The list is intended to include as many on-line ECD videos as can be found with
the exception of those in which the images or music are substantially impaired,
or the dance is displayed for less than 60 seconds. The quality of the dancing
is generally not a factor as long as the dancers appear to be enjoying
themselves. Where a particular dance has been uploaded repeatedly in the same
context - for example, repeat performances by a dance troupe or favorite dances
at successive annual balls, repetitive videos may be omitted. The collection
has been used largely by dancers as an aid to learning dances, by callers
planning dance programs and musicians to see how a dance works at different
tempos. Those videos that are likely to be the most useful for learning a dance
are marked with an asterisk in the listing. More than one video may be noted for
a particular dance, especially for variant interpretations or reconstructions.
When creating dance videos for instructional purposes, consider the suggestions
in these CDSS News magazine articles:
Skill-Building for Dance Promotion: How to Create Good Instructional Dance Videos and
How To Shoot Good Dance Videos.
To locate a dance video or animation search either for videos by Title, Venue/Date, Collection (who posted it), Leader/Caller/Performance group, Musicians, or Choreographer, or you browse by dance name. The header for each dance displays - when known – the choreographer and tune, dance formation, meter and key and a link a to- “Dance instruction” - (generally, choreography, sheet music. and/or descriptions of dance variation).
(Note: material provided by OttawaECDClub's Dance instruction index wiki, and by CDSS (Bolton and Sheffield Collections), are, unless otherwise noted, subject to the Attribution-Non-commercial-ShareAlike license),
For each dance with multiple videos entries appear in the order of 1) Choreographer and then 2) the name of the person or entity posting the video. .
Dance animations, formerly displayed on a separate page, have been integrated into this list. (for a list of all animations, search venue/date for "animation").
This database now has links to 1662 separate dances, with a total of 5439 videos and 1187 animations. The last was added on 2026-07-08.
...but there are many English Country Dance videos that are missing! If you know of a video that you think should be included, please do reach out via the "Contact Us" link. If you fail to find a video here, you might look in some other lists, such as ...or just use your favorite search engine, with "< Name_of_the_Dance > English Country Dance".(The search function will look for all items containing the exact substring entered. For instance, if you enter "belg" it will produce the links for Belgia Retriev'd. But if you enter "Belgia Retrieved" nothing will show up. Similarly, if you're looking for Wa' is me, what mun I do? and you enter "Wa is me", nothing will show up, but if you enter "mun i" you'll find the links you seek. Apostrophes can also cause problems. For instance, for some strange reason, entering "Belgia Retriev'd" works just fine, but entering "Retriev'd" yields nothing!)
| Good for Learning | Title | Collection | Venue/date | Leader | Musicians | Choreography/Music |
|---|---|---|---|---|---|---|
| * | 3 for the Rivals | childgrove (Paul Ross) | Lenox Assembly 2022; Lenox, MA | Paul Ross | A Joyful Noise (Daniel Beerbohm, Barbara Greenberg & Kathy Talvitie) | Fried de Metz Herman |
| 3 for the Rivals | marianme2 | May 4, 2025; Roseville, CA | Alan Winston | Quite Carried Away | Fried de Metz Herman | |
| * | 3 for the Rivals | upadouble.info | ANIMATION | Fried de Metz Herman | ||
| * | 7 for the Seven Stars in the Sky | English Country Dance | Gainesville, Florida; 3 November 2025 | Randy Thorp | Hoggetowne Fancy: Peter Turner on bouzouki, Robert Reynierson on acoustic guitar/baroque guitar/lute, Andrew Driscol on fiddle, and Myles Sullivan on guitar | Fried de Metz Herman |
| * | 7 for the Seven Stars in the Sky | upadouble.info | ANIMATION | Fried de Metz Herman | ||
| * | Adventures with David | English Country Dance | May 11, 2019, Mayfair Ball, Gainesville, FL | Annette Merritt | Hoggetowne Fancy: Peter Turner on guitar, Robert Reynierson on guitar, JoLaine Jones-Pokorney on recorder, Isabel Barten | Jenny Beer to tune by Dave Wiesler |
| * | Adventures with David | upadouble.info | ANIMATION | Jenny Beer to tune by Dave Wiesler | ||
| * | Adventures with David | Country Dance and Song Society (CDSS) | Whately, MA 4/19/18 | David Smukler | unidentified | Jenny Beer to tune by Dave Wiesler |
| * | Adventures with David | donwfbell | April 30, 2025; Merion PA | Jenny Beer | Windsor Knot -- Wes Steenson, Tanya Rotenberg, Peggy Leiby, Thane Glenn | Jenny Beer to tune by Dave Wiesler |
| * | Alice (One Couple Version) | donwfbell | Home in Ballston Spa, NY, October 16, 2021. | Don Bell | English Echoes, English Country Dance Favorites CD | Philippe Callens |
| Alison: The Covid Dance inspired by Alice | Village Green English Dancers | 2021; Winnipeg, Canada | Elizabeth Goosen | Philippe Callens, 2002 to “Siciliano” G F Telemann; Adaption by Elizabeth Goossen | ||
| * | An Early Frost (One Couple Version) | donwfbell | Home in Ballston Spa, NY, October 16, 2021. | Don Bell | Joyful Noise - Hold the Mustard CD - Red Star Line | Philippe Callens/Don Bell |
| * | Anna Turns Five | FlaDanceGypsy | Active Above 50 Expo, Orange Park, FL; August 9, 2025 | Veronica Lane | Nightwatch (recording) | Gary Roodman (2012) to Beaumont Rag |
| * | Anna Turns Five | English Country Dance | Chimney Lakes Elementary School, Jacksonville, FL 17May2013 | Veronica Lane & Jacksonville English Country Dancers | Gary Roodman (2012) to Beaumont Rag | |
| Anna Turns Five | John M Ramsay | ST Charles Homeschool Ball,St. Charle, MO 15Feb2015 | Gary Roodman (2012) to Beaumont Rag | |||
| Anna Turns Five | tunefulldance | Plattsburgh, NY | Sharon Schenkel | Gary Roodman (2012) to Beaumont Rag | ||
| * | Anniversary Dance | donwfbell | Albany NY; July 6, 2025 | John Mallery | Paula Kelley, Martha Kent and Val Medve (June 2011), to "Kean O'Hara First Air", by O'Carolan | |
| Ash Grove | English Country Dance | November 28, 2022; Gainesville, FL | Annette Merritt | Hoggetowne Fancy: Peter Turner on bouzouki, Robert Reynierson on acoustic guitar/baroque guitar/lute, Isabel Coutts on accordion, JoLaine Jones-Pokorney on recorder | Chris Kermiet | |
| * | Ashford Anniversary | Jan Alter | Merion PA, Oct2018; prep for Predominantly Playford Ball, 2018 | Germantown Country Dancers | Adam Oleksa, Tanya Rotenberg, Wes Steenson | Charles Bolton (1986) to a tune by Pierre Phalese the Younger(1580) |
| * | Ashford Anniversary | donwfbell | Toronto English Country Dance Weekend, October 3-5, 2025 | Joanna Reiner Wilkinson | Constellation - David Wiesler, Rachel Bell, and Susan Kevra | Charles Bolton (1986) to a tune by Pierre Phalese the Younger(1580) |
| * | Ashford Anniversary | upadouble.info | ANIMATION | Bare Necessities (Earl Gaddis, Mary Lea, Kate Barnes, and Jacqueline Schwab) on the album Modern Treasures. | Charles Bolton (1986) to a tune by Pierre Phalese the Younger(1580) | |
| * | Ashford Anniversary, The | Childgrove-Bob Green DVA Modern | Webster Groves,MO 2009 | Kimberly Hall | Charles Bolton (1986)/tune by Pierre Phalese the Younger(1580) | |
| Ashford Anniversary, The | English Country Dance | Gainesville, FL 3Feb2014 | Randy Thorp | Hoggetown Fancy: Roger Reinerson, Isabel Barten, John Monkus, Peter Turner & David Willkomm | Charles Bolton (1986)/tune by Pierre Phalese the Younger(1580) | |
| * | Ashford Anniversary, The | Evelyn Roberts | Concord NH 9Oct 2010 | Rich Jackson & Miriam Newman | Bruce Cobb (fiddle), Jean Monroe (piano) | Charles Bolton (1986)/tune by Pierre Phalese the Younger(1580) |
| * | Ashford Anniversary, The | Evelyn Roberts | Concord, NH Dec2016 | Rich Jackson | Bruce Cobb (fiddle), Sylvia Miskoe (accordian) | Charles Bolton (1986)/tune by Pierre Phalese the Younger(1580) |
| Ashford Anniversary, The | Evelyn Roberts | Concord ECD, Concord, NH. 12 Oct 2014 | Rich Jackson | Bruce Cobb (fddle), Bill Perry (guitar), Brian Mokler(fiddle). | Charles Bolton (1986)/tune by Pierre Phalese the Younger(1580) | |
| Ashford Anniversary, The | Gued Band of Baltimore | Baltimore, MD July2020 | Carl Friedman | Gued Band of Baltimore | Charles Bolton (1986)/tune by Pierre Phalese the Younger(1580) | |
| Ashford Anniversary, The | Jim Crawford | Quicksilver Country Dancers, Atlanta, GA 5Mar2016 | Brooke Friendly | Reelplay: Robbin Marcus (piano), Dave Marcus (concertina) and Meredith Doster (flute) [Band formerly known as Round Robbin.] | Charles Bolton (1986)/tune by Pierre Phalese the Younger(1580) | |
| Ashford Anniversary, The | John Newsome | Berea College Christmas Country Dance School, Dec 2014 | Brad Foster | On piano - Atossa Kramer, on double bass - Nathan Wilson, on violin - Earl Gaddis, on mandolin - Al White, and on the steer horn and recorder - Wayne Hankin. | Charles Bolton (1986)/tune by Pierre Phalese the Younger(1580) | |
| * | Ashford Anniversary, The | Old Dominion Dance | Nebraska, Summer, 2015 | Charles Bolton (1986)/tune by Pierre Phalese the Younger(1580) | ||
| Ashford Anniversary, The | Sally Hurley | NEFFA 2011 | Hot Toddy :Anna Rain (recorders) Edith Coakley (fiddle, viola), Melissa Running (piano) | Charles Bolton (1986)/tune by Pierre Phalese the Younger(1580) | ||
| * | Autumn in Amherst (One Couple Version) | donwfbell | Home in Ballston Spa, NY,Sept 16, 2021. | Don Bell | Seasons of Invention CD, Joyful Noise & Hold the Mustard | Antwerp Antics by Philippe Callens (2003) |
| * | Avoncroft | upadouble.info | ANIMATION | Pat Shaw, 1962, to the tune Levi Jackson Rag | ||
| * | Avoncroft | Lisa Conner | Northwest Folklife Festival, Seattle, WA; May 26, 2019 | Nonesuch English Country Dancers; Artistic Director: Victoria Bestock | Pat Shaw, 1962, to the tune Levi Jackson Rag | |
| * | Bar a Bar (One Couple Version) | donwfbell | Home in Troy, NY ; June 2020 | Don Bell | Bare Necessities, The CDS Boston English Dance Collection, Vol. 6 : At the Ball (CD) | reconstructed by Fried Herman |
| * | Bath Carnival | upadouble.info | ANIMATION | Thompson 1777 | ||
| Bath Carnival, or Kleppel's Delight | Alexandr Skorobogatov | Tomsk, Russsia June 2017 | Thompson 1777 | |||
| * | Bath Carnival, or Kleppel's Delight | Bob's EnglishCountryDance | The Seattle Ball at the Congregational Church on Mercer Island. 26Feb2017 | Brooke Friendly | Roguery: Anita Anderson, Dave Bartley, Shira Kammen and Jim Oakden | Thompson 1777 |
| Bath Carnival, or Kleppel's Delight | byMissIris | Jane Austen Afternoon Assembly Langerlust, Netherlands17Jun2012 | Miss Iris | Thompson 1777 | ||
| Bath Carnival, or Kleppel's Delight | English Country Dance | Gainesville, FL 6Mar2017 | Annette Merritt | Hoggetown Fancy:Pete Turner, Robert Reynierson, John Monkus and David Willkomen | Thompson 1777 | |
| Bath Carnival, or Kleppel's Delight | islandstarfish | Lynewood, WA 10/22/11 | Julie King (piano), Marianne Tatom-Letts (clarinet). | Thompson 1777 | ||
| Bath Carnival, or Kleppel's Delight | jijbentgoed | Jane Austen Regency Dance 2011 | Thompson 1777 | |||
| Bath Carnival, or Kleppel's Delight | John Newsome | Concourse Hall, Ann Arbor, MI, 15Nov2013 | David Millstone | Debbie Jackson on piano, Martha Stokely on oboe, and Anne Ogren on viola | Thompson 1777 | |
| Bath Carnival, or Kleppel's Delight | Karenleeholt | Amsterdam 6Feb2011 | Thompson 1777 | |||
| Bath Carnival, or Kleppel's Delight | mrgreenwoud | Castel Keppel Netherlands19Jun2011 | Thompson 1777 | |||
| Bath Carnival, or Kleppel's Delight | paul bestock | Northwest Folklife Festival Seatlle, WA. May2013 (video @2:20) | Nonesuch English Country Dancers; Artistic Director: Victoria Bestock | Kimberly McKittrick (violin), Julie King (piano), Marianne Tatomletts (winds) | Thompson 1777 | |
| Bath Carnival, or Kleppel's Delight | pplz87 | Feast of KIngs Right Bank City Palace of Culture, Krasnoyarsk, Russia, 21Jan2012 | Thompson 1777 | |||
| Bath Carnival, or Kleppel's Delight | WinkyGirls | 2011 | Thompson 1777 | |||
| Bath Carnival, or Kleppel's Delight | Семён Марьясин (Simon Maryasin) Marsoftware | Russia 2012 | Thompson 1777 | |||
| * | Beauteous Grove | upadouble.info | ANIMATION | Twenty-Four New Country Dances for the Year 1711 by Nathaniel Kynaston, interpretated by Andrew Shaw | ||
| * | Beautious Grove | Val Medve | November 19, 2022; New Home Ball, Orange, MA | Brad Foster | Anna Patton (clarinet), Eric Martin (violin, viola), and Karen Axelrod (piano) | Twenty-Four New Country Dances for the Year 1711 by Nathaniel Kynaston, interpretated by Andrew Shaw |
| * | Beautious Grove | donwfbell | Pinewoods 2018 English Week | Andrew Shaw | Karen Axelrod, Rachel Bell, Audrey Knuth | Twenty-Four New Country Dances for the Year 1711 by Nathaniel Kynaston, interpretated by Andrew Shaw |
| * | Beautious Grove | Maria Boet | CDS Boston Centre, Dec 2017 | Barbara Finney | Jacqueline Schwab | Twenty-Four New Country Dances for the Year 1711 by Nathaniel Kynaston, interpretated by Andrew Shaw |
| * | Beechan Grove's New Hall | English Country Dance | Gainesville, FL 16Jun2014 | Diane DePuydt | Hoggetown Fancy: Robert Reynierson, Isabel Barten, John Monkus, Peter Turner & David Willkomm | Charles Bolton |
| * | Belgia Retriev'd | Madison English Country Dancers | Madison, WI | Mady Newfield | Rare Privilege (Amy McFarland, piano and Maria Terres, violin) | Walsh 1707 |
| * | Belgia Retriev'd | upadouble.info | ANIMATION | Walsh 1707; Interp. Cook 1979 | ||
| * | Belgia Retriev’d | Bobs English Country Danc | Seattle English Country Dance, Friday July 14, 2017 at the Swedish Club. | Mary Zarich | Brad Reynolds, Sande Gillette, and Deirdre Cochran. | Walsh 1707 |
| * | Bep's Favourite | upadouble.info | ANIMATION | Philippe Callens (1999) to "Downland 557" by Pat Shaw | ||
| * | Bep's Favourite | Fine Companions | 12Nov2011 | Hilary Herbert | Keeping Thyme | Philippe Callens (1999) to "Downland 557" by Pat Shaw |
| * | Berea Twelvesome | John M Ramsay | Berea, KY 11Jul1987 | Lewis and Donna Lamb (fiddle) & McLain Family | John Ramsay | |
| * | Betrayed Lover, The | upadouble.info | ANIMATION | Bare Necessities (Earl Gaddis, Mary Lea, Kate Barnes, and Jacqueline Schwab) on the album A New English Ball | Pat Shaw; 'De verradene Geliefden' from Oude en Nieuwe Hollantse Boerenlietjes en Contredansen | |
| * | Betrayed Lover, The | DanceKaleidoscope | ANIMATION | PAt Shaw; 'De verradene Geliefden' from Oude en Nieuwe Hollantse Boerenlietjes en Contredansen | ||
| Birthday Bash: covid variant of Birthday Branle | Village Green English Dancers | 2021, Winipeg, Canada | Elizabeth Goosen | Gary Roodman(2008) to a tune by Jonathan Jensen. Adapted by Elizabeth Goossen. | ||
| * | Bridget's Christmas Eve | Childgrove-Bob Green DVA Modern | St.Louis, MO 23Feb2012 | Bob Green | Martha Edwards & Kristen Grahm | Bob Green/ Larry Ungar |
| * | Charlamagne's Favour | Ottawa English Country Dance Club | May 1, 2026; Ottawa, Canada | Drew Delaware | Emily Addison (Keyboard), Greg Brown (Fiddle and concertina) and Ann Downey (Bass, Banjo) | Drew Delaware |
| Childgrove | Alice Hendon | Heritage Society Winter Ball, South Carolina, 2012 | "Jane Austen Society" variation | |||
| * | Childgrove | Bob Green | Phoenix ECD, Phoenix, AZ 22June2017 video@12m29s | Bob Green | Ladies at Play: Shanda McDonald, Miranda Arana, Katthy Dagge | "Jane Austen Society" variation |
| * | Childgrove | Bob Green | Monrovia, CA 23June2017 video@16m40s | Bob Green | Ladies at Play: Shanda McDonald, Miranda Arana, Katthy Dagge with Martha Edwards | "Jane Austen Society" variation |
| * | Childgrove | Bodhi | 2021; Yaroslavl, Russia | "Jane Austen Society" variation | ||
| Childgrove | Regi184 | Jane Austen Evening Dance, Pasadena CA Jan2009 | "Jane Austen Society" variation | |||
| Childgrove | cloakandcorset | Jane Austen evening, CA, 2009 | "Jane Austen Society" variation | |||
| Childgrove | exteko | Jane Austen Ball, Pasedena, CA 2012 | "Jane Austen Society" variation | |||
| * | Childgrove | brisden | July 26, 2024; Brisbane, Australia | Dance Kaleidoscope | Sounds Austen | DM I: 1651-1690, as revised by Douglas Kennedy, c. 1924 |
| * | Childgrove | Childgrove-Bob Green DVA Playford | Webster Groves 16Sep2011 | Chrystal Gallacci Jones | The Tu'Penny Uprights. Martha Edwards (fiddle), Kristen Grahm (keyboard ) Paul Wexler (winds) | DM I: 1651-1690, as revised by Douglas Kennedy, c. 1924 |
| Childgrove | cyborg3198 | unkown 2012 | DM I: 1651-1690, as revised by Douglas Kennedy, c. 1924 | |||
| Childgrove | danceof maths | Hokitika, NZ, Feb 2012 | John Turner | Folkworks: (Roger Buckton (flute). Aart Brusse (viola da gamba), Joanna Fielding (violin baroque bow), Jonathan Le Cocq (baroque guitar), Donald Moorhead (harpsicord), George Stewart (percussion) and Claire Weyland (violin) | DM I: 1651-1690, as revised by Douglas Kennedy, c. 1924 | |
| * | Childgrove | English Country Dance | March 3, 2025; Gainesville, FL | Randy Thorp | Hoggetowne Fancy: Peter Turner on bouzouki, Robert Reynierson on acoustic guitar/baroque guitar/lute, Mary Fukuyama on flute, and Myles Sullivan on guitar | DM I: 1651-1690, as revised by Douglas Kennedy, c. 1924 |
| Childgrove | kittykatie92 | Meryton Assembly Regency Ball, 10Aug2013, Covington LA | DM I: 1651-1690, as revised by Douglas Kennedy, c. 1924 | |||
| * | Childgrove | Ruby James | 2022; Melbourne, Australia | Melbourne Colonial Dancers | The Pemberley Players (recording) | DM I: 1651-1690, as revised by Douglas Kennedy, c. 1924 |
| Childgrove | Russell Blyth | St. Louis, MO 10JAn2010 | DM I: 1651-1690, as revised by Douglas Kennedy, c. 1924 | |||
| Childgrove | wrhite | Lady Lever Gallery, Wirral, UK. May 2014 | Regecy Rejigged | DM I: 1651-1690, as revised by Douglas Kennedy, c. 1924 | ||
| Childgrove | gbj1941 | CotMersey&Deeside Folk Costume Ball, Wallasey Town Hall UK, April 2011 | DM I: 1651-1690, as revised by Douglas Kennedy, c. 1924 DM I: 1651-1690, as revised by Douglas Kennedy, c. 1924 | |||
