Formation: Longways duple minor improper, or Sicilian Circle
Key: Am, Meter: 3/4
Choreography/Music: Fried deMetz Herman (1995) to Bonny Sweet Robin by Anthony Holborne (1597)

Formation: Triad formation. All proper
Key: D, Meter: 3/4
Choreography/Music: Fried de Metz Herman (2004) to The Old Man

Formation: Longways duple minor improper, or Sicilian Circle
Key: D, Meter: 2/2
Choreography/Music: Fried de Metz Herman

Formation: 3 couple longways set
Key: A, Meter: 2/2
Dance Instruction
Choreography/Music: Trevor Monson (1997) to "The Butterfly", by Richard Smith & Maggie Fletcher

Formation: 3 couple longways set
Key: G, Meter: 2/2
Choreography/Music: Ann Higley (1996) to tune by Colin Hume

Formation: 3 couple longways set
Key: F, Meter: 2/2
Dance Instruction
Choreography/Music: Playford 1651, including SCA reconstruction

Formation: Duple longways
Key: D, Meter: 2/2
Choreography/Music: Jenny Beer (2018) tune by Dave Wiesler

Formation: Longways triple minor
Key: Dm, Meter: 2/2
Choreography/Music: Gary Roodman (2005) to tune of the same name by Jonathan Jensen

Formation: Longways duple minor
Key: Am, Meter: 3/4
Dance Instruction
Choreography/Music: David Smukler (2017)

Formation: Longways duple minor
Key: G, Meter: 9/8
Dance Instruction
Choreography/Music: Twenty four new Country Dances for the Year 1706; reconstruction by Andrew Shaw

Formation: LW triple or 3C set
Key: G, Meter: 4/4
Dance Instruction
Choreography/Music: Playford, circa 1700

Formation: Longways duple minor
Key: F, Meter: 3/4
Dance Instruction
Choreography/Music: Victor Skowronski (2009) to "Be Thou My Vision" (Irish Trad.)

Formation: 2 couple circle
Key: C, Meter: 2/2
Choreography/Music: Gary Roodman (2003) to Alta Vittoria, Frabitio Varuso

Formation: 4 couple longways
Key: G, Meter: 6/8
Choreography/Music: Orly Krasner (2004) to Frank Palmer by Turlough O'Carolan

Formation: Longways duple minor
Key: A, Meter: 3/4
Dance Instruction
Choreography/Music: Philippe Callens to Siciliano by Georrg Philipp Telemann. Published in his book Antwerp Antics (2004)

Formation: 3 couple longways set
Key: G, Meter: 4/4
Dance Instruction
Choreography/Music: Playford. 1651

Formation: Longways duple minor
Key: Am, Meter: 2/2
Dance Instruction
Choreography/Music: David Ashworth (1991)to Doves Figary

Formation: 3-couple longways
Meter: 3/4
Choreography/Music: Cécile Laye, 2015; Music is 1st part of a Purcell Triptych "Rois et Reines"

Formation: Circle mixer
Key: D mixolydian, Meter: 3/4
Choreography/Music: Brooke Friendly and Chris Sackett, published in Impropriety Vol. IV

Formation: Longways triple or duple minor
Key: D, Meter: 4/4
Dance Instruction
Choreography/Music: American 1775-95

Formation: Longways duple minor
Key: A, Meter: 2/4
Dance Instruction
Choreography/Music: Johnson. Country Dances-8. 1753

Formation: 2 couple circle
Key: D, Meter: 6/4
Choreography/Music: Playford 1657. Parts 2&3 revised by Cecil Laye

Formation: Duple Minor Longways, improper
Key: Am, Meter: 3/2
Dance Instruction
Choreography/Music: David Smuckler to "Kill Him With Kindness" (after 1726.) attributed to Henry Purc

Formation: Longways duple minor
Key: G, Meter: 2/2
Dance Instruction
Choreography/Music: Playford 1657, interp Cecil Sharpe (1911)

Formation: 4 couple set 3rd and 4th couple improper
Key: D, Meter: 2/2
Dance Instruction
Choreography/Music: Pat Shaw (1974)

Formation: Sicilian with extra Couple
Key: G, Meter: 2/4
Dance Instruction
Choreography/Music: Pat Shaw (1974)

Formation: Longways duple minor
Key: Em, Meter: 2/2
Dance Instruction
Choreography/Music: Dance and Music by Colin Hume (2006) , written for Amy Lund

Formation: Duple Minor Longways proper
Choreography/Music: A Dance by Brooke Friendly and Chris Sackett, 2011, music by Chris Sackett, 2006.

Formation: Longways duple minor
Dance Instruction
Choreography/Music: Keith Wood December 2012 to Souffle d'Ange by Le Vent Du Nord

Formation: Longways duple minor
Key: G, Meter: 3/4
Dance Instruction
Choreography/Music: Graham Christian (2001) to Streams of Lovely Nancy (trad)

Formation: Double circle
Key: D, Meter: 3/4
Choreography/Music: Gary Roodman(2008) to a tune by Charlene Thompson

Formation: 2 couple circle
Dance Instruction
Choreography/Music: Lise M. Dyckman (1997) to Pernod Waltz, Johnny Cunningham (1984)

Formation: LW duple
Key: Bb, Meter: 3/2
Dance Instruction
Choreography/Music: Playford, 1721, reconstructed by Fried Herman.

Formation: 5 couple circle
Key: F, Meter: 2/2
Choreography/Music: Gary Roodman (2012) to Beaumont Rag, Trad

Formation: Longways duple minor
Key: G, Meter: 3/2
Dance Instruction
Choreography/Music: Pat Shaw

Formation: Longways duple minor
Dance Instruction
Choreography/Music: Bob Olson (2018) to Dancing Vivaldi (Double Violin Con. Op.3, No. 8 arranged by Van Kaynor}

Formation: Longways duple minor
Key: G, Meter: 2/2
Dance Instruction
Choreography/Music: Playford 1702

Formation: Longways duple minor
Key: G, Meter: 3/2
Dance Instruction
Choreography/Music: The Compleat Country Dancing-Master [Book 1], London. J. Walsh, J. Hare, 1718, interpretation by Andrew Shaw

Formation: Longways duple minor improper
Key: D, Meter: 6/8
Choreography/Music: Gary Roodman(2009) to an 18th century tune, La Chasse d'Apollon

Formation: 3 couple longways set
Meter: 3/4
Dance Instruction
Choreography/Music: Keith Wood April 2015

Formation: Triple minor longways
Key: F, Meter: 9/8
Dance Instruction
Choreography/Music: Thompson 1765

Formation: 4 couple longways
Key: A & Bm, Meter: 4/4
Dance Instruction
Choreography/Music: Fried de Metz Herman (1991) to "Miss Sally Surman's Delight","Trip to Tedddington, and MIss Dolland's Delight

Formation: Longways duple minor
Key: Gm, Meter: 2/2
Choreography/Music: Anna Rain (2015) to The Huntsmans Chorus

Formation: 2 couple circle
Key: Bb, Meter: 2/2
Dance Instruction
Choreography/Music: Playford 1651

Formation: 3 couple longways set
Key: G, Meter: 2/2
Dance Instruction
Choreography/Music: Charles Bolton (1986) to a tune by Pierre Phalese the Younger(1580)

Formation: 3 couple longways set
Key: A, Meter: 2/2
Dance Instruction
Choreography/Music: Philippe Callens to Goff Hall by Dan Lanier

Formation: Longways duple minor improper
Key: Em, Meter: 3/4
Choreography/Music: Fried de Metz Herman to a tune by Pursell

Formation: 3-couple Longways
Meter: 3/4
Choreography/Music: Brooke Friendly and Chris Sackett (published in Impropriety Vol 1, 2002). Tune is Elocine, by Bo Leyden, 1999

Formation: Duble Longways
Key: F, Meter: 3/4
Choreography/Music: Scott Higgs, 2017; : Love for Three Generations, by Clara Byom. Alternate: Shepherd’s Wife, traditional.

Formation: Longways duple minor
Key: Bb, Meter: 6/8
Dance Instruction
Choreography/Music: Choreography/Music: Rutherford 1756 & Thompson 1757/ See 'dance instruction' above

Formation: Longways duple minor
Key: Gmajor, Meter: 9/8
Choreography/Music: Brooke Friendly & Chris Oakdenk Brooke Friendly & Chris Sackett to Saint Malo

Formation: Longways duple minor improper
Key: D, Meter: 2/2
Choreography/Music: Philippe Callens published in the CDSS News, #175, Nov/Dec 2003 and in Antwerp Antics, June 2004. Tune is Red Star Line by Kathie Talvie

Formation: Longways Duple minor
Key: Bm, Meter: 2/2
Choreography/Music: Gary Roodman (2015) to a tune by Rebecca King

Formation: 3 couple longways set
Choreography/Music: Lorreta Holz to Autumn Splendor by Charlene Thomson

Formation: Triple minor longways
Key: C, Meter: 6/8
Dance Instruction
Choreography/Music: Thompson 1782

Formation: 4 couples longways
Key: C
Dance Instruction
Choreography/Music: Philippe Callens interpretation from Playford 1651

Formation: Longways duple minor
Choreography/Music: Susan Kevra to "Malcom's Pies" by Eric Schedlers

Formation: Duple Minor Longways, improper
Meter: triple time
Dance Instruction
Choreography/Music: Terry Glasspool (2017)

Formation: Longways duple minor improper
Key: Dm, Meter: 2/2
Choreography/Music: Gary Roodman to Hint of Spring by Dave Wiesler

Formation: 3 couple circle
Key: D mixolydian, Meter: 6/8
Choreography/Music: Jenna Simpson (2010)

Formation: circle mixer
Key: C, Meter: 2/2
Choreography/Music: Brooke Friendly & Chris Sackett, tune by Dave Bartley

Formation: Longways duple minor
Key: Dm, Meter: 4/4
Dance Instruction
Choreography/Music: Walsh 2d Book of the Compleat Country Dancing Master 2a 1719. interpreted by Fried de Metz Herman

Formation: Longways duple minor
Key: D, Meter: 2/4
Dance Instruction
Choreography/Music: Walsh c.1735, interp. by Jacqueline Schwab; and a Heritage Musick variation

Formation: Three couple Round Set –Waltz
Key: Dm, Meter: 3/4
Dance Instruction
Choreography/Music: Pat Shaw (1974)

Formation: Longways duple minor improper
Key: D, Meter: 3/2
Dance Instruction
Choreography/Music: Interpretation of Playford 1701 by A. Simon Kentish Hops

Formation: Longways duple minor
Key: Gm, Meter: 3/2
Choreography/Music: The Dancing Master, 1713; reconstruction by Bernard Bentley 1962

Formation: 3 couple longways set
Choreography/Music: Bruce Rosen

Formation: 3 couple longways set
Choreography/Music: Unknown. Possibly a Bath Fan dance circa 1780

Formation: Duple Improper
Dance Instruction
Choreography/Music: Thomas Bray, London 1699

Formation: Triple minor longways
Key: A, Meter: 6/8
Dance Instruction
Choreography/Music: Thompson 1777

Formation: Longways duple minor improper
Key: G, Meter: 6/4
Dance Instruction
Choreography/Music: Patricia Evans

Formation: 4 couple square
Choreography/Music: Hubert Collinet (1823)

Formation: Triple minor longways
Choreography/Music: Scottish country dance, modified by Annette Merritt into an English triple minor to Perpetual Motion

Formation: 4 couple longways set
Key: D, Meter: 3/2
Dance Instruction
Choreography/Music: Leslie Lassetter/ Come and Find the Quiet Center, trad.attrib to BF White.

