter: 6/8Dance InstructionChoreography/Music: Playford 1701
Formation: Longways duple minor, properKey: G, Meter: 2/2Dance InstructionChoreography/Music: Gary Roodman, 2023; Tune: Dave Weisler, 2020
Formation: Longways duple minor improperKey: Dm, Meter: 2/2Choreography/Music: Chris Sackett & Brooke Friendly (1997)/The Kettledrum
Formation: Longways duple minorKey: G, Meter: 3/4Dance InstructionChoreography/Music: Playford 1701
Choreography/Music: Cécile Laye
Formation: Longways duple minorKey: Em, Meter: 2/2Dance InstructionChoreography/Music: DM II: 1-4; Walsh 1719; Pat Shaw 1961;variants
Formation: 3 couple circleKey: Dm, Meter: 6/8Dance InstructionChoreography/Music: Playford 1670
Formation: Longways duple minorKey: any, Meter: 4/4Choreography/Music: Trad. Northumberland. EFDSS Community Dance Manuals
Formation: Four dancers in a diamondMeter: 3/4Dance InstructionChoreography/Music: John Sweeney
Formation: 4 couple longwaysKey: G, Meter: 6/8Dance InstructionChoreography/Music: Heffer and Porter 1932
Formation: Longways duple minorKey: C, Meter: 2/2Dance InstructionChoreography/Music: Playford 1703
Formation: Longways duple minorKey: D, Meter: 6/8Dance InstructionChoreography/Music: EDM 11th Ed. 1701;reconstruction Cecil Sharp 1922
Formation: Longways duple minorKey: Dmaj, Meter: 4/4Dance InstructionChoreography/Music: The Compleat Dancing Master 1718
Formation: 3 couple longways setKey: A minor, Meter: 2/2Choreography/Music: Gary Roodman (2003)/An Urgent Tune by Jonathan Jensen
Formation: Circle for as many as willKey: G, Meter: 4/4Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: Triple minor longwaysKey: G, Meter: 3/4Dance InstructionChoreography/Music: Pat Shaw, 1975
Formation: Duple Minor LongwaysKey: Gm, Meter: 9/8Dance InstructionChoreography/Music: Dance by Sharon Green, 2014; tune by Martha Stokely.
Formation: Longways duple minorKey: Eb, Meter: 3/4Dance InstructionChoreography/Music: Victor Skowronski to Cutty Wren
Formation: Longways duple minorKey: G, Meter: 6/8Dance InstructionChoreography/Music: Neal c.1726
Formation: Longways duple minor improperKey: Eminor, Meter: 6/8Choreography/Music: Brooke Friendly and Chris Sackett (2009) to “The White Petticoat” (Traditional Irish), published in Impropriety Vol. IV
Formation: Longways duple minor improperKey: G, Meter: 2/2Dance InstructionChoreography/Music: Thompson IV 1780
Formation: Longways duple minorKey: A, Meter: 2/4Dance InstructionChoreography/Music: Rutherford (1756)
Formation: Longways duple minor improperKey: Gm, Meter: 2/2Choreography/Music: Gary Roodman(2008); tune by Steve Maranto
Formation: 3 couple longways setKey: F, Meter: 3/4Dance InstructionChoreography/Music: Thomas Budd 1795
Formation: 3 couple circleKey: G, Meter: 3/4Dance InstructionChoreography/Music: Fried deMetz Herman to a tune by Tom Siess
Formation: Longways duple minorKey: G, Meter: 6/8Dance InstructionChoreography/Music: Susan Kevra, tune by Rachel Bell
Formation: 2 couples longwaysDance InstructionChoreography/Music: Brooke Friendly and Chris Sackett (2013)
Formation: Four couple Longways Set – JigKey: D, Meter: 6/8Dance InstructionChoreography/Music: Pat Shaw (1964)
Formation: Longways duple minorKey: G, Meter: 3/2Choreography/Music: Walsh 1713 as interpreted by Andrew Shaw 2009
Formation: 3 couple longways setKey: G, Meter: 2/4Dance InstructionChoreography/Music: Thompson 1757 interp: Charles Bolton
Formation: Longways duple minorKey: Am, Meter: 2/2Dance InstructionChoreography/Music: Walsh 1718; and from Playford 1695 with variant choregraphies including a varant by Victor Skowronsk (2003)
Formation: 6 couple longwaysChoreography/Music: Hilary Herbert/Elegence by Dave Brown
Formation: Triple minor longwaysKey: F, Meter: 4/4Choreography/Music: Annonymous (1818)
Formation: 3 couple longways setDance InstructionChoreography/Music: Mary Devlin (2008) to Waltz for Mary Kay by Liz Donaldson (1989)
Formation: Duple Minor Longways ImproperKey: Gm, Meter: 2/2Dance InstructionChoreography/Music: Gary Roodman 2018 "Ashes" by Rebecca King
Formation: Duple minor longways improperKey: G, Meter: 2/2Choreography/Music: Gary Roodman to "Mundesse" by Susato
Formation: 3 couple circleChoreography/Music: Geoff Todd
Formation: Longways duple minorChoreography/Music: Kimberly, Ellie, & Chava Hall/Joseph Galbraith
Formation: Longways duple minorMeter: 3/4Choreography/Music: Jenna Simpson to "She's Sweetest When She's Naked" traditional
Formation: 4 couple longwaysKey: A, Meter: 4/4Choreography/Music: Tom Cook/ Brian Jenkins
Formation: 3 couple longwaysMeter: (3x32W)Choreography/Music: Philippe Callens to 18th of August by Daphne Baker (2002)
Formation: LW DupleKey: C, Meter: 3/4Choreography/Music: Veronica Lane, to "Silent Night"
Formation: Longways duple minorChoreography/Music: Peter Zarich (2018) to Rings of Saturn (Farewell Cassini) by Marjorie Millner.
Formation: SquareKey: Gm, Meter: 4/4Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: Longways duple minor, all properChoreography/Music: Carol Ann Krug Graves (2016) to "Verdant Groves" (traditional Shaker song)
Formation: 3 couple longwaysKey: Gm, Meter: 3/2Dance InstructionChoreography/Music: Anna Rain; tune by David Wiesler
Formation: Longways duple minor improperKey: Bb, Meter: 4/4Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: 4 couple square setMeter: 3/4Dance InstructionChoreography/Music: Pat Shaw (1956)
Formation: Longways duple minorKey: D, Meter: 2/2Dance InstructionChoreography/Music: Walsh 1712, interpretation by Chip and Fran Hendrickson, 1984
Formation: Longways duple minorKey: Dm, Meter: 2/2Dance InstructionChoreography/Music: Thomas Bray 1699
Formation: Longways duple minor improperChoreography/Music: Mady Newfield
Formation: 4 couple squareKey: D, Meter: 6/8Dance InstructionChoreography/Music: A.(Bert)Simons, 1970 in KentishHops, to Road to Lisdoonvarna (Irish Trad.