| Childgrove | Evelyn Roberts | Concord NH 9May2010 | Rich Jackson | Bruce Cobb (fiddle), Amy Cann (piano) | DM I: 1651-1690, as revised by Douglas Kennedy, c. 1924 | |
| Childgrove | marianme2 | December 7, 2025; Roseville, CA | David Newitt | Quite Carried Away | DM I: 1651-1690, as revised by Douglas Kennedy, c. 1924 | |
| Childgrove | crea sylvia | Numansdorp, Netherlands. September 2013 (video@6:03) | DM I: 1651-1690, Face to Face variation | |||
| Childgrove | Fundacja CZE-NE-KA | Poland. Summer 2010 | Chorea Antiqua Dance group | DM I: 1651-1690, Face to Face variation | ||
| Childgrove | John Newsome | The Time Traveler's Ball., Ann Arbor, MI 28Mar016 | Drake Medow | Suzanne Camino, Matt McCoy, Susie Lorand,and - Josh Burdick. | DM I: 1651-1690, Renaissance variation | |
| Childgrove | Nataliya Oryshchuk | Chrononaut's Ball, NewBrighton Hall Chirstchurch, NZ. 18Aug2013 | DM I: 1651-1690, Renaissance variation | |||
| Childgrove | Georgii Batalin | Kazan?Russia. Feb 2013 | DM I: 1651-1690, Russian variation | |||
| Childgrove | pplz87 | Russia 2011 | DM I: 1651-1690, Russian variation | |||
| Childgrove | Welcome CG / YOtakuCG | White Ball at The Snow Queen, Yoshkar-Ola, Russia. 24Dec2011 | DM I: 1651-1690, Russian variation | |||
| Childgrove | Фалькор Саратов (Falcor Saratov) | Night of Museum, Saratov, Russia, 19May2012 | DM I: 1651-1690, Russian variation | |||
| * | Childgrove | upadouble.info | ANIMATION | Bare Necessities (Earl Gaddis, Mary Lea, Kate Barnes, and Jacqueline Schwab) on the album A Playford Ball | DM I: 1651-1690; Interp. Pat Shaw | |
| Childgrove | Empirsällskapet | Tyreso Castle, Sweden, 14Sep2013 | DM I: 1651-1690; Interp. Pat Shaw | |||
| * | Childgrove | michael muller | Dance group Saltatio Burgus, Coswig, Germany. 2011 | DM I: 1651-1690; Interp. Pat Shaw | ||
| * | Childgrove | DanceKaleidoscope | ANIMATION | DM I: 1701-1728, Cecil Sharp, 1922 | ||
| * | Childgrove | Sascha Lupo | Community Hall of Georg-Buch Haus, Weisbaden Germany, July 2013 | Arbon Dance Group with Ensemble statnte -pede, Playfords-erben and Kronnberger-ritter | Playford 1701, reconstruction by Christine Feyerabend | |
| Childgrove | John Newsome | Sept 2019 Ann Arbor Michigan | Julie Esch | On piano - Josh Burdick, on violin - Brad Battey, Jr. | Playford 1701 | |
| Childgrove | Richard Jacobs | Ralph Thornton Center, Toronto, Ontario Canada 14Feb2014 (video@26:18) | Dave Berman | Playford 1701 | ||
| Childgrove | rsalomonr | San Diego County Fair -July 1, 2017 | Playford Plodders | Playford 1701 | ||
| * | Childgrove | Saltatio Aachen e.V | August 2025; Aachen, Germany | Historisches Tanzen Aachen | The Broadside Band, from the album English Country Dances from Playford’s Dancing Master 1651–1703 | Playford 1701, reconstruction by Christine Feyerabend |
| Childgrove | anerdydancer | OSE food engineering party June '09 | Playford 1701; Interp. Sharp (1922) | |||
| * | Childgrove | Jan Alter | Merion PA, Oct. 2022 prep for the Philadelphia Frolic, 2022. | Germantown Country Dancers | Adam Oleksa, Peggy Leiby, Tanya Rotenberg, Adlai Waksman | Playford 1701; Interp. Sharp (1922) |
| Childgrove | Harrison Keely | John C. Campbell Folk School, Brasstown, NC, Aug. 3, 2025 | Harrison Keely | Mist of the Glen: Amanda Burts on flute, Cathy Arps on violin, David Belino on guitar, and Dawn Davis on piano | Playford 1701; Interp. Sharp (1922) | |
| Childgrove | Susan English | Ohio 2017 | Playford 1701; Interp. Sharp (1922) | |||
| * | Childgrove | upadouble.info | ANIMATION | Bare Necessities (Earl Gaddis, Mary Lea, Peter Barnes, and Jacqueline Schwab) on the album A Playford Ball | Playford 1701; Interp. Sharp (1922) | |
| Christiana : The Covid Dance inspired by Christina | Village Green English Dancers | 2021; Winnipeg, Canada | Elizabeth Goosen | Naomi Alexander; Adaption by Elizabeth Goossen. | ||
| * | Christina (One Couple Version) | donwfbell | Home in Troy,NY; July 2020 | Don Bell | Bare Necessities CD recording CDS Boston English Dance Collection Vol. 3: Simple Pleasures | Naomi Christina Alexander |
| * | Collier's Daughter, The; (One Couple Version) | donwfbell | Home in Troy,NY; July 2020 | Don Bell | English Echoes: English Country Dance Favorites Liz Donaldson, Becky Ross, Colleen Reed | Playford (1718). Interp. by Graham Christian (2015) |
| * | Come with Voices Singing | English Country Dance | August 28, 2023; Gainesville, FL | Annette Merritt | Hoggetowne Fancy: Peter Turner on bouzouki, Robert Reynierson on acoustic guitar/baroque guitar/lute | Joseph Pimentel to tune by Dave Wiesler |
| * | Come with Voices Singing | Ottawa English Country Dance Club | Nov. 9, 2024; Trip to Ottawa Ball; Ottawa, Canada | Jamie Hargrove | Les Qatre Patates: Jonathan Werk (oboe), Grace Hendrickson-Jones (flute), Jason de Groot-Magetti (violin, mandolin), Antonie Baudet (piano) | Joseph Pimentel to tune by Dave Wiesler |
| * | Come With Voices Singing | Jim Crawford | Fandango Altanta, GA Sep 2016 | Joseph Pimentel | Goldcrest: Darran Douglas, Paul Orts, Dave Wiesler | Joseph Pimentel to tune by Dave Wiesler |
| Come with Voices Singing | Richard Jacobs | Twelve Dresses Ball, Toronto, 7May2016 | Cathy Campbell | Ben Bolker and Pat Mearns | Joseph Pimentel to tune by Dave Wiesler | |
| Come With Voices Singing | Richard Jacobs | Afternoon rehearsal for Twelve Dresses Ball,Toronto, Ontario, 7May2016 | Cathy Campbell | recorded | Joseph Pimentel to tune by Dave Wiesler | |
| * | Come with Voices Singing | upadouble.info | ANIMATION | Goldcrest (Daron Douglas, Paul Oorts and Dave Wiesler) on the album Goldcrest | Joseph Pimentel to tune by Dave Wiesler(2009) | |
| * | Constant Lover, The | CD*NY | February 28, 2025; New York, NY | Orly Krasner | Cynthia Shaw | Playford 1726; Interp. Andrew Shaw. Tune by Mouret |
| * | Constant Lover, The | upadouble.info | ANIMATION | Playford 1726; Interp. Andrew Shaw. Tune by Mouret. | ||
| * | Cupid's Revenge | ECandSCDancer | DC area. Feb2017 | Boldwood recording | Jenna Simpson (2016) to the tune Apollo and Daphne (WAlsh 1740) | |
| * | Cupid's Revenge | upadouble.info | ANIMATION | Jenna Simpson (2016) to the tune Apollo and Daphne (Walsh 1740) | ||
| * | Cupid's Revenge | English Country Dance | United Church of Gainesville, Fla 25June2019 | Annette Merritt | Hoggetown Fancy: Pete Turner, Robert Reynierson, JoLaine Jones-Pokorney, Howard Beck, | Jenna Simpson, 2016, tune is "Apollo and Daphne", Walsh, 1740. |
| * | De Novo | upadouble.info | ANIMATION | Brooke Friendly and Chris Sackett to tune by Shira Kammen | ||
| * | De Novo | Jim Crawford | English Country Dance Fandango! Atlanta 2018 | Brooke Friendly | Roguery: Anita Anderson, Dave Bartley, Jim Oakden, & Shira Kammen | Brooke Friendly and Chris Sackett to tune by Shira Kammen |
| * | Devil's Maggot | Childgrove-Bob Green DVA Modern | English Ball at High Tea and Whiskey St Louis 9/3/11 | Susan Kevra | Miranda Arana (flute), Martha Edwards (violin), Bill Boye (Keyboard) | Diane Schmit (1985) to a tune of the same name by Jonathan Jensen (1985) |
| Devil's Maggot | English Country Dance | Gainesville, FL. 26Oct2015 | Al Rogers | Hoggtowne Fancey: Pete Turner, Robert Reynierson. John Monkus, David Willkomm | Diane Schmit (1985) to a tune of the same name by Jonathan Jensen (1985) | |
| * | Devil's Maggot | upadouble.info | ANIMATION | Bare Necessities (Earl Gaddis, Mary Lea, Kate Barnes, and Jacqueline Schwab) on the album New Shoots | Diane Schmit (1985) to a tune of the same name by Jonathan Jensen (1985) | |
| * | Doctor Vincent's Delight | upadouble.info | ANIMATION | Carhles Bolton (1985, rev. 1985) | ||
| * | Doctor Vincent's Delight, or, Vera's Valedictory | Childgrove-Bob Green DVA Modern | Austin TX, Set for Spring 2012 | Scott Higgs | The Rolling Scones: Martha Edwards (fiddle), Kendall Rogers (keyboard), Miranda Arana (flute) | Carhles Bolton (1985, rev. 1985) |
| * | Doctor Vincent's Delight, or, Vera's Valedictory | English Country Dance | Gainesville, FL; Feb. 5, 2024 | Randy Thorp | Hoggetowne Fancy: Peter Turner on bouzouki, Robert Reynierson on acoustic guitar/baroque guitar/lute, JoLaine Jones-Pokorney on recorder, and Myles Sullivan on guitar | Carhles Bolton (1985, rev. 1985) |
| Doctor Vincent's Delight, or, Vera's Valedictory | English Country Dance | Gainesville, FL 29Sep2014 | Randy Thorp | Hoggetown Fancy: Robert Reynierson, Isabel Barten, John Monkus, Peter Turner & David Willkomm | Carhles Bolton (1985, rev. 1985) | |
| Doctor Vincent's Delight, or, Vera's Valedictory | Jim Crawford | Nashville, TN Apr2017 | Gene Murrow | Persons of Quality (Jon Berger, Rebecca King, Jim Oakden.) | Carhles Bolton (1985, rev. 1985) | |
| Doctor Vincent's Delight, or, Vera's Valedictory | John Newsome | Michigan Dance Hertiage Twirl, Battlecreek, MI Apr2014 | Ray Brantle | Susan Lazar (flute), Debbie Jackson (piano) | Carhles Bolton (1985, rev. 1985) | |
| * | Doctor Vincent's Delight, or, Vera's Valedictory | Rachel Pusey | Fall Frolic, Aptos CA,Oct2016 | Susan Kevra | Jon Berger, Shira Kammen, Rebecca King | Carhles Bolton (1985, rev. 1985) |
| * | Double Visit | Carrie Rose | February 23, 2024; Maryland | Melissa Running | Liz Donaldson (piano) and Elke Baker (fiddle) | Philippe Callens, 1999; Music: “Captain Tom,” published Walsh 1711 |
| * | Dover Pier | brisden | June 15, 2019; Brisbane, Australia | Dance Kaleidoscope | Sounds Austen | Preston 1791 |
| * | Dover Pier | English Country Dance | Gainesville, FL 10Mar2014 | Diane DePuydt | Hoggetown Fancy: Roger Reinerson, John Monkus, Peter Turner & David Willkomm | Preston 1791 |
| * | Dover Pier | Eric Borresen | Preston 1791 | |||
| Dover Pier | exteko | Jane Austen Ball, Pasedena, CA 2012 | Preston 1791 | |||
| Dover Pier | Richard Jacobs | Toronto 17Apr2015 | Cathy Campbell | Kevin Bidd and Daev Clysdale | Preston 1791 | |
| * | Dover Pier | The North River Historical Dancers | Jane Austen Ball, Ridgewood, NJ 21Sep2013 | Janice Wolk | Preston 1791 | |
| * | Dover Pier | upadouble.info | ANIMATION | Bare Necessities (Earl Gaddis, Mary Lea, Kate Barnes, and Jacqueline Schwab) on the album By Request | Preston 1791 | |
| * | Dover Pier | DanceKaleidoscope | ANIMATION | http://abcnotation.com/tunePage?a=trillian.mit.edu/~jc/music/abc/mirror/BruceShawyer/english/tmp/Dover_Pier/0000 | Preston's Twenty Four Country Dances 1791 | |
| * | Dr. Vincent's Delight | donwfbell | 2019 Binghamton Ball at the Phelps Mansion Museum April 6, 2019 | Val Medve | Gotham Carnival - Jean Monroe, Julia Hartman, Dominique Gagne | Charles Bolton, March 1985 |
| Drapers Gardens, or The Margravine's Waltz | Alice Hendon | Heritage Society Winter Ball, South Carolina, 2012 | The Dancing Master 17th Ed. Vol. I 1721 | |||
| * | Drapers Gardens, or The Margravine's Waltz | Childgrove-Bob Green DVA Playford | Webster Groves 28Feb2011 | Bob Green | The Tu'Penny Players: Joseph Galbraith (winds), Martha Edwards (violin), Kristen Grahm (keyboard). | The Dancing Master 17th Ed. Vol. I 1721 |
| Drapers Gardens, or The Margravine's Waltz | dominiondance.com | Omaha, NE 26Apr2011 | Bare Necessities recording | The Dancing Master 17th Ed. Vol. I 1721 | ||
| * | Drapers Gardens, or The Margravine's Waltz | English Country Dance | Gainesville, Florida; 15 December, 2025 | Randy Thorp | Hoggetowne Fancy: Peter Turner on bouzouki, Robert Reynierson on acoustic guitar/baroque guitar/lute, Andrew Driscol on fiddle | The Dancing Master 17th Ed. Vol. I 1721 |
| * | Drapers Gardens, or The Margravine's Waltz | Eric Borresen | Demo for the 2013 Jane Austen Ball, Rochester, NY 14Apr2013 | The Dancing Master 17th Ed. Vol. I 1721 | ||
| * | Drapers Gardens, or The Margravine's Waltz | Jim Crawford | Nashville, TN Apr2017 | Gene Murrow | Persons of Quality (Jon Berger, Rebecca King, Jim Oakden.) | The Dancing Master 17th Ed. Vol. I 1721 |
| Drapers Gardens, or The Margravine's Waltz | joyeuse13 | SFBayArea Science Fiction &Fantasy Convention, San Mateo, CA May 2007 | The Dancing Master 17th Ed. Vol. I 1721 | |||
| Drapers Gardens, or The Margravine's Waltz | Michael Villemure | St Regis Hotel ballroom, Florence, IT. Apr2014 | Gene Murrow | Jonathan Jensen,Barbara Greenberg, Daniel Beerbohm and Bobby Bursiel. | The Dancing Master 17th Ed. Vol. I 1721 | |
| Drapers Gardens, or The Margravine's Waltz | musicmaiden12 | HomeSchoolAsssoc renunion. NC. 2011 | How is leading? sisyteres/ | The Dancing Master 17th Ed. Vol. I 1721 | ||
| Drapers Gardens, or The Margravine's Waltz | Storage | Clear Lake, Houston, TX 6JaN 2012 | Barbara Attema | The Dancing Master 17th Ed. Vol. I 1721 | ||
| Drapers Gardens, or The Margravine's Waltz | The North River Historical Dancers | Washington-Lafayette Masked Ball. Hermitage, Ho-Ho-Kus, NJ. 11July2015,. | North River Historical Dancers | Ridley and Anne Enslow, Julia Hartman, Robin Russell & and Bonnie Insull | The Dancing Master 17th Ed. Vol. I 1721 | |
| Drapers Gardens, or The Margravine's Waltz | The North River Historical Dancers | Ringwood Manor, New Jersey, July 4, 2019 | The Dancing Master 17th Ed. Vol. I, | |||
| Drive the Cold Winter Away | Bobs English Country Dance | Bellingham Washington Senior Activity Center, Dec. 16, 2021 | Bob Olson | Recorded music is by The Broadside Band on 'The Gift of Music'. | Dancing Master 1651; here choreographed by Cécile Laye | |
| * | Drive the Cold Winter Away | CHESTNUT Cécile Laye | Chestnut's 10th Costume Ball in Bath 2019 | Cécile Laye | Isabelle Brouzes (Viola de gamba) Sandrine Dupé (baroque violin), Victorien (Gittern) Marion Fermé (recorder and voice) | Dancing Master 1651; here choreographed by Cécile Laye |
| Drive the Cold Winter Away | Saltatio Aachen e.V | August 2024; Aachen, Germany | Playford 1651; Interp. Bolton (2003) | |||
| * | Drive the Cold Winter Away | upadouble.info | ANIMATION | Playford 1651; Interp. Bolton (2003) | ||
| * | Duchess of Devonshire | moonfleate | Hampshire Regency Ball, Rookesbury Prk 2011 | Ignatius Sancho 1779 | ||
| * | Duchess of Devonshire | RegencyDances.org | ANIMATION | Ignatius Sancho 1779 | ||
| Duchess of Kent, The: Covid variant of Duke of Kent | Village Green English Dancers | 2021; Winnipeg, Canada | Elizabeth Goosen | Cahusac 1801,interp. A. Simons 1970. Adaptation by Elizabeth Goossen. | ||
| * | Eastbourne Rover | Jim Crawford | 2022 Fandango Weekend; Atlanta, GA | Bruce Hamilton | Goldcrest: Paul Oorts,Daron Douglas, Dave Weisler | Kevin Prigmore (2015) to "Serpent with Corners" by Thomas Bending (1999) |
| Eastbourne Rover | marianme2 | Sacramento, CA; 19 January 2025 | Yvonne Couvillion | Quite Carried Away | Kevin Prigmore (2015) to "Serpent with Corners" by Thomas Bending (1999) | |
| Eastbourne Rover | Tucson Folkdance | Spring, 2023; Tucson, AZ | Jon Berger, Shira Kammen, Rebecca King; recording from the CD "The Greenery" | Kevin Prigmore (2015) to "Serpent with Corners" by Thomas Bending (1999) | ||
| * | Eastbourne Rover | Bobs English Country Dance | Seattle English Country Dance August 6, 2017. Sunday Tea Dance at University Heights | Orly Krasner | Terry Wergeland and Charles Coldwell | Kevin Prigmore (2015) to "Serpent with Corners" by Thomas Bending (1999) |
| * | Eastbourne Rover | donwfbell | English week at Pinewoods Camp, August 2021. | Anna Rain | Karen Axelrod (piano), Alex Cumming (accordion), Audrey Knuth (violin) | Kevin Prigmore (2015) to "Serpent with Corners" by Thomas Bending (1999) |
| * | Eastbourne Rover | English Country Dance | Dancing with the GODS, Gainesville, FL, Feb2017 | Gaye Fifer | STEAM!:David Firestone, Alice Boyle, Robert Rosenberg, and Clair Zucker | Kevin Prigmore (2015) to "Serpent with Corners" by Thomas Bending (1999) |
| Eastbourne Rover | Fine Companions | Hazeldene Lower School, Bedford, England 19Oct2012 | Phillip Cambers & Joan Sawyer | Fine Companions Band | Kevin Prigmore (2015) to "Serpent with Corners" by Thomas Bending (1999) | |
| * | Eastbourne Rover | Jan Alter | Merion, PA 15Oct2017 | Germantown Country Dancers | Adam Oleksa, Tanya Rotenberg, Wes Steenson | Kevin Prigmore (2015) to "Serpent with Corners" by Thomas Bending (1999) |
| * | Eastbourne Rover | Jim Crawford | Chattanooga, TN; January 19, 2026 | Cathy Hollister | Kevin Prigmore (2015) to "Serpent with Corners" by Thomas Bending (1999) | |
| * | Easter Eve | Jan Alter | Merion Friends Meeting Hall, Merion, PA; 2023 | Germantown Country Dancers | Adam Oleksa, Tanya Rotenberg, Wes Steenson | Henry Playford, 1721. Interpreted by Graham Christian. |
| * | Easter Eve | upadouble.info | ANIMATION | Henry Playford, 1721. Interpreted by Bernard Bentley | ||
| Easter Eve | English Country Dance | Gainesville, Florida; 6 April, 2026 | Annette Merritt | Hoggetowne Fancy: Peter Turner on bouzouki/tenor banjo, Robert Reynierson on acoustic guitar/baroque guitar/lute, Andrew Driscol on fiddle,and Myles Sullivan on guitar | Henry Playford, 1721. Interpreted by Graham Christian. | |
| * | Elverton Grove | John Newsome | AACTMAD Dawn Dance Ann Arbor MI . 25Feb2012 | Joanna Reiner | KGB: Julie King, Claude Ginsburg, Dave Bartley | Playford 1712 |
| * | Elverton Grove | Jim Crawford | Fandango! 2013, Atlanta, GA 28Sep2013 | Bruce Hamilton | Bare Necessities: Earl Gaddis and Mary Lea(violin and viola), Peter Barnes (flute and whistles), and Jacqueline Schwab (piano) | Walsh 1712 |
| Elverton Grove | Harrison Keely | John C. Campbell Folk School, Brasstown, NC, Aug. 3, 2025 | Harrison Keely | Mist of the Glen: Amanda Burts on flute, Cathy Arps on violin, David Belino on guitar, and Dawn Davis on piano | Walsh 1712, Tom Cook interpretation 1975 | |
| * | Elverton Grove | upadouble.info | ANIMATION | Bare Necessities (Earl Gaddis, Mary Lea, Kate Barnes, and Jacqueline Schwab) on the album More Favorites of the Boston Centre | Walsh 1712, Tom Cook interpretation 1975 | |
| * | Elverton Grove | donwfbell | Flurry Festival February 17, 2019. | Linda Nelson | Gotham Carnival: Julia Hartman, Bonnie Insull, Jean Monroe | Walsh 1712, Tom Cook interpretation 1975 |
| Elverton Grove | marianme2 | July 5, 2026; Sacramento, CA | Bonnie Richardson | Quite Carried Away | Walsh 1712, Tom Cook interpretation 1975 | |