Formation: 3 couple longways set (was triple mimor)
Key: Am, Meter: 3/2
Choreography/Music: The Dancing Master,1728;reconstruction by Bernard Bentley(Fallibroome Collection)

Formation: 3 couple Longways Set
Key: Eminor, Meter: 2/2
Dance Instruction
Choreography/Music: Nathaniel Kynaston 1711, interpretation by Andrew Shaw

Formation: Longways duple minor
Key: C, Meter: 6/8
Dance Instruction
Choreography/Music: Joseph Pimentel (2005) to the tune Baptist Johnson by Turlough O'Carolan

Formation: 4 couple longways
Key: G, Meter: 6/8
Dance Instruction
Choreography/Music: Charles Bolton (1987) published in Occassions (1989)

Formation: Longways duple minor improper
Choreography/Music: Mady Newfield to "Dawn" by Mara Shea

Formation: 3 couple longways set
Key: Gm, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1651

Formation: Longways duple minor
Key: B flat major, Meter: 2/2
Dance Instruction
Choreography/Music: Susan Kevra to "One Card Short" by David Wiesler

Formation: Longways duple minor
Key: Am, Meter: 3/2
Choreography/Music: Walsh 1707

Formation: Double Sicilian Circle
Key: Dm, Meter: 3/4
Dance Instruction
Choreography/Music: Pat Shaw 1970

Formation: Longways duple minor
Key: Gm, Meter: 2/2
Dance Instruction
Choreography/Music: Playford 1721. reconstructions and Douglas and Helen Kennedy (1929) and by Charles Bolton (Retreads 1)

Formation: 3 coupe longways
Key: A minor, Meter: 2/2
Dance Instruction
Choreography/Music: Gary Roodman

Formation: Longways duple minor improper
Key: D, Meter: 3/4
Dance Instruction
Choreography/Music: Gary Roodman (2012) to tune of the same name by lydia ievins

Formation: Longways duple minor, all proper
Key: G, Meter: 3/4
Choreography/Music: Loretta Holz (2005) to Colony Cove Waltz: by Charlene Thomson(2004) with a variation

Formation: Siciilian Circle
Key: G, Meter: 9/8
Choreography/Music: Brooke Friendly and Chris Sacket (2009) tune by Jonathan Jensen, published in Impropriety Vol. III

Formation: Longways duple minor improper
Key: A, Meter: 2/2
Choreography/Music: Gary Roodman (2000)

Formation: 3 couple longways set
Choreography/Music: Philippe Callens (1999) to Downland 557 by Pat Shaw

Formation: Square of Trios
Key: D, Meter: 6/8
Dance Instruction
Choreography/Music: John M Ramsay, 1985 to "Air Jenny"

Formation: Longways triple minor
Choreography/Music: Slingee

Formation: Longways duple minor
Key: A, Meter: 6/8
Dance Instruction
Choreography/Music: Pat Shaw 1971

Formation: Duple Minor Improper
Key: G, Meter: 6/8
Choreography/Music: Elizabeth Goossen

Formation: Duple minor longways - double progression. 1st couples improper
Dance Instruction
Choreography/Music: Pat Shaw

Formation: 3 couple set longways
Key: D, Meter: 6/8
Choreography/Music: Wright's Compleat Collection Vol. I 1742; Andrew Shaw interpretation

Formation: 3 couple longways set
Key: Bb, Meter: 4/4
Choreography/Music: Nathaniell Kynastan, publshed by by J Walsh (1710) as intererpreted by Andrew Shaw (2002)

Formation: Cicle all facing in
Meter: 32 Jig/Reel
Choreography/Music: Kathryn & David Wright (Vesey Collection 1990)

Formation: 3 couple circle
Choreography/Music: Loretta Holz

Formation: Longways duple minor
Key: Em, Meter: 6/8
Choreography/Music: Jenny Beer (2016) to Bingo Wings by Sarah Gowen

Formation: 3 couple longways set
Key: D dorian, Meter: 4/4
Choreography/Music: Fried de Metz Herman (1994) to Dance (adapted) by George Vanbrughe (1713)

Formation: Longways duple minor
Key: G, Meter: 3/2
Choreography/Music: Brooke Friendly/Chris Sackett (c 2011) to tune Flights of Fancy by Shira Kammen (2011), published in Impropriety Vol. I

Formation: Duple minor
Key: G, Meter: 6/8
Dance Instruction
Choreography/Music: Elizabeth Goossen

Formation: 3 couple longways set
Key: G, Meter: 2/2
Choreography/Music: Gary Roodman to a tune by Jonathan Jensen

Formation: Longways duple minor
Dance Instruction
Choreography/Music: John Ramsay to Birthday Canon by Pablo El Russo

Formation: 3 couple longways set
Key: Em, Meter: 6/8
Choreography/Music: Gary Roodman 1999

Formation: Longways duple minor
Key: Gm, Meter: 9/8
Dance Instruction
Choreography/Music: The Dancing Master 9th Ed. 1695

Formation: 3 couple longways set
Key: A/G minor, Meter: 6/8
Choreography/Music: Fried deMetz Herman (2002) to The Witch Under the Stars (1995) and Black Cat Jig (1996) by Jonanthan Jenson

Formation: Triple minor longways
Key: A, Meter: 2/2
Dance Instruction
Choreography/Music: Thompson 1778; W.S. Porter, 1931

Formation: Longways duple minor
Key: F, Meter: 3/4
Dance Instruction
Choreography/Music: Victor Skowroski 2003 to tune by Chris Rua

Formation: Processional Double Circle, women on inside, all facing clockwise
Key: F, Meter: 6/8
Dance Instruction
Choreography/Music: Millar, Elizabethan Country Dances

Formation: Longways triple minor
Key: Am, Meter: 4/4
Dance Instruction
Choreography/Music: The Dancing Master 7th Ed. 1686 Farnicle Huggy (Andrew Shaw)

Formation: Longways duple minor
Key: D major, Meter: 6/8
Dance Instruction
Choreography/Music: The Dancing Master, 1696-1728

Formation: Longways duple minor
Choreography/Music: Brooke Friendly and Chris Sackett (2005) to Islin's Jig by Ruth Anne Fraley (2004) published in Impropriety Vol. 1

Formation: 3 couple longways set
Key: F, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1657 and Cecil Sharp version. See 'Dance Istruction" above

Formation: Longways duple minor
Key: Gm, Meter: 4/4
Dance Instruction
Choreography/Music: Walsh 1718, interpretations/reconstructions by Fried de Metz Herman, Kalia Kliban

Formation: 3 Couple Longways
Meter: 4/4
Choreography/Music: Robert Jamison

Formation: Longways duple minor
Key: D, Meter: 4/4
Dance Instruction
Choreography/Music: Nathaniel Kynaston (1710)

Formation: Longways duple minor
Meter: 3/4
Choreography/Music: Philip Shreckhise to music by Luigi Boccherini

Formation: 3 couple longways set
Key: G, Meter: 4/4
Dance Instruction
Choreography/Music: Playford 1703, interpretation by Andrew Shaw (2009), and Walsh 1718

Formation: 3 couple longways set
Key: G mixolydian , Meter: 3/4
Choreography/Music: Susan & Tom Amesse. Music by Rachel Bell

Formation: Longways duple minor
Key: Dm, Meter: 9/8
Choreography/Music: Joseph Pimentel (2005) tune by Debbie Jackson

Formation: Longways duple minor
Key: A minor, Meter: 6/8
Choreography/Music: Brooke Friendly & Chris Sackett to a traditional English tune All Among the Barley

Formation: 3 couple longways set
Key: C, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1651 and backwards

Formation: duple, longways, improper
Key: G, Meter: 6/8
Dance Instruction
Choreography/Music: Mike Richardson (7/26/99) to tune by Anita Anderson

Formation: Longways duple minor
Key: C, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1651

Formation: Longways Duple Minor
Meter: 3/4
Dance Instruction
Choreography/Music: Fried de Metz Herman

Formation: Longways duple minor improper
Dance Instruction
Choreography/Music: Chris Page (2013), here danced to East Tennessee Blues, by Richard Scher

Formation: Couple facing couple
Dance Instruction
Choreography/Music: M. Heffer and W. Porter in Maggot Pie to "Magot Pie"

Formation: Longways Duple Minor Improper
Meter: 3/4
Choreography/Music: Alan Winston

Formation: Longways Triple Minor
Meter: 4/4
Dance Instruction
Choreography/Music: Thomas Preston, 1800

Formation: 4 couple longways
Key: D, Meter: 3/4
Dance Instruction
Choreography/Music: Gail Ticknor to Si Beag Si Mhor by Turlough O'Carolan

Formation: Longways duple minor
Key: Bb, Meter: 2/2
Dance Instruction
Choreography/Music: Playford 1713. Nathaniel Kynaston

Formation: 3 couple longways set
Key: Dm, Meter: 6/8
Choreography/Music: Nathaniel Kynaston, J. Wasch, L. Hare (1718), reconstruction by Andrew Shaw (2009

Formation: Longways duple minor
Choreography/Music: Susan Kevra; tune by Rachel Bell

Formation: 6 couple
Dance Instruction
Choreography/Music: Jean Butler

Formation: Circle
Key: G, Meter: 6/8
Dance Instruction
Choreography/Music: William Campbell(1790)

Formation: Longways duple minor improper
Key: G, Meter: 4/4
Dance Instruction
Choreography/Music: Sharon Green to Good King Wenceslas

Formation: 3 couple longways set
Key: G, Meter: 2/2
Dance Instruction
Choreography/Music: Johnson 1757

Formation: 3 couple longways set
Choreography/Music: Cantelo, Twenty Four American Country Dances (London: 1785)

Formation: Duple Minor Longways, improper
Key: Dm, Meter: 4/4
Dance Instruction
Choreography/Music: Melanie Axel-Lute (2015) to Bransle de la Torche, Praetorius

Formation: Longways duple minor
Key: A, Meter: 3/8
Choreography/Music: Thomas Braye, 1699, and as reconstructed by Diana Cruikshank.