Formation: Longways duple minor improperKey: Cm, Meter: 2/4Choreography/Music: Fried deMetz Herman
Formation: 5 couple longwaysKey: G, Meter: 6/8Dance InstructionChoreography/Music: Pat Shaw (1969
Formation: Longways duple minorKey: F, Meter: 2/4Dance InstructionChoreography/Music: Victor Skowronski (2009) to a folk song Helas madam (Alas my lady) said to be composed by Henry VIII
Formation: 3 couple longways setKey: G, Meter: 3/4Choreography/Music: Fried de Metz Herman to tune by John Stapledon
Formation: 3 couple in a circleDance InstructionChoreography/Music: Keith Wood July 2011
Formation: Longways duple minorKey: C, Meter: 9/8Dance InstructionChoreography/Music: Bride 1776, interpretation by Jacqueline Schwab
Formation: Longways duple minorChoreography/Music: Loretta Holz
Formation: 3 couple round setKey: D, Meter: 6/8Dance InstructionChoreography/Music: Pat Shaw (date unknown)
Formation: Duple MinorKey: F, Meter: 4/4Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: Longways duple minorKey: F, Meter: 2/2Dance InstructionChoreography/Music: DM 1701-1728; Cecil Sharp 1922 to the tune of Mr. Lane's Maggot
Formation: Longways mixer, couple 2 improperKey: G, Meter: 6/8Dance InstructionChoreography/Music: EDM 1st Ed 1651; reconst. by Charles Bolton (Retreads6)
Formation: Longways duple minorMeter: 3/4Choreography/Music: Peggy Roe. (2011) to "Royal City Waltz"composed by Nina Ury
Formation: 3 couple longways setKey: C, Meter: 3/4Choreography/Music: Brooke Friendly and Chris Sackett (2011) to Flash of Vermilion by Dave Bartley (2009)t, published in Impropriety Vol. IV
Formation: Longways duple minorDance InstructionChoreography/Music: Ignatio Sancho 1779
Formation: 2 couples circleKey: G, Meter: 2/2Dance InstructionChoreography/Music: Playford 1670; Sharp; The Playford Ball and four additional varitaions see 'Dance Instruction' above
Formation: 4 couple squareKey: G/D, Meter: 2/2Choreography/Music: Trad. Peter Kennedy
Formation: 3 coupe longwaysKey: Dm, Meter: 6/8Dance InstructionChoreography/Music: Dance and Music: Colin Hume, 2006
Formation: 2 couples longwaysKey: Dm, Meter: 6/8Dance InstructionChoreography/Music: Playford 1728
Formation: Longways duple minor improperKey: F, Meter: 3/4Choreography/Music: Orly Krasner
Formation: 3 couple longways setChoreography/Music: Peggy Roe to tune by Vancouver composer Jane Slemon
Formation: CircleKey: G, Meter: 6/8Dance InstructionChoreography/Music: Playford 1670
Formation: Longways duple minor improperKey: D, Meter: 3/2Choreography/Music: June Harman to Barham Down
Formation: Longways Duple MinorMeter: 6/8Choreography/Music: Playford, Interpreted by Andrew Shaw
Formation: Longways duple minorChoreography/Music: James Blackcloak
Formation: Longways duple minorKey: G, Meter: 2/2Dance InstructionChoreography/Music: Playford 1701
Formation: Longways duple minorChoreography/Music: Thomas Bray 1699 reconstruction by Diana Cruckshenk
Formation: Longways duple minorKey: D, Meter: 3/2Dance InstructionChoreography/Music: Original dance 1708, reconstruction by Andrew Shaw in 2013
Formation: Longways duple minorKey: G, Meter: 4/4Choreography/Music: Neal c. 1726
Formation: 3 couple longways setKey: Gm, Meter: 3/2Dance InstructionChoreography/Music: Playford 1713
Formation: 3 couple longways setKey: Bb, Meter: 4/4Dance InstructionChoreography/Music: Dancing Master,9th Ed,1st Supp 1696 to music from "The Virtuous Wife by Purcell, 1694
Formation: 2 couples longwaysKey: Am, Meter: 2/2/Dance InstructionChoreography/Music: Playford 1651
Formation: Longways Duple MinorMeter: 4/4Choreography/Music: Seth Tepfer/David Marcus
Formation: 6 couple crossChoreography/Music: Jamie Hargrove plus verses by Gwommy, and Aliina
Formation: Triple minor or 3 couple setKey: Gm, Meter: 3/4Dance InstructionChoreography/Music: Button and Whitaker, 24 Country Dances for the year 1813
Formation: Duple Minor Longways, improperKey: D/Bm, Meter: 32 bar 4/4Dance InstructionChoreography/Music: Peggy Roe (2017) to "Bright Shining Sea"' by Dan Page (2007)
Formation: Longways duple minorChoreography/Music: Brooke Friendly and Chris Sackett, 2008, tune by Debbie Jackson.
Formation: Duple minor longways – WaltzDance InstructionChoreography/Music: Pat Shaw to ˜Poolsche Saraâ" from Oude en Nieuwe Hollantse Boerenlietjes en Contredansen
Formation: Longways duple minorKey: C, Meter: 3/4Dance InstructionChoreography/Music: Walsh 1719 ; reconst. Jacqueline Schwab (2000)
Formation: 4 couple longwaysKey: Gm, Meter: 3/4Choreography/Music: Orly Krasner (2001)
Formation: Duple minor longwaysMeter: 2/2Dance InstructionChoreography/Music: Anna Rain, 2018; Music: “Umami” by Dave Wiesler
Formation: Longways duple minorKey: A, Meter: 3/2Dance InstructionChoreography/Music: Walsh, 1706
Formation: Longways duple minor improperKey: G, Meter: 4/4Choreography/Music: Brian Wedgebury, 1977
Formation: Triple minor longwaysKey: G, Meter: 2/4Dance InstructionChoreography/Music: Walsh c.1728; reconstruction by Andrew Shaw
Formation: Longways duple minorKey: F, Meter: 2/2Dance InstructionChoreography/Music: Christine Robb to Tom Kruskal's by Amelia Mason and Emily Troll
Formation: Longways duple minor improperKey: Am, Meter: 3/2Choreography/Music: Gary Roodman, (1999)/Agatha by Erasmus Widmann (1631)
Formation: Longways duple minorKey: G, Meter: 2/4Choreography/Music: Fried de Metz Herman (2001) to Air by H. Purcell
Formation: 3 Couple LongwaysMeter: 6/8Choreography/Music: Playford
Formation: 3 couple long set; Progressive TriadKey: G, Meter: 6/8Choreography/Music: Fried de Metz Herman
Formation: Longways duple minorKey: G, Meter: 2/2Choreography/Music: Francis Werner, 1784
Formation: 3 couple set longways – reelDance InstructionChoreography/Music: Pat Shaw to Sawdl Y Fuwch from Musical Relics of the Welsh Bards by Edward Jones 1794, arranged by Pat Shaw
Formation: 4 couple BecketKey: G, Meter: 2/2Choreography/Music: Gary Roodman (2005)/Pat's Rag, Jonathan Jensen
Formation: Longways Duple minorKey: A Dorian, Meter: 4/4Choreography/Music: Chris Sackett and Brooke Friendly (2008) to tune by Shira Kammen(2006)
Formation: 3 couple longways setKey: Dm, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651
Formation: Longways duple minorKey: F, Meter: 2/2Dance InstructionChoreography/Music: Thomas Bray 1699 to tune from Amphitryon by Henry Purcell
Formation: Longways Duple MinorMeter: 4/4Dance InstructionChoreography/Music: Wright, 1719. Interpreted by Tom Cook, 1975.