| * | Elverton Grove | Bob Green | Sage Assembly, Santa Fe, NM, 31Mar2018 | Bob Green | Kindred Spirirts : Della O'Keefe & Juli Palladino w/ guest Doc Litchman | Walsh 24CD,1712 as interp. by Tom Cook, to Come Let Us Be Merry 1975 |
| Elverton Grove | English Country Dance | Gainesville, FL. 12 Jan2015 | Diane DePuydt | Hoggetown Fancy: Robert Reynierson,John Monkus, Peter Turner & David Willkomm | Walsh 24CD,1712 as interp. by Tom Cook, to Come Let Us Be Merry 1975 | |
| * | Elvira | Loretta Holz vimeo | Bound Brook, NJ; International Couple Dance Group | unknown choreographer; USA dance to song by Dallas Frazier | ||
| * | Enfield Common (One Couple Version) | donwfbell | Home in Ballston Spa, NY, October 16, 2021. | Don Bell | Bare Necessities, The CDS Boston English Dance Collection, Vol. 13: Mrs Beveridge's Triumph (CD) | Playford 1701; Interpretation by Philippe Callens (1999) |
| * | Europe's Revels | ECandSCDancer | 2024 George Washington Ball in Williamsburg, VA | Hot Toddy | Playford 1698; Interp. Andrew Shaw 2023 | |
| * | Europe's Revels | upadouble.info | ANIMATION | Playford 1698; Interp. Andrew Shaw 2023 | ||
| * | Eve in the Garden (Formerly Flowers for Bidget) | Childgrove-Bob Green DVA Modern | Webster Groves, MO 13May2012 | Bob Green | Tu'Penny PLayers: Martha Edwards (fiddle), Kristen Graham (keyboard) | Bob Green to tune by Larry Unger |
| Eve in the Garden (Formerly Flowers for Bidget) | English Country Dance | Gainesville, FL 7Oct2013 | Randy Thorp | Hoggetown Fancy: | Bob Green to tune by Larry Unger | |
| * | Evening Dreams | Jim Crawford | Atlanta, GA; November 4, 2023 | Janet Shepherd | Reelplay: Robbin & Dave Marcus | Choreography (2023) by Robert Jamison and music (2014) by Dave Marcus |
| * | Evergreen | upadouble.info | ANIMATION | Orly Krasner (1999); tune is "Hewlett" by O'Carolan | ||
| * | Evergreen | English Country Dance | April 8, 2024; Gainesville, FL | Randy Thorp | Hoggetowne Fancy: Peter Turner on bouzouki, Robert Reynierson on acoustic guitar/baroque guitar/lute, JoLaine Jones-Pokorney on recorder | Orly Krasner (1999); tune is "Hewlett" by O'Carolan |
| * | Fenterlarick (variation in part A) | John Newsome | Berea College Christmas Country Dance School 2017 | Gene Murrow | Dean Herington, Charlie Pilzer, Wayne Hankin, Mara Shea, Earl Gaddis and Gene Murrow. | Joyce Walker (1977) to Fred Grimshaw's tune :Nancy's Fancy. Variation in part A |
| Frosty Field, The: Covid var. of In Fields of Frost &Snow | Village Green English Dancers | 2021; Winnipeg, Canada | Elizabeth Goosen | Playford (1710). Adapted by Elizabeth Goossen. | ||
| Gallant Swain, The: Covid variant of The Bashful Swain | Village Green English Dancers | 2021, Winnipeg, Canada | Elizabeth Goosen | Playford, 1728; adapted by Elizabeth Goossen and Molly Pind | ||
| * | Gavin's Fancy | English Country Dance | United Church of Gainesville, FL 29Jan2018 | Annette Merritt | Hoggetowne Fancy: Peter Turner, Robert Reynierson, Howard Beck, David Willkomm | Gretga Christina to "Welcome" by O'Carolan |
| * | Gavre, La | English Country Dance | Gainesville, FL; Sept. 22, 2025 | Randy Thorp | Hoggetowne Fancy: Peter Turner on bouzouki, Robert Reynierson on acoustic guitar/baroque guitar/lute, Andrew Driscol on fiddle | Tune ca. 1777 Pierre Trappeniers , dance reconstruction Philippe Callens, 1999 |
| * | Gavre, La | donwfbell | Elley-Long Music Center, Colchester, VT (near Burlington), 2023 Across the Lake Dance Weekend | Scott Higgs | Bare Necessities (Earl Gaddis, Mary Lea,Kate Barnes & Jacqueline Schwab) | Belgian Boutades (Philippe Callens, AADS, 2002) |
| * | Gavre, La | Pascal Maryline B | Ball of Angoulins (17) in November 2016 | Pierre Trappeniers (1734-80). Flanders variation 2; formation proper | ||
| * | Gavre, La | upadouble.info | ANIMATION | Pierre Trappeniers c. 1777 interp by Philippe Callens | ||
| Gavre, La | TheYoungStonewall | The Tummas Dance Group, MatthewsCharlotte, NC, 2013 | Pierre Trappeniers c. 1777 interp by Philippe Callens | |||
| Gavre, La | Zottevlaamse | Villeneuve d'Ascq, France 2005 | De Vlaamse Zotte | Pierre Trappeniers c. 1777 interp by Philippe Callens | ||
| * | Gavre, La | Williamsburg Heritage Dancers | George Washington Ball, Williamsburg, VA, 3Mar2018 | Hot Toddy (Anna Rain, Melissa Running, and Edith Coakley Stowe) | Trappeniers 1777 | |
| * | Gavre, La | Childgrove-Bob Green DVA Playford | English Ball at High Tea and Whiskey St Louis 9/3/11 | Susan Kevra | Miranda Arana (flute), Martha Edwards (violin), Bill Boye (Keyboard) | Trappeniers/ Philippe Callens (reconstructor) |
| * | Gavre, La | Susan English | Ohio, 2018 | Tune ca. 1777 Pierre Trappeniers , dance reconstruction Philippe Callens, 1999 | ||
| * | Gavre, La | donwfbell | Rensselaer English Country dancers on Oct 15, 2017 at Christ Church United, Troy, NY. | Val Medve | Heartsease - Patricia Kernan (flute, clarinet), Marilee Urbanczyk (tin whistle, tambourine), Diane Bell (violin), Vonnie Estes (keyboard piano) | Tune ca. 1777 Pierre Trappeniers , dance reconstruction Philippe Callens, 1999 |
| * | Gavre, La (One Couple Version) | donwfbell | Home in Troy,NY; April 2021 | Don Bell | Red Star Line CD (2002); A Joyful Noise & Hold the Mustard | Belgian Boutades (Philippe Callens, AADS, 2002) |
| * | Gelding of the Devil | brisden | June 5, 2023 | Dance Kaleidoscope | Sounds Austen | Playford, 1657 |
| * | Gelding of the Devil | upadouble.info | ANIMATION | Playford, 1657 | ||
| * | General Grooviness of the Universe | Rachel Pusey | Hey Days 2018 Aug 19-26, Bishop's Ranch, California | Brooke Friendly | Band: Roguery Anita Anderson (piano) Dave Bartley (plucked strings) Shira Kammen (fiddle, viola, vielle) Jim Oakden (multi-instrumentalist) | Brooke Friendly and Chris Sackett, tune (March for Warren) by Peter Barnes |
| General Grooviness of the Universe | English Country Dance | Gainesville, FL 1Sept2018 | Randy Thorp | Peter Turner, Robert Reynierson, Howard Beck, JoLaine Jones-Pokorney | Brooke Friendly and Chris Sackett, tune is "March for Warren" by Peter Barnes. | |
| * | General Grooviness of the Universe | upadouble.info | ANIMATION | Brooke Friendly and Chris Sackett, tune is "March for Warren" by Peter Barnes | ||
| * | General Grooviness of the Universe | wrhite | Chippenham Folk Festival, Neeld Hall, 2016 | Brooke Friendly | Music from Roguery | Chris Sackett and Brooke Friendly to "March for Warren" (c. Peter Barnes 2010) |
| * | Genevieve's Health | childgrove (Paul Ross) | CDW 2013 Celebration of Spring Ball, Mamaroneck, NY 23Mar2013 | Paul Ross | Serendipity:(Leah Barkan (piano), Mark Eisenberg (recorder) aand Sue Polansky,(clarinet), joined by John Ausin (bass, violin, and viola.) | Fried de Metz Herman |
| * | Give and Take | ECandSCDancer | Sun Assembly Spring DanceFest in Durham, NC in March 2025 | Jenna Simpson | The band is Pete Campbell, Dean Herington, Anne Lazarides, Eileen Shea, and Mara Shea | Jenna Simpson 2023. Tune is "Trip to the Boiling Lake" (Dave Wiesler, 2022) |
| * | Golden Anniversary Waltz | childgrove (Paul Ross) | 2019 Celebration of Spring Ball in Westchester. | Paul Ross | Flying Romanos - Robin Russell, Marnen Laibow-Koser, Norma Castle | Christine Helwig to Eric’s Scott's tune “Christine and Ed’s Waltz" |
| * | Green Sleeves | upadouble.info | ANIMATION | Neal 1726; very different from the German variants, with heys on the sides | ||
| Green Sleeves | freydanz | Freydanz of Leipzig in City Hall, Markkleeberg, Germany. 2010. | Neal c. 1726; German variant #1 | |||
| * | Green Sleeves | michael muller | Saltatio Burgus, Kothen, Germany. 2012 | Neal c. 1726; German variant #2: hands 3 R&L before changing sides. | ||
| * | Green Sleeves and Yellow Lace | brisden | March 20, 2022; Cleveland, Australia | Dance Kaleidoscope | Sounds Austen | Playford 1721, Douglas and Helen Kennedy, 1929; variant with arches |
| * | Greens and Beans (aka Garden Variety Maggot) | Harrison Keely | December 2025, John C. Campbell Folk School, Brasstown, NC | Harrison Keely | Mist of the Glen: Amanda Burts on flute, Cathy Arps on violin, David Belino on guitar, and Dawn Davis on piano | Bob Thompson, 2025. Here danced to Indian Point (Rick Mohr) |
| * | Greensleeves and Yellow Lace | Oliver H. Herde | June, 2024; Berlin, Germany | Oliver H. Herde | Playford 1721, Douglas and Helen Kennedy, 1929 | |
| * | Greensleeves and Yellow Lace | Bob Green | Missouri History Museum in St. Louis, Missouri, December 16, 2007 | Dance Discovery | The Tu' Penny Uprights (Paul Wexler on winds, Kristen Graham on keyboard, Martha Edwards on violin) | Playford 1721, Douglas and Helen Kennedy, 1929 |
| Greensleeves and Yellow Lace | English Country Dance | Gainesville, FL 23Dec2013 | Randy Thorp | Hoggetown Fancy: Roger Reinerson, Isabel Barten, John Monkus, Peter Turner & David Willkomm | Playford 1721, Douglas and Helen Kennedy, 1929 | |
| * | Greensleeves and Yellow Lace | upadouble.info | ANIMATION | Playford 1721, Douglas and Helen Kennedy, 1929 | ||
| * | Greensleeves and Yellow Lace | DanceKaleidoscope | ANIMATION | Playford 1721, Douglas and Helen Kennedy, 1929; variant with arches | ||
| * | Hambleton's Round O (Duple Minor Version) | Rachel Pusey | February 2023; Seattle, WA | Terry Wergeland, Ruthie Dornfeld, Charles Coldwell | Playford 1710, reconstructed by Bernard J. Bentley (1962) | |
| * | Hambleton's Round O (Duple Minor Version) | Rachel Pusey | February, 2023; Seattle, WA | Terry Wergeland, Ruthie Dornfeld, Charles Coldwell | Playford 1710, reconstructed by Bernard J. Bentley (1962) | |
| * | Handel with Care (One Couple Version) | donwfbell | Home in Troy,NY; July 2020 | Don Bell | Bare Necessities (Earl Gaddis, Mary Lea,Kate Barnes & Jacqueline Schwab) | Gary Roodman: Additional Calculated Figures (1992) |
| * | Happy Captive | upadouble.info | ANIMATION | Thompson 1777; in Apted Country Dances (Porter, Heffer & Heffer) | ||
| * | Happy Captive, The | Фалькор Саратов (Falcor Saratov) | Falkor historic dance club, Saratov, Russia 2013 | Pemberly Players recording. | Thompson 1777; in Apted Country Dances (Porter, Heffer & Heffer), Russian variant | |
| * | Heralds in Love | Ottawa English Country Dance Club | November, 2025; Ottawa, Canada | Jaime Hargrove | Gregannian Chance (Greg Brown, fiddle & concertina; Ann Downey, bass & banjo; Ian Clark, guitar) | Lord Iulstan Sigewealding/ Heather Rose Jones 1990 |
| Heralds in Love | LEBEOGREHTAEH | 2009 | Lord Iulstan Sigewealding/ Heather Rose Jones 1990 | |||
| Heralds in Love | MariaNordback | Finland, 2012 | Lord Iulstan Sigewealding/ Heather Rose Jones 1990 | |||
| * | Heralds in Love | Tervatanssi· | Häme Medieval Society Finland 2012 | Häme Medieval Society | Lord Iulstan Sigewealding/ Heather Rose Jones 1990 | |
| Highwayman's Horse: covid var. of Black Bess | Village Green English Dancers | 2021; Winnipeg, Canada | Elizabeth Goosen | Playford, 1696. Adapted by Elizabeth Goossen. | ||
| Hills of Riding Mountain: Covid v. Braes of Dornach | Village Green English Dancers | 2021; Winnipeg, Canada | Elizabeth Goosen | Charles Bolton reconstructed Braes of Dornach (Johnson, 1757); adaptation by Molly Pind. | ||
| * | Hole in the Wall, The (One Couple Version) | donwfbell | Home in Troy,NY; July 2020 | Don Bell | Bare Necessities Vol. 3: Simple Pleasures, CDS Boston English Dance Collection | Don Bell, 2021 (based on the original: Dancing Master 1698) |
| Hybrid Tea : The covid dance inspired by Ramblin’ Rosie | Village Green English Dancers | 2021; Winnipeg, Canada | Elizabeth Goosen | Gary Roodman (2008) tune by Steve Maranto. Adapted by Jeannie Gilbert. | ||
| * | I can't get over the Ditch | RegencyDances.org | ANIMATION | Thompson, 24 Country Dancers for the Year 1804 | ||
| * | I Have a Song to Sing | DanceKaleidoscope | ANIMATION | Pat Shaw to 'Nu wil ik een liedeke zingen' from Oude en Nieuwe Hollantse Boerenlietjes en Contredansen | ||
| * | Indian Queen (One Couple Version) | donwfbell | Home in Troy,NY; July 2020 | Don Bell | Bare Necessties - CDS Boston English Dance Collection Vol. 12: A Playford Ball CD | Cecil Sharp 1922, DMI: 1701-1728 |
| * | Invitation, The | CHESTNUT Cécile Laye | March 2020 | Peter Barnes CD Good Frends (Gary Roodman/Cilantrio) 2013 | Gary Roodman | |
| * | Invitation, The | childgrove (Paul Ross) | Lenox Assembly Spring 2014 | Robin Hayden | Karen Axelrod, keyboard; Doug Creighton, flute; and Eric Martin, violin and viola. | Gary Roodman |
| Invitation, The | John Newsome | Dawn Dance Weekend, An Arbor MI Feb2015 | Joseph Pimentel | Paul Oorts (madolin & banjo) Mary Lea,(violin), Dave Wiesler (piano) | Gary Roodman to a tune of the same name by Pater Barnes | |
| * | Invitation, The | upadouble.info | ANIMATION | Cilantrio (Karen Axelrod, Kate Barnes, and Mary Lea) from the album Good Friends | Gary Roodman to tune of the same name by Katae Barnes (2012) | |
| * | Ivy and a Rose | Jan Alter | Merion, PA.18Sep2015 | Germantown Country Dancers | Peggy Leiby, Adam Oleksa, Tanya Rotenberg, Wes Steenson | Jenny Beer, 2015/tune by Jonathan Jensen |
| * | Ivy and a Rose | upadouble.info | ANIMATION | Jenny Beer, 2015/tune by Jonathan Jensen | ||
| * | Jack's Alive | The North River Historical Dancers | Dolley Madison Ball, Ridgeway, NJ. Sept, 2014 | The North River Colonial Dancers | Lady Jane's Delight: Julia Hartman, Jean Monroe, and Sue Plansky, with giest Helen White | 8 diffrerent dances by this name were published between 1756 ad 1809. This version is from Trumball, Gentleman and and Lady's Compation (Norwich CT 1708) |
| Jack's Alive | The North River Historical Dancers | Jane Austen Ball, Ridgewood, NJ 21Sep2013 | Janice Wolk | Simons? | ||
| Jackie's Diamond : Covid var. of Jackie's Gems | Village Green English Dancers | 2021; Winnipeg, Canada | Elizabeth Goosen | Original dance and adaptation by Elizabeth Goossen. | ||
| * | Jenny Come Tie My Cravat | upadouble.info | ANIMATION | Playford 1690 | ||
| * | Jenny Come Tie my Cravat (The Garter) | English Country Dance | United Church of Gainesville, Fla 12Aug2019 | Randy Thorp | Hoggetown Fancy: Robert Reynierson, JoLaine Jones-Pokorney, Howard Beck, | Playford 1688-90 |
| Jenny's Polka: covid dance inspired by Jenny Come Play | Village Green English Dancers | 2021; Winnipeg, Canada | Elizabeth Goosen | Gregory Reynolds, to Mr. Reynolds' arrangement of the "Jenny Lind Polka". Adaptation by Elizabeth Goossen. | ||
| Jovial Beggars | donwfbell | Stockade Assembly, Albany, 4/22/2012 | Hot Toddy :Anna Rain (recorders) Edith Coakley (fiddle, viola), Melissa Running (piano) | Bolton 1989 DM1: 11-18; Walsh I 1718-1730 | ||
| Jovial Beggars | English Country Dance | Gainesville, FL 15Dec2014 | Randy Thorp | Hoggetown Fancy: Robert Reynierson, Isabel Barten, John Monkus, Peter Turner & David Willkomm | Bolton 1989 DM1: 11-18; Walsh I 1718-1730 | |
| * | Jovial Beggars | Jan Alter | Germantown Country Dancers, Oct 20, 2019 | Adam Oleksa, Tanya Rotenberg, Wes Steenson, | Bolton 1989 DM1: 11-18; Walsh I 1718-1730 | |
| * | Jovial Beggars | Old Dominion Dance | Nebraska, 2015 | Bolton 1989 DM1: 11-18; Walsh I 1718-1730 | ||
| Jovial Beggars | Twelfth Night English Country Dance | Twelfth Night Ball, Nebraska, 4Jan2014 | name withheld | Bare Necessitiies recording: Earl Gaddis and Mary Lea(violin and viola), Peter Barnes (flute and whistles), and Jacqueline Schwab (piano) | Bolton 1989 DM1: 11-18; Walsh I 1718-1730 | |
| * | Jovial Beggars | DanceKaleidoscope | ANIMATION | Tune and title by Heffer & Porter for 3-couple circle dance in Maggot Pie collection 1931 | ||
| Jovial Beggers | marianme2 | June 3, 2023, Hermann Sons Hall, Petaluma, CA; Workshop for the Mad Robin Ball | David Newitt | Gary Thomas & Anne Goess | Bolton 1989 DM1: 11-18; Walsh I 1718-1730 | |
| Jovial Beggers | Susan English | Wooster, Ohio; 2025 | Susan English | Fourpence | Bolton 1989 DM1: 11-18; Walsh I 1718-1730 | |
| * | Jovial Beggers | upadouble.info | ANIMATION | Bare Necessities (Earl Gaddis, Mary Lea, Kate Barnes, and Jacqueline Schwab) on the album At Home | Playford 1702 | |
| * | Jubilee at Eindhoven | Jan Alter | Merion, PA.18Sep2015 | Germantown Country Dancers | Peggy Leiby, Adam Oleksa, Tanya Rotenberg, Wes Steenson | Philippe Callens. l996 |
| * | Jubilee at Eindhoven | upadouble.info | ANIMATION | Philippe Callens. l996 | ||
| * | Kingcombe Rejuvenated | Jeffrey Bary | Spring Dance, Hopewell Junction, NY, 1Jun2014 | Robin Hayden | Trio Picante: Peter Barnes, Dan Beerbohm. Mary Lea | Alan Davies to Planxty Irwin by O'Carolan |
| * | Knives and Forks | upadouble.info | ANIMATION | Neal, 1726 | ||
| * | Knives and Forks | John Newsome | Laura Stein's 75th Birthday, Lansing, MI 17Nov2012 | Lisa Greenleaf | Latter Day LIzards: Bill Tomczak (sax & clarinet), Dave Langford (violin), Peter Barnes (piano) | Neal, 1726 |
| * | Knives and Forks | upadouble.info | ANIMATION | Neal, 1726; Interp. Shapiro 1987 | ||
| * | Knives and Forks | English Country Dance | Feb. 17, 2025; Gainesville, FL | Jonathan Balk | Hoggetowne Fancy: Peter Turner on bouzouki, Robert Reynierson on acoustic guitar/baroque guitar/lute, Andrew Driscol on fiddle | Neal, 1726; Interp. Shapiro 1987 |
| Lady Catherine of Manitou: Covid var of L. C. of Montaigu | Village Green English Dancers | 2021, Winnipeg, Canada | Elizabeth Goosen | Greg Reynolds; adaptation by Jeannie Gilbert and Elizabeth Goossen | ||
| * | Laughing Vicar | donwfbell | Pinewoods 2018 English Week | Andrew Shaw | Karen Axelrod, Rachel Bell, Audrey Knuth | Kynaston 1716; interpretation by Andrew Shaw |
| * | Laughing Vicar, The | upadouble.info | ANIMATION | Kynaston 1716; interpretation by Andrew Shaw | ||
| * | Leaves of Autumn | upadouble.info | ANIMATION | Brook Friendly & Chris Sackett to "Bob Mills' Draught" by Peter Barnes, | ||
| * | Leaves of Autumn | English Country Dance | United Church of Gainesville,Fla 149Nov2018 | Annette Merritt | Hoggetown Fancy: Pete Turner, Robert Reynierson, Howard Beck, JoLaine Jones-Pokorney | Brook Friendly & Chris Sackett to "Bob Mills' Draught" by Peter Barnes, |
| Leaves of Autumn | Richard Jacobs | Ralph Thornton Center,Toronto, Ontario Canada 28Feb2014 (video@1:36) | Catherine Campbell | Brook Friendly and Chris Sackett | ||