Formation: LW duple improper
Choreography/Music: Brook Friendly and Chris Sackett, tune by Dave Bartley 2009

Formation: Longways duple minor
Key: Gmajor, Meter: 2/2
Dance Instruction
Choreography/Music: Colin Hume 2003, rev 2007

Formation: Longways duple minor
Dance Instruction
Choreography/Music: Bob Green/ Larry Unger

Formation: Longways duple minor
Choreography/Music: Robert Moir

Formation: 2 couple circle
Key: F, Meter: 4/4
Dance Instruction
Choreography/Music: Elizabeth Goossen

Formation: 4 couple longways
Choreography/Music: unknown.

Formation: The videos show two very different dances; one is Triple minor longways, and the other is a duple minor longways
Key: A, Meter: 3/8
Choreography/Music: Wilson 1808 reconstruction by Eugenia Eremina-Solenikova

Formation: Circle of 3-5 couples
Key: G, Meter: 3/4
Choreography/Music: Gary Roodman (2015) tune by Charlene Thomson

Formation: 4 couple longways
Key: F, Meter: 2/2
Dance Instruction
Choreography/Music: Playford 1651

Formation: 4 couple set 1cu and 3cu improper
Key: D, Meter: 2/2
Dance Instruction
Choreography/Music: Fried de Metz Herman (1991) to Hubbub by Bryon Bonnett

Formation: 3 couple longways set
Choreography/Music: Dafydd Arth to The Rights of Man trad. Irish tune(choreogrphed for 3 couples, here adapted for 4 couples.)

Formation: Triple minor longways
Key: F, Meter: 2/2
Choreography/Music: Playford 1696, and as reconstructed by Andrew Shaw. 2008

Formation: Longways duple minor
Choreography/Music: Feuillet 1706

Formation: Longways Duple Minor, improper
Key: E Dorian, Meter: 9/8
Choreography/Music: Bob Olson to The Butterfly (Trad. Irish)

Formation: 4C LW 1C & 3C improper
Choreography/Music: Philippe Callens

Formation: Longways duple minor improper
Key: Em, Meter: 9/8
Choreography/Music: Gary Roodman (1996)

Formation: Longways Duple Minor
Meter: 6/8

Formation: Longways duple minor
Key: Dm, Meter: 3/2
Choreography/Music: Dancing Master (1710), Bernard Bentley in The Fallibroome Collection, to a tune by Daniel Purcell.

Formation: Longways triple
Meter: 32 bar reel
Dance Instruction
Choreography/Music: Pat Shaw

Formation: Longways duple minor
Key: D, Meter: 3/4
Dance Instruction
Choreography/Music: Loretta Holz (2007), tune by Jonathan Jensen(2004)

Formation: Triple minor longways
Key: F, Meter: 2/2
Choreography/Music: Dancing Master (Playford) I: 1695-1728. Renovated by Eugenia Eremina-Solenikovoy

Formation: Longways set for four couples, progressive
Key: D, Meter: 3/4
Dance Instruction
Choreography/Music: Pat Shaw to ‘Het Sneeker Klokspel’

Formation: Longways duple minor
Choreography/Music: Philippe Callens (2010) to a tune by John Blow (1649-1708)

Formation: Circle mixer
Choreography/Music: Arduina Alonzo (2016) to 'Carousel' by Charlene Thomson (2005)

Formation: 2 couple circle , facing but farther away than usual
Dance Instruction
Choreography/Music: Alan Winston (2002) to Cast Away Waltz by Colin Hume 2009

Formation: Longways duple minor
Dance Instruction
Choreography/Music: Bob Green to Geoge Paul's "March of the Lost Boys"

Formation: 3 couple set with 2nd couple active, waltz mixer
Key: Gm, Meter: 3/4
Dance Instruction
Choreography/Music: Fried de Metz Herman (1994) to a tune by O'Carolan

Formation: Longways set for four couples – Reel
Dance Instruction
Choreography/Music: Pat Shaw to ‘Cecilia’ from Oude en Nieuwe Hollantse Boerenlietjes en Contredansen

Formation: 3 couple longways
Choreography/Music: Rosemary Hunt, tune by Stephen Hunt

Formation: 4 couple longways square
Key: F, Meter: 3/2
Choreography/Music: Philippe Callens to a tune by Jonathan Jensen

Formation: Longways duple minor
Key: D, Meter: 4/4
Choreography/Music: Jenna Simpson to Fete de Village

Formation: Longways Duple Minor
Meter: 4/4
Choreography/Music: Sharon Green/David Marcus

Formation: 4 couple longways
Key: Am, Meter: 3/2
Dance Instruction
Choreography/Music: Gary Roodman (2005)to Elizabethan Tango Man by Charlene E. Thomson

Formation: 3 couple longways set
Key: G, Meter: 6/8
Dance Instruction
Choreography/Music: Johnson c. 1750

Formation: 4 couple square
Key: F, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1657, 2 reconstructions by Cecil Sharp

Formation: Longways Triple Minor
Key: Am, Meter: 6/8
Dance Instruction
Choreography/Music: Miriam Newman

Formation: Longways duple minor
Key: D, Meter: 3/2
Dance Instruction
Choreography/Music: Dancing Master 11th ed 1701;Walsh 1718; Charles Bolton (retreads)

Formation: 3 couple longways set
Key: Am, Meter: 2/2
Dance Instruction
Choreography/Music: DancingMaster 1651-1796; Cecil Sharp 1912

Formation: Duple Minor longways. Double progression
Key: G, Meter: 4/4
Dance Instruction
Choreography/Music: Pat Shaw 1971, Adapted by Pat Shaw from a traditional Essex song

Formation: Longways duple minor
Key: Dm, Meter: 6/8
Dance Instruction
Choreography/Music: Sharon Green(2014, rev 2015) to a tune of the same name by Rebecca King (2014)

Formation: Longways duple minor improper
Key: Dm, Meter: 2/2
Dance Instruction
Choreography/Music: Playford 1701 with reconstructions by Cecil Sharp, Douglas Kennedy., The Jane Austen Society, Christine Feyeabend, and others. see'"Dance Instruction' above...

Formation: Longways Duple Minor
Choreography/Music: Chris Sackett, 2018

Formation: Circle
Choreography/Music: Brian Wedgbury

Formation: 4 couple longways
Key: C, Meter: 2/2
Choreography/Music: Brooke Friendly and Chris Sackett, 2009, to Shira Kammen's tune 72%, published in Impropriety Vol. III

Formation: Longways duple minor
Key: D, Meter: 9/8
Choreography/Music: Brooke Friendly & Chris Sackett (2008) to Top o' the Mornin' by Jonathan Jensen (2007), published in Impropriety Vol. II

Formation: Square
Choreography/Music: Brook Friendly and Chris Sackett to the tune "The Maid's Complaint"

Formation: Triple minor longways
Choreography/Music: Brooke Friendly and Chris Sackett to “The Goldfinch” by Paul Gitlitz (1999)t, published in Impropriety Vol. IV

Formation: Longways duple minor improper
Key: Am, Meter: 2/2
Dance Instruction
Choreography/Music: Fried de Metz Herman

Formation: Longways duple minor
Dance Instruction
Choreography/Music: Dodd 24CD 1795

Formation: Longways duple minor
Key: C, Meter: 2/2
Dance Instruction
Choreography/Music: Playford 1679; Cecil Sharp 1916

Formation: Longways duple minor improper
Key: F, Meter: 2/2
Dance Instruction
Choreography/Music: Naomi Alexander

Formation: 4 couple square
Key: D, Meter: 2/2
Dance Instruction
Choreography/Music: Fried de Metz Herman (1992) to a tune by George Davis

Formation: Dupre monitor longways
Key: Dm, Meter: 4/4
Dance Instruction
Choreography/Music: Sharon Green

Formation: 3 couple longways set 2's improper
Key: C, Meter: 3/4
Dance Instruction
Choreography/Music: Colin Hume (2012)

Formation: 3 couple longways set & as LW duple minor
Key: Dm, Meter: 3/2
Choreography/Music: Jenny Beer

Formation: Longways duple minor
Key: Dm, Meter: 2/2
Dance Instruction
Choreography/Music: Playford 1701, reconstruction by Charles Bolton

Formation: 3 couple longways set
Key: D, Meter: 3/4
Choreography/Music: Fried de Metz Herman (2005) to a tune by O'Carolan

Formation: Longways duple minor
Dance Instruction
Choreography/Music: unknown (Community Dance Manuals)

Formation: Longways duple minor
Key: Bb, Meter: 2/2
Dance Instruction
Choreography/Music: EDM Vol 2, 4th edition,1728. Cecil Sharp reconstruction 1916

Formation: Longways duple minor
Key: D, Meter: 3/4
Dance Instruction
Choreography/Music: Bob Green to Sarah's Waltz by Kristen Grahm

Formation: 3 couple longways set
Choreography/Music: Ralph Sweet

Formation: 3 couple longways set
Key: G, Meter: 3/4
Dance Instruction
Choreography/Music: Elizabeth Goossen

Formation: 3 couple longways set
Key: D, Meter: 3/4
Dance Instruction
Choreography/Music: The Dancing Master 1727 (Interp. Tom Cook 1982)

Formation: Longways duple minor
Key: E(D), Meter: 3/2
Choreography/Music: Joseph Pimentel to tune by Dave Wiesler(2009)

Formation: Longways duple minor
Key: D, Meter: 6/8
Dance Instruction
Choreography/Music: Thompson 1776. see "Dance Instruction" above

Formation: Longways duple minor
Key: D Dorian, Meter: 4/4
Dance Instruction
Choreography/Music: Victor Skorownski to Ronde II, Mon Amy by Tielman Susato

Formation: Longways duple minor
Key: Cm, Meter: 2/2
Choreography/Music: Thomas Bray 1699

Formation: 2 trios facing
Key: G, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1651 - 1698

Formation: Longways duple minor
Key: C, Meter: 4/4
Choreography/Music: Playford 1703, reconstructed by Andrew Shaw

Formation: Longways duple minor improper
Key: G, Meter: 3/4
Dance Instruction
Choreography/Music: Victor Skowronski (2007) to 'Cool Breezes' by Leslie Lassiter (2007)

Formation: Longways duple minor improper
Key: F, Meter: 2/4
Dance Instruction
Choreography/Music: Cathy and John Millar (c. 1993)tune adapted from 4th movement of Arcangelo Corelli's opus 5, Sonato #10 1700.