Formation: Longways duple minorChoreography/Music: Dance and Tune by Tom Seiss (2011)
Formation: 3 couple longways setChoreography/Music: Chris Sackett and Brooke Friendly (2013) to Your Slip is Showing By Chris Sackett (2013)
Formation: Longways duple minorKey: F, Meter: 6/8Choreography/Music: Wilson, 1816, reconstructed
Formation: Duple Minor LongwaysChoreography/Music: Jenna Simpson set to the tune "Nasty Nell" by Kathleen Fownes
Formation: Round for as many as willKey: G, Meter: 6/8Dance InstructionChoreography/Music: Playford 1670; Sharp; The Playford Ball and four additional varitaions
Formation: 7 dances in a circleDance InstructionChoreography/Music: Keith Wood October 2012
Formation: 4 Couple Longways; 2nd & 4th couples improperMeter: 3/4Choreography/Music: Brian Wedgebury
Formation: 3 couple longways setChoreography/Music: Thomas Bending 1999
Formation: Longways duple minorKey: Dm, Meter: 2/2Dance InstructionChoreography/Music: Joseph Pimentel to a tune by Dave Wiesler
Formation: Longways duple minorKey: Dm, Meter: 3/4Choreography/Music: Fried deMetz Herman (1977) to Saraband by Corelli
Formation: 3 couple setChoreography/Music: Elizabeth Goossen.
Formation: 4 Couple longways setKey: G, Meter: 6/8Dance InstructionChoreography/Music: George Middleton (1977)
Formation: Longways duple minor improperKey: F, Meter: 4/4Choreography/Music: Bob Green to "On the Danforth" by Keith Murphy
Formation: 3 couple longwaysKey: Gm, Meter: 4/4Dance InstructionChoreography/Music: Christine Robb (2017); tune Playford, Shawbury Park, The Dancing Master, 1710-1728
Formation: 3 couple longwaysMeter: 3/2Dance InstructionChoreography/Music: Kynaston, 1711; reconstructed as a 3-couple set by Andrew Shaw, 2002
Formation: 4 couple longways squareChoreography/Music: Dieter Struwe/Renaissance tune
Formation: 3 couple longways setKey: G, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651
Formation: 3 couple longways setKey: G, Meter: 3/4Choreography/Music: Steve Otlowski, 2016, to Valse des Pastouriaus by Jacky Molard. In honor of Sherry Brodock
Formation: 3 couple longways setDance InstructionChoreography/Music: Paul Harris/Samuel Sim for BBC's Emma 2009
Formation: 4 couple squareChoreography/Music: Steven Sargent
Formation: Longways duple minorKey: G, Meter: 6/8Dance InstructionChoreography/Music: Thomas Bray 1699 to tune from The Gordian Knot Untyed by Henry Purcell
Formation: 3 couple longways setKey: D, Meter: 2/2Dance InstructionChoreography/Music: Thompson 1765 as triple minor, and 3 couple
Formation: 3 couple longways setKey: D, Meter: 2/2Dance InstructionChoreography/Music: Playford 1710
Formation: Longways duple minorKey: F, Meter: 3/2Dance InstructionChoreography/Music: Playford 1698
Formation: Longways duple minorChoreography/Music: Christine Feyerabend - written to practice basic Playford figures
Formation: 3 couple LongwaysKey: D, Meter: 3/4Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: Longways for four couplesKey: G, Meter: 3/4Dance InstructionChoreography/Music: Gary Roodman music by Dave Wiesler
Formation: 4 couple squareKey: F, Meter: 3/4Choreography/Music: Gary Roodman (2013)/Debbie Jackson(2013
Formation: Longways duple minorKey: G, Meter: 2/2Choreography/Music: Philippe Callens (2003) to D'Uytrechise Vreeden by Estienne Roger (c 1715)
Formation: Sicialian Circle, men insideKey: C, Meter: 4/4Dance InstructionChoreography/Music: Victor Skowronski danced to the tune Simple Gifts by Shaker Elder Joseph Brackett, Jr.S 1848 (2012
Formation: 2 couple mixerKey: C, Meter: 4/4Choreography/Music: Fried de Metz Herman to a tune by Thomas Ford (1607)
Formation: Longways duple minorKey: F, Meter: 3/2Dance InstructionChoreography/Music: Playford 1701
Formation: Longways for three couplesKey: G, Meter: 4/4Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: ReelKey: G, Meter: 9/8Dance InstructionChoreography/Music: Wilson Companion 1816
Formation: 3 couple longways setKey: G, Meter: 6/8Dance InstructionChoreography/Music: Johnson 1750
Formation: ReelChoreography/Music: Reg Martin; Early American
Formation: Triple minor longwaysKey: Dm, Meter: 6/8Dance InstructionChoreography/Music: Dancing Master 11th ed., 1702
Formation: Longways duple minorKey: Am(A); AMaj(B), Meter: 4/4Dance InstructionChoreography/Music: Philippe Callens to "Pennruddock" by Brian Jenkins
Formation: Set of two couples facing each other – WaltzKey: Am, Meter: 3/4Dance InstructionChoreography/Music: Pat Shaw. Pat Shaw arrangement of ‘Menuett’ by Johann Kriegers (1651–1735)
Formation: 4 couple longwaysKey: F, Meter: 2/2Dance InstructionChoreography/Music: Pat Shaw (1975)
Formation: Longways duple minor improperKey: Dm, Meter: 6/8Dance InstructionChoreography/Music: Tom Cook (1987) / Brian Jenkins
Formation: Longways duple minor improperChoreography/Music: Chris Sackett and Brooke Friendly to Snowbound by Dave Bartley, published in Impropriety Vol. II
Formation: Longways Duple MinorMeter: 3/4Dance InstructionChoreography/Music: Alan Winston
Formation: Longways duple minorKey: Gm, Meter: 3/4Choreography/Music: Peggy Roe to "Silver Bells" by Jay Livingston and Ray Evans
Formation: Longways duple minorKey: Dm, Meter: 2/2Dance InstructionChoreography/Music: Andrew Shaw reconstruction; dance and tune by Nathanal Kynaston, pub. in Walsh 24CD, 1718
Formation: longways triple minorKey: D, Meter: 4/4Dance InstructionChoreography/Music: T. Wilson, The Treasures of Terpsichore for 1809
Formation: Longways duple minor improperKey: A, Meter: 3/2Choreography/Music: Gary Roodman, 2012 to tune of the same name by Petere Barnes
Formation: 4 couple squareKey: G, Meter: 4/4Choreography/Music: Phillipe Callens (2009) to A Trip to the Bar by John Hymas (2009)
Formation: 3 couple Longways SetKey: GDance InstructionChoreography/Music: Colin Hume; to a variation on a tune by Antonin Dvorak
Formation: Triple minor longwaysKey: C, Meter: 3/4Choreography/Music: Fried de Metz Herman (1998); tune by Turlough Carolan (1670-1738)
Formation: Longways duple minorKey: G dorian, Meter: 2/2Choreography/Music: Jenna Simpson,to A Person of Quality by Linda Lieberman.