| * | Leaving of Liverpool | donwfbell | December 3, 2024, Albany, NY | Brad Foster | Peregrine Road - Karen Axelrod (keyboard), Rachel Bell (accordion) | David Carpenter |
| Leaving of Liverpool | marianme2 | Sept. 2022; Sacramento, CA | Alan Winston | Quite Carried Away: Karen Axelrod, Eric Martin, & Anna Patton | David Carpenter | |
| * | Les Manches Vertes | Jan Alter | Merion, PA.18Sep2015 | Germantown Country Dancers | Peggy Leiby, Adam Oleksa, Tanya Rotenberg, Wes Steenson | 1706, Pat Shaw interpretation 1930 |
| * | Leslie's Valentine | donwfbell | Pinewoods English Week 2021 | Anna Rain | Karen Axelrod (piano), Alex Cumming (accordion), Audrey Knuth (violin) | Scott Higgs/ Neil Gow |
| Leslie's Valentine | John Newsome | Ann Arbor Dawn Dance Ypsilanti, MI Feb2017 | Melissa Running | Earl Gaddis, Karen Axelrod and Matt McCoy | Scott Higgs/ Neil Gow | |
| * | Leslie's Valentine | upadouble.info | ANIMATION | Robert Winokur, and Susan McNeil | Scott Higgs/ Neil Gow | |
| * | Leslie's Valentine | Childgrove-Bob Green DVA Modern | Set for Spring Austin, TX 23Mar2011 | Scott Higgs | Foxfire: Karen Axelrod (piano) & Daron Douglas (fiddle) | Scott Higgs/ Neil Gow |
| Leslie's Valentine | ECandSCDancer | George Washington Ball, March 7, 2026; Williamsburg, VA | Elke Baker, Anna Rain, and Melissa Running | Scott Higgs/ Neil Gow | ||
| Leslie's Valentine | marianme2 | Winter Dreams Ball, Santa Barbara, CA; February 14, 2026 | Scott Higgs | Karen Axelrod, Shira Kammen, and Ben Schreiber | Scott Higgs/ Neil Gow | |
| * | Levi Jackson Rag | DanceKaleidoscope | ANIMATION | Pat Shaw | ||
| Levi Jackson Rag | brisden | July 27, 2025; Brisbane, Australia | Pat Shaw (1975) | |||
| Levi Jackson Rag | Susan English | May 2025; Pittsfield Grange, Ann Arbor, MI | Susan English | Myron Grant, Brad Battey, and Marty Somberg | Pat Shaw (1975) | |
| Levi Jackson Rag | donwfbell | Toronto, 1988 | Don Bell | Pat Shaw (1975) | ||
| * | Levi Jackson Rag | John Newsome | Berea Christmas Country Dance School - 2019 | Brad Foster | On piano - Atossa Kramer, on bass - Jonathan Jensen, on fiddles - Andrea Hoag and Aidan Broadbridge, on winds - David Crandall and Dean Herington. | Pat Shaw (1975) |
| * | Levi Jackson Rag | upadouble.info | ANIMATION | Pat Shaw (1975) | ||
| * | Levi Jackson Rag | marianme2 | November 2021; Hayward, CA | David Newitt | Shira Kammen, fiddle; Jim Oakden, Multiple Instruments; Charlie Hancock, Piano | Pat Shaw 1975 |
| * | Levi Jackson Rag | Dave | First Presbyterian Church Santa Barbara, July 23, 2019. | Jennifer Rose Escobar | Pat Shaw 1975 | |
| * | Levi Jackson Rag | Fine Companions | Christmas Party 18Decc2009 | Roger Nicholls | Pat Shaw 1975 | |
| Levi Jackson Rag | generalcarter | Eastbourne Folk Dance Club Summer Dance UK 20Jun2009 | Pat Shaw 1975 | |||
| Levi Jackson Rag | Jim Crawford | Atlanta Dance weekend 9Nov2013 | Seth Tepfer | Lift Ticket :Rex Blazer (fiddle) T. J. Johnson (mandolin) Seth Houston (piano) Russell S. (percussion) | Pat Shaw 1975 | |
| * | Levi Jackson Rag | John M Ramsay | Berea, KY 11Jul1987 | Lewis and Donna Lamb -fiddle & McLain Family | Pat Shaw 1975 | |
| Levi Jackson Rag | John Newsome | Memorial Day Dance, Ann Arbor MI May2015 | Ray Brantle | Brad Battey, Susie Lorand. Myron Grant | Pat Shaw 1975 | |
| Levi Jackson Rag | Roy Butler | Camellia International Dance Festival Sacramento, CA 2008 | Pat Shaw 1975 | |||
| Levi Jackson Rag | Roy Butler | Dance in the Woods 09 | Pat Shaw 1975 | |||
| Levi Jackson Rag | TheYoungStonewall | Tummas Dance Group, Charlotte, NC 2011 | Pat Shaw 1975 | |||
| Levi Jackson Rag | Thomas Howe | Sharpes Assembly Sunday dance, Sebring FL 20Oct2013 video@15:17 | Gene Murrow | Full Circle: Ted and Veronica Lane | Pat Shaw 1975 | |
| * | Levi Jackson Rag | WVClasses | U.S. c. Dec 2012 | Pat Shaw 1975 | ||
| Levi Jackson Ragg | John Newsome | Berea College Christmas Country Dance School 2017 | Gene Murrow | Atossa Kramer, Mara Shea, and Dean Herington | Pat Shaw (Ten couple variant) | |
| * | Little Ramsay Divey, A | Childgrove-Bob Green DVA Modern | St. Louis, MO 10/16/10 | Bob Green | The Tu'Penny Players: Joseph Galbraith (winds), Martha Edwards,(violin), Kristen Grahm (keyboard). | Bob Green/ Jerry Livingston |
| Little Ramsay Divey, A | GallantFilms | CHEF- Missouri 30MAr2012 | Jeremy Suermann | Bob Green/ Jerry Livingston | ||
| Little Sir Isaac (COVID edition) | nottinghamfdg | April 18, 2021; On-Line | Bernie Culkin | Vicki Swan & Jonny Dyer | Sharon Green (2012); music by Debbie Jackson (2012) | |
| * | Long Have We Parted Been | Daniel Beal | Minneapolis, 2024 | Daniel Beal | Elke Baker, Liz Donaldson, and Ralph Gordon (from their 2018 recording "A Dancer's Best Friend") | Daniel Beal (2022) to “Laddie Lie Near Me” by Thomas Blacklock (ca. 1790) |
| * | Long Live London | donwfbell | February 18, 2024, at the Flurry, in the 3rd Floor Music Hall of the Saratoga City Hall (erected in 1871), Saratoga, NY | Susan Kevra | Jacqueline Schwab (keyboard), Dave Langford (violin), Susan Kevra (clarinet) | Pat Shaw (1971) |
| * | Long Live London | Jan Alter | Merion, PA 15Oct2017 | Germantown Country Dancers | Adam Oleksa, Tanya Rotenberg, Wes Steenson | Pat Shaw (1971) |
| * | Long Live London | upadouble.info | ANIMATION | Bare Necessities (Earl Gaddis, Mary Lea, Kate Barnes, and Jacqueline Schwab) on the album Favorites of the Boston Centre | Pat Shaw (1971) | |
| * | Long Live London | Jan Alter | Merion, PA 19Nov2017 | Germantown Country Dancers | Peggy Leiby, Adam Oleksa, Tanya Rotenberg, Wes Steenson | Pat Shaw 1971 Sicilian Circle is presented across the hall for clarity |
| * | Longevity | childgrove (Paul Ross) | Lenox Assembly, Lenox MA, April 2017 | Paul Ross | A Joyful Noice: Barbara Greenberg, Daniel Beerbohm, and Kathy Talvitie | Orly Krasner to her tune “Lucy’s Waltz" |
| * | Longevity | upadouble.info | ANIMATION | Bare Necessities (Earl Gaddis, Mary Lea, Kate Barnes, and Jacqueline Schwab) on the album Invitation to Waltz | Orly Krasner to her tune "Lucy's Waltz" | |
| * | Lord of Caernavon's Jig | FIAT509B | Doorwerth Castle, Netherlands, 14Feb2016 | The Wolves'Grove Regency Dancers | Green Ginger Band playing "The Clansman | Playford 1651; variant |
| * | Lord of Carnarvon's Jigg | upadouble.info | ANIMATION | The Dancing Master 1st Ed. 1651; Interp. Cecil Sharp 1910 | ||
| * | Lord of Carnavann's Jegg | Darius the Dancer | Walpurgisnacht at Stonebridge Gambol House, at Camp Westwood, in Coventry, RI. 3May2014 | x | Playford 1651; variant | |
| Lord of Carnavann's Jig | Jim Crawford | Quicksilver Country Dancers, Atlanta, GA 5Mar2016 | Brooke Friendly | Reelplay: Robbin Marcus (piano), Dave Marcus (concertina) and Meredith Doster (flute) [Band formerly known as Round Robbin.] | The Dancing Master 1st Ed. 1651; Interp. Cecil Sharp 1910 | |
| Love Always | brisden | 2019 National Folk Festival; Canberra, Australia | Brooke Friendly | Roguery | Brooke Friendly & Chris Sackett to Love and all that Hijaz by Dave Bartley | |
| Love Always | marianme2 | April, 2022; Playford Ball Tea Dance, San Jose, CA | Persons of Quality (Jon Berger, Rebecca King, Jim Oakden.) | Brooke Friendly & Chris Sackett to Love and all that Hijaz by Dave Bartley | ||
| * | Love Always | Bob Green | Dawn Dance,Ann Arbor MO, Feb2013 | Brooke Friendly | Michelle Levee, Anita Anderson, Dave Bartley, Jim Oakden | Brooke Friendly & Chris Sackett to Love and all that Hijaz by Dave Bartley |
| * | Love Always | upadouble.info | Brooke Friendly & Chris Sackett to Love and all that Hijaz by Dave Bartley | |||
| * | Love Always | English Country Dance | Gainesville, Florida; February, 2026 | Annette Merritt | Hoggetowne Fancy: Peter Turner on bouzouki, Robert Reynierson on acoustic guitar/baroque guitar/lute, and Andrew Driscol on fiddle | Brooke Friendly & Chris Sackett, 2013 to Love and All That Hijaz uf 3/8/2017 |
| * | Love Always | donwfbell | Pinewoods English Week 2021 | Anna Rain | Kendall Rodgers (guitar), Susan Kevra (clarinet), Rachel Bell (accordion) | Impropriety Vol V (2015); Brooke Friendly & Chris Sackett (2013) |
| * | Love Always (1) | Rachel Pusey | Fall Frolic, Aptos CA,Oct2016 | Kalia Kliban | Old World Charm School, Rachel Bell, Karen Axelrod, Susan Kevra | Brooke Friendly & Chris Sackett to Tune: Love and All That Hijaz by Dave Bartley{ |
| Love Always (2) | Rachel Pusey | Fall Frolic, Aptos CA,Oct2016 | Kalia Kliban | Old World Charm School, Rachel Bell, Karen Axelrod, Susan Kevra | Brooke Friendly & Chris Sackett to Tune: Love and All That Hijaz by Dave Bartley{ | |
| Love Always (3) | Rachel Pusey | Fall Frolic, Aptos CA,Oct2016 | Kalia Kliban | Old World Charm School, Rachel Bell, Karen Axelrod, Susan Kevra | Brooke Friendly & Chris Sackett to Tune: Love and All That Hijaz by Dave Bartley{ | |
| * | Love and a Bottle | Jan Alter | 75th New England Folk Festival; 13April2019 | Wes Steenson, Tanya Rotenberg, Peggy Leiby, Adam Oleksa | Walsh/Kynaston 1710, modified as a 5-couple set | |
| Love and a Bottle (3 couple) | Charlotte C | April 6, 2019; the Guildhall, Bath | Bath Minuet Company demonstration dance | Wales Baroque Players. | Walsh/Kynaston 1710, as reconstructed by Bernard Bentley (Fallibroome Collection, v II) | |
| * | Love and a Bottle (3 couple) | childgrove (Paul Ross) | CD*NY Playford Ball, Brokkly Heights, NY 11Apr2015 | Beverly Francis | 3rd String Trio: Karen Axelrod, Peter Barnes, Aldo Fabrizi | Walsh/Kynaston 1710, as reconstructed by Bernard Bentley (Fallibroome Collection, v II) |
| Love and a Bottle (3 couple) | English Country Dance | Roses and Romance Dance weekend, Orange Park, FL,15Feb2014 | Randy Thorp | Full Circle : Veronica and Ted Lane | Walsh/Kynaston 1710, as reconstructed by Bernard Bentley (Fallibroome Collection, v II) | |
| * | Love and a Bottle (3 couple) | Eric Borresen | Walsh/Kynaston 1710, as reconstructed by Bernard Bentley (Fallibroome Collection, v II) | |||
| * | Love and a Bottle (3 couple) | islandstarfish | Lynewood, WA 10/22/11 | Julie King (piano), Marianne Tatom-Letts (clarinet). | Walsh/Kynaston 1710, as reconstructed by Bernard Bentley (Fallibroome Collection, v II) | |
| * | Love and a Bottle (3 couple) | Jan Alter | Merion PA, Oct2018; prep for Predominantly Playford Ball, 2018 | Germantown Country Dancers | Adam Oleksa, Tanya Rotenberg, Wes Steenson | Walsh/Kynaston 1710, as reconstructed by Bernard Bentley (Fallibroome Collection, v II) |
| * | Love and a Bottle (3 couple) | Michel Landry | Montreal? 2012 | Walsh/Kynaston 1710, as reconstructed by Bernard Bentley (Fallibroome Collection, v II) | ||
| * | Love and a Bottle (3 couple) | upadouble.info | ANIMATION | Bare Necessities (Earl Gaddis, Mary Lea, Kate Barnes, and Jacqueline Schwab) on the album At Home | Walsh/Kynaston 1710, as reconstructed by Bernard Bentley (Fallibroome Collection, v II) | |
| * | Love and a Bottle (LW Duple) | Dmitry Baryshkov | Thomas Bray Evening, St Petersburg, Russia 14Nov2010 (video@17:53) | Thomas Bray 1699 | ||
| * | Love and a Bottle (LW Duple) | upadouble.info | ANIMATION | Thomas Bray 1699 | ||
| * | Love Forever | English Country Dance | Gainesville, Florida; February, 2026 | Annette Merritt | Hoggetowne Fancy: Peter Turner on bouzouki, Robert Reynierson on acoustic guitar/baroque guitar/lute, and Andrew Driscol on fiddle | Altered here to LW duple from LW triple. Asa Willcox 1794 |
| Love Forever | TheFJCV | NC. 2010 | Altered here to LW duple from LW triple. Asa Willcox 1794 | |||
| * | Love Forever | upadouble.info | ANIMATION | Willcox 1793 | ||
| * | Love Hope and Joy | donwfbell | 1848 Shaker Meeting House in Albany, NY 12May2018 | Melanie Axel-Lute | Spare Parts: Bill Matthieson (piano), Liz Stell (flute), Eric Buddingtion (violin) | Melanie Axel-Lute to "I Will Bow and Be Simple" (traditional Shaker tune) |
| * | Love is Little | donwfbell | 1848 Shaker Meeting House in Albany, NY 12May2018 | Melanie Axel-Lute | Spare Parts: Bill Matthieson (piano), Liz Stell (flute), Eric Buddingtion (violin) | Colin Hume (2018) to a Saker tune |
| * | Love is Little | English Country Dance | United Church of Gainesville, Fla 1Feb2014 | Randy Thorp | Hoggetown Fancy: Pete Turner, Robert Reynierson, Howard Beck, JoLaine Jones-Pokorney | Colin Hume, 2014 to Shaker hymn (Love is Little) |
| * | Love Lies A-Bleeding | upadouble.info | ANIMATION | Playford 1686; interp. Sharp 1916 | ||
| * | Love Lies A-Bleeding | Семён Марьясин (Simon Maryasin) Marsoftware | Gorky Park, Moscow. Spring 2012 | Fiddlers Green's recording of Ramblin' Rover by Andy M. Stewart | Taras Sleptsov (Traianon studio, Moscow) 2000 | |
| * | Love's Folly | Jim Crawford | Dance Rhapsody; Decatur, GA; October 15, 2023 | Cis Hinkle | Merriment: Shawn Pagliarini & Stven Carlberg | Choreography (2023) and music (2007) by Robert Jamison |
| * | Love's Triumph | upadouble.info | ANIMATION | Playford 1710; Interp. Bentley (Fallibroome) as a 3-couple set | ||
| Love's Triumph | English Country Dance | Nov. 6, 2023; Gainesville, FL | Annette Merritt | Hoggetowne Fancy: Peter Turner on bouzouki, Robert Reynierson on acoustic guitar/baroque guitar/lute, JoLaine Jones-Pokorney on recorder | Playford 1710; Interp. Bentley (Fallibroome), and re-interpreted by Fried de Metz Herman as a 3-couple set | |
| * | Love's Triumph | Williamsburg Heritage Dancers | The Dancing Master Vol. II 1st Ed. 1710 | Danced by Members of the Williamsburg Heritage Dancers practice; called by Jenny Simpson | Music here is from the recording by Foxfire on the album "The Introduction." | Playford 1710; Interp. Bentley (Fallibroome), and re-interpreted by Fried de Metz Herman as a 3-couple set |
| * | Love's Triumph | Jim Crawford | Sept. 20, 2025; Fandango Weekend, Atlanta, GA | Susan Kevra | Alchemy: Karen Axelrod, Rachel Bell, and Eric Martin | Playford 1710; Interp. Bentley (Fallibroome), and re-interpreted by Fried de Metz Herman as a 3-couple set, and re-interpreted again by Scott Higgs |
| * | Love's Triumph | upadouble.info | ANIMATION | Playford 1710; Interp. Bentley (Fallibroome), and re-interpreted by Fried de Metz Herman as a 3-couple set, and re-interpreted again by Scott Higgs | ||
| * | Love's Triumph | donwfbell | Adirondack Dance Weekend Sept 2022 | Joanna Reiner Wilkinson | Karen Axelrod (piano), Eric Martin (violin, viola), Anna Patton (clarinet) | Playford 1710; Interp. Bentley (Fallibroome), and re-interpreted by Fried de Metz Herman as a 3-couple set, and re-interpreted again by Scott Higgs |
| * | Love's Triumph | marianme2 | Winter Dreams Ball, Santa Barbara, CA; February 14, 2026 | Scott Higgs | Karen Axelrod, Shira Kammen, and Ben Schreiber | Playford 1710; Interp. Bentley (Fallibroome), and re-interpreted by Fried de Metz Herman as a 3-couple set, and re-interpreted again by Scott Higgs |
| * | Love's Triumph | upadouble.info | ANIMATION | Playford 1710; Interp. Bentley (Fallibroome), and re-interpreted by Fried de Metz Herman as a triple minor | ||
| * | Love's Triumph | childgrove (Paul Ross) | Lenox Assemnbly, MA. 2013 | Paul Ross | Karen Axelrod (keyboard), Daniel Beerbohn (clarinet), Barbara Greenburg (violin) | Playford 1710; Interp. Bentley (Fallibroome), and re-interpreted by Fried de Metz Herman as a triple minor |
| Love's Triumph | John Newsome | AACTMAD, Ann Arbor , MI . 9Oct2015 | Kathy Anderson | Debbie Jackson (piano), Martha Stokely (penny whistle & flute), and Brad Battey(violin) | Playford 1710; Interp. Bentley (Fallibroome), and re-interpreted by Fried de Metz Herman as a triple minor | |
| * | Love's Triumph | upadouble.info | ANIMATION | Playford 1710; Interp. Hume 2007 as a 3 couple set | ||
| * | Love's Triumph | DanceKaleidoscope | ANIMATION | Playford 1710; Interp. Hume 2007 as a 3 couple set | ||
| * | Love's Victory | English Country Dance | Gainesville, Florida; February, 2026 | Randy Thorp | Hoggetowne Fancy: Peter Turner on bouzouki, Robert Reynierson on acoustic guitar/baroque guitar/lute, and Andrew Driscol on fiddle | Choreography (2007) and music (2007) by Robert Jamison |
| * | Love's Victory | Jim Crawford | Atlanta, GA; November 4, 2023 | Janet Shepherd | Reelplay: Robbin & Dave Marcus | Choreography (2007) and music (2007) by Robert Jamison |
| * | Lovely Nancy | upadouble.info | ANIMATION | Bare Necessities (Earl Gaddis, Mary Lea, Kate Barnes, and Jacqueline Schwab) on the album Simple Pleasures | Johnson 1744 | |
| Lovely Nancy | Bobs English Country Dance | Bellingham Washington Senior Activity Center Jan. 23, 2020. | Robert Campbell | Recorded music is by Bare Necessities from their Simple Pleasures CD. | Johnson 1744 | |
| * | Lovely Nancy | John Newsome | Lookg Glass Festival, Lansing, MI Oct2013l | Susan Kevra | Susie Lorand (violin), Debra Jackon (piano) | Johnson 1744 |
| Lovely Nancy | The North River Historical Dancers | Washington-Lafayette Masked Ball. Hermitage, Ho-Ho-Kus, NJ. 11July2015,. | North River Historical Dancers | Ridley and Anne Enslow, Julia Hartman, Robin Russell & and Bonnie Insull | Johnson 1744 | |
| * | Lovely Nancy | Old Dominion Dance | Omaha, Nebraske 19Mar2012 | Bare Necessities recording | Johnson III 1744 | |
| * | Lover's Farewell, The | richjxn | Country Dance Society, Boston Centre - 12/28/2016 | Kate Barnes and Mary Lea | Pat Shaw | |
| * | Lover's Knot | upadouble.info | ANIMATION | Jim Kitch | ||
| * | Lover's Knot | English Country Dance | June 9, 2025; Gainesville, FL | Randy Thorp | Hoggetowne Fancy: Peter Turner on bouzouki, Robert Reynierson on acoustic guitar/baroque guitar/lute, Jane K. on keyboard | Jim Kitch to Indian Point (Rick Mohr) |
| * | Lover's Knot, The | adkiscool | FolkMADness 2019 Socorro NM | Scott Higgs | The Figments: Ethan Hazzard-Watkins- Fiddle; Anna Patton – Clarinet; Owen Morrison – Guitar & Percussion | Jim Kitch to Indian Point (Rick Mohr) |
| Lover's Knot, The | John Newsome | Dawn Dance, Ann Arbor MI | Gaye Fifer | Childgrove:- Anne Ogren (viola), - Martha Stokely (penny whistle & clarinet) &- Debbie Jackson (piano) | Jim Kitch to Indian Point (Rick Mohr) | |
| Lover's Knot, The | aftmVL | Austin, TX 10Oct2008 | Jim Kitch to The Black and the Grey aka Trip to Kilburn | |||