Formation: Longways duple minor
Key: D, Meter: 2/2
Dance Instruction
Choreography/Music: 3 couple version c. 1725; longways Trad: Peter Kennedy

Formation: 3 couple special
Dance Instruction
Choreography/Music: John Searle

Formation: 3 couple longways set
Key: G, Meter: 6/8
Dance Instruction
Choreography/Music: Thompson 1777; WS. Porter

Formation: Longways duple minor improper
Key: G, Meter: 2/2
Choreography/Music: Fried de Metz Herman (1996)

Formation: 3 couple set; Longways duple minor variation
Key: Cm, Meter: 3/4
Choreography/Music: Philippe Callens

Formation: Triple minor longways
Key: Bb, Meter: 2/4
Dance Instruction
Choreography/Music: The Richmond Assemblies c 1790 to Coterie 204 Favorite Country Dances of 1774

Formation: Siciilian Circle
Dance Instruction
Choreography/Music: Trad. Mrs. Boyle

Formation: Longways duple minor
Key: D, Meter: 6/8
Dance Instruction
Choreography/Music: Twenty Four New Country Dances, 1702, Douglas and Helen Kennedy, 1929

Formation: Longways duple minor
Key: C, Meter: 6/8
Choreography/Music: Brooke Friendly & Chris Sackett (2003) to Cottonwood by Dave Bartley (2002) published in Impropriety Vol. 1

Formation: 3 couple set longways
Key: Amin, Meter: 3/2
Choreography/Music: Kynaston 1710

Formation: Longways duple minor
Meter: 32 bar jigs
Dance Instruction
Choreography/Music: Michael Barraclaugh, c 1979

Formation: Triple minor longways
Choreography/Music: unknown

Formation: 3 couple longways set
Choreography/Music: Sol Weber as modified by Tara Bolker

Formation: 3 couple longways set
Key: Gm, Meter: 2/2
Choreography/Music: Jenna Simpson (2016) to the tune Little Sky by Guillaume Sparrow-Pepin

Formation: Dance for 12
Choreography/Music: Siôn Andreas o Wynedd (Ian A. Engle) to Bourée from Bach's Suite in E Minor for Lute played as a slip jig

Formation: 3 couple longways set
Choreography/Music: Loretta Holz to a tune by Dave Wiesler

Formation: 4 couple longways set
Choreography/Music: Sascha Glimmann to Soldier Boy by Custer LaRue

Formation: Duple minor. All proper
Key: B minor, Meter: triple time
Dance Instruction
Choreography/Music: Fried de Metz Herman (2002) to "Crown the Year", to H. Purcell 1712

Formation: Longways duple minor improper
Key: Dm, Meter: 3/4
Choreography/Music: Orly Krasner (2003 rev 2008) to the English folksong collected by Sharp, One Hundred English Folksongs (1916)

Formation: 2 couple circle
Key: C, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1651, and as interpreted by Michael Barraclaugh

Formation: 3 couple longways set
Key: D, Meter: 2/4
Dance Instruction
Choreography/Music: Rutherford. 1775

Formation: Longways duple minor
Key: C, Meter: 2/2
Dance Instruction
Choreography/Music: Playford 1703, as interpreted by Colin Hume, Part 2 by Colin Hume

Formation: 4 couple square
Key: D, Meter: 4/4
Dance Instruction
Choreography/Music: unknown: EFDSS Community Dance Manuals

Formation: 3 couple longways set
Key: G, Meter: 3/2
Dance Instruction
Choreography/Music: Marjorie Heffer & William Porter published in Maggot Pie (1932

Formation: Longways duple minor improper
Key: G, Meter: 3/2
Choreography/Music: Jenna Simpson (2016) to the tune Apollo and Daphne (Walsh 1740)

Formation: Triple minor longways
Key: G, Meter: 2/4
Dance Instruction
Choreography/Music: Mary Pugh (1983)

Formation: 3 Couple Longways
Meter: 3/4
Dance Instruction
Choreography/Music: David Macemon (1992)

Formation: Longways for 3 couple
Key: D, Meter: 3/4
Dance Instruction
Choreography/Music: Elizabeth Goossen

Formation: 3 couple longways set
Dance Instruction
Choreography/Music: Tom Senior, 2014; tune by Mady Newfield, 2014 in memory of Mars Longden

Formation: Double circle
Key: C, Meter: 3/4
Choreography/Music: Joseph PImentel to Yonder, Year by Year by Dave Wiesler

Formation: Longways trios
Key: C, Meter: 2/2
Choreography/Music: Fried de Metz Herman (1993) to a tune by Jeremiah Clarke

Formation: 3 Couple Longways
Meter: 6/8
Choreography/Music: Don Bell/Playford

Formation: 4 couples in a square set
Dance Instruction
Choreography/Music: Keith Wood April 2010 to waltz esp. "When the Boat Comes In"

Formation: Duple Minor Longways, improper
Meter: 3/4
Choreography/Music: Karen Shaw to "New Moon" by Doug Plummer

Formation: triple minor
Dance Instruction
Choreography/Music: Rebekah Valencia; tune by Ruth Valencia (triple minor)

Formation: Longways duple minor
Key: C, Meter: 6/8
Choreography/Music: Loretta Holz (2005) to Dancing up a Storm by Charlene Thomson

Formation: Longways duple minor
Key: Bb, Meter: 6/6
Choreography/Music: Brooke Friendly and Chris Sackett; tune arranged from "A Health to Betty" Playford 1651 by Chris Sackett 2007

Formation: Longways duple minor
Key: D, Meter: 4/4
Dance Instruction
Choreography/Music: Pat Shaw 1973

Formation: 3 Couple Longways
Meter: 3/2
Dance Instruction
Choreography/Music: Paul Ross/Roger Davidson

Formation: 4 couple Longways Set
Key: D, Meter: 2/4
Dance Instruction
Choreography/Music: Pat Shaw

Formation: Longways duple minor
Key: Am, Meter: 2/2
Dance Instruction
Choreography/Music: Gary Roodman (2005) to Pell Mell from Payford 1679

Formation: Duple minor longways improper
Key: G, Meter: 4/4
Dance Instruction
Choreography/Music: Elizabeth Goossens (oct 2013)

Formation: Longways duple minor
Key: Am, Meter: 4/4
Dance Instruction
Choreography/Music: Playford 1651

Formation: Longways duple minor improper
Choreography/Music: Naomi Alexander

Formation: Longways duple minor
Key: C, Meter: 3/2
Choreography/Music: Brooke Friendly & Chris Sackett to Hunana Hornpipe by Jonanthan Jensen, published in Impropriety Vol. II

Formation: 2 couple set
Choreography/Music: Brooke Friendly and Chris Sackett. Tune by Shira Kammen

Formation: Long Set, 3 cpls. (orignal: triple minor)
Key: C, Meter: 2/2
Dance Instruction
Choreography/Music: EDM 1721, Reconstruction by Andrew Shaw

Formation: Circle
Dance Instruction
Choreography/Music: Pat Shaw (1975)

Formation: 3 couple longways set
Key: D, Meter: 4/4
Dance Instruction
Choreography/Music: Ellen Taylor

Formation: Longways duple minor
Key: C, Meter: 2/4
Dance Instruction
Choreography/Music: Jonathan Ogle, 2003 to 'Banks of Inverness

Formation: Longways duple minor
Key: C, Meter: 2/4
Dance Instruction
Choreography/Music: Sharon McKinley (2007) to her tune of the same name

Formation: Longways duple minor
Key: C, Meter: 6/8
Dance Instruction
Choreography/Music: Diane Schmit (1985) to a tune of the same name by Jonathan Jensen (1985)

Formation: Longways Duple Minor Improper
Key: Dm, Meter: 2/2
Dance Instruction
Choreography/Music: Brian Wedgbury

Formation: 3 Couple Longways
Meter: 2/2
Dance Instruction
Choreography/Music: Paul Ross/Roger Davidson

Formation: Longways duple minor
Key: A, Meter: 3/4
Dance Instruction
Choreography/Music: David Macemon (2017), music: "Butterflies Waltz", Ruth McLain

Formation: Longways duple minor
Key: G, Meter: 3/2
Dance Instruction
Choreography/Music: Playford 1702 and a reconstruction by Eugenia Eremina-Solenikovoy.

Formation: Longways duple minor
Key: A, Meter: 2/2
Dance Instruction
Choreography/Music: Unknown, pub in Sheffield,From Two Barns, v3

Formation: 3 couple longways set
Key: c, Meter: 6/8
Dance Instruction
Choreography/Music: Sharon Green (2009) to The Serpent with Corners by Thomas Bending (1999)

Formation: 3 couple longways set. Mixer
Key: D, Meter: 6/8
Dance Instruction
Choreography/Music: Charles Bolton (1983)

Formation: Longways for 3 couples (originally written as triple minor longways with a triple progression
Choreography/Music: Trevor Monson, 2009 to Jordan's Shore by Elvyn Blomfield

Formation: 4 couple longways
Choreography/Music: Kimberly, Ellie & Chava Hall/Mary Hall

Formation: Longways duple minor improper
Key: D, Meter: 2/2
Choreography/Music: Gary Roodman(2009)

Formation: Round for as many as will
Key: A, Meter: 6/8
Dance Instruction
Choreography/Music: Pat Shaw

Formation: 4 couple longways
Key: D, Meter: 2/4
Choreography/Music: Dance and tune by Naomi Alexander (1998)

Formation: 3-couple dance
Choreography/Music: Don Corson with suggestions from Alan Winston and Colin Hume. This version is modified by Veronica Lane. Music is "Catharsis" played by Moving Violations.

Formation: Dorset 4-hand set
Key: G, Meter: 2/4
Choreography/Music: Community Dance Manuals

Formation: Longways duple minor
Choreography/Music: Community Dance Manuals

Formation: Longways duple minor improper
Key: Am, Meter: 3/4
Choreography/Music: Gary Roodman (1999)/Gavotte by Pierre Caroubel (c. 1600)(?)