Formation: Longways duple minorKey: G, Meter: 6/8Dance InstructionChoreography/Music: Dancing Master II 1-4 Walsh 1719. c 1736 Walsh
Formation: Longways Duple MinorMeter: 3/4Choreography/Music: Alan Winston
Formation: 3 couple longwaysKey: Dm, Meter: 3/4Dance InstructionChoreography/Music: Loretta Holtz (2008) to "South Side Waltz" by Charlene Thomson (2003)
Formation: 4 couple squareKey: G, Meter: 3/4Choreography/Music: Louis Vosteen to the 18th century Scottish tune
Formation: Longways duple minorKey: G, Meter: 6/8Dance InstructionChoreography/Music: Thompson 1777
Formation: Longways duple minorKey: C, Meter: 6/8Dance InstructionChoreography/Music: The Dancing Master 17th Ed. Vol. I 1721; Walsh 1755
Formation: Sicilian CircleKey: G, Meter: 3/4Dance InstructionChoreography/Music: Border Trad. Peter Kennedy
Formation: Longways Duple MinorMeter: 3/4Choreography/Music: Alan Winston
Formation: Longways duple minorKey: A, Meter: 4/4Dance InstructionChoreography/Music: Trad. Cecil Sharp
Formation: Longways duple minorKey: F, Meter: 1/8Dance InstructionChoreography/Music: Don Bell to "Chestnut" or "Dove's Figary"
Formation: Longways duple minorKey: C/D, Meter: 2/4Choreography/Music: Country Dances of Colonial America (John Millar)
Formation: 3 Couple LongwaysMeter: 6/8Choreography/Music: Reconstructed by Bernard Bentley
Formation: Longways duple minorKey: D, Meter: 2/4Dance InstructionChoreography/Music: Samuel, Ann & Peter Thompson 1794
Formation: 4 couple longwaysKey: G, Meter: 2/2Dance InstructionChoreography/Music: Playford 1665
Formation: Longways duple minorKey: C, Meter: 2/2Choreography/Music: Philippe Callens(2009) to Boree The Old Bachelor, Henry Purcell(1691)
Formation: Longways duple minorKey: Am, Meter: 4/4Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: Longways duple minorKey: Gm, Meter: 2/4Dance InstructionChoreography/Music: Thomas Bray 1699 tune from The Island Princess by Jeremiah Clark 1699
Formation: Longways duple minorKey: Gm, Meter: 4/4Choreography/Music: Loretta Holz (2007) to Randy's Rondo by Charlene Thompson (2005)
Formation: Longways duple minorKey: D, Meter: 4/4Dance InstructionChoreography/Music: Pat Shaw (1958) to a traditional tune
Formation: Longways duple minorKey: Gm, Meter: 2/2Dance InstructionChoreography/Music: Playford 1651
Formation: 4 couple longwaysChoreography/Music: Loretta Holz/ Dave Wiesler
Formation: Longways duple minor improperChoreography/Music: Bob Green
Formation: Duple Minor ImproperKey: G, Meter: 6/8Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: Four couple longways setKey: C, Meter: 4/4Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: 3 couple square; One head facing up w/ two sidesKey: D, Meter: 3/4Choreography/Music: Graham Foster
Formation: 3 couple longways setKey: Gm, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651
Formation: Longways duple minor improperKey: Am, Meter: 3/4Dance InstructionChoreography/Music: Tom Cook / Brian Jenkins
Formation: 3 couple longways setKey: F, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651
Formation: Longways duple minorKey: C, Meter: 2/2Choreography/Music: Gary Roodman (2000)
Formation: Longways duple minor, or tripleChoreography/Music: James R. Morrison, 24 Early American Country Dances for 1976
Formation: Square of TriosKey: D, Meter: 6/8Choreography/Music: Preston 1791
Formation: 3 couple longways setKey: G, Meter: 6/8Dance InstructionChoreography/Music: Ignatius Sancho Twelve Country Dances.1779
Formation: Longways triple or duple minor Key: G, Meter: 4/4Dance InstructionChoreography/Music: Asa Willcox
Formation: Sicilian Circle.. in two concentric circles; 1st couple inside, 2nd couple outside Key: G major, Meter: 2/2Dance InstructionChoreography/Music: Fried De Metz Herman to two tunes by Chris Dewhearst
Formation: 3 couple longways setDance InstructionChoreography/Music: Keith Wood January 2015 to "All in a Garden Green"
Formation: Longways duple minorKey: G, Meter: 2/2Choreography/Music: Phillipe Callens (2003) to Silver Birches by Geoff Nmendham (2003)
Formation: duple minor 1's impoperKey: D/A, Meter: revars 6/8Dance InstructionChoreography/Music: Peggy Roe (2017) to "Trip to Mayne" by Karen McIvor (2011)
Formation: Longways duple minorKey: A, Meter: 2/4Dance InstructionChoreography/Music: Thompson 1757
Formation: 3 couples in a circleMeter: 4/4Dance InstructionChoreography/Music: Choreography: John Sweeney; Tune: Lindsey Sterling
Formation: 4 couple square setKey: G, Meter: 4/4Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: Longways Duple MinorMeter: 4/4Choreography/Music: Orly Krasner/Peggy Beck
Formation: Longways duple minorKey: D, Meter: 3/4Dance InstructionChoreography/Music: Tom Roby 2002 to Judy and Jim's Wedding by Larry Unger
Formation: Longways duple minorChoreography/Music: Elizabeth Goossen
Formation: Circle for three couplesKey: Em, Meter: 3/4Dance InstructionChoreography/Music: Choreographed and composed by Elizabeth Goossen
Formation: Longways duple minorKey: G, Meter: 2/4Dance InstructionChoreography/Music: Toos Heesakkers to "Colored Aristocracy"
Formation: Longways duple minorKey: G, Meter: 4/4Dance InstructionChoreography/Music: Walsh, Selected Country Dances for 1760
Formation: Longways Duple MinorKey: D, Meter: 2/2Choreography/Music: Jenna Simpson to Sunlight Room by Dave Wiesler
Formation: Longways duple minorMeter: 6/4Dance InstructionChoreography/Music: Playford 1670
Formation: Longways duple minorChoreography/Music: Brooke Friendly and Chris Sackett (2014) to tune by Shira Kammen (2014)
Formation: Longways duple minor improperKey: C, Meter: 6/8Dance InstructionChoreography/Music: Sharon Mckinley/tune by Jonathan Jensen, 2014
Formation: Longways duple minorKey: Longways duple, Meter: 2/2 Choreography/Music: David Macemon, 2016 Tune: Ruth McLain, 2016
Formation: Longways duple minorKey: Gm, Meter: 3/4Dance InstructionChoreography/Music: Choreographed and composed by Elizabeth Goossen
Formation: Duple minor longways – ReelDance InstructionChoreography/Music: Pat Shaw to ‘Soet roosie root’ from Oude en Nieuwe Hollantse Boerenlietjes en Contredansen
Formation: Duple minor longwaysMeter: 2/2Dance InstructionChoreography/Music: Jenny Beer, 2023; Music: “Bruce Hamilton’s Broomstick” by Dave Marcus
Formation: SquareMeter: 3/4Dance InstructionChoreography/Music: Carolyn and Maurice Dunnett (2002)
Formation: Longways duple minorKey: Dm, Meter: 9/8Choreography/Music: Playford reconstruction by Pat Shaw/Marjorie Fennessey (?)