| Lover's Knot, The | Bob Green | Childgrove Dance. Webster Groves, MO. 1May2010 | Bob Green | Reel Women: Martha Edwards (fiddle), Kristin Graham (piano) | Jim Kitch to The Black and the Grey aka Trip to Kilburn | |
| Lover's Knot, The | Caelyn Nagle | Cincinnati Spring Ball 17Apr2010 | Jim Kitch to The Black and the Grey aka Trip to Kilburn | |||
| * | Lover's Knot, The | Childgrove-Bob Green DVA Modern | Workshop St.Louis, MO 2Apr2011 | Bob Green | Bare Necessities recording | Jim Kitch to The Black and the Grey aka Trip to Kilburn |
| Lover's Knot, The | English Country Dance | Roses and Romance Dance weekend, Orange Park, FL,15Feb2014 | Randy Thorp | Full Circle : Veronica and Ted Lane | Jim Kitch to The Black and the Grey aka Trip to Kilburn | |
| * | Lover's Knot, The | John Newsome | Councourse Hall, Ann Arbor MI, 14Feb2014 | Glen Morningstar leads | Judi Morningstar (piano), Susie Lorand (viola,and tenor recorder), Brad Battey, Jr. (violin) | Jim Kitch to The Black and the Grey aka Trip to Kilburn |
| * | Lover's Knot, The | paul bestock | Northwest Folklife Festival Seatlle, WA. May2013 (video @1:25) | Nonesuch English Country Dancers; Artistic Director: Victoria Bestock | Kimberly McKittrick (violin), Julie King (piano), Marianne Tatomletts (winds) | Jim Kitch to The Black and the Grey aka Trip to Kilburn |
| * | Lover's Luck, The | upadouble.info | ANIMATION | Bray 1699, Interp. Pat Shaw, 1960 | ||
| * | Lover's Luck, The | Germantown Country Dancers | 2024; Merion Friends Meeting House, Merion, PA | Germantown Country Dancers | Adam Oleksa, Tanya Rotenberg, and Wes Steenson | Bray 1699, Interp. Tom Cook 1979 |
| * | Lover's Luck, The | upadouble.info | ANIMATION | Bray 1699, Interp. Tom Cook 1979 | ||
| * | Lovers Luck, The | Maria Boet | Country Dance Society, Boston Centre - Dec2017 | Mary Lee violin, Kate Barnes piano | Bray 1699, Interp. Pat Shaw, 1960 | |
| * | Lovers Luck, The | CHESTNUT Cécile Laye | Bath Assembly Rooms 2017 May 27th video@4m19s | Bray 1699, Interp. Tom Cook 1979 | ||
| Lovers Luck, The | Dmitry Baryshkov | St. Petersburg, Russia, 2012. video@19m30s | Bray 1699, Interp. Tom Cook 1979 | |||
| * | Lucky Sevens | John Newsome | Ann Arbor Dawn Dance Ypsilanti, MI Feb2017 | Melissa Running | Earl Gaddis, Karen Axelrod and Matt McCoy | Melissa Running |
| Manches Vertes, Les | English Country Dance | Gainesville, Florida; 16 February, 2026 | Jonathan Balk | Hoggetowne Fancy: Peter Turner on bouzouki, Robert Reynierson on acoustic guitar/baroque guitar/lute, and Andrew Driscol on fiddle | Feuillet 1706, Pat Shaw interpretation 1930 | |
| Manitoba Oaks: covid variant of Dunham Oaks | Village Green English Dancers | 2021; Winnipeg, Canada | Elizabeth Goosen | Brian Wedgbury (1972). Adaptation by Elizabeth Goossen. | ||
| * | Master Barton's Arrival | donwfbell | Elley-Long Music Center, Colchester, Vermont (near Burlington) during the Across the Lake Dance Weekend, June 15, 2024. | David Millstone | Christine Rua (oboe, recorder, percussion), Mary Lea (violin), Earl Gaddis (violin), Jacqueline Schwab (piano) | Dance by David Smukler (2018), Tune: The Argos Inn by Rachel Bell (2015) |
| * | Master Barton's Arrival | English Country Dance | Gainesville, FL. 19Sep2016 | Annette Merritt | Hoggetown Fancy:Pete Turner, Robert Reynierson, John Monkus and David Willkomen | David Smukler, 2015 to The Argos Inn by Rachel Bell. |
| * | Mavis Sweetly Sings, The | CHESTNUT Cécile Laye | Costume Ball June 2018 | Cécile Laye | Chrisophe and Varérie Richard, flutes, Gaëlle Durand, violin, Yannick Lebossé, Lute and Guitar | Fried de Metz Herman |
| * | Mavis Sweetly Sings, The | childgrove (Paul Ross) | Linden Tree Vista, Wilton CT 2008 | Fried de Metz Herman | Joyce Crouch (piano), Mark Eisenberg (recorder), Naomi Morse (violin) | Fried de Metz Herman |
| * | Mavis Sweetly Sings, The | upadouble.info | Fried de Metz Herman | |||
| * | Mendocino Redwood (One Couple Version) | donwfbell | Home in Troy,NY; March 2021 | Don Bell | Bare Necessities: Vol 13, Mrs. Beveridge's Triumph | Mary Devlin, Bob Fraley, Elizabeth Zekley |
| Miracle on the River | Ottawa English Country Dance Club | May 1, 2026; Ottawa, Canada | Drew Delaware | Emily Addison (Keyboard), Greg Brown (Fiddle and concertina) and Ann Downey (Bass, Banjo) | Drew Delaware | |
| * | Mister Chivers' Whim | Eugenia Solenikova (Yoko) | St Petersburg, RU 2014 | Rondino dance group | G.M.S Chivers Swedish Country Dances 1822 | |
| * | Mister Chivers' Whim | Georgii Batalin | Kazan?Russia. Feb 2013 | G.M.S Chivers Swedish Country Dances 1822 | ||
| * | Mister Chivers' Whim | Клуб исторических танцев "Pas de côté", Екб | March 28, 2022; Yekaterinburg, Russia | G.M.S Chivers Swedish Country Dances 1822 | ||
| * | Monmouth, or the Victory | The North River Historical Dancers | Washington-Lafayette Masked Ball. Hermitage, Ho-Ho-Kus, NJ. 11July2015,. | North River Historical Dancers | Ridley and Anne Enslow, Julia Hartman, Robin Russell & and Bonnie Insull | Cantelo, Twenty Four American Country Dances (London 1785), |
| * | Moveable Feast, A | donwfbell | Greenfield, MA May17, 2026 | Brad Foster | Andromeda: Susan Kevra, Rachel Bell, Jacqueline Schwab | Susan Kevra to Duck, Duck, Go by Rachel Bell |
| * | Moveable Feast, A | Jim Crawford | Atlanta, GA, 24Feb2017 | Susan Kevra | Old World Charm School: Karen Axelrod, Rachel Bell, Susan Kevra | Susan Kevra to Duck, Duck, Go by Rachel Bell |
| * | Moveable Feast, A | Susan Kevra | DC? 6/1/2016 | Susan Kevra to Duck, Duck, Go by Rachel Bell | ||
| * | Movement Afoot | upadouble.info | ANIMATION | Alan Winston (2013) to Steciaks by Larry Unger | ||
| * | Movement Afoot | Bob Green | Camper's Night, Hey Days 2013 | Alan Winston | The Camper's Night Band | Alan Winston (2013) to Steciaks by Larry Unger |
| * | Movement Afoot | English Country Dance | Gainesville, FL 3Feb2014 | Randy Thorp | Hoggetown Fancy: Roger Reinerson, Isabel Barten, John Monkus, Peter Turner & David Willkomm | Alan Winston (2013) to Steciaks by Larry Unger |
| Movement Afoot | Rachel Pusey | Alan Winston's Birthday Ball, November 16, 2019; Hayward, CA | Alan Winston | StringFire (Erik Ievins, Patti Cobb, Tammi Dyer, Shira Kammen) | Alan Winston (2013) to Steciaks by Larry Unger | |
| Movement Afoot | Richard Mathews | Thelma Boltin Center in Gainesville, FL. May15, 2018 | Randy Thorp and Annette Merritt | Notorious | Alan Winston (2013) to Steciaks by Larry Unger | |
| * | Mover and a Shaker, A | upadouble.info | ANIMATION | Cilantrio (Karen Axelrod, Kate Barnes, and Mary Lea) from their album Good Friends | Gary Roodman (1997) to "My Robe is New" (traditional Shaker song) | |
| * | Mover and Shaker, A | childgrove (Paul Ross) | CD*NY 22Jan2009 | Cynthia Shaw, piano, and Naomi Morse, violin | Gary Roodman (1997) to "My Robe is New" (traditional Shaker song) | |
| * | Mover and Shaker, A | donwfbell | 1848 Shaker Meeting House in Albany, NY 12May2018 | Melanie Axel-Lute | Spare Parts: Bill Matthieson (piano), Liz Stell (flute), Eric Buddingtion (violin) | Gary Roodman (1997) to "My Robe is New" (traditional Shaker song) |
| * | Mover and Shaker, A | English Country Dance | Gainesville, FL; 11 May, 2026 | Randy Thorp | Hoggetowne Fancy: • Peter Turner on bouzouki/tenor banjo, • Robert Reynierson on acoustic guitar/baroque guitar/lute, and • Andrew Driscol on fiddle | Gary Roodman (1997) to "My Robe is New" (traditional Shaker song) |
| Mr. Beverdge's Maggot | Georgii Batalin | Kazan?Russia. Feb 2013 | Playford 1695. Pat Shaw version | |||
| * | Mr. Beveridge's Maggot | CHESTNUT Cécile Laye | Jan. 2017 | Cécile Laye | The Assembly Players dir: Nicolas Broadbridge | Adaption Choregraphique: Cécile Laye |
| Mr. Beveridge's Maggot | esmolnyakova | Russia 2010 | Playford 1695 | |||
| * | Mr. Beveridge's Maggot | RegencyDances.org | ANIMATION | Playford 1695 | ||
| Mr. Beveridge's Maggot | PasseggioDanceGroup | Casino, Cluj-Napoca, Romania 2103 | Passeggio | tempo=101bpm | Playford 1695 Pat Shaw as performance piece | |
| Mr. Beveridge's Maggot | exteko | Jane Austen Ball, Pasedena, CA 2012 | tempo=90bpm | Playford 1695. Cecil Sharp version | ||
| * | Mr. Beveridge's Maggot | Lisa Brown | Rochester Fringe Festival, 2015 | Cordancia Chamber Orchestra | Playford 1695. Cecil Sharp version | |
| * | Mr. Beveridge's Maggot | Bodhi | 2021; Yaroslav, Russia | Assembly Players (recording) | Playford 1695. Cecil Sharp version | |
| Mr. Beveridge's Maggot | cloakandcorset | Jane Austen evening, CA, 2009 | tempo=111bpm | Playford 1695. Cecil Sharp version | ||
| * | Mr. Beveridge's Maggot | Eric Borresen | Demo for the 2013 Jane Austen Ball, Rochester, NY 14Apr2013 | Cordancia Chamber Orchestra; tempo=97 bpm | Playford 1695. Cecil Sharp version | |
| Mr. Beveridge's Maggot | Eric Borresen | Playford 1695. Cecil Sharp version | ||||
| Mr. Beveridge's Maggot | L'Amusette Barokkitanssiryhm | Talipiha, Tampere, Finland 2013 | tempo=96bpm | Playford 1695. Cecil Sharp version | ||
| Mr. Beveridge's Maggot | MariaNordback | Finland, 2012 | tempo=92bpm | Playford 1695. Cecil Sharp version | ||
| Mr. Beveridge's Maggot | MariaNordback | Haihara Manor, Tampere, Finland, 1Jul 2011 | tempo=92bpm | Playford 1695. Cecil Sharp version | ||
| Mr. Beveridge's Maggot | MrHank1999 | Louisiane Vintage Dancers at the Alliance Francaise Gala, New Orleans, La. 2012 | tempo=99 bpm | Playford 1695. Cecil Sharp version | ||
| Mr. Beveridge's Maggot | Tervatanssi· | Role-playing game and anime event Tracon Tampere, Finland Sep2011 | Häme Medieval Society | tempo=89bpm | Playford 1695. Cecil Sharp version | |
| Mr. Beveridge's Maggot | TheFJCV | NC? 2010 | tempo=95 bpm | Playford 1695. Cecil Sharp version | ||
| * | Mr. Beveridge's Maggot | upadouble.info | ANIMATION | Bare Necessities (Earl Gaddis, Mary Lea, Kate Barnes, and Jacqueline Schwab) on the album A Playford Ball | Playford 1695. Cecil Sharp version | |
| Mr. Beveridge's Maggot | MichaelaECD | Debbie ? | tempo=92bpm | Playford 1695. Jane Gibson reconstruction for 1995 BBC ”Pride & Prejudice | ||
| * | Mr. Beveridge's Maggot | BBC Studios | BBC Feb 2008 | Playford 1695. Jane Gibson reconstruction for 1995 BBC ”Pride & Prejudice | ||
| Mr. Beveridge's Maggot | gozala00 | BBC Feb 2008 | Playford 1695. Jane Gibson reconstruction for 1995 BBC ”Pride & Prejudice | |||
| Mr. Beveridge's Maggot | Tatyana Radygina | Christmas concert, SIT Assembly, Ufa, Russia. 2010 | tempo=90bpm | Playford 1695. Jane Gibson reconstruction for 1995 BBC ”Pride & Prejudice | ||
| Mr. Beveridge's Maggot | lisamariejenssen | Florida Folk Festival 29May2011 | tempo=94bpm | Playford 1695. Jane Gibson reconstruction for 1995 BBC ”Pride & Prejudice” | ||
| Mr. Beveridge's Maggot | ColBRANDON77 | Jane Austen Workshop Netherlands 14Feb2010 | ? | tempo=98bpm | Playford 1695. Jane Gibson reconstruction for 1995 BBC ”Pride & Prejudice” | |
| Mr. Beveridge's Maggot | Diana Piur | The Hague 7Jan 2011 | tempo=88bpm | Playford 1695. Jane Gibson reconstruction for 1995 BBC ”Pride & Prejudice” | ||
| * | Mr. Beveridge's Maggot | English Country Dance | Tower Road Branch Library, Gainesville, Florida. Mar 2nd, 2014 | Randy Thorp | HoggetowneFancy: Bob Reynierson, John Monkus, Pete Turner, and David Willkomm tempo=88bpm | Playford 1695. Jane Gibson reconstruction for 1995 BBC ”Pride & Prejudice” |
| Mr. Beveridge's Maggot | ewalstra | Jane Austen Ball, Slot Zeist, Zeist, Netherlands. 4Jun2011 | tempo=82bpm | Playford 1695. Jane Gibson reconstruction for 1995 BBC ”Pride & Prejudice” | ||
| Mr. Beveridge's Maggot | FIAT509B | Great Hall of Castle Doorwerth, Netherlands 29Dec2013 | Wolves' Grove Regency Dancers | tempo=87 bpm | Playford 1695. Jane Gibson reconstruction for 1995 BBC ”Pride & Prejudice” | |
| Mr. Beveridge's Maggot | GallantFilms | Missouri, 2012 | tempo=92bpm | Playford 1695. Jane Gibson reconstruction for 1995 BBC ”Pride & Prejudice” | ||
| Mr. Beveridge's Maggot | Marije de Vries | JA Workshop, Amersterdam, NL 14Feb2010 | Maria Angad Gaur from the Nederlands Historisch Dans- en Theaterensembl | tempo=98bpm | Playford 1695. Jane Gibson reconstruction for 1995 BBC ”Pride & Prejudice” | |
| Mr. Beveridge's Maggot | michandanna | Ohio | tempo=87bpm | Playford 1695. Jane Gibson reconstruction for 1995 BBC ”Pride & Prejudice” | ||
| Mr. Beveridge's Maggot | mrgreenwoud | Castel Keppel Netherlands19Jun2011 | tempo=87bpm | Playford 1695. Jane Gibson reconstruction for 1995 BBC ”Pride & Prejudice” | ||
| Mr. Beveridge's Maggot | Skjaldesang | St Albanslaur Church Summer Fair, Denmark 2010 | Dance group: Hr Jørgens dansere | tempo=85bpm | Playford 1695. Jane Gibson reconstruction for 1995 BBC ”Pride & Prejudice” | |
| Mr. Beveridge's Maggot | Thomas Howe | Mayfair Ball St Cloud, FL May 2010 | tempo=9bpm | Playford 1695. Jane Gibson reconstruction for 1995 BBC ”Pride & Prejudice” | ||
| Mr. Beveridge's Maggot | TrevorKeates | Mosel River at the International Folklore Festival in Kröv, Germany. 2012 | Adlington Folk Dancers, led by Reg Battle | Trevor Keates (accordian), Kate Fuggle (flute) tempo=92bpm | Playford 1695. Jane Gibson reconstruction for 1995 BBC ”Pride & Prejudice” | |
| Mr. Beveridge's Maggot | Twelfth Night English Country Dance | Barn Dance, OR. 4Jun2013 | tempo=87bpm | Playford 1695. Jane Gibson reconstruction for 1995 BBC ”Pride & Prejudice” | ||
| Mr. Beveridge's Maggot | Twelfth Night English Country Dance | Lincoln. Nebraska, Spring 2014 | tempo=87bpm | Playford 1695. Jane Gibson reconstruction for 1995 BBC ”Pride & Prejudice” | ||
| * | Mr. Beveridge's Maggot | upadouble.info | ANIMATION | Bare Necessities (Earl Gaddis, Mary Lea, Kate Barnes, and Jacqueline Schwab) on the album A Playford Ball | Playford 1695. Jane Gibson reconstruction for 1995 BBC ”Pride & Prejudice” | |
| * | Mr. Beveridge's Maggot | brisden | October 31, 2020; Brisbane, Australia | Dance Kaleidoscope | Sounds Austen | Playford 1695. Jane Gibson reconstruction for 1995 BBC ”Pride & Prejudice”. |
| Mr. Beveridge's Maggot | TheYoungStonewall | The Tummas Dance Group, Charlotte, NC, 2013 | Playford 1695. Pat Shaw version | |||
| Mr. Beveridge's Maggot | Fundacja CZE-NE-KA | Poland, 2021 | Playford 1695. Pat Shaw version | |||
| * | Mr. Beveridge's Maggot | Ian Perkins | Early Dance Circle Festival, 2014; Marcham, England | Bath Minuet Company | Playford 1695. Pat Shaw version | |
| * | Mr. Beveridge's Maggot | 8cento APS | Bologna, 2023 | Willem Peerik: Piano; Anna Colacioppo: Flute; Alessia Branchi: Director | Playford 1695. Pat Shaw version | |
| * | Mr. Beveridge's Maggot | Adéla Jelínková | June 2022; Czech Republic | Housebroken Consort | Playford 1695. Pat Shaw version | |
| Mr. Beveridge's Maggot | Alice Hendon | Heritage Society Winter Ball, South Carolina, 2012 | tempo=93bpm | Playford 1695. Pat Shaw version | ||
| Mr. Beveridge's Maggot | Childgrove-Bob Green DVA Playford | tempo=111bpm | tempo=111bpm | Playford 1695. Pat Shaw version | ||
| * | Mr. Beveridge's Maggot | Compagnia Nazionale di Danza Storica | 2022, Italian TV program (RAI UNO) "Oggi è un altro giorno" (Today is another day) hosted by Serena Bortone | Nino Graziano Luca | Playford 1695. Pat Shaw version | |
| * | Mr. Beveridge's Maggot | Compagnia Nazionale di Danza Storica | Ritz Ballroom of the St. Regis Hotel in Rome at the 2016 "Tra Le Epoche" Grand Carnival Ball | Masters of the National Historical Dance Company | Playford 1695. Pat Shaw version | |
| Mr. Beveridge's Maggot | Daniel Brånn | Nyckelviksvägen, Sweden . Mar2010 | Menuett Akademien | tempo=90bpm | Playford 1695. Pat Shaw version | |
| Mr. Beveridge's Maggot | Dinara Die | Dnepropetrovsk, Ukraine. 2013 | Historical dance club Vіdlunnya | Playford 1695. Pat Shaw version | ||
| Mr. Beveridge's Maggot | Empirsällskapet | Tyreso Castle, Sweden, 2013 | tempo=99 bpm | Playford 1695. Pat Shaw version | ||
| Mr. Beveridge's Maggot | freydanz | Fredanz of Leipzig in City Hall, Markkleeberg, Germany. 2010. | tempo=95bpm | Playford 1695. Pat Shaw version | ||
| * | Mr. Beveridge's Maggot | HantsRegencyDancers | 2023; Hampshire, UK | Hampshire Regency Dancers | Playford 1695. Pat Shaw version | |
| Mr. Beveridge's Maggot | Ian Chown | East Dulwich, London, 16March2013 | East Dulwich dance class Slightly Ballroom | The South Circular Orchestra tempo=86bpm | Playford 1695. Pat Shaw version | |
| * | Mr. Beveridge's Maggot | Jeffrey Bary | CD*NY April 2017 | Playford 1695. Pat Shaw version | ||
| Mr. Beveridge's Maggot | Marie Legé | Festival Of Historic Dance, Chvaly Castle, Prague, Czech Repulic 10May2014 | IRIS Historical Dance Club | tempo=93bpm | Playford 1695. Pat Shaw version | |
| Mr. Beveridge's Maggot | Maurice Perez | CAMMAC music camp, Canada, July 2017 | Playford 1695. Pat Shaw version | |||
| Mr. Beveridge's Maggot | Michel Landry | Collège Jean-de-Brébeuf, Montreal, Canada 27Apr2013 video@3:54 | Ensemble Les Phenex | Tempo=100bpm | Playford 1695. Pat Shaw version | |
| Mr. Beveridge's Maggot | moonfleate | Hampshire Regency Ball, Rookesbury Prk 23Oct2010 | Green Ginger tempo=91 bpm | Playford 1695. Pat Shaw version | ||
| Mr. Beveridge's Maggot | ncfcasc | North Carolina? Nov 2010 | tempo=92bpm | Playford 1695. Pat Shaw version | ||
| Mr. Beveridge's Maggot | pplz87 | Feast of KIngs Right Bank City Palace of Culture, Krasnoyarsk, Russia, 21Jan2012 | Tempo=100bpm | Playford 1695. Pat Shaw version | ||
| * | Mr. Beveridge's Maggot | rondino_spb | 2015, Russia | Playford 1695. Pat Shaw version | ||
| Mr. Beveridge's Maggot | rsm1812b | York, Canada, 1Aug2011 | York Regency Dancers | Tempo=100bpm | Playford 1695. Pat Shaw version | |
| Mr. Beveridge's Maggot | StormMcBean | Netherfield Ball, Guildhall, Bath. 22June/2013 | tempo=96bpm | Playford 1695. Pat Shaw version | ||
| Mr. Beveridge's Maggot | TheYoungStonewall | Tummas Dance Group, Charlotte, NC 2011 | Playford 1695. Pat Shaw version | |||
| Mr. Beveridge's Maggot | timyyr | Russia Jul2011 | Playford 1695. Pat Shaw version | |||
| * | Mr. Beveridge's Maggot | upadouble.info | ANIMATION | Bare Necessities (Earl Gaddis, Mary Lea, Kate Barnes, and Jacqueline Schwab) on the album A Playford Ball | Playford 1695. Pat Shaw version | |