Formation: 3 couple longways set
Key: A, Meter: 2/2
Choreography/Music: Gary Roodman to a tune by David Wiesler

Formation: Sicilian Circle or duple minor imprpoer
Key: G, Meter: 6/8
Dance Instruction
Choreography/Music: Elizabeth Goossen

Formation: Duple minor improper longways mixer
Meter: 6/8
Dance Instruction
Choreography/Music: Philippe Callens, 1999; Music: “Captain Tom,” published Walsh 1711

Formation: Longways duple minor
Key: Bb, Meter: 4/2
Dance Instruction
Choreography/Music: Preston 1791

Formation: Longways triple or duple minor
Key: D, Meter: 3/4
Dance Instruction
Choreography/Music: The Dancing Master 17th Ed. Vol. I 1721, reconstructed by Douglas and Helen Kennedy, 1929

Formation: Longways duple minor
Key: G, Meter: 3/4
Dance Instruction
Choreography/Music: The Dancing Master 17th Ed. Vol.I 1721

Formation: Longways duple minor
Key: F, Meter: 4/4
Choreography/Music: Young 1710, reconstruction by Andrew Shaw

Formation: Longways duple minor
Key: A, Meter: 2/2
Dance Instruction
Choreography/Music: Thompson (1744)

Formation: Circle
Key: Dm, Meter: 6/4
Choreography/Music: DancingMaster 1651;Choreography reconstructed as circle by Cécile Laye

Formation: Longways duple minor
Key: Bb, Meter: 2/4
Dance Instruction
Choreography/Music: Thompson (1757) as reconstructed by Charles Bolton in Retreads 2 (1992)

Formation: Longways duple minor
Key: Cm, Meter: 12/8
Dance Instruction
Choreography/Music: Playford (1713) as We'll Wed and We'll Bed, reconstruction by Bernatd Bentley (1962)

Formation: 3 couple longways set (was triple mimor)
Key: C, Meter: 4/4
Choreography/Music: Ignatius Sancho 1779

Formation: 3 couple longways set (was triple mimor)
Key: Gm, Meter: 4/4
Choreography/Music: Bernard Bentley

Formation: ‘Becket’ set with another ‘Becket’ set outside
Dance Instruction
Choreography/Music: Pat Shaw to ‘Sarabande op de Duchesse’ from Oude en Nieuwe Hollantse Boerenlietjes en Contredansen

Formation: Longways duple minor
Choreography/Music: Bob Green to I’m Takin’ My Time by Larry Unger

Formation: Longways duple minor
Key: Gm, Meter: 2/2
Dance Instruction
Choreography/Music: Bernard Bentley

Formation: Longways duple minor
Key: G, Meter: 3/4
Dance Instruction
Choreography/Music: Choreography/Music: Cahusac 1801, interp. A. Simons 1970;,triple minor reconstruction:Reconstruction by Eugenia Solenikova and other variants. See 'Dance Instruction' above

Formation: 4 couple square
Key: Gm, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1651

Formation: 3 couple longways set 2's improper
Key: G Major, Meter: 3/4
Dance Instruction
Choreography/Music: Colin Hume to a tune by Roger Davidson (1991)

Formation: Longways duple minor improper
Key: A, Meter: 4/4
Choreography/Music: Brian Wedgbury (1972)

Formation: Long Set. 3 cpls (original: triple minor), Progression 3-1-2
Key: C, Meter: 4/4
Choreography/Music: Walsh 1798, Recontruction by Andrew Shaw

Formation: 3 couple longways set
Key: F, Meter: 3/4
Choreography/Music: Bruce Hamilton (an adaptation of John Drewry's The Dunsmuir Strathspey) tune Breakaway Heart by Kathy Talvitie

Formation: 4 couple reel
Choreography/Music: Communiity Dance manuals

Formation: 3 couple longways set
Key: G, Meter: 3/2
Dance Instruction
Choreography/Music: Neal Collection(c. 1726)

Formation: 8 couples in a set — A line of two couples facing another line of two couples, behind which are two more lines of couples facing each other
Key: G Major, Meter: 2/2
Dance Instruction
Choreography/Music: Ernst van Brakel to a tune by Colin Hume (1990)

Formation: Longways duple minor, 2's improper
Key: G Major, Meter: 3/4
Choreography/Music: Peter André for Bill and Daphne Holland’s 60th wedding anniversary to Langtan efter Sally ( Longing for Sally) by Bruce Sagan.

Formation: Triple minor longways
Key: A, Meter: 9/8
Choreography/Music: Thompson 1800

Formation: Longways Duple Minor
Meter: 4/4
Choreography/Music: Robert Jamison

Formation: Processional Double Circle, women on inside, all facing clockwise
Key: G, Meter: 6/8
Dance Instruction
Choreography/Music: Unknown. Published in John Fitzhugh Milar, Elizabethan Country Dances

Formation: Longways duple minor
Key: G/Em, Meter: 3/2
Dance Instruction
Choreography/Music: Philippe Callens, 2000 to Midwinter Blossom by Bob Pasquarello, 1989

Formation: Longways duple minor
Key: F, Meter: 2/4
Dance Instruction
Choreography/Music: Scott Higgs, 1994

Formation: Triple minor longways
Key: D, Meter: 6/8
Dance Instruction
Choreography/Music: Thompson 1783, 1788

Formation: 3 couple longways set
Key: C, Meter: 6/8
Dance Instruction
Choreography/Music: Kevin Prigmore (2015) to the tune 'Serpent with Corners' (Thomas Bending, 1999)

Formation: Longways Duple Minor
Meter: 4/4
Choreography/Music: Henry Playford, 1721. Interpreted by Graham Christian

Formation: Longways duple minor
Key: F, Meter: 3/2
Dance Instruction
Choreography/Music: Erna Lynn Bogue (1994) to Miss Gordon of Gight by Issac Cooper (1790)

Formation: Longways duple minor
Key: Dm, Meter: 3/2
Dance Instruction
Choreography/Music: J. Johnson Caledonian Country Dances 1733, reconstruction by Bernard Bentley (1977)

Formation: Longways duple minor
Key: Gm, Meter: 6/8
Choreography/Music: Robin Burke to "The Tide" by Rebecca King, 2007

Formation: Duple minor longways improper
Meter: 3/4
Choreography/Music: Susan Kevra to "Anita's Waltz" by Rachel Bell (2016)

Formation: Longways duple minor
Choreography/Music: Playford 1698 reconstructed by Andrew Shaw

Formation: Longways duple minor
Key: G, Meter: 3/4
Dance Instruction
Choreography/Music: J. Walsh, 24 Country Dances for the year 1727; reconstruction by Andrew Shaw 2017

Formation: Longways duple minor
Key: A, Meter: 4/4
Dance Instruction
Choreography/Music: Colin Hume (1991)

Formation: Square
Choreography/Music: Elizabeth Goossen

Formation: 3 couple longways set
Choreography/Music: Fried de Metz Herman (1984)

Formation: Longways duple minor
Key: A, Meter: 4/4
Dance Instruction
Choreography/Music: Walsh 24CD,1712 as interp. by Tom Cook, to Come Let Us Be Merry 1975

Formation: Becket circle
Choreography/Music: Loretta Holz?

Formation: Siciilian Circle 3 couples
Key: D, Meter: 2/2
Dance Instruction
Choreography/Music: Gary Roodman(2003)' tune by Jonathan Jensen

Formation: Longways duple minor
Meter: 3/4
Dance Instruction
Choreography/Music: Alan Simpson-Vlach to Murray's Passage by Debbie Jackson

Formation: 4 couple longways set
Key: D, Meter: 3/4
Dance Instruction
Choreography/Music: Colin Hume(2009) to a tune by Brian Stone

Formation: Longways duple minor
Key: Bb, Meter: 4/4
Dance Instruction
Choreography/Music: Kynaston (1690; ) Andrew Shaw recontruction (2006)

Formation: 4 couple square
Key: D, Meter: 3/4
Choreography/Music: Antony Heywood, 1990

Formation: 4 couple square
Choreography/Music: Loretta Holz to a tune by Charlene Thomson

Formation: Longways duple minor
Key: Dm, Meter: 3/2
Dance Instruction
Choreography/Music: Playford 1701

Formation: Longways duple minor
Key: G, Meter: 6/8
Dance Instruction
Choreography/Music: Johnson c. 1750

Formation: Longways duple minor improper
Key: Gm, Meter: 6/8
Dance Instruction
Choreography/Music: Sharon Green (2013);,tune by Martha Stokely (2012)

Formation: Longways duple minor
Key: D, Meter: 6/8
Choreography/Music: Fried de Metz Herman to A Soldier and a Sailor (Walsh - 1718) Dance written for Andrew Shaw

Formation: Triad. All proper
Key: G, Meter: 2/2
Dance Instruction
Choreography/Music: Fried deMetz Herman to "For Al" by John Stapledon (2004)

Formation: 3 couple circle
Key: Bm, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1670

Formation: Longways duple minor
Key: Gm, Meter: 3/2
Dance Instruction
Choreography/Music: Walsh & Hare, Twenty-four New Country Dances for the year 1708 as reconstucted by Andrew Shaw c2009

Formation: Longways duple minor
Key: F, Meter: 3/4
Choreography/Music: Playford 1696

Formation: Longways duple minor improper
Choreography/Music: Terry Glasspool to tune of the same name by Charlene Thomson

Formation: 3 couple longways set, progressive - reel
Key: D, Meter: 2/4
Dance Instruction
Choreography/Music: Pat Shaw (1972)

Formation: 8 couples in a set — A line of 2 couples facing another, behind which are two more lines facing lines
Dance Instruction
Choreography/Music: Keith Wood November 2013 TO 4X32 bar reels

Formation: Longways duple minor
Key: Bm, Meter: 3/4
Dance Instruction
Choreography/Music: Bob Green to tune by Larry Unger (was Flowers for Bridget)

Formation: Longways duple minor
Key: Gm, Meter: 6/8
Dance Instruction
Choreography/Music: The Dancing Master 10th Ed. 1698 Walsh c. 1735 Neal c. 1726

Formation: Longways duple minor
Key: G, Meter: 4/4
Dance Instruction
Choreography/Music: Fried de Metz Herman (1989) to "Fiddling David"

Formation: 4 couple square
Key: Gm, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1651 (Faine through EDM 1670, then Fain)

Formation: Longways triple or duple minor
Key: Dm, Meter: 3/4
Dance Instruction
Choreography/Music: Walsh 1728 reconstructed by Tom Cook (1979)

Formation: Longways duple minor improper
Key: C, Meter: 3/4
Choreography/Music: Gary Roodman (1996); to a tune by Michael Praetorius

Formation: Longways duple minor
Key: G, Meter: 4/4
Choreography/Music: Scott Higgs; tune by Thomas Farmer (1683)

Formation: Longways duple minor
Key: Fmajor, Meter: 2/2
Choreography/Music: John Farmer 1565-1605