Formation: 3 couple longways set - ReelDance InstructionChoreography/Music: Pat Shaw (1962)
Formation: 4 couple squareKey: C, Meter: 3/4Dance InstructionChoreography/Music: Susan Kevra to tune by Rachel Bell.
Formation: Couple mixerKey: G, Meter: 4/4Dance InstructionChoreography/Music: Michael Barraclaugh, c. 1980's
Formation: Longways duple minorKey: Bm, Meter: 6/8Dance InstructionChoreography/Music: Thompson 1765
Formation: DupleMinorLongwaysKey: G, Meter: 4/4Dance InstructionChoreography/Music: Sharon Green (2016) Tune: March for Fred by Dave Bartley (2016)
Formation: 3 couple longwaysMeter: 4/4Dance InstructionChoreography/Music: Graham Foster 2015
Formation: Longways duple minorKey: G, Meter: 4/4Dance InstructionChoreography/Music: Walsh, reconstructed by Jacqueline Schwab, 1987
Formation: Longways duple minorKey: Dm, Meter: 2/2Dance InstructionChoreography/Music: Colin Hume (2010)
Formation: Dolphin heyKey: Dm, Meter: 3/4Choreography/Music: David Edgar, 2013; tune by Rebecca King.
Formation: Duple Minor LongwaysMeter: 2/2Dance InstructionChoreography/Music: Jenny Beer (2019)
Formation: SquareKey: A major, Meter: 3/4Dance InstructionChoreography/Music: Colin Hume, 2006; music Jonathan Jensen, 2002
Formation: One couple shortwaysMeter: 3/8Choreography/Music: Val Medve, November 2020
Formation: 5 couple longwaysKey: G, Meter: 6/8Dance InstructionChoreography/Music: Colin Hume 1989
Formation: Duple Minor Longways, improperKey: G, Meter: 3/4Choreography/Music: Gary Roodman (2016) to the tune Tennessee Dawn by Jonathan Jensen.
Formation: Longways duple minorKey: G, Meter: 3/4Dance InstructionChoreography/Music: Victor Skowronski
Formation: 4 couple longways, improperKey: G, Meter: 2/2Choreography/Music: Gary Roodman (2000) to Courante by M.Praetorius c. 1612
Formation: 3 couples in a progressive long setKey: G, Meter: 3/4Choreography/Music: Fried de Metz Herman (2002) to Hagley Assembly bv Terry Willetts
Formation: Longways duple minor properKey: C, Meter: 4/4Dance InstructionChoreography/Music: Renée Camus (copyright: January 23, 2019; final revision: February 3, 2020), to the tune "The Gale," by Susan Conger ((c) 1997).
Formation: 2 couples circleChoreography/Music: Loretta Holz
Formation: 3 couple Longways SetKey: D, Meter: 6/8Choreography/Music: Susan and Tom Amesse (2014) to "Having Fun" by Charlene Thompson
Formation: 5 couple Longways Set – JigKey: D, Meter: 6/8Dance InstructionChoreography/Music: Pat Shaw
Formation: Circle mixerKey: G, Meter: 3/4Dance InstructionChoreography/Music: Don and Diane Bell (2017) to a variation of "Over the Water to Charlie"
Formation: Double Sicilian CircleKey: G, Meter: 6/8Dance InstructionChoreography/Music: Pat Shaw
Formation: Longways duple minor improperKey: D, Meter: 4/4Choreography/Music: Fried de Metz Herman
Formation: Longways duple minorKey: G, Meter: 6/8Choreography/Music: John Wood (2005) to Wakefield Hunt, 1779
Formation: Longways duple minorKey: Em / D/Dm, Meter: 3/4Choreography/Music: Jenna Simpson (2011)
Formation: Longways duple minorKey: D, Meter: 3/4Choreography/Music: Jenny Beer (2018)to "Rose by the Door: by Andrea Hoag (1985)
Formation: Longways duple minorKey: Dm, Meter: 3/4Choreography/Music: Fried de Metz Herman (2002)
Formation: Longways duple minorChoreography/Music: Tune: "Dancing through the Decades" by Rachel Bell. Dance by Susan Kevra 2109des by 2019
Formation: Longways duple minorChoreography/Music: Colin Hume (1992)
Formation: Longways duple minorKey: Cm, Meter: 3/2Choreography/Music: Brook Friendly and Chris Sackett to “To Ayre is Purcell” by Shira Kammen 2009t, published in Impropriety Vol. IV
Formation: 3 couple longways setKey: D, Meter: 6/8Choreography/Music: Sudbury collection, 1750, interpretation K. and D. Wright, 1984
Formation: Longways duple minorKey: Dm, Meter: 2/4Choreography/Music: Kynaston 1718; interpretation by Andrew Shaw
Formation: Longways duple minorKey: G, Meter: 6/8Choreography/Music: Bernard Bentley (Falibroome IV Collection (1971)
Formation: 3 couple longways setKey: D, Meter: 2/2Dance InstructionChoreography/Music: Thompson, Twenty Four Country Dances, 1777
Formation: Longways duple minorChoreography/Music: Orly Krasner to a tune by Anita Anderson.