| Mr. Beveridge's Maggot | wegis | Sweden, 2011 | Tempo=96bpm | Playford 1695. Pat Shaw version | ||
| Mr. Beveridge's Maggot | Юлия Сальникова (Julia Salnikova) | St Perersburg, RU. 2010 | tempo=111bpm | Playford 1695. Pat Shaw version | ||
| Mr. Beveridge's Maggot | scchiang | Emma (1996) | tempo=106bpm | Playford 1695. Pat Shaw version the 1st time through, and then a progressive cast and lead. | ||
| * | Mr. Beveridge's Maggot | Golden Forests Dance Video | December 2022, Russia | Playford 1695. Pat Shaw version, as a triple minor | ||
| * | Mr. Beveridge's Maggot | upadouble.info | ANIMATION | Bare Necessities (Earl Gaddis, Mary Lea, Kate Barnes, and Jacqueline Schwab) on the album A Playford Ball | Playford 1695. reconstruction by Colin Hume | |
| Mr. Beveridge's Maggot | islandstarfish | Lynewood, WA 10/22/11 | Julie King (piano), Marianne Tatom-Letts (clarinet) tempo=90 bpm | Playford 1695. reconstruction by Colin Hume; variant by Victoria Bestock | ||
| Mr. Beveridge's Maggot | Burt Hunter | Playford Ball, Old Curch is Acriston, UK 21Sep2013 | tempo=86bpm | Playford 1695.Pat Shaw version.Interpretation by Durham English Folk Dance Group. | ||
| * | Mr. Beveridge's Maggot | Jan Alter | Merion PA, Oct. 2022 prep for the Philadelphia Frolic, 2022. | Germantown Country Dancers | Adam Oleksa, Peggy Leiby, Tanya Rotenberg, Adlai Waksman | Playford 1695/1701; Philadelphia version |
| Mr. Beveridge's Maggot | Legacy English Country Dance | Prior to 2012 | Playford 1695; yet another variant of the Pat Shaw version | |||
| * | Mr. Beveridge's Maggot (16 bars) | DanceKaleidoscope | ANIMATION | Playford 1695. Jane Gibson reconstruction for 1995 BBC ”Pride & Prejudice”. | ||
| * | Mr. Beveridge's Maggot (Sharp version) | Eric Borresen | Cutler Union, Rochester, NY. 14Apr2015 video @7:40 | tempo=98bpm | Playford 1695. Cecil Sharp version | |
| Mr. Beveridge's Maggot (Sharp) | speeknoweeval | White Ballroom of Nottoway Plantation, White Castle, LA June 2015 | Cordancia Chamber Orchestra; tempo=98 bpm | Playford 1695. Cecil Sharp version | ||
| Mr. Beveridge's Maggot (Shaw) | Matyáš Peterka | Festival Of Historic Dance, Chvaly Castle, Prague, Czech Repulic 10May2014 | IRIS Historical Dance Club | Playford 1695. Pat Shaw version | ||
| Mr. Beveridge's Maggot (var) | gaitedgardens | Central Point, OR 2010 | tempo=99bpm | Playford 1695. Jane Gibson reconstruction for 1995 BBC ”Pride & Prejudice”. local variation with 2 strains | ||
| * | Mr. Maggot's Beverage | upadouble.info | ANIMATION | Bob Green | ||
| * | Mr. Maggot's Beverage | Childgrove-Bob Green DVA Modern | Webster Groves, MO 18SFeb2011 | Bob Green | TuPenny Players: Dana Hotle (winds), Martha Edwards (violin), Kristen Graham (keyboard), | Bob Green |
| * | Mr. Vosteen's Fancy | ECandSCDancer | Geo Washington Ball 2010 | Legacy Trio: Marty Taylor, Steve Hickman, and Lynne Macke | Williamsburg Heritage Dancers | |
| * | Mrs. Beveridge's Triumph | renflute | CDNT Yuletide colittion 7Dec2008 | Robin Hayden | Bare Necessities (Earl Gaddis, Mary Lea,Kate Barnes & Jacqueline Schwab) | Susan Amesse and Beverly Francis, 2004, to Mr. Beveridge's Ground (1696) |
| * | Mrs. Beveridge's Triumph | upadouble.info | ANIMATION | Bare Necessities (Earl Gaddis, Mary Lea, Kate Barnes, and Jacqueline Schwab) on the album Mrs. Beveridge's Triumph | Susan Amesse and Beverly Francis, 2004, to Mr. Beveridge's Ground (1696). | |
| Mrs. Beveridge's Triumph | donwfbell | Lake George, New York, Adirondack Dance Weekend; September 2011 | Tom Amessé | Jacqueline Schwab, Mary Lea, Peter Barnes | Susan Amesse and Beverly Francis, 2004, to Mr. Beveridge's Ground (1696). | |
| Mrs. Beveridge's Triumph | John Newsome | ACTMAD Advanced ECD, Concourse Hall, Ann Arbor, MI, 13MAr2015 | Nikki Herbst | Debbie Jackson, Brad Battey, and Martha Stokely | Susan Amesse and Beverly Francis, 2004, to Mr. Beveridge's Ground (1696). | |
| * | Mrs. Pomeroy's Pavane | donwfbell | Pinewoods English Week 2021 | Anna Rain | Karen Axelrod (piano), Eric Martin (violin), Susan Kevra (clarinet) | Charles Bolton (1986) |
| * | Mrs. Pomeroy's Pavane | upadouble.info | ANIMATION | Bare Necessities (Earl Gaddis, Mary Lea, Peter Barnes, and Jacqueline Schwab) on the album At Home | Charles Bolton 1986 | |
| * | Mrs. Pomeroy's Pavane | CHESTNUT Cécile Laye | February 2025; Paris, France | Cécile Laye | Charles Bolton 1986 | |
| * | Mrs. Pomeroy's Pavane | English Country Dance | Gainesville, Florida; 9 March, 2026 | Dani Zavasky | Hoggetowne Fancy: Peter Turner on bouzouki/tenor banjo, Andrew Driscol on fiddle, and Jeremy Booher on recorder | Charles Bolton 1986 |
| * | Mrs. Pomeroy's Pavane | Richard Kephart | Germantown Country Dancers. Friends Meeting House, Merion, PA. 19Oct2011 | Dave Rupp | Open Band | Charles Bolton 1986 |
| * | Mrs. Savage's Whim | English Country Dance | Gainesville, Florida; 29 September 2025 | Dani Zavasky | Hoggetowne Fancy: Peter Turner on bouzouki, Myles Sullivan on guitar, Andrew Driscol on fiddle | The Dancing Master Vol. II 1st Ed. 1710 |
| Mrs. Savage's Whim | Herde tchncs | 2023; Berlin, Germany | Oliver H. Herde | The Dancing Master Vol. II 1st Ed. 1710 | ||
| * | Mrs. Savage's Whim | upadouble.info | ANIMATION | Bare Necessities (Earl Gaddis, Mary Lea, Kate Barnes, and Jacqueline Schwab) on the album By Request | The Dancing Master Vol. II 1st Ed. 1710 | |
| * | Mrs. Savage's Whim | donwfbell | Pinewoods; August, 2005 | Bruce Hamilton | Bare Necessities (Earl Gaddis, Mary Lea,Kate Barnes & Jacqueline Schwab) | The Dancing Master Vol. II 1st Ed. 1710 |
| * | Mrs. Savage's Whim | Eric Borresen | The Dancing Master Vol. II 1st Ed. 1710 | |||
| * | Mrs. Savage's Whim | Williamsburg Heritage Dancers | Williasmburg, VA JAn2015 | Jenna Simpson. | By Request by Bare Necessities | The Dancing Master Vol. II 1st Ed. 1710 |
| * | Mrs. Savage's Whim | Williamsburg Heritage Dancers | GW Ball, Williamsburg, VA 7MAr2015) | Hot Toddy: Anna Rain, Melissa Running, and Edith Coakley Stowe. | The Dancing Master Vol. II 1st Ed. 1710 | |
| * | Mrs. Savage’s Whim | Rachel Pusey | Berkeley Cal 17Nov2018 | Sharon Green | Shira Kammen (violin), Judy Linsenberg (recorders), Alexa Haynes-Pilon (viola da gamba), Katherine Heater (harpsichord) | The Dancing Master Vol. II 1st Ed. 1710 |
| * | Mutual Love | upadouble.info | ANIMATION | Thompson 1777 | ||
| * | Mutual Love | English Country Dance | Gainesville, FL 16Dec2013 | Randy Thorp | Hoggetown Fancy: | Thompson 1777 |
| * | Mutual Love | MarkWoodworth | OakPark, IL 2/8/2011 | Thompson 1777 | ||
| Mutual Love | Thomas Howe | Sharpes Assembly3 Sebring FL 16Oct2010 (video@07:57) | Michael Barraclaugh | Full Circle (Ted and Veronica Lane +1) | Thompson 1777 (TV Version) | |
| Mutual Love | English Country Dance | Gainesville, FL 15Nov2015 (video @11:13) | Randy Thorp | Hoggetown Fancy:Peter Turner, David Willkomm and John Monkus | Thompson 1777 (TV?) | |
| * | Never Give Consent | Darius the Dancer | Walpurgisnacht at Stonebridge Gambol House, at Camp Westwood, in Coventry, RI. 3May2014 | x | Jamie Hargrove | |
| * | Never Love Thee More | donwfbell | 2018 Adirondack Dance Weekend , Lake George, NY | Gene Murrow | Karen Axelrod, Earl Gaddis, Kate Barnes | Playford 1679; Interp. Sharp 1922 |
| * | Never Love Thee More | sibbycalling | Chelmsford Sire Hall. 2010 | Playford 1679; Interp. Sharp 1922 | ||
| * | Never Love Thee More | upadouble.info | ANIMATION | Bare Necessities (Earl Gaddis, Mary Lea, Kate Barnes, and Jacqueline Schwab) on the album Favorites of the Boston Centre | Playford 1679; Interp. Sharp 1922 | |
| * | Never Love Thee More | Williamsburg Heritage Dancers | 2017 George Washington Ball in Williamsburg, VA | Hot Toddy (Anna Rain, Melissa Running, and Edith Coakley Stowe) | Playford 1679; Interp. Sharp 1922 | |
| * | Never Love Thee More | Williamsburg Heritage Dancers | Prep for 2017 George Washington Ball in Williamsburg, VA | Jenna Simpson | Bare Necessities from their cd "At the Ball." | Playford 1679; Interp. Sharp 1922 |
| Nonesuch (var) | Darius the Dancer | Walpurgisnacht at Stonebridge Gambol House, at Camp Westwood, in Coventry, RI. 3May2014 | as danced in the Barony of North Woods, in the Middle Kingdom, of the SCA | |||
| * | Old Wives' Tales | DanceKaleidoscope | ANIMATION | Pat Shaw to 'Ouwe wijven' from Oude en Nieuwe Hollantse Boerenlietjes en Contredansen | ||
| * | Olive's Waltz | Fine Companions | Newnham MIddle School, Bedford, England 17Sep2011 | Robert Moir | Folkus Polkus | Tobert Moir/tune by Janet Collingford. |
| * | Oliver's Maggot | John Newsome | Looking Glass Fesitival, Lansing Michigan Oct 2013 | Susan Kevra | Susie Lorand and Debbie Jackson | Dawn Winskil to "Consider Yourself" from Oliver! |
| * | On The Village Green | Village Green English Dancers | Winnipeg Canada, May2017 | Elizabeth Goosen | Fine Companions CD | Elizabeth Goossen |
| Ormond Castle: Covid variant of Ormond House | Village Green English Dancers | 2021, Winnipeg, Canada | Elizabeth Goosen | Playford, 1702; Adaptation by Elizabeth Goossen | ||
| * | Ovalflow | John Sweeney | Aylesford, England; March 10, 2024 | John Sweeney | John Sweeney | |
| * | Over the Hills and Far Away | Eric Borresen | Clement Weeks, 1783; interpreted by Kate van Winkle Keller & Ralph Sweet, 1976. | |||
| * | Over the Hills and Far Away | upadouble.info | ANIMATION | Clement Weeks, 1783; interpreted by Kate van Winkle Keller & Ralph Sweet, 1976. | ||
| * | Over the Hills and Far Away | Eric Borresen | Jane Austen Ball, Rochester, New York; April 24, 2016. | Beverly Frances | Childgrove: Debbie Jackson (piano), Anne Ogren (violin & viola), Martha Stokely (oboe, pennywhistle & recorder) | Clement Weeks, 1783; interpreted by Kate van Winkle Keller & Ralph Sweet, 1976. |
| * | Passages (One-Couple Version) | donwfbell | Home in Troy,NY; March 2021 | Don Bell | Karen Axelrod on piano, Rachel Bell on accordion, Audrey Knuth on fiddle | Don Bell (2020); Original duple minor version by Kalia Kliban (2008) |
| * | Perfections of Love | English Country Dance | Melbourne Village, Florida on 7 January 2025 | Dan Seppeler | Happenstance: Barb Seppeler on Keyboard, Cindy Wettlaufer Wagman on Flute and Irish Whistle, Debbie Robinson on Flute and Low D Whistle, and Dan Wagman on Guitar and Bouzouki | Dan Seppeler |
| * | Phoenix Rejuvenated, The | childgrove (Paul Ross) | CDNY Ball 8Apr2016,NY.NY | Dorothy Cummings | A Joyful Noise: Barbara Greenburg, Daniel Beerbohm, Kathy Talvitie | Pat Shaw 1975 based on the dance and tune of 'The Phoenix' (Playford 1670) |
| Phoenix Rejuvenated, The | FlaDanceGypsy | Main Library Jacksonville, FL 7Nov2015 | Veronica Lane & Gainesville,Jacksonville English Country Dancers | recording by Assembly PLayersed | Pat Shaw 1975 based on the dance and tune of 'The Phoenix' (Playford 1670) | |
| * | Phoenix Rejuvenated, The | upadouble.info | ANIMATION | Pat Shaw 1975 based on the dance and tune of 'The Phoenix' (Playford 1670) | ||
| * | Phoenix Rejuvenated, The | DanceKaleidoscope | ANIMATION | Pat Shaw 1975 based on the dance and tune of 'The Phoenix' (Playford 1670) | ||
| Prince of Wales Pier in Dover: Covid var. of Dover Pier | Village Green English Dancers | 2021; Winnipeg, Canada | Elizabeth Goosen | Preston, 1791. Adapted by Elizabeth Goossen. | ||
| * | Professor Kekule's Reverie | English Country Dance | Jan. 6, 2025; Gainesville, FL | Annette Merritt | Hoggetowne Fancy: Peter Turner on bouzouki, Robert Reynierson on acoustic guitar/baroque guitar/lute, Andrew Driscol on fiddle | Carmen Giunta, to the tune "Molecular Structure" by David Smukler |
| * | Professor Kekule's Reverie | Rachel Pusey | 2023; Seattle, WA | Laurie Andres, Olga Hauptman and Charles Coldwell | Carmen Giunta, to the tune "Molecular Structure" by David Smukler | |
| * | Rare Vintage | upadouble.info | ANIMATION | Brooke Friendly & Chris Sackett (2013) | ||
| * | Rare Vintage | donwfbell | Pinewoods English Week 2022 | Brooke Friendly | Karen Axelrod (piano), Anna Patton (clarinet), Dave Langford (fiddle) | Brooke Friendly & Chris Sackett (2013) |
| * | Rare Vintage | Bobs English Country Dance | The Seattle Ball at the Congregational Church on Mercer Island. 26Feb2017 | Brooke Friendly | Roguery: Anita Anderson, Dave Bartley, Shira Kammen and Jim Oakden. | Brooke Friendly and Chris Sackett (2013) |
| Regent's Favourite, The | English Country Dance | April 17, 2023; Gainesville, FL | Annette Merritt | Hoggetowne Fancy: Robert Reynierson on acoustic guitar/baroque guitar/lute, Pat Morse on piano, and JoLaine Jones-Pokorney on recorder | Annonymous (1818) | |
| * | Regent's Favourite, The | shropshirelass87 | Apsley House, UK; 2014 | Arbeau Dancers | Annonymous (1818) | |
| * | Regent's Favourite, The | Michel Landry | Fanny'sBall,JASNA,Montreal,Canada,11Oct2014 | Michel Landry | RuftyTufty:Sally Campbell,Suannne Beauregard,Sarah Crawford,SeanMcCutcheon) | Annonymous (1818) |
| * | Revelations | donwfbell | English week at Pinewoods Camp August 2021 | Joanna Reiner Wilkinson | Alchemy: Karen Axelrod (piano), Rachel Bell (accordion), Eric Martin (violin) | Jenna Simpson |
| * | Revelations | upadouble.info | ANIMATION | Jenna Simpson to "She's Sweetest When She's Naked" traditional | ||
| * | Revelations | Carrie Rose | DC or environs 1April2019 | Recording from the album "The Phoenix" by Aria DiSalvio | Jenna Simpson to "She's Sweetest When She's Naked" traditional | |
| * | Revelations | English Country Dance | United Church of Gainesville, Fla 3JJune2019 | Annette Merritt | Hoggetown Fancy: Peter Turner, JoLaine Jones-Pokorney. Isabel Barten | Jenna Simpson to "She's Sweetest when She's Naked: Scottish traditonal tune |
| * | Reverie | a1isonS | Neston, England, 2012 | Robert Moir | David Fleming Williams., Bryan Jenkins, Jeanne Mann | Tom Cook/ Brian Jenkins |
| * | Rose and The Lavender, The | English Country Dance | Gainesville, FLA, 12Nov2018 | Annette Merritt | Hoggetown Fancy: Pete Turner, Robert Reynierson, JoLaine Jones-Pokorney, Isabel Bartetn | Mady Newfield. |
| * | Rover Reformed, The | Ottawa English Country Dance Club | November, 2025; Ottawa, Canada | Jaime Hargrove | Gregannian Chance (Greg Brown, fiddle & concertina; Ann Downey, bass & banjo; Ian Clark, guitar) | Playford, 1713 |
| * | Ruby Anniversary | CDW Country Dancers of Westchester | October 31, 2025; Princeton, NJ | Dorothy Cummings | A Joyful Noise (Daniel Beerbohm, Barbara Greenberg, Kathy Talvitie) | Susan Kevra 2025, to a tune by Rachel Bell |
| * | Ruby Anniversary | Susan Kevra | Sept. 20, 2025; Fandango Weekend, Atlanta, GA | Susan Kevra | Alchemy: Karen Axelrod, Rachel Bell, and Eric Martin | Susan Kevra 2025, to a tune by Rachel Bell |
| * | Safe Haven | Bobs English Country Dance | Sept. 15, 2019. Seattle English Country Dance, Sunday Tea Dance at University Heights. | Peggy Roe. | Terry Wergeland's Peregrine Philharmonic Orchestra | Dance and music by Orly Krasner. |
| * | Safe Haven | upadouble.info | ANIMATION | Bare Necessities (Earl Gaddis, Mary Lea, Peter Barnes, and Jacqueline Schwab) on the album New Shoots | Orly Krasner | |
| * | Safe Haven | CDW Country Dancers of Westchester | Celebration of Spring Ball, Mamaroneck, NY. 21Mar 2015 | Flying Romanos (Robin Russell, Marnen Laibow-Koser, and Norma Castle) | Orly Krasner | |
| * | Safe Haven | English Country Dance | Tigert House, Gainesville, Fl 28Feb2014 | Randy Thorp | Hoggetowne Fancy: Robert Reynierson, John Monkus, Pete Turner, David Wilkomm, and Isabel Barten | Orly Krasner |
| * | Sailor's Reprieve, The | RegencyDances.org | ANIMATION | Preston, 1799 | ||
| * | Sailor's Reprieve, The | Saltatio Aachen e.V | August 2025; Aachen, Germany | Historisches Tanzen Aachen | Green Ginger, from the album Selected Regency Country Dances | Preston, 1799 |
| Saint Paul's Cathedral - Alina's Verse | Darius the Dancer | Brantford, Ontario, Canada.23 Nov2014 | Alina choreographed a verse for Jamie Hargrove's dance | |||
| Saint Paul's Cathedral - Gwommy's Verse | Darius the Dancer | Brantford, Ontario, Canada.23 Nov2014 | Gwommy choreographed a verse for Jamie Hargrove's dance | |||
| * | Savage Dance | Michel Landry | Fanny'sBall,JASNA,Montreal,Canada,11Oct2014 | Michel Landry | RuftyTufty:Sally Campbell,Suannne Beauregard,Sarah Crawford,SeanMcCutcheon) | Francis Werner , 1784 |
| * | Severn Bore | childgrove (Paul Ross) | 2016 Lennox Assembly, MA 1May2016 | Paul Ross | Cynthia Shaw, Eric Martin, and Dough Creighton | Fried De Metz Herman, 1997, to Sataband by A. Corelli uf5/16 |
| * | Severn Bore | upadouble.info | ANIMATION | Fried deMetz Herman (1977) to "Saraband" by Corelli | ||
| * | Severn Bore | ECandSCDancer | George Washington Ball, Williamsburg, VA on March 1, 2014. | Hot Toddy: Melissa Running (keyboard), Edith Coakley Stowe (violin), and Barbara Heitz (flute). | Fried deMetz Herman (1977) to "Saraband" by Corelli | |
| * | Severn Bore | English Country Dance | Gainesville, FL; Sept. 30, 2024 | Randy Thorp | Hoggetowne Fancy: Robert Reynierson on acoustic guitar/baroque guitar/lute, JoLaine Jones-Pokorney on recorder, and Peter Turner on bouzouki/tenor banjo | Fried deMetz Herman (1977) to "Saraband" by Corelli |
| Severn Bore | Thomas Howe | Sharpes Assembly2 Sebring FL 16Oct2010 | Michael Barraclaugh | Full Circle (Ted and Veronica Lane +1) | Fried deMetz Herman (1977) to "Saraband" by Corelli | |
| * | She Favorite (The) | childgrove (Paul Ross) | Lenox Assembly, 2014 | Robin Hayden | Karen Axelrod, Naomi Morse, Gene Murrow | Kynaston, 1711; reconstructed as a 3-couple set by Andrew Shaw, 2002 |
| * | She Favorite, The | upadouble.info | ANIMATION | Kynaston, 1711; reconstructed as a 3-couple set by Andrew Shaw, 2002 | ||
| Shepherd's Holiday or Labour in Vain | Bloomsbury Methuen Drama | 2013 | Playford (1651); Interp. by Keller & Shimer (The Playford Ball, 1994) | |||
| Shepherd's Holiday or Labour in Vain | Tervatanssi· | Playford (1651); Interp. by Keller & Shimer (The Playford Ball, 1994) | ||||
| * | Shepherd's Holiday or Labour in Vain | Tervatanssi· | Häme Medieval Society Finland 2012 | Häme Medieval Society | Playford (1651); Interp. by Keller & Shimer (The Playford Ball, 1994) | |