Formation: Longways duple minor
Key: D, Meter: 6/8
Dance Instruction
Choreography/Music: Walsh 1718

Formation: 3 couple longways set (was triple mimor)
Key: Gm, Meter: 9/8
Choreography/Music: Thompson 1773 to tune by Thomas Arne

Formation: Longways duple minor
Key: D, Meter: 4/4
Dance Instruction
Choreography/Music: Anna Bidder (c. 1969) to A'rovin

Formation: 3 couple longways set, progressive
Key: D, Meter: 6/8
Dance Instruction
Choreography/Music: Thompson 1765 (triple minor), reconstucted as 3 couple dance by W.S. Porter (1931). see 'Dance Instruction' above

Formation: Longways duple minor improper
Key: Bm, Meter: 3/4
Choreography/Music: Gary Roodman (2003) to tune of the same name by Peter Jung

Formation: 4-couple longways; 1's and 3's improper
Meter: 4/4
Dance Instruction
Choreography/Music: Elizabeth Goossen

Formation: Longways duple minor improper
Key: Bm, Meter: 3/4
Dance Instruction
Choreography/Music: Dan Seppler, 2012 to Farewell Marian

Formation: Longways duple minor
Key: A, Meter: 6/8
Choreography/Music: Joseph Pimentel; tune by Adam Broome

Formation: 3 couple longways set
Key: G, Meter: 3/4
Choreography/Music: Mr. Nathaniel Kynaston in J. Walsh J Hare 1718, reconstructed by Andrew Shaw (2009)

Formation: Longways duple minor
Key: D, Meter: 4/4
Dance Instruction
Choreography/Music: Bob Lilley(1999)

Formation: Sicilian Circle;1st couple face counterclockwise
Key: C, Meter: 6/8
Choreography/Music: Fried de Metz Herman (2005)to Gloria by A. Vivaldi ca. 1708

Formation: Square
Key: C, Meter: 4/4
Dance Instruction
Choreography/Music: Elizabeth Goossen to her tune "Caoline's Fancy"

Formation: 4 couple longways set
Key: C, Meter: 3/4
Dance Instruction
Choreography/Music: Colin Hume to a tune by Dave Brown (2002)

Formation: Longways duple minor
Key: D, Meter: 6/8
Choreography/Music: Michael Cicone

Formation: Longways duple minor
Key: Gm, Meter: 6/8
Dance Instruction
Choreography/Music: Walsh & Essex, For the Improvement of Music 1710

Formation: Longways duple minor
Key: C, Meter: 4/4
Dance Instruction
Choreography/Music: Joyce Walker to Nancy's Fancy by Fred Grimshaw

Formation: 3 couple longways
Choreography/Music: Ferry Crossing by Peggy Roe (2017) Music: 'Rushin' for the Ferry' by Dan Page (2007)

Formation: Longways duple minor
Choreography/Music: Loretta Holz

Formation: Longways duple minor improper
Key: D, Meter: 4/4
Choreography/Music: Alan Winston (2007) tune by Jon Berger

Formation: Longways duple minor
Key: C, Meter: 2/4
Choreography/Music: Rosemary Lach to "Lady Marian" by Gregory Brown @2008

Formation: Round for 4 couples
Key: Dm, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1651

Formation: Longways duple minor improper
Key: D, Meter: 3/4
Choreography/Music: Gary Roodman (2008)/Charlene Thomson

Formation: 4 couple longways set
Key: Em, Meter: 9/8
Dance Instruction
Choreography/Music: Gary Roodman (1996/)A Fig for a Kiss (trad.

Formation: Longways duple minor
Key: Bb, Meter: 6/8
Dance Instruction
Choreography/Music: Fried Herman (1991) to 'Lady Gregory's Fair Flower'

Formation: Duple Minor- lmprope
Key: Am, Meter: 2/2
Dance Instruction
Choreography/Music: Elizabeth Goossen

Formation: 2 couples longways
Meter: 6/8
Dance Instruction
Choreography/Music: Loretta Holz, 2011; Music: “The Gates of Heck” by Dave Wiesler

Formation: Triple minor longways
Key: D, Meter: 2/2
Choreography/Music: Dancing Master 1788-1833, John Griffiths

Formation: waltz contra
Choreography/Music: Burt Hunter

Formation: Longways duple minor improper
Key: Am, Meter: E
Choreography/Music: Fried de Metz Herman the Lover's Petition by John Barrett 1700

Formation: Longways duple minor
Key: C, Meter: 3/4
Choreography/Music: Hazel Moir (April 2015) to tune "The Lovely Nymph" by J. Jones.

Formation: Longways duple minor improper, 1's alternating propriety
Key: G, Meter: 6/8
Dance Instruction
Choreography/Music: Sharon Green (2009)

Formation: Longways duple minor
Key: G, Meter: 3/2
Choreography/Music: Brian Wedgbury

Formation: Longways duple minor
Key: G, Meter: 3/2
Choreography/Music: J. Walsh, J. Hare 1718; reconstruction by Andrew Shaw

Formation: Longways duple minor
Key: G, Meter: 4/4
Choreography/Music: Unknown, American Revolutionary War period

Formation: Longways duple minor
Key: C, Meter: 3/4
Dance Instruction
Choreography/Music: Kalia Kliban to "A Bruxa" by Anton Seoane.

Formation: Longways duple minor
Key: C, Meter: 3/4
Dance Instruction
Choreography/Music: Dance and music by Colin Hume (2005); written for the band :focuspocus Dan and Caroline Hollingshurst

Formation: Longways duple minor
Key: F, Meter: 3/4
Dance Instruction
Choreography/Music: Brook Friendly and Chris Sackett , published in Impropriety Vol. III

Formation: Longways duple minor
Key: F, Meter: 3/2
Dance Instruction
Choreography/Music: Kynaston, interpretation by Andrew Shaw

Formation: 4 couple longways, 1st couple on centre line man at top, lady at bottom ? ?
Key: D, Meter: 6/8
Dance Instruction
Choreography/Music: Julian Hill to a tune by Eileen Muscroft (2004)

Formation: Longways duple minor improper
Key: G, Meter: 3/2
Choreography/Music: Gary Roodman (2013) to a tune by Debbie Jackson.

Formation: Longways Duple Minor, Improper
Key: Bb, Meter: 9/8
Choreography/Music: Gary Roodman tune: Jonathan Jensen @2012

Formation: 4 couple longways
Key: G/A, Meter: 6/8
Dance Instruction
Choreography/Music: Traditional; pub. in Hamilton, EFSS Comunity Dance Manual

Formation: 3 couple longways set
Choreography/Music: Mary Devlin to McFarland's Jug

Formation: Longways duple minor improper
Choreography/Music: Fried de Metz Herman

Formation: 3-couple longways
Meter: 4/4
Dance Instruction
Choreography/Music: John Sweeney

Formation: 3 couple longways set
Key: G, Meter: 3/2
Dance Instruction
Choreography/Music: Pat Shaw (1972)

Formation: Longways duple minor
Key: Gm, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1709

Formation: Longways duple minor
Key: F, Meter: 6/8
Dance Instruction
Choreography/Music: Steve Sargent to tune by Daron Douglas

Formation: Longways duple minor
Key: D, Meter: 9/8
Dance Instruction
Choreography/Music: Colin Hume (2009) to a trad. Irish slip jig

Formation: Triple minor longways (or 3 couple set)
Key: Gm, Meter: 2/2
Dance Instruction
Choreography/Music: Thompson 1778

Formation: Triple minor longways
Key: Gm, Meter: 2/2
Dance Instruction
Choreography/Music: David and Kathryn Wright/Edgeworth Bumpkins trad

Formation: Duple Minor Longways, improper
Key: Gm, Meter: 3/2
Choreography/Music: Gary Roodman (2015) to "Without his Tiger" by Dave Wiesler

Formation: Triple Minor Longways
Key: E minor, Meter: 9/8
Choreography/Music: Chris Sackett, 2001 to "The Butterfly" traditional Irish

Formation: 3 couple longways set
Key: Gm, Meter: 2/2
Choreography/Music: W, Pearson and John Young, 1718. Interp. as 3-couple set by Andrew Shaw

Formation: 3 couple longways set
Key: D, Meter: 2/2
Choreography/Music: Fried deMetz Herman to Orielton House

Formation: Triple minor longways
Key: G, Meter: 2/2
Dance Instruction
Choreography/Music: The Dancing Master 1698 (10th Edition)

Formation: Longways duple minor
Key: G, Meter: 3/4
Choreography/Music: Leslie Laseter, 2002

Formation: Longways duple minor
Key: Gm, Meter: 2/2
Choreography/Music: Playford 1651

Formation: Longways duple minor
Key: Cm, Meter: 6/8
Choreography/Music: Don Theyken in 2008, to Doctor Who Pirate Jig by Martha Stokely

Formation: 6 couple longways
Key: G, Meter: 2/4
Dance Instruction
Choreography/Music: unknown

Formation: 4 couple longways
Key: A, Meter: 2/4
Choreography/Music: Jenna Simpson to tune Shepherd and Shepherdess (1799)

Formation: Four couple set
Key: C, Meter: 3/4
Choreography/Music: Orly Krasner to Judy’s Jubilation by Dave Wiesler

Formation: Longways duple minor
Key: C, Meter: 4/4
Dance Instruction
Choreography/Music: Playford 1688 inter. by Tom Cook

Formation: Longways duple minor
Key: D, Meter: 4/4
Choreography/Music: Essex 1710; Feuillet 1706. interpretation Pat Shaw

Formation: Circle
Choreography/Music: Tune and dance c2014 by Sharon McKinley

Formation: Circle (from 3 to 20+ couples)
Key: A, Meter: 2/2
Dance Instruction
Choreography/Music: Choreography/Music: Playford 1651 see 'Dance Instruction' above

Formation: Longways duple minor
Key: C, Meter: 3/4
Dance Instruction
Choreography/Music: Greta Christina to "Welcome" by O'Carolan

Formation: Longways duple minor improper
Key: D, Meter: 6/8
Dance Instruction
Choreography/Music: Pierre Trappeniers c. 1777 reconstriction by Philippe Callens (2002)

Formation: 3 couple longways set – Jig
Key: Bflat, Meter: 6/8
Dance Instruction
Choreography/Music: Pat Shaw (1972)

Formation: Longways duple minor
Key: Gm, Meter: 4/4
Choreography/Music: Nathanial Kynaston (1718) as interpreted by Andrew Shaw (2002

Formation: Longways duple minor, 2's improper
Key: Gm, Meter: 6/8
Dance Instruction
Choreography/Music: Sharon Green (2012 ) to G Minor Jig, by Martha Stokely (2012)

Formation: Longways triple minor
Key: D modal, Meter: 2/2
Choreography/Music: Orly Krasner

Formation: Longways duple minor
Key: D, Meter: 2/2
Choreography/Music: Brooke Friendly and Chris Sackett, to "March for Warren" by Peter Barnes (2010)

Formation: 2 couple circle
Choreography/Music: Fried de Metz Herman

Formation: Longways duple minor
Key: C, Meter: 2/2
Dance Instruction
Choreography/Music: Philippe Callens to the tune “Duke of Buckingham,” by Geoff Mendham.