Formation: Longways Duple MinorKey: D, Meter: 2/4Dance InstructionChoreography/Music: Bride's "Favourite Collection of Two Hundred Country Dances". 1775
Formation: Longways duple minorKey: Dm, Meter: 3/8Choreography/Music: Fried de Metz Herman (2000) to Hornpipe by Henry Purcell (1658)
Formation: Longways duple minorKey: Dm, Meter: 2/2Choreography/Music: Joseph Pimentel(2005) to Lamp of the River by Dave Wiesler
Formation: 3 couple longways setKey: D, Meter: 3/4Choreography/Music: Fried de Metz Herman/Henry Purcell
Formation: 3 couple longways setKey: A minor, Meter: 6/8Choreography/Music: Brook Friendly and Chris Sackett (2008) to Flaxley Green Dance (Traditional English), published in Impropriety Vol. II
Formation: Triple minor longwaysKey: A minor, Meter: 9/8Choreography/Music: Brooke Friendly and Chris Sackett (2005) to The Wishing Well(trad.Irish slip jig), published in Impropriety Vol. II
Formation: Longways triosChoreography/Music: Christian Länger, Terpsichore, 1824;Reconstructed by E.Solenikova
Formation: Longways duple minorDance InstructionChoreography/Music: Philippe Callens to the tune The Last New Vagaries The Dancing Master. 1701
Formation: Longways duple minorKey: A, Meter: 6/8Dance InstructionChoreography/Music: John Walsh, 24 New Country Dances for the year 1714)reconstructed by Phillipe Callens
Formation: Longways duple minor improperKey: Gm, Meter: 2/2Choreography/Music: Gary Roodman (2012)/Twelfth Eve, PLayford 1702
Formation: 4 couple setDance InstructionChoreography/Music: Bob Green to "Leptaena Waltz" by Miranda Arana
Formation: Triple minor longwaysKey: G, Meter: 2/4Dance InstructionChoreography/Music: Cahusac 1794
Formation: Sicilian CircleKey: Em, Meter: 3/4Choreography/Music: Gary Roodman (2018)
Formation: Longways duple minor improperKey: D, Meter: 2/2Dance InstructionChoreography/Music: Robert Jamison (2008)
Formation: 3 Couple LongwaysMeter: 6/8Dance InstructionChoreography/Music: Gary Roodman
Formation: Longways duple minorChoreography/Music: Bob Green to Drop Me Off in Harlem by Duke Ellington
Formation: Triple minor longwaysKey: Am, Meter: 2/2Dance InstructionChoreography/Music: Playford 1728
Formation: Longways 4-couple set; couples 1 & 3 improperMeter: 4/4Dance InstructionChoreography/Music: Gary Roodman, 2023; Tune is "Well Fed Dragons", by Dave Wiesler (2017)
Formation: 2 couples longwaysDance InstructionChoreography/Music: Brian Wedgbury
Formation: Longways Duple MinorMeter: 6/8Choreography/Music: Preston, 1794
Formation: 3 couple longways; secord couple improperKey: A, Meter: 2/2Dance InstructionChoreography/Music: Pat Shaw (1959)
Formation: Longways duple minorKey: Am, Meter: 2/2Dance InstructionChoreography/Music: Playford 1728
Formation: Longways duple minorKey: F, Meter: 3/4Dance InstructionChoreography/Music: Susan Kevra to Voyage de la Diabline by Rachel Bell
Formation: Longways duple minorKey: G, Meter: 2/2Dance InstructionChoreography/Music: Kate Riley (1956)
Formation: Couples in a circle facing line of danceDance InstructionChoreography/Music: Keith Wood May 2013
Formation: Longways duple minorKey: Bb, Meter: 4/4Choreography/Music: W. Pearson, 1709
Formation: Longways duple minor improperKey: Dm, Meter: 4/4Choreography/Music: Gary Roodman (2015)
Formation: 3 couple longways setKey: Em, Meter: 3/2Choreography/Music: Playford 1718, reconstruction by Andrew Shaw (unpublished)
Formation: 2 couples longwaysKey: C, Meter: 2/2Choreography/Music: Gary Roodman (2000) to his variation of Kemp's Jig (Anon.
Formation: 4 couple longwaysKey: A mixolydian, Meter: 2/2Choreography/Music: Jenna Simpson (2013); tune The King's Reel (traditional)
Formation: Longways Duple MinorMeter: 4/4Choreography/Music: Joseph Pimentel, 2018/Dave Wiesler
Formation: Siciilian CircleKey: G, Meter: 9/8Choreography/Music: Brooke Friendly & Chris Sackett (2005) to The Foxhunter's (trad);published in Impropriety Vol. 1 and modification for children
Formation: 3 couple longwaysKey: Em, Meter: 2/4Dance InstructionChoreography/Music: Preston, 1793
Formation: Triple minor longwaysKey: F, Meter: 2/4Dance InstructionChoreography/Music: Johnson c. 1750
Formation: Longways duple minorKey: C, Meter: 2/2Choreography/Music: Donald Bell to "Ding Dong Merrily" (orinigal tune: ‘Branle l'officiel' from Thoinot Arbeau, Orchesographie,1589
Formation: Longways Duple MinorMeter: 3/4Dance InstructionChoreography/Music: Don & Diane Bell (2019)
Formation: TriadKey: F, Meter: 2/2Choreography/Music: Peggy Roe to Corelli's Maggot
Formation: Round set for five couples, numbered anticlockwiseDance InstructionChoreography/Music: Pat Shaw to ‘Ag Hemel wat sal ik’ from Oude en Nieuwe Hollantse Boerenlietjes en Contredansen
Formation: Longways duple minorKey: Am, Meter: 4/4Dance InstructionChoreography/Music: Gary Roodman(1999/Mr Warwick's Mask (Anon.)
Formation: Longways duple minorKey: Gm, Meter: 2/2Dance InstructionChoreography/Music: Dancing Master 1728
Formation: Longways duple minor improperKey: G, Meter: 3/4Dance InstructionChoreography/Music: Ron Coxall (2002) to Midnight Mororings by Heather Bexon (1998)
Formation: 3 couple circleKey: Bm, Meter: 3/4Dance InstructionChoreography/Music: Gary Roodman (2003)/Tourner á Trois by Paul Machlis
Formation: Square setDance InstructionChoreography/Music: Keith Wood February 2014 to 4x32 bar reels, esp. The Flowers of Autumn
Formation: Longways Duple MinorKey: F#m, Meter: 3/4Dance InstructionChoreography/Music: Choreography: Margaret & Jeff Bary, 2021; Tune: Rachel Bell
Formation: Longways duple minorChoreography/Music: Mike Parker to La Serenissama by Loreena McKennitt
Formation: Longways duple minorKey: G, Meter: 3/4Dance InstructionChoreography/Music: Mike Richardson, 1998. to 'My Cape Breton Home' by Jerry Holland
Formation: Longways duple minorChoreography/Music: Susan Kevra to tune by Rachel Bell
Formation: GMeter: 3/4Choreography/Music: Twenty Year's Waltz (with Fried's commentary)
Formation: Longways duple minor improperKey: F, Meter: 2/4Dance InstructionChoreography/Music: Sharon Green (2008) to Maxwell's Rant
Formation: Longways duple minorKey: D, Meter: 2/2Dance InstructionChoreography/Music: Playford 1686
Formation: Four–couple Square SetMeter: WaltzDance InstructionChoreography/Music: Pat Shaw (1956) set to Twickenham Ferry by Theo. Marzials
Formation: Double circleKey: G, Meter: 3/2Choreography/Music: Wil van den Berg (unattributed variant)
Formation: 3-couple longwaysMeter: 4/4Dance InstructionChoreography/Music: John Sweeney
Formation: 4 couple longwaysChoreography/Music: Siôn Andreas o Wynedd (Ian A. Engle)to Barbarini's Tammbourine
Formation: Longways duple minorKey: F, Meter: 6/8Dance InstructionChoreography/Music: Playford 1695; Three 3-couple variation by Martha Kent
Formation: 2 couples longwaysKey: D, Meter: 4/4Choreography/Music: Dave Ricker to Mount Hils- Playford 1721
Formation: 4 couple longways set; 1s and 3s improperKey: A, Meter: 4/4Choreography/Music: Jenna Simpson to the tune Tom Kruskal's by Amelia Mason and Emily Troll
Formation: Triple minor longwaysKey: D, Meter: 3/4Choreography/Music: Thomas Wilson, The Treasures of Terpsichore; or, A Companion for the ball-Room. - 1809
Formation: Longways duple minorKey: Cm, Meter: 6/8Dance InstructionChoreography/Music: Sharon Green (2009) to Doctor Who Pirate Jig by Martha Stokely (2006)
Formation: 3 couple longways setKey: A, Meter: 2/2Dance InstructionChoreography/Music: Colin Hume (1986)
Formation: Square set for 4 couples – ReelKey: C, Meter: 4/4Dance InstructionChoreography/Music: Pat Shaw
Formation: 4 couple longwayChoreography/Music: Claire Kaley to the tune "Wolstonbury" by Steve Hunt.