| * | Sheree's Souvenir | brisden | October 31, 2020; Brisbane, Australia | Dance Kaleidoscope | Sounds Austen | Keith Wood, to "I'm Putting My Foot Down" by Jonathan Zorzetto |
| * | Silver Lining | John Newsome | ACTMAD Advanced ECD, Concourse Hall, Ann Arbor, MI, 13MAr2015 | Nikki Herbst | Debbie Jackson, Brad Battey, and Martha Stokely | Gary Roodman (2013)/Debbie Jackson(2013) |
| Silver Lining | English Country Dance | Gainesville, FL 21Dec2015 | Annette Merritt | Hoggetowne Fancy:Peter Turner, David Willkomm and John Monkus | Gary Roodman (2015) to a tune of the same name by Debbie Jackson (2012). | |
| * | Silver Lining | upadouble.info | ANIMATION | Cilantrio (Karen Axelrod, Peter Barnes, and Mary Lea) and comes from the album Good Friends | Gary Roodman, to a tune by Debbie Jackson. | |
| Silver Lining | John Newsome | AACTMAD, Ann Arbor, MI. 13Nov 1015 | Robert Messer | Childgrove: Debbie Jackson, Martha Stokely and Anne Ogren | Gary Roodman, to a tune by Debbie Jackson. | |
| Sir Roger de Coverly, or Finishing Dance | byMissIris | Jane Austen Ball in Grandeur Slot Zeist 4 juni 2011 | Thomas Wilson (c. 1820) with many variations (3 couples) | |||
| Sir Roger de Coverly, or Finishing Dance | lbuckel | Jane Austen Evening. So, Cal. 2008 | Thomas Wilson (c. 1820) with many variations (5 couples) | |||
| * | Sir Roger de Coverly, or Finishing Dance | exteko | Jane Austen Ball, Pasedena, CA 2012 | Thomas Wilson (c. 1820) with many variations (6 couples) | ||
| * | Sir Roger de Coverly, or Finishing Dance | upadouble.info | ANIMATION | Wilson Companion 1816 (5 couples) | ||
| * | Sir Roger de Coverly, or Finishing Dance | Bodhi | Yaroslavl, Russia; 2021 | Robert White (recording) | Wilson Companion 1816 (8 couples) | |
| * | Sir Roger of Coverley | CHESTNUT Cécile Laye | Bath Assembly Rooms 2017 May 27th video@8m59s | Wilson Companion 1816 (4 couples) | ||
| Spring Field: The Covid Dance inspired by Fenterlarick | Village Green English Dancers | 2021; Winnipeg, Canada | Elizabeth Goosen | Joyce Walker (1977) to Fred Grimshaw's tune : Nancy's Fancy. Adaption by Elizabeth Goossen. | ||
| * | Stars in the Heavens | English Country Dance | Gainesville, FL; 6 July 2026 | Randy Thorp | Hoggetowne Fancy: Peter Turner on bouzouki/tenor banjo, Robert Reynierson on acoustic guitar/baroque guitar/lute, Andrew Driscol on fiddle, and Myles Sullivan on guitar | Elizabeth Goodden to "Stars in the Heavens" |
| * | Stars in the Heavens | Village Green English Dancers | 1Jan2018, Winapeg, Canada | Dancers are from Village Green in Winnipeg, Canada | Music is from Daisies in the Wind, a CD by the Fine Companions | Elizabeth Goossen |
| Summer in Selkirk: covid var. of Autumn by Amherst | Village Green English Dancers | 2021; Winnipeg, Canada | Elizabeth Goosen | Dance by Philippe Callens (2003), Tune: Red Star Line by Kathy Talvitie (2002). Adaptation by Molly Pind. | ||
| * | Sunday Evening | Village Green English Dancers | 1Jan2018 Winnipeg, Canada | Dancers are from Village Green in Winnipeg, Canada | Recorded on Daisies in the Wind, a CD by the Fine Companions | Choroegrphy and Music by Elizabeth Goossen |
| * | Sybil's Au Revois | Bob's English Country Dance | Seattle English Country Dance, July 14, 2017 at Netherlands Swedish club | Peter Zarich | Brad Reynolds, Sandra Gillette, Deidre Cochran | Pat Shaw 1962 |
| Sylvan Park | English Country Dance | Gainesville, FL 9Jan2017 | Randy Thorp | Hoggetown Fancy:Pete Turner, Robert Reynierson, John Monkus and David Willkomen | Susan Kevra, 2016, tune by Rachel Bell | |
| * | Sylvan Park | theinstrumentplayer | Fall Frolic, Aptos CA,Oct2016 | Susan Kevra | Old World Charm School, Rachel Bell, Karen Axelrod, Susan Kevra | Susan Kevra, 2016, tune by Rachel Bell |
| * | Sylvia's Saunter | Thomas Howe | Sharpes Assembly4 Sebring FL 16Oct2010 | Michael Barraclaugh | Full Circle (Ted and Veronica Lane +1) | Michael Barraclaugh, c 1980's |
| * | Tanya and David's Waltz | English Country Dance | Gainesville, Florida, Dec 2109 | Randy Thorp | Hoggetowne Fancy: Peter Turner, JoLaine Jones-Pokorney, Isabel Barten | Dance by David Edgar, 2013; tune by Rebecca King. |
| * | Tanya Turns Five 0 | donwfbell | Elley-Long Music Center, Colchester, VT (near Burlington), 2023 Across the Lake Dance Weekend | Scott Higgs | Bare Necessities (Earl Gaddis, Mary Lea,Kate Barnes & Jacqueline Schwab) | Jenny Beer (2019) |
| * | Tanya Turns Five 0 | upadouble.info | ANIMATION | Jenny Beer (2019) | ||
| * | Tenth Anniversary Idyll | Evelyn Roberts | Concord NH 9May201 | Rich Jackson | Bruce Cobb (fiddle), Amy Cann (piano) | Victor Skowronski |
| * | Ties of Love | Rachel Pusey | Hey Days 2018 Aug 19-26, Bishop's Ranch, California | Joanna Reiner | Band: Anita Anderson (piano) Dave Bartley (plucked strings) Sande Gillette (fiddle) | Jenny Beer, tune (The Rose by the Door) by Andrea Hoag |
| * | Ties of Love | Jan Alter | Merion PA, Oct2018; prep for Predominantly Playford Ball, 2018 | Germantown Country Dancers | Adam Oleksa, Tanya Rotenberg, Wes Steenson | Jenny Beer (2018) to "Rose by the Door" by Andrea Hoag (1985) |
| * | Ties of Love | donwfbell | Elley-Long Music Center, Colchester, VT (near Burlington), 2024 Across the Lake Dance Weekend | David Millstone | Christine Rua (oboe, recorder, percussion), Mary Lea (violin, viola), Earl Gaddis (violin, viola), Jacqueline Schwab (piano) | Jenny Beer (2018) |
| * | Ties of Love | English Country Dance | Feb. 10, 2025; Gainesville, FL | Randy Thorp | Hoggetowne Fancy: Peter Turner on bouzouki, Robert Reynierson on acoustic guitar/baroque guitar/lute, Andrew Driscol on fiddle | Jenny Beer, tune (The Rose by the Door) by Andrea Hoag |
| * | Ties of Love | upadouble.info | ANIMATION | Jenny Beer, tune (The Rose by the Door) by Andrea Hoag | ||
| * | To Dance Divine | upadouble.info | ANIMATION | Brook Friendly and Chris Sackett to “To Ayre is Purcell” by Shira Kammen (2009) | ||
| * | To Dance Divine | English Country Dance | United Church of Gainesville, Fla June2019 | Annette Merritt | Hoggetown Fancy: Pete Turner, Robert Reynierson, Jonh Monkus, David Willkomn | Brook Friendly and Chris Sackett to “To Ayre is Purcell” by Shira Kammen (2009) |
| To Dance Divine | English Country Dance | Gainesville, FL. 2Nov2015 | Annette Merritt | Hoggetown Fancy:Peter Turner, Robert Reynierson, David Willkomm and John Monkus | Brook Friendly and Chris Sackett to “To Ayre is Purcell” by Shira Kammen (2009). | |
| * | To Dance Divine | Jan Alter | Merion Friends Meeting Hall, Merion, PA Sept2014 | GCD Demo Teams | Brook Friendly and Chris Sackett to “To Ayre is Purcell” by Shira Kammen 2009 | |
| * | TransitOfVenus | DanceKaleidoscope | ANIMATION | Bride's "Favourite Collection of Two Hundred Country Dances". 1775 | ||
| Trip to Evesham or "The Weekend That Wasn't" | May Heydays | May Heydays 2022 Dance Writing Competition, Evesham, England | Andrew Swaine | David Smuckler | ||
| Trip to Kilburn (duple minor version) | Oliver H. Herde | May, 2016; Berlin, Germany | Oliver H. Herde | Christine Feyerabend (2000) | ||
| * | Trip to Provence | donwfbell | Pinewoods Camp August 2021 | Joanna Reiner Wilkinson | Jean Monroe (piano), Susan Kevra (clarinet), Rachel Bell (accordion) | Susan Kevra (2015) |
| Trip to Provence | Harrison Keely | John C. Campbell Folk School, Brasstown, NC; June 7, 2026 | Harrison Keely | Mist of the Glen: Amanda Burts on flute, Cathy Arps on violin, David Belino on guitar, and Dawn Davis on piano | Susan Kevra 2015 to Voyage de la Diabline (Rachel Bell 2016) | |
| * | Trip to Provence | upadouble.info | ANIMATION | Susan Kevra 2015 to Voyage de la Diabline (Rachel Bell 2016) | ||
| * | Trip to Provence | marianme2 | October, 2024; Sacramento, CA | Alan Winston | Quite Carried Away: Karen Axelrod, Eric Martin, & Anna Patton | Susan Kevra 2015 to Voyage de la Diabline (Rachel Bell 2016). |
| * | Trip to Provence | English Country Dance | Thomas Center in Gainesville, Florida on Feb 25th 2017 | Gaye Fifer | STEAM!.* David Firestine on mandolin * Alice Boyle on fiddle * Robert Rosenberg on guitar * Claire Zucker on concertina | Susan Kevra 2015 to Voyage de la Diabline (Rachel Bell 2016). |
| Trip to Provence | Richard Mathews | Thelma Boltin Center in Gainesville, FL. May15, 2018 | Randy Thorp | Notorious | Susan Kevra to a tune by Rachel Bell, "Voyage de la diabline" | |
| * | Trip to Provence | Susan Kevra | Richmond, Vermont, 21June2017 | Old World Charm School. Rachel Bell - accordion, Susan Kevra - clarinet) and Karen Axelrod - piano, | Susan Kevra to a tune by Rachel Bell, "Voyage de la diabline" | |
| Trip to Provence | Susan Kevra | Pinewoods, Harmony of Song and Dance Week, July 2016 | Old World Charm School: Rachel Bell (accordion), Karen Axelrod (piano), Susan Kevra (clarinet) with guest fiddler, Becky Tracy. | Susan Kevra to Voyage de la Diabline by Rachel Bell | ||
| * | Trip to Provence | theinstrumentplayer | Binghamton Ball, April 2017, at the Phelps Mansion Museum. | Bob Nicholson | Alchemy: Karen Axelrod, Rachel Bell, and Eric Martin | Susan Kevra to Voyage de la Diabline by Rachel Bell |
| * | Trip to Virginia | generalcarter | Eastbourne Folk Dance Club Summer Dance UK 5Jul2010 | Johnson c. 1750 | ||
| * | Trip to Virginia | upadouble.info | ANIMATION | Johnson c. 1750; Interp. Callens 2004 | ||
| Unbolt the Door: covid video based on Jack's Health | Village Green English Dancers | 2021; Winnipeg, Canada | Elizabeth Goosen | Playford 1721 to "Bolt the Door 1686. Adapted by Molly Pind. | ||
| * | Unrequited Love | paul bestock | Northwest Folklife Festival Seatlle, WA. May2013 | Nonesuch English Country Dancers; Artistic Director: Victoria Bestock | Kimberly McKittrick (violin), Julie King (piano), Marianne Tatomletts (winds) | Colin Hume |
| * | Unrequited Love | brisden | October 5, 2024; Cleveland, Australia | Dance Kaleidoscope | Sounds Austen | Colin Hume (1986) |
| * | Unrequited Love | upadouble.info | ANIMATION | Dampier's Round (Moira & Peter Gutteridge, Clare Marsh née Alexander) | Colin Hume (1986) | |
| * | Unrequited Love | richjxn | CDS Boston Center, Arlingotn MA 8Feb2017 | Barbara Finney | Marnen Laibow-Koser (piano); Nora Smith (violin); McKinley James (cello) | Colin Hume (1986) |
| * | Unrequited Love | DanceKaleidoscope | ANIMATION | Colin Hume 1986 | ||
| * | Upper Valley Waltz | English Country Dance | United Church of Gainesville, FL 29Jan2018 | Randy Thorp | Hoggetowne Fancy: Peter Turner, Robert Reynierson, Howard Beck, David Willkomm | Steve Sargernt to a tune by Peter Sutherland |
| * | V (Vee) | upadouble.info | ANIMATION | Brooke Friendly and Chris Sackett (2014) to Incunabula by Dave Bartley (2004) | ||
| * | V(Vee) | Bobs English Country Dance | Seattle, WA 19Jun2016 | Brooke Friendly | Anita Anderson piano, Marni Rachmiel woodwinds and Amy Englesberg accordion. | Brooke Friendly and Chris Sackett (2014) to Incunabula by Dave Bartley (2004) |
| * | Valentine's Day | English Country Dance | Feb. 19, 2024; Gainesville, FL | Randy Thorp | Hoggetowne Fancy: Peter Turner on bouzouki, Myles Sullivan on guitar, JoLaine Jones-Pokorney on recorder | Pat Shaw 1966 DM I: 6a-18; Walsh 1718-1760 |
| * | Valentine's Day | upadouble.info | ANIMATION | Pat Shaw 1966 DM I: 6a-18; Walsh 1718-1760 | ||
| * | Valentine's Day | donwfbell | Lenox Assembly, April 29, 2018 | Philippe Callens | Alchemy - Karen Axelrod, Rachel Bell, Eric Martin | Pat Shaw 1966 DM I: 6a-18; Walsh 1718-1760 |
| * | Vanga Land | donwfbell | Music Hall on the 3rd floor of the Saratoga City Hall February 2018 as part of the Flurry Festival. | Joanna Reiner Wilkinson | Hold the Mustard - Daniel Beerbohm (clarinet, flute, whistles), Kathy Talvitie (piano), Paul Prestopino (mandolin), Barbara Greenberg (violin) | Joseph Pimentel (2013), to "Loof Lirpa" by Dave Wiesler |
| * | Vanga Land | Jan Alter | Merion PA, Oct. 2022 prep for the Philadelphia Frolic, 2022. | Germantown Country Dancers | Adam Oleksa, Peggy Leiby, Tanya Rotenberg, Adlai Waksman | Joseph Pimentel (2013), to "Loof Lirpa" by Dave Wiesler |
| * | Vanga Land | upadouble.info | ANIMATION | Goldcrest (Daron Douglas, Paul Oorts and Dave Wiesler) on the album the Green Jay Collection | Joseph Pimentel (2013), to "Loof Lirpa" by Dave Wiesler | |
| * | Variation on the Summer (Variation sur l'ete') | CHESTNUT Cécile Laye | Chestnut's 10th Costume Ball in Bath 2019 | CHESTNUT Cécile Laye | Isabelle Brouzes (Viola de gamba) Sandrine Dupé (baroque violin), Victorien (Gittern) Marion Fermé (recorder and voice) | Cécile Laye |
| * | Vermont Friends | Jim Crawford | 2022 Fandango Weekend; Atlanta, GA | Bruce Hamilton | Goldcrest: Paul Oorts,Daron Douglas, Dave Weisler | Philippe Callens |
| * | Vermont Friends | upadouble.info | ANIMATION | Philippe Callens | ||
| * | Vermont Friends | English Country Dance | Gainesville, FL 25 Apr2016 | Randy Thorp | Hoggetowne Fancy:Peter Turner, David Willkomm and John Monkus | Philippe Callens |
| * | Vet's Revenge, The | upadouble.info | ANIMATION | Colin Hume | ||
| * | Vet's Revenge, The | FlaDanceGypsy | June 25, 2023; Florida | Charlie Dyer | Recording of "Long Odds" by the Assembly Players | Colin Hume |
| Villager's Delight: Covid variant of Farmer's Joy | Village Green English Dancers | 2021; Winnipeg, Canada | Elizabeth Goosen | Joseph Pimentel; tune by Adam Broome. Collaborative adaptation by Elizabeth Goossen and Molly Pind. | ||
| * | Vines Entwined | English Country Dance | August 25, 2025; Gainesville FL | Annette Merritt | Hoggetowne Fancy: Peter Turner on bouzouki, Robert Reynierson on acoustic guitar/baroque guitar/lute, Andrew Driscol on fiddle | Dan Blim (2024), to "Last Light" by Ben Schreiber |
| * | Vines Entwined | Jim Crawford | Sept. 20, 2025; Fandango Weekend, Atlanta, GA | Susan Kevra | Alchemy: Karen Axelrod, Rachel Bell, and Eric Martin | Dan Blim (2024), to "Last Light" by Ben Schreiber |
| * | Vines Entwined | upadouble.info | ANIMATION | Dan Blim (2024), to "Last Light" by Ben Schreiber | ||
| * | Vines Entwined | Don Theyken | August 25, 2025; Ann Arbor, MI | Drake Meadow | Deb Jackson (piano), Josh Burdick (fiddle), and Matt McCoy (whistles and flute) | Dan Blim (2024), to "Last Light" by Ben Schreiber |
| Vines Entwined | marianme2 | Winter Dreams Ball, Santa Barbara, CA; February 14, 2026 | Scott Higgs | Karen Axelrod, Shira Kammen, and Ben Schreiber | Dan Blim (2024), to "Last Light" by Ben Schreiber | |
| * | Vintage 38 | CHESTNUT Cécile Laye | January 2020 | Cécile Laye | CD The Enchanted Place RFS201202 Masquerade | Antony Heywood, 1990 |
| Vision | Ottawa English Country Dance Club | November, 2025; Ottawa, Canada | Jaime Hargrove | Gregannian Chance (Greg Brown, fiddle & concertina; Ann Downey, bass & banjo; Ian Clark, guitar) | Jaime Hargrove | |
| * | Vivaldi in Paradise | John Newsome | AACTMAD Ann Arbor, MI 13May2016 | Mady Newfield | Debbie Jackson (piano), Susie Lorand (winds), and Earl Gaddis (strings) | Gary Roodman to Van Kaynor's arrangement of a Vivaldi violin concerto |
| Vivaldi in Paradise | adkiscool | St John's College,Santa Fe, NM 31Jan2015 | Chris Page | Ladies at Play: Miranda Arana, Kathy Dagg, Shanda McDonald | Gary Roodman | |
| Vivaldi in Paradise | English Country Dance | Gainesville, FL 15Nov2015 (video @2:51) | Randy Thorp | Hoggetown Fancy:Peter Turner, David Willkomm and John Monkus | Gary Roodman (2005)/Antonio Vivaldi and Van Kaynor | |
| * | Vivaldi in Paradise | English Country Dance | United Church of Gainesville, FL. April 14, 2025 | Randy Thorp | recording | Gary Roodman 2005 |
| * | Vivaldi in Paradise | Karen Gaughan | 20Oct2018 Asheville, North Carolina | Gary Roodman | Atossa Kramer, piano; Lisa Smith, flute. | Gary Roodman to an adaptation on Vivaldi's Violin Concerto No. 1 |
| * | Vivaldi in Paradise | Jim Crawford | Castle Ball: Uhuburg, Helen, Georgia; August 10, 2024 | Seth Tepfer | Reelplay: Robbin Marcus (piano), Dave Marcus (concertina) | Gary Roodman to Van Kaynor's arrangement of a Vivaldi violin concerto |
| * | Vivaldi in Paradise | upadouble.info | ANIMATION | Anna Patton, lydia ievins, Peter Barnes, and Van Kaynor on the album Band of Friends | Gary Roodman to Van Kaynor's arrangement of a Vivaldi violin concerto | |
| * | Volpony | upadouble.info | ANIMATION | Walsh (1712), as interpreted by Graham Christian (The Playford Assembly, 2015) | ||
| * | Volpony | marianme2 | Winter Dreams February 2020 | Graham Christian | Audrey Knuth, Christopher Jacoby, Charlie Hancock | Walsh (1712), as interpreted by Graham Christian (The Playford Assembly, 2015) |
| * | Volpony | Williamsburg Heritage Dancers | Williamsburg, VA Jan 2018 | Jenna Simpson | Recording: Red Star Line" by "A Joyful Noise." | Walsh (1712), as interpreted by Tom Cook (Hunter's Moon, 1985) |
| * | Voulez Vous Danser Mademoiselle, or The Portugese Dance | Michel Landry | Fanny'sBall,JASNA,Montreal,Canada,11Oct2014 | Michel Landry | RuftyTufty:Sally Campbell,Suannne Beauregard,Sarah Crawford,SeanMcCutcheon) | Button, Samuel James & Whitaker, John. Dances, Reels & Waltzes. #18 (1813) |
| * | Walnut Grove | Jim Crawford | November 4, 2023; Atlanta, GA | Seth Tepfer | Reelplay: Robbin & Dave Marcus | Choreography (2022) and Music (2008) by Robert E. Jamison |
| * | Waverley Ahoy | DanceKaleidoscope | ANIMATION | Hilary Herbert, in Hilary's Humours 2, 1997 | ||
| * | Waves of Grain | English Country Dance | Gainesville, Florida; 3 November 2025 | Annette Merritt | Hoggetowne Fancy: Peter Turner on bouzouki, Mary Fukuyama on flute, and Myles Sullivan on guitar | Bob Green to "Wheat" by Martha Edwards |
| * | Waves of Grain | Bob Green | New Mexico Music and Dance Society, Albuquerque, AZ 21June2017 | Bob Green | Ladies at Play: Shanda McDonald, Miranda Arana, Katthy Dagge with Martha Edwards | Bob GReen to "Wheat" by Martha Edwards |
| * | Waves of Grain | Bob Green | Berkeley Experienced ECD 24June2017 video@42m44s | Bob Green | Ladies at Play: Shanda McDonald, Miranda Arana, Katthy Dagge with Martha Edwards | Bob Green to "Wheat" by Martha Edwards |