Formation: Longways duple minor
Key: A, Meter: 6/8
Dance Instruction
Choreography/Music: EDM 1696-1728; Playford 1698 to Hunt the Squirrel; Cecil Sharp 1922

Formation: 3 couple longways set
Key: A, Meter: 6/8
Choreography/Music: Daniel Herr 1975, to  Greenholm, trad.

Formation: 3 couple longways set
Key: D, Meter: 2/4
Choreography/Music: Chris Sackett and Brooke Friendly to Kuparai Eeva

Formation: Longways duple minor
Choreography/Music: Paul Harris/Samuel Sim for BBC'sEmma 2009 Reconstruction here by M.Angad Gaur. JASNL

Formation: 4 couple square
Key: G, Meter: 4/4
Choreography/Music: Peggy Roe to a Lancashire Morris dance tune by the same name and a variant source unknown.

Formation: Longways duple minor improper
Key: Em, Meter: 3/4
Dance Instruction
Choreography/Music: Fried deMetz Herman (1988) to Bonnie George Campbell and Wandering Willie

Formation: Longways duple minor
Key: D, Meter: 4/4
Dance Instruction
Choreography/Music: Pat Shaw (1974)

Formation: Longways duple minor
Key: Gm, Meter: 6/4
Choreography/Music: Thomas Bray 1699

Formation: 3 couple longways set
Key: Gm, Meter: 4/4
Choreography/Music: Ron Coxall to a tune by Heather Bexton

Formation: 2 couple circle
Key: G, Meter: 2/2
Dance Instruction
Choreography/Music: Playford 1651

Formation: 3 couple longways set
Key: G, Meter: 4/4
Choreography/Music: Thomas Bray 1699 tune by John Lenton

Formation: Longways duple minor
Choreography/Music: Charlene Thomson

Formation: 4 couple square
Key: G, Meter: 4/4
Choreography/Music: Yorkshire Trad. Pat Shaw

Formation: Longways duple minor
Choreography/Music: John Gardiner-Garden

Formation: 4 couple longways
Key: Gm, Meter: 2/2
Dance Instruction
Choreography/Music: Playford 1651

Formation: 3 couple longways set
Key: D, Meter: 2/2
Choreography/Music: Philippe Callens - 1986, to Spagnolette Reformeert (Dutch traditional tune)

Formation: Longways duple minor
Key: D, Meter: 6/8
Choreography/Music: Fried de Metz Herman/tune by John Stapledon?

Formation: Longways triple minor
Key: G, Meter: 3/4
Dance Instruction
Choreography/Music: Christine Helwig to Eric’s Scott's tune “Christine and Ed’s Waltz,”

Formation: Sicilian circle
Choreography/Music: Nicolas Broadbridge, 1993

Formation: 4 couple square. Couples progress one position counterclockwise
Key: G, Meter: 3/4
Dance Instruction
Choreography/Music: Philippe Callens/ Jonathan Jensen

Formation: Longways duple minor
Key: Am, Meter: 2/2
Dance Instruction
Choreography/Music: Gary Roodman (1992)/Rondo Alla Turca, W.A. Mozart

Formation: Longways duple minor
Key: D, Meter: 4/4
Dance Instruction
Choreography/Music: Sharon McKinley, August 2011

Formation: 3 couple longways
Key: A, Meter: 6/8
Dance Instruction
Choreography/Music: Thompson's Compleat Collection of 200 Favorite Dances Vol 3, 1768

Formation: Longways duple minor
Key: G, Meter: 6/8
Choreography/Music: Fried deMetz Herman (2000) to Bryant Aveniue Blues by George Davis (2000)

Formation: Longways duple minor
Key: G, Meter: 6/8
Choreography/Music: Loretta Holz (2006) to Joyful Jig by Charlene Thomson

Formation: Longways duple minor
Choreography/Music: Elias Howe

Formation: Longways duple minor
Key: C, Meter: 9/8
Choreography/Music: Sol Weber (2006) to a traditional South Wales tune

Formation: 3 couple longways set
Key: Dm, Meter: 2/2
Dance Instruction
Choreography/Music: Playford 1651

Formation: Longways duple minor
Key: Bb, Meter: 2/2
Choreography/Music: Thomas Bray 1699

Formation: Longways duple minor
Dance Instruction
Choreography/Music: Keith Wood April 2012 to 16 bar march esp. Hagsätra Brudmarsch by Väsen

Formation: Longways duple minor
Key: F, Meter: 4/4
Choreography/Music: Melissa Running, tune by Josh Burdick @2006

Formation: Triple minor longways (or 3 couple set)
Key: DM, Meter: 6/8
Choreography/Music: Neal c. 1726

Formation: Longways duple minor
Choreography/Music: Brooke Friendly and Chris Sackett, 2014, tune is "Walnut Hill" by Shira Kammen

Formation: 3 couple longways set
Key: Gm, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1721, reconstructed by Douglas and Helen Kennedy (1919)

Formation: 5-couple Set
Choreography/Music: Chris Sackett and Brooke Friendly (2015)

Formation: 3 couple longways set
Choreography/Music: Elizabeth Goossen

Formation: 3 couple longways set
Key: A, Meter: 3/8
Dance Instruction
Choreography/Music: Playford 1651

Formation: Longways duple minor
Key: Dm, Meter: 6/4
Choreography/Music: The Dancing Master 17th Ed. Vol. I 1721

Formation: Longways duple minor improper
Key: C, Meter: 3/4
Dance Instruction
Choreography/Music: Eric Leber

Formation: Single progression longways mixer
Key: G, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1651 (longways and circle)

Formation: 3 couple longways set
Key: G, Meter: 6/8
Dance Instruction
Choreography/Music: Mary Devlin (2001) to tune by Liz Donaldson

Formation: Triple minor longways
Key: Cm, Meter: 3/2
Dance Instruction
Choreography/Music: Playford 1710, reconstructed by Bernard J. Bentley (1962)

Formation: Duple minor longways – Reel
Dance Instruction
Choreography/Music: Pat Shaw to McDonald’s Reel

Formation: Longways duple minor improper
Key: Gm, Meter: 3/2
Choreography/Music: Gary Roodman (2005)/adapted from Virgin's Frolic(Playford 1713)

Formation: 2 couple circle
Key: D, Meter: 2/2
Dance Instruction
Choreography/Music: Gary Roodman (1992)/Bouree from G.F Handel's Water Music, Suite No.2 in D

Formation: Longways duple minor
Key: G, Meter: 3/2
Dance Instruction
Choreography/Music: Dance and tune by Tom Siess, 2006

Formation: Longways Dupre minor
Key: Dm, Meter: 2/4
Dance Instruction
Choreography/Music: Paula Kelly (2007) to "Koker-yes" by Lar Dugan (2007

Formation: 3 couple longways set (was triple mimor)
Key: D, Meter: 6/8
Dance Instruction
Choreography/Music: Thompson, Twenty Four Country Dances, 1777

Formation: 3 couple longways set
Key: D, Meter: 6/8
Dance Instruction
Choreography/Music: Nathaniel Kynaston, 1716

Formation: Longways duple minor
Key: A, Meter: 4/4
Dance Instruction
Choreography/Music: Sharon Green. Tune by Jonathan Jensen (2014)

Formation: Longways duple minor
Key: D, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1696

Formation: 3 couple longways set (was triple mimor)
Key: G, Meter: 2/2
Dance Instruction
Choreography/Music: Walsh 1736

Formation: 3 couple longways set
Key: C, Meter: 3/2
Dance Instruction
Choreography/Music: Published: Dancing Master (Playford) I: 1703-1728 Renovated Eugenia Eremina-Solenikovoy

Formation: Longways duple minor
Dance Instruction
Choreography/Music: Pat Shaw to 'Harlequin' from Oude en Nieuwe Hollantse Boerenlietjes en Contredansen,

Formation: Longways duple minor
Key: F, Meter: 6/8
Choreography/Music: Johnson c 1742 / reconstuction by Andrew Shaw (2012)

Formation: Longways duple minor
Key: Am, Meter: 4/4
Dance Instruction
Choreography/Music: Neal c. 1726

Formation: Longways duple minor
Key: D, Meter: 9/8
Dance Instruction
Choreography/Music: Chris Sackett and Brooke Friendly (2006) to La Maison de Glace by Rejean Brunet, published in Impropriety Vol. II

Formation: Longways duple minor
Key: D, Meter: 9/8
Dance Instruction
Choreography/Music: Jenny Beer

Formation: Longways duple minor
Key: Gm, Meter: 6/8
Dance Instruction
Choreography/Music: Walsh 1718

Formation: 4 couple longways
Key: G, Meter: 4/4
Dance Instruction
Choreography/Music: Playford 1651

Formation: Longways duple minor improper
Dance Instruction
Choreography/Music: 2008, Orly Krasner

Formation: 2 couple circle
Key: Gm, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1651

Formation: Longways Duple Minor
Meter: 3/4
Choreography/Music: Michael Wood/Dave Wiesler

Formation: Longways duple minor improper
Key: D, Meter: 6/8
Choreography/Music: Lena Rees and John Lagden c. 1983

Formation: 4 couple square
Key: G, Meter: 3/4
Dance Instruction
Choreography/Music: Pat Shaw/ trad tune

Formation: 4 couple longways
Key: G, Meter: 2/2
Dance Instruction
Choreography/Music: Colin Hume for Helena Moss on the occasion of her wedding to Jim Crouch, 26Mar1988

Formation: Longways duple minor
Key: G, Meter: 6/8
Dance Instruction
Choreography/Music: Claudio Buchwald

Formation: Four–couple longways Set – Jig
Dance Instruction
Choreography/Music: Pat Shaw 1975

Formation: Longways duple minor
Key: C, Meter: 2/4
Choreography/Music: Bernard Bentley

Formation: Longways duple minor
Key: Dm, Meter: 3/2
Choreography/Music: Gary Roodman (1999)

Formation: Longways duple minor
Key: Gm/G, Meter: 3/2
Choreography/Music: Gary Roodman (2003)

Formation: 7 dancers
Choreography/Music: Alan White

Formation: 4 couple longways
Meter: 12/8
Dance Instruction
Choreography/Music: Lord Iulstan Sigewealding/ Heather Rose Jones 1990

Formation: 4 couple longways
Choreography/Music: written by Heather Rose Jones, arranged by Paul Butler,c.1990)

Formation: Four couple Longways Set – Reel
Key: D, Meter: 4/4
Dance Instruction
Choreography/Music: Pat Shaw, 1974

Formation: 2 couple circle
Key: C, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1651

Formation: 2 couple circle
Key: C, Meter: 6/8
Dance Instruction
Choreography/Music: Cecil Sharp (Hey Boys Up Go We modified/renamed by FolkinMotion

Formation: Longways duple minor
Key: Em, Meter: 3/8
Dance Instruction
Choreography/Music: Brooke Friendly and Chris Sackett (2003) to Spatter the Dew, trad. Irish, published in Impropriety Vol. 1

Formation: Longways duple proper
Key: F Maj, Meter: 6/8
Dance Instruction
Choreography/Music: Liz Donaldson, 2011, tune is her "Hazelfern Jig" (2000)

Formation: Longways duple minor
Key: C, Meter: 4/4
Choreography/Music: Pat Petersen (2014) to Highlander's Farewell (trad).