Formation: Longways duple minorKey: Am or D, Meter: 3/2 or 9/8Dance InstructionChoreography/Music: Playford 1703
Formation: 3 couple longways setKey: Am, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651 see 'Dance Instrucion" above
Formation: 4 couple longwaysKey: Am, Meter: 2/2Choreography/Music: Gary Roodman
Formation: Longways duple minorMeter: 3/4Choreography/Music: Steve Sargent to a tune by Pete Sutherland
Formation: Longways duple minorKey: Dm, Meter: 2/4Dance InstructionChoreography/Music: Sharon Green (2009, updated 20152 to "Bennett" by Maro Avakian (1999).
Formation: Longways duple minorKey: Eminor, Meter: 2/4Dance InstructionChoreography/Music: Brooke Friendly and Chris Sackett (2008
Formation: Triple minor longwaysChoreography/Music: Brooke Friendly and Chris Sackett (2014) to Incunabula by Dave Bartley (2004)
Formation: Longways Duple MinorMeter: 6/8Dance InstructionChoreography/Music: Pat Shaw 1966 DM I: 6a-18; Walsh 1718-1760
Formation: Longways Duple MinorMeter: 3/2 and 4/2Choreography/Music: Joseph Pimentel/Dave Wiesler
Formation: Four couple SquareChoreography/Music: Cécile Laye
Formation: Longways duple minorKey: G, Meter: 3/2Choreography/Music: Phillippe Callens
Formation: 3C LWChoreography/Music: Antony Heywood
Formation: Longways duple minor improperKey: Gm, Meter: 2/4Dance InstructionChoreography/Music: Gary Roodman (2005) to Antonio Vivaldi and Van Kaynor
Formation: Longways duple minorKey: G, Meter: 3/4Dance InstructionChoreography/Music: Walsh 1712
Formation: Triple minor longwaysKey: C, Meter: 6/8Choreography/Music: Samuel James Button and John Whitaker, Dances, Reels & Waltzes. #18 (1813)
Formation: Longways duple minorKey: F, Meter: 3/4Dance InstructionChoreography/Music: Playford c.1698; and reconstructed by Christine Helwig
Formation: 4 couple longways BecketChoreography/Music: Gary Roodman(1992/Year of Jubilo, Trad.
Formation: Triple minor longways, triple progressionKey: G, Meter: 6/8Dance InstructionChoreography/Music: Thompson 1779 with a reconstruction by Tom Bood (1984)
Formation: Sicillian Circle of TriosKey: D, Meter: 2/2Dance InstructionChoreography/Music: Pat Shaw 1963 alternative tune: "Wardpark by Joan Gilbert
Formation: Longways duple minorKey: F, Meter: 2/2Dance InstructionChoreography/Music: Charles Bolton reconstruction (Retreads 6. c.1990) of Walton Abbey(1698)
Formation: Longways duple minorChoreography/Music: Judi Morningstar
Formation: Duple Minor Longways, improperMeter: 3/4Choreography/Music: Beverly Francis to "Waltzing with You" by Molly Mason
Formation: 4 couple longways squareChoreography/Music: unknown New Zealand choreographer
Formation: Longways duple minorKey: Am, Meter: 4/4Dance InstructionChoreography/Music: Melissa Running (2010)
Formation: Siciilian CircleKey: D, Meter: CDance InstructionChoreography/Music: Pat Shaw (c.1966) to Caerdroea Welsh trad.
Formation: 3 couple longways setKey: Am, Meter: 2/2Dance InstructionChoreography/Music: Pat Shaw,First version and Second version 1971
Formation: 4 couple longwaysKey: G, Meter: 6/8Choreography/Music: Scott Higgs, set to the 16th century ballad, Watkin's Ale.
Formation: 4 Couple Longways, 2 and 4 impoperDance InstructionChoreography/Music: Hilary Herbert, in Hilary's Humours 2, 1997
Formation: Lonways duple minor improper; Starts w/ long wavy lines, gents facing outKey: A, Meter: 3/4Dance InstructionChoreography/Music: Bob Green (2013) to "Wheat" by Martha Edwards
Formation: Longways duple minor improperKey: G, Meter: 2/2Choreography/Music: Jenna Simpson (2016) to the tune of Mundesse (Playford 1651)
Formation: Longways duple minorChoreography/Music: Button & Whittaker 1810
Formation: Longways duple minorKey: D mixolydian, Meter: 3/2Choreography/Music: Jenna Simpson(2015) to 'Welcome Home, My Dearie' from David Johnson's Scottish Fiddle Music in the 18th Century.
Formation: Triple minor longwaysChoreography/Music: Brooke Friendly & Chris Sackett to The Last Mile by Larry Unger, Michelle Levy, Kyle Hardman, Ken Blackwood, and Bob Anholt (2009), published in Impropriety Vol. III
Formation: Longways triple minorChoreography/Music: Melissa Running, 2018
Formation: Longways duple minorDance InstructionChoreography/Music: Chrystal Gallacci Jones (2008)
Formation: Longways duple minor, improperKey: E minor, Meter: 3/4Dance InstructionChoreography/Music: Tom and Susan Amesse
Formation: Longways duple minorChoreography/Music: Loretta Holz
Formation: Longways duple minorDance InstructionChoreography/Music: Bob Olson (2016)to O’Carolan’s “Welcome”
Formation: Longways duple minorKey: A, Meter: 2/2Dance InstructionChoreography/Music: Nathanial Kynaston (1718), reconstruction by Andrew Shaw (2002)
Formation: Longways triple minorDance InstructionChoreography/Music: Jenna Simpson, 2019; Tune "Poet Laureate," traditional
Formation: Longways duple minorKey: F, Meter: 3/2Dance InstructionChoreography/Music: Choreography/Music: DM1(12th edition) 1703 ; variations Frank Vam Cleef's interpretation c, 1981; Burtukova Svetlana and Morus Stratalatov; A Simons Kentish Hops and Czeck and Louisiana var see 'Dance I
Formation: Longways duple minor improperChoreography/Music: Ellie, & Chava Hall/Jonathan Jensen
Formation: Longways duple minorKey: C, Meter: 2/4Choreography/Music: Joseph Pimentel (2009) to Westaire Court by Debbi Jackson
Formation: Longways duple minorKey: Gm, Meter: 2/2Dance InstructionChoreography/Music: Playford 1698
Formation: 4C BecketKey: Dm, Meter: 3/4Choreography/Music: Philippe Callens to "Waiting for Fish by Susie Socco (1996)
Formation: 9 dancersChoreography/Music: Chris Turner
Formation: Longways duple minorKey: Em, Meter: 3/2Choreography/Music: Gary Roodman (2005)/Richard's Reminderby Debbie Jackson (1998)
Formation: 4 couple squareChoreography/Music: Chrissy Davis-Camp, 2007 to When At Last by Russ Barenberg;
Formation: Longways duple minorKey: G, Meter: 3/4Dance InstructionChoreography/Music: Orly Krasner, CDSS News #164, 2000 Tune: A Book of Ayres Phillip Rosseter, 1601, words by Thomas Campion
Formation: Longways duple minorKey: Am, Meter: 6/8Choreography/Music: Tune and Dance by Robert Mills
Formation: Longways duple minorKey: G, Meter: 2/4Dance InstructionChoreography/Music: Thompson 1791
Formation: Longways duple minor improperKey: Gm, Meter: 5/2Dance InstructionChoreography/Music: Pat Shaw
Formation: Longways duple minorKey: D, Meter: 6/8Dance InstructionChoreography/Music: Loretta Holz (2006) to Summer Garden Jig by Charlene Thomson (2004)
Formation: Reel (2nd couples improper). Dance InstructionChoreography/Music: Pat Shaw from Pat Shaw Collection 3, 1973
Formation: 3 couple longways setKey: Dm, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651 (as The Wherligig)
Formation: Longways triple minorKey: G, Meter: 2/4Choreography/Music: J Walsh, J. Hare 1712 reconstructed by Andrew Shaw (2002)
Formation: Longways duple minor improperKey: D, Meter: 9/8Choreography/Music: Gary Roodman (2005)/Jonathan Jensen
Formation: Longways duple minorDance InstructionChoreography/Music: Peggy Roe
Formation: 3 couple longways setKey: C, Meter: 3/4Dance InstructionChoreography/Music: Hazel Moir to "Bugeilio’r Gwenith Gwyn" (traditional Welsh song, 18th C.)
Formation: 5 couple circleKey: C, Meter: 6/8Dance InstructionChoreography/Music: Gary Roodman (1996)/Hugh O'Donnell by Carolan
Formation: Longways duple minor improperKey: G, Meter: 6/8Choreography/Music: John Walsh's Twenty-Four dances for the Year 1713. This is a reconstruction by Andrew Shaw published in Farnicle Huggy (2009)
Formation: Longways duple minorKey: G, Meter: 3/4Choreography/Music: Robert Moir; tune is traditional, "Wild Boy"
Formation: 3 couple longways set (was triple mimor)Key: Bb, Meter: 2/4Dance InstructionChoreography/Music: Thompson's Compleat Collection of 200 Favorite Country Dances, vol.1 (London, 1757). recorded version of Contemporary Eugene Eremina-Solenikovoy
Formation: Longways duple minor Becket Choreography/Music: Alan Goldthorpe/"Leona Tuttle" by Lary Unger
Formation: set dance, 8 couplesMeter: 48-bar jigsDance InstructionChoreography/Music: Hugh Rippon
Formation: Longways triosChoreography/Music: unknown
Formation: Longways duple minor improperDance InstructionChoreography/Music: Bob Green/ Dave Wiesler
Formation: 4 couple squareChoreography/Music: Andrew Shaw 2019
Formation: Longways duple minor improperChoreography/Music: Jan Dale to First Sign of Spring by Brian Jenkins
Formation: Longways duple minor improperKey: G, Meter: 3/4Dance InstructionChoreography/Music: Gary Roodman (1996)/Jonathan Jensen
Formation: 3 couple longways setKey: D, Meter: 6/8Choreography/Music: Phillipe Callen (2004) to The Dove Cove by John Stapledon
Formation: Longways for eightDance InstructionChoreography/Music: Colin Hume
Formation: 3 couple longways setKey: Gm, Meter: 6/8Choreography/Music: Carl Dreher 2010
Formation: Square with an extra coupleKey: G, Meter: 2/4Dance InstructionChoreography/Music: Wendy Crouch to Early One Morning 16th Century Ballad
Formation: 3 couple triadKey: Em, Meter: 3/4Choreography/Music: Fried de Metz Herman to Crossing to Ireland, a traditional Scottish melody, and O'Carolan's Captain O'Kain.
Formation: Longways duple minorKey: Gm, Meter: 6/8Dance InstructionChoreography/Music: Thomas Bray 1699
Formation: Longways duple minor improperChoreography/Music: folk-processed version of Wizard's Walk by Ruth Ungar
Formation: 5 couple longways setDance InstructionChoreography/Music: Pat Shaw to 'Ick hebbe mijne klachten’ from Oude en Nieuwe Hollantse Boerenlietjes en Contredansen
Formation: Triple minor longwaysKey: G, Meter: 2/2Dance InstructionChoreography/Music: Thomas Bray 1699
Formation: Circle mixerKey: Am, Meter: 3/4Dance InstructionChoreography/Music: Fried de Metz Herman
Formation: Longways duple minorKey: F, Meter: 2/2Dance InstructionChoreography/Music: Walsh 1718
Formation: Longways duple minorKey: C, Meter: 2/2Dance InstructionChoreography/Music: Playford 1703
Formation: 3 couple set and triple minorKey: Am, Meter: 6/8Choreography/Music: Loretta Holz to "East Your Oatmeal" by Charlene Thompson
Formation: Longways duple minorKey: Am, Meter: 6/8Dance InstructionChoreography/Music: Lise Dyckman, Jim Saxe, Nancy Baugh and Alan Winston.(7/10/2012 at the Woodshed dance) to Megajig by Larry Unger
Formation: Longways duple minorKey: D, Meter: 6/8Dance InstructionChoreography/Music: Kynaston, 1711, interpretation by Andrew Shaw (2000)
Formation: 3 couple longways set, top couple improperKey: g, Meter: 4/4Dance InstructionChoreography/Music: Scott Higgs
Formation: 4 couple longwaysKey: Dm, Meter: 4/4Dance InstructionChoreography/Music: Sharon Green, tune composed by Jonathan Jensen after superstorm Sandy in 2012
Formation: 3 couple longways setKey: Am, Meter: 6/8Choreography/Music: Gary Roodman
Formation: Longways duple minorKey: Am, Meter: 6/8Choreography/Music: Brook Friendly and Chris Sackett a tune by Jonathan Jensen, published in Impropriety Vol. III
Formation: Longways duple minorChoreography/Music: 24 Early American CD
Formation: Longways Duple MinorMeter: 3/4Dance InstructionChoreography/Music: Bob Green to "Ariel Julia" by Larry Unger
Formation: Longways duple minorKey: D, Meter: 3/2Choreography/Music: John Walsh, The Complete Dancing Master ca. 1740
Formation: Longways duple minorKey: Am, Meter: 9/8Dance InstructionChoreography/Music: Neal ca.1726
Formation: Longways duple minorKey: G, Meter: 3/2Dance InstructionChoreography/Music: David Smuckle (2016) to "Not ... So Vain" by Charlene Thompson
Formation: 3 couple longways setKey: Bm, Meter: 9/8Choreography/Music: Kynaston 1717,reconstruction by Andrew Shaw (2002)
Formation: Longways duple minorKey: G, Meter: 2/2Choreography/Music: Twenty Four Country Dances for the Year 1715; interpretation by Andrew Shaw
Formation: Triple minor longwaysKey: G, Meter: 6/8Dance InstructionChoreography/Music: Unknown, published by Mr. John Griffiths, Dancing-Master in Providence. 1788
Formation: Longways duple minor improperKey: G, Meter: 4/4Choreography/Music: Fried deMetz Herman, 1996. to "O Little Town of Bethlehem
Formation: Longways duple minorKey: G, Meter: 2/2Dance InstructionChoreography/Music: Walsh 1715
Formation: 3 couple longwaysKey: Gm, Meter: 2/2Dance InstructionChoreography/Music: Colin Wallace