| * | Waves of Grain | Childgrove-Bob Green DVA Modern | Webster Groves, MO 18Nov2013 | Bob Green | Ragged Robin: Billy Boyer (keyboard), Martha Edwards (fiddle), Tim Hirzel,( flute) | Bob Green to "Wheat" by Martha Edwards |
| * | Widows Shall All Have Husbands | Ottawa English Country Dance Club | Nov. 9, 2024; Trip to Ottawa Ball; Ottawa, Canada | Jamie Hargrove | Les Qatre Patates: Jonathan Werk (oboe), Grace Hendrickson-Jones (flute), Jason de Groot-Magetti (violin, mandolin), Antonie Baudet (piano) | John Walsh's Twenty-Four dances tor the Year 1713. This is a reconstruction by Andrew Shaw published in Farnicle Huggy (2009) |
| * | Widows Shall All Have Husbands | upadouble.info | ANIMATION | John Walsh's Twenty-Four dances tor the Year 1713. This is a reconstruction by Andrew Shaw published in Farnicle Huggy (2009) | ||
| * | Widows Shall All Have Husbands | John Newsome | AACTMAD, Ann Arbor , MI . 9Oct2015 | Kathy Anderson | Debbie Jackson (piano), Martha Stokely (penny whistle & flute), and Brad Battey(violin) | John Walsh's Twenty-Four dances tor the Year 1713. This is a reconstruction by Andrew Shaw published in Farnicle Huggy (2009) |
| Winter in Asheville | May Heydays | May Heydays 2022 Dance Writing Competition, Evesham, England | Andrew Swaine | Carl Dreher | ||
| * | Wives' Victory, The | upadouble.info | ANIMATION | Thomas Bray 1699 | ||
| * | Wives' Victory, The | CD*NY | February 10, 2026; New York City | Orly Krasner | Sara Banleigh, Jimmy Drancsak, and Gene Murow | Thomas Bray 1699 |
| * | Wives' Victory, The | Dmitry Baryshkov | Thomas Bray Evening, St Petersburg, Russia 14Nov2010 (video@10:45 ) | Thomas Bray 1699 | ||
| * | Wives' Victory, The | Jim Crawford | Nashville, TN Apr2017 | Gene Murrow | Persons of Quality (Jon Berger, Rebecca King, Jim Oakden.) | Thomas Bray 1699 |
| * | Woeful Lover, The | DanceKaleidoscope | ANIMATION | Pat Shaw to 'Ick hebbe mijne klachten' from Oude en Nieuwe Hollantse Boerenlietjes en Contredansen | ||
| * | Wood Duck (followed by a variant of Levi Jackson's Rag) | brisden | National Folk Festival Canberra 2016. | Australian Colonial and Folk Dancers of Sydney | Fried de Metz Herman (This version uses different music for Wood Duck) | |
| * | You're Sauvain - | English Country Dance | United Church of Gainesville, FL 18June2018 | Annette Merritt | Hoggetowne Fancy: Peter Turner, Robert Reynierson,JoLaine Jones-Pokorney, David Willkomm | David Smuckler to "Not ... So Vain" by Charlene Thomson |
| * | Young Wife by the Fire (One Couple Version) | donwfbell | Home in Troy,NY; March 2021 | Don Bell | Bare Necessities, Old Wife Behind the Fire, CDS Boston English Dance Collection, Vol. 9: Strong Roots | John & William Neal c. 1726 as revised by Rich Jackson and George Fogg 1950. |
Formation: Longways duple minor improper, or Sicilian CircleKey: Am, Meter: 3/4Dance InstructionChoreography/Music: Fried deMetz Herman (1995) to Bonny Sweet Robin by Anthony Holborne (1597)
Formation: Longways Duple Minor ImproperMeter: 6/8Dance InstructionChoreography/Music: Fried de Metz Herman
Formation: 3 couple longways setKey: D, Meter: 3/4Dance InstructionChoreography/Music: Fried de Metz Herman (2004) to The Old Man
Formation: Longways duple minor improperMeter: 4/4Dance InstructionChoreography/Music: Fried de Metz Herman
Formation: Longways duple minor improper, or Sicilian CircleKey: D, Meter: 2/2Dance InstructionChoreography/Music: Fried de Metz Herman
Formation: Longways duple minorMeter: 4/4Dance InstructionChoreography/Music: Fried de Metz Herman
Formation: 3 couple longways setKey: G, Meter: 3/4Dance InstructionChoreography/Music: Steve Otlowski, to April Waltz, by Selma Kaplan
Formation: 3 couple longways setKey: A, Meter: 2/2Dance InstructionChoreography/Music: Trevor Monson (1997) to "The Butterfly", by Richard Smith & Maggie Fletcher
Formation: 3 couple longways setKey: G, Meter: 2/2Dance InstructionChoreography/Music: Ann Higley (1996) to tune by Colin Hume
Formation: Longways Duple Minor ImproperMeter: 3/4Dance InstructionChoreography/Music: Choreography (2023) by Robert Jamison and music (2022) by Dave Marcus
Formation: 3 couple longways setKey: F, Meter: 4/4Dance InstructionChoreography/Music: Playford 1651, including SCA reconstruction
Formation: Longways duple minorKey: D, Meter: 2/2Dance InstructionChoreography/Music: Jenny Beer (2018) tune by Dave Wiesler
Formation: Longways triple minorKey: Dm, Meter: 2/2Dance InstructionChoreography/Music: Gary Roodman (2005) to tune of the same name by Jonathan Jensen
Formation: Longways duple minorKey: Am, Meter: 3/4Dance InstructionChoreography/Music: David Smukler (2017)
Formation: 3 couple longways setKey: C, Meter: 2/2Dance InstructionChoreography/Music: Victor Skowronski (1999)
Formation: Longways duple minorKey: G, Meter: 9/8Dance InstructionChoreography/Music: Twenty four new Country Dances for the Year 1706; reconstruction by Andrew Shaw
Formation: 3 couple longways set or longways triple minorKey: Gm, Meter: 4/4Dance InstructionChoreography/Music: Playford, circa 1700
Formation: Longways duple minorKey: F, Meter: 3/4Dance InstructionChoreography/Music: Victor Skowronski (2009) to "Be Thou My Vision" (Irish Trad.)
Formation: 2 couple set (facing couples)Key: C, Meter: 2/2Dance InstructionChoreography/Music: Gary Roodman (2003) to Alta Vittoria, Frabitio Varuso
Formation: 4 couple longways setKey: G, Meter: 6/8Dance InstructionChoreography/Music: Orly Krasner (2004) to Frank Palmer by Turlough O'Carolan
Formation: Longways duple minorKey: A, Meter: 3/4Dance InstructionChoreography/Music: Philippe Callens to Siciliano by Georg Philipp Telemann. Published in his book Antwerp Antics (2004)
Formation: 3 couple longways setKey: G, Meter: 4/4Dance InstructionChoreography/Music: Playford. 1651
Formation: Longways duple minorKey: Am, Meter: 2/2Dance InstructionChoreography/Music: David Ashworth (1991)to Doves Figary
Formation: 3 couple longways set Meter: 3/4Choreography/Music: Cécile Laye, 2015; Music is 1st part of a Purcell Triptych "Rois et Reines"
Formation: Longways Duple MinorKey: Em, Meter: 3/4Dance InstructionChoreography/Music: Todd Brun, Roland Clarke, Judy Keeling, Mark Lewis, Ruth Scodel (2025) to Equinox by Maggie Moore (2004)
Formation: Longways Duple MinorMeter: 6/8Dance InstructionChoreography/Music: Scott Higgs
Formation: Longways duple minorMeter: 2/2Choreography/Music: Peggy Roe to to "Let it Snow, Let it Snow" by Jule Styne, Copyright by Cahn Music
Formation: Circle mixerKey: D mixolydian, Meter: 3/4Dance InstructionChoreography/Music: Brooke Friendly and Chris Sackett, published in Impropriety Vol. IV
Formation: Longways duple minor Key: D, Meter: 4/4Dance InstructionChoreography/Music: American 1775-95
Formation: Longways duple minorKey: A, Meter: 2/4Dance InstructionChoreography/Music: Johnson. Country Dances-8. 1753
Formation: 2 couple set (facing couples)Key: D, Meter: 6/4Dance InstructionChoreography/Music: Playford 1657. Parts 2&3 revised by Cecil Laye
Formation: Longways duple minor improperKey: Am, Meter: 3/2Dance InstructionChoreography/Music: David Smuckler to "Kill Him With Kindness" (after 1726.) attributed to Henry Purc
Formation: Longways duple minorKey: G, Meter: 2/2Dance InstructionChoreography/Music: Playford 1657, interp Cecil Sharpe (1911)
Formation: 4 couple longways set; 3s and 4s improperKey: D, Meter: 2/2Dance InstructionChoreography/Music: Pat Shaw (1974)
Formation: Sicilian Circle of 3-couple sets in a U-formationKey: G, Meter: 2/4Dance InstructionChoreography/Music: Pat Shaw (1974)
Formation: Longways duple minor improperMeter: 2/2Dance InstructionChoreography/Music: Fried de Metz Herman (2001), tune is "Country Dance" by Matthew Locke, 1700s.
Formation: Longways duple minorKey: Em, Meter: 2/2Dance InstructionChoreography/Music: Dance and Music by Colin Hume (2006) , written for Amy Lund
Formation: Longways duple minorMeter: 4/4Dance InstructionChoreography/Music: A Dance by Brooke Friendly and Chris Sackett, 2011, music by Chris Sackett, 2006.
Formation: 3 Couple Longways SetKey: D, Meter: 6/8Dance InstructionChoreography/Music: Jenny Beer; tune by Dave Wiesler
Formation: 3 couple longways set Key: F, Meter: 3/4Dance InstructionChoreography/Music: Susan Kevra 2025; tune by Rachel Bell
Formation: Longways duple minorMeter: 4/4Dance InstructionChoreography/Music: Keith Wood December 2012 to Souffle d'Ange by Le Vent Du Nord
Formation: Longways duple minorKey: G, Meter: 3/4Dance InstructionChoreography/Music: Graham Christian (2001) to Streams of Lovely Nancy (trad)
Formation: Circle mixerKey: D, Meter: 3/4Dance InstructionChoreography/Music: Gary Roodman(2008) to a tune by Charlene Thomson
Formation: 2 couple set (facing couples)Meter: 3/4Dance InstructionChoreography/Music: Lise M. Dyckman (1997) to Pernod Waltz, Johnny Cunningham (1984)
Formation: Longways Duple MinorKey: F, Meter: 3/4Dance InstructionChoreography/Music: John Drewry 1991; adapted by Jenny Beer 2017. Tune by Pete Sutherland 1984
Formation: Longways duple minorKey: Bb, Meter: 3/2Dance InstructionChoreography/Music: Playford, 1721, reconstructed by Fried Herman.
Formation: circle mixerKey: F, Meter: 2/2Choreography/Music: Gary Roodman (2012) to Beaumont Rag, Trad
Formation: Longways Duple MinorKey: F, Meter: 4/4Dance InstructionChoreography/Music: Jenna Simpson. Tune:Amid the Winter’s Snow (John Goss, 1871).
Formation: Longways Duple MinorMeter: 3/4Dance InstructionChoreography/Music: Paula Kelley, Martha Kent and Val Medve (June 2011), to "Kean O'Hara First Air", by O'Carolan
Formation: Longways duple minorKey: G, Meter: 3/2Dance InstructionChoreography/Music: Pat Shaw
Formation: Longways duple minorMeter: 4/4Dance InstructionChoreography/Music: Bob Olson (2018) to Dancing Vivaldi (Double Violin Con. Op.3, No. 8 arranged by Van Kaynor}
Formation: Longways duple minorKey: G, Meter: 2/2Dance InstructionChoreography/Music: Playford 1702
Formation: Longways duple minorKey: G, Meter: 3/2Dance InstructionChoreography/Music: The Compleat Country Dancing-Master [Book 1], London. J. Walsh, J. Hare, 1718, interpretation by Andrew Shaw
Formation: Longways duple minor improperKey: D, Meter: 6/8Dance InstructionChoreography/Music: Gary Roodman(2009) to an 18th century tune, La Chasse d'Apollon
Formation: Longways duple minor improperKey: G Major, Meter: 3/4Dance InstructionChoreography/Music: Jacqui Grennan (2020); Tune is April Waltz by Selma Kaplan
Formation: 3 couple longways setMeter: 3/4Dance InstructionChoreography/Music: Keith Wood April 2015
Formation: longways triple minorKey: F, Meter: 9/8Dance InstructionChoreography/Music: Thompson 1765
Formation: 4 couple longways setKey: A & Bm, Meter: 2/2Dance InstructionChoreography/Music: Fried de Metz Herman (1991) to "Miss Sally Surman's Delight","Trip to Tedddington, and MIss Dolland's Delight
Formation: Longways duple minorKey: G, Meter: 2/2Dance InstructionChoreography/Music: Anna Rain (2015) to The Huntsmans Chorus
Formation: 2 couple set (facing couples)Key: Bb, Meter: 2/2Dance InstructionChoreography/Music: Playford 1651
Formation: 3 couple longways setMeter: 6/8Dance InstructionChoreography/Music: Renée Camus (2022), to the tune Paddy Fahey’s Jig
Formation: 3 couple longways setMeter: 6/8Dance InstructionChoreography/Music: Renée Camus, 2020; Tune is by James McNally
Formation: Longways duple minorKey: G, Meter: 3/4Dance InstructionChoreography/Music: Chris Kermiet
Formation: 3 couple longways setKey: G, Meter: 2/2Dance InstructionChoreography/Music: Charles Bolton (1986) to a tune by Pierre Phalese the Younger(1580)
Formation: 3 couple longways setKey: A, Meter: 2/4Dance InstructionChoreography/Music: Philippe Callens to Goff Hall by Dan Lanier
Formation: Longways duple minor improperKey: Em, Meter: 3/4Dance InstructionChoreography/Music: Fried de Metz Herman to a tune by Pursell
Formation: 3 couple longways set Meter: 3/4Dance InstructionChoreography/Music: Brooke Friendly and Chris Sackett (published in Impropriety Vol 1, 2002). Tune is Elocine, by Bo Leyden, 1999
Formation: Longways Duple MinorMeter: 2/2Dance InstructionChoreography/Music: Fried de Metz Herman 2009
Formation: Longways duple minorKey: Dm, Meter: 3/4Dance InstructionChoreography/Music: Scott Higgs, 2017; : Love for Three Generations, by Clara Byom. Alternate: Shepherd’s Wife, traditional.
Formation: Longways duple minorKey: Bb, Meter: 6/8 Dance InstructionChoreography/Music: Choreography/Music: Rutherford 1756 & Thompson 1757/ See 'dance instruction' above
Formation: Longways duple minorKey: Em, Meter: 9/8Dance InstructionChoreography/Music: Brooke Friendly & Chris Oakdenk Brooke Friendly & Chris Sackett to Saint Malo
Formation: Longways duple minor improperKey: D, Meter: 2/2Dance InstructionChoreography/Music: Philippe Callens published in the CDSS News, #175, Nov/Dec 2003 and in Antwerp Antics, June 2004. Tune is Red Star Line by Kathie Talvie
Formation: Longways Duple minorKey: Bm, Meter: 2/2Choreography/Music: Gary Roodman (2015) to a tune by Rebecca King
Formation: 3 couple longways setMeter: 4/4Choreography/Music: Lorreta Holz to Autumn Splendor by Charlene Thomson
Formation: 3 couple longways setKey: G, Meter: 6/8Dance InstructionChoreography/Music: Pat Shaw, 1962, to the tune Levi Jackson Rag
Formation: Longways duple minorMeter: 3/4Dance InstructionChoreography/Music: Renée Camus (2021) to Owen Morrison‘s waltz “Daybreak” (2009)
Formation: Longways Duple MinorMeter: 3/4Choreography/Music: Dani Zavasky, 2026; to “A Feminist and a Planet” by Peter Turner, 2013
Formation: longways triple minorKey: C, Meter: 6/8Dance InstructionChoreography/Music: Thompson 1782
Formation: Longways Duple MinorKey: C, Meter: 2/2Dance InstructionChoreography/Music: Jenny Beer (1998); tune by Dave Wiesler (1997)
Formation: 4 couple longways setKey: C, Meter: 2/2Dance InstructionChoreography/Music: Philippe Callens interpretation from Playford 1651
Formation: Longways Duple MinorKey: D minor, Meter: 6/8Dance InstructionChoreography/Music: Robert Jamison (2023)
Formation: Longways duple minorMeter: 4/4Choreography/Music: Susan Kevra to "Malcom's Pies" by Eric Schedlers
Formation: Longways duple minor improperMeter: 3/4Dance InstructionChoreography/Music: Terry Glasspool (2017)
Formation: Longways duple minor improperKey: Dm, Meter: 2/2Dance InstructionChoreography/Music: Gary Roodman to Hint of Spring by Dave Wiesler
Formation: 3 couple circleKey: D mixolydian, Meter: 6/8Dance InstructionChoreography/Music: Jenna Simpson (2010)
Formation: circle mixerKey: C, Meter: 2/2Dance InstructionChoreography/Music: Brooke Friendly & Chris Sackett, tune by Dave Bartley
Formation: Longways duple minorKey: Dm, Meter: 2/2Dance InstructionChoreography/Music: Walsh 2d Book of the Compleat Country Dancing Master 2a 1719. interpreted by Fried de Metz Herman
Formation: Longways duple minorKey: D, Meter: 2/4Dance InstructionChoreography/Music: Walsh c.1735, interp. by Jacqueline Schwab; and a Heritage Musick variation
Formation: Longways Duple MinorKey: Gm, Meter: 9/8Dance InstructionChoreography/Music: Playford (1710); interpretation by Andrew Shaw
Formation: 3 couple circleKey: Dm, Meter: 3/4Dance InstructionChoreography/Music: Pat Shaw (1974)
Formation: Longways duple minor improperKey: D, Meter: 3/2Dance InstructionChoreography/Music: Interpretation of Playford 1701 by A. Simon Kentish Hops
Formation: Longways duple minorKey: Gm, Meter: 3/2Dance InstructionChoreography/Music: The Dancing Master, 1713; reconstruction by Bernard Bentley 1962
Formation: 3 couple longways setMeter: 3/4Choreography/Music: Bruce Rosen
Formation: 3 couple longways setMeter: 6/8Choreography/Music: Unknown. Possibly a Bath Fan dance circa 1780
Formation: Longways duple minor improperKey: Bb, Meter: 2/2Dance InstructionChoreography/Music: Thomas Bray, London 1699
Formation: Longways Duple MinorKey: D minor, Meter: 2/2Dance InstructionChoreography/Music: Playford, 1728
Formation: Longways Duple MinorMeter: 2/4Dance InstructionChoreography/Music: David Smukler, June 2020/August 2023
Formation: longways triple minorKey: A, Meter: 6/8Dance InstructionChoreography/Music: Thompson 1777
Formation: Longways duple minor improperKey: G, Meter: 6/4Dance InstructionChoreography/Music: Patricia Evans
Formation: 4 couple squareMeter: 6/8Dance InstructionChoreography/Music: Hubert Collinet (1823)
Formation: longways triple minorMeter: 6/8Choreography/Music: Scottish country dance, modified by Annette Merritt into an English triple minor to Perpetual Motion
Formation: 4 couple longways setKey: D, Meter: 3/2Dance InstructionChoreography/Music: Leslie Lassetter/ Come and Find the Quiet Center, trad.attrib to BF White.
Formation: 3 couple longways set (was triple minor)Key: Am, Meter: 3/2Dance InstructionChoreography/Music: The Dancing Master,1728;reconstruction by Bernard Bentley(Fallibroome Collection)
Formation: 3 couple Longways SetKey: Eminor, Meter: 2/2Dance InstructionChoreography/Music: Nathaniel Kynaston 1711, interpretation by Andrew Shaw
Formation: Longways duple minorKey: C, Meter: 6/8Dance InstructionChoreography/Music: Joseph Pimentel (2005) to the tune Baptist Johnson by Turlough O'Carolan
Formation: 4 couple longways setKey: G, Meter: 6/8Dance InstructionChoreography/Music: Charles Bolton (1987) published in Occassions (1989)
Formation: Longways duple minor improperKey: D Major, Meter: 3/4Choreography/Music: Mady Newfield to "Dawn" by Mara Shea
Formation: 3 couple longways setKey: Gm, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651
Formation: Longways duple minorKey: B flat major, Meter: 2/2Dance InstructionChoreography/Music: Susan Kevra to "One Card Short" by David Wiesler
Formation: Longways duple minorKey: Am, Meter: 3/2Dance InstructionChoreography/Music: Walsh 1707
Formation: Double Sicilian circle (two couples facing two couples)Key: Dm, Meter: 3/4Dance InstructionChoreography/Music: Pat Shaw 1970
Formation: Longways duple minorKey: Gm, Meter: 2/2Dance InstructionChoreography/Music: Playford 1721. reconstructions and Douglas and Helen Kennedy (1929) and by Charles Bolton (Retreads 1)
Formation: 2 Couple MixerMeter: 4/4Dance InstructionChoreography/Music: Brooke Friendly (2024)
Formation: 3 couple longways setKey