Formation: Triple minor longways
Key: C, Meter: 4/4
Choreography/Music: John & William Neal, 1726

Formation: Longways duple minor
Key: D, Meter: 2/4
Choreography/Music: Mr. Nathaniel Kynaston. Walsh. Hare (1718) reconstruction by Andrew Shaw (2008)

Formation: Longways duple minor
Dance Instruction
Choreography/Music: John Nash to A Minor Slip Jig, by Martha Stokely 2006.

Formation: 2 couple circle
Key: Em, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1651

Formation: 3 couple longways set
Key: G, Meter: 6/8
Choreography/Music: Ian Hughes 1999 to Wheatsheaf Tavern

Formation: Longways duple minor
Key: F, Meter: 4/4
Dance Instruction
Choreography/Music: Wright 1740

Formation: Longways duple minor
Key: Bb, Meter: 3/2
Dance Instruction
Choreography/Music: Choreography/Music: EDM 1701 and a reconstruction into circular formation; reconstructions by Cecil Sharp and Eugene Solennikovoy, see 'Dance Instruction' above

Formation: Longways duple minor
Key: G, Meter: 6/8
Choreography/Music: Brooke Friendly and Chris Sackett (2005); to Le Brandevin by Robert Amyot (1990 & 2005),published in Impropriety Vol. 1

Formation: Longways duple minor
Key: Gmx, Meter: 3/4
Dance Instruction
Choreography/Music: Gary Roodman(1999)/Jonathan Jensen

Formation: Longways duple minor
Key: Bb, Meter: 3/4
Dance Instruction
Choreography/Music: Gary Roodman(2003)/Jonathan Jensen

Formation: Longways duple minor
Key: D, Meter: 6/8
Dance Instruction
Choreography/Music: Preston, 1794, reconstruction by Bert Simons c. 1991

Formation: 3 couple longways set
Key: D, Meter: 9/8
Dance Instruction
Choreography/Music: Thompson 1786

Formation: Longways duple minor improper
Key: Gmx, Meter: 2/2
Dance Instruction
Choreography/Music: Gary Roodman (2003)/Branle de Cheveaux (T. Arbeau, 1589)

Formation: Four couple longways; 2's and 4's improper
Key: G, Meter: 4/4
Choreography/Music: Philippe Callens to Squire Parsons by Turlough O'Carolan

Formation: Square
Key: Gm, Meter: 3/4
Dance Instruction
Choreography/Music: Colin Hume (2017)

Formation: Longways duple minor
Key: G, Meter: 3/4
Dance Instruction
Choreography/Music: Jacqueline Schwab & Charles Hamond, 1974. Tune: Dance to Your Daddy.

Formation: 3 coupe longways
Key: Dm, Meter: 3/4
Choreography/Music: Kynaston 1710 The Dancing Master 15th Ed. 1713 Walsh 1718

Formation: 4 couple longways square
Key: C, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1657

Formation: Triple minor longways
Key: G, Meter: 4/4
Dance Instruction
Choreography/Music: Playford 1709

Formation: Longways duple minor
Key: Dm, Meter: 2/2
Choreography/Music: Playford 1721; Fallibroome Collection, Bernard Bentley

Formation: Longways duple minor
Key: G, Meter: 6/8
Choreography/Music: Walsh, 1713, interpreted by Michael Barraclaugh, c 1970)

Formation: longways triple minor
Key: D, Meter: 2/4
Dance Instruction
Choreography/Music: Preston 24 Country Dances for the Year 1794

Formation: 4 couple square
Key: C, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1651

Formation: Longways duple minor
Key: F, Meter: 2/4
Dance Instruction
Choreography/Music: Thompson, 24 Country Dances for the Year 1804

Formation: Circle
Key: C, Meter: 6/8
Dance Instruction
Choreography/Music: Katherine Creelman Skrobela(1969) to a tune by Thomas Campion (1601)

Formation: Longways duple minor
Dance Instruction
Choreography/Music: Pat Shaw 1974 to ‘Nu wil ik een liedeke zingen’ from Oude en Nieuwe Hollantse Boerenlietjes en Contredansen

Formation: 4 couple square
Key: D, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1651

Formation: Longways duple minor
Key: Gm, Meter: 3/4
Dance Instruction
Choreography/Music: Fried deMetz Herman (1990) to an adaptation of Handel's Impertinence

Formation: Longways duple minor
Key: Dm, Meter: 6/8
Dance Instruction
Choreography/Music: Brooke Friendy & Chris Sackett (1999) to Millisons Jegge, Playford 1651,published in Impropriety Vol. 1

Formation: Longways duple minor improper
Key: F, Meter: 2/2
Dance Instruction
Choreography/Music: Robin Hayden (1997); tune by Gustav Hoslt (1905)

Formation: Longways duple minor
Key: F, Meter: 2/2
Dance Instruction
Choreography/Music: Playford 1710

Formation: Longways Duple Minor Improper
Meter: 3/4
Dance Instruction
Choreography/Music: Fried de Metz Herman

Formation: 3 Couple Longways
Meter: 3/4
Choreography/Music: Robert Jamison

Formation: Circle
Key: F, Meter: 2/2
Dance Instruction
Choreography/Music: Colin Hume (1982) to Indian Queen

Formation: Longways duple minor
Key: D, Meter: 2/2
Dance Instruction
Choreography/Music: Choreography/Music: EDM 1701 and a reconstruction into circular formation; reconstructions by Cecil Sharp and Eugene Solennikovoy. see 'Dance Instruction" above

Formation: Longways duple minor
Key: C, Meter: 3/4
Choreography/Music: Elizabeth Goossen, 2002 to Susan's Waltz by Jonathan Jensen @1984

Formation: LW duple
Key: Em, Meter: 9/8
Dance Instruction
Choreography/Music: Renée Camus, 2018; tune is "It Rains by Dogs and Cats" by Dave Wiesler

Formation: Longways duple minor
Choreography/Music: Loretta Holz/ Dave Wiesler

Formation: 3 couple set longways
Choreography/Music: Susan Amessé to The Good Lady of Cottage Place, by Tom Amessé

Formation: 3 couple longways set
Key: G, Meter: 6/8
Dance Instruction
Choreography/Music: Charles & Samuel Thompson 1772

Formation: Longways duple minor, gender neutral
Key: D, Meter: 3/4
Dance Instruction
Choreography/Music: Miriam Newman to Haapavesi Waltz by Keith Murphy

Formation: 3 Couple Longways
Meter: 4/4
Choreography/Music: Robert Jamison

Formation: 4 couple longways
Key: Am, Meter: 3/4
Dance Instruction
Choreography/Music: Fried de Metz Herman (1999)/Turlough O'Carola

Formation: 4 couple square
Key: F, Meter: 3/4
Choreography/Music: Gary Roodman to tune of the same name by Peter Barnes (2012)

Formation: Longways duple minor; second couple improper
Meter: 3/4
Dance Instruction
Choreography/Music: Mary Williams to tune by Charlene Thompson

Formation: Longways duple minor
Key: G, Meter: 4/4
Dance Instruction
Choreography/Music: 3rd Volume Dancing Master c. 1726, Andrew Shaw interpretation; tune arranged by Rebecca King

Formation: Longways duple minor
Key: G, Meter: 3/4
Dance Instruction
Choreography/Music: Walsh c.1735/ Interpr. Tom Cook

Formation: Longways triple or duple minor
Key: G, Meter: 9/8
Choreography/Music: Asa Willcox called as contra by Ralph Page

Formation: 3 couple longways set
Key: Dm, Meter: 6/8
Choreography/Music: Colin Hulme to Lull Me Beyond Thee

Formation: 3 couple longways set
Choreography/Music: Shanda McDonald

Formation: 3 couple longways set
Choreography/Music: Brook Friendly and Chris Sackettt, published in Impropriety Vol. IV

Formation: 3 couple longways set
Key: G or F, Meter: 3/2
Choreography/Music: Jenny Beer, 2015/tune by Jonathan Jensen

Formation: Longways duple minor
Choreography/Music: Jan Dale/John Stapledon

Formation: Longways duple minor
Key: G, Meter: 6/8
Choreography/Music: 8 different dances by this name were published between 1756 and 1809. This version is from Trumball, Gentleman and Lady's Companion (Norwich CT 1708)

Formation: Longways duple minor
Key: Am, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1721 to "Bolt the Door 1686

Formation: Longways duple minor
Key: D, Meter: 2/2
Dance Instruction
Choreography/Music: Playford 1702; Diagonal hey variation; Renovated by Eugenia Eremina-Solenikovoy. see 'Dance Instruction' above

Formation: 4 couple longways set
Dance Instruction
Choreography/Music: Bob Green

Formation: Longways duple minor
Key: D, Meter: 6/8
Dance Instruction
Choreography/Music: Choreographed and composed by Elizabeth Goossen

Formation: Longways duple minor
Key: Fm, Meter: 6/8
Dance Instruction
Choreography/Music: Playford 1695, (interp Cecil Sharp) to tune Under and Over Playford 1652 (trad); interepretation by Pat Shaw

Formation: Longways duple minor
Key: G, Meter: 2/4
Choreography/Music: Raoul-Auger Feuillet English Country Dances from the French Court, 1716

Formation: Longways duple minor
Key: F, Meter: 2/2
Dance Instruction
Choreography/Music: Playford 1670 and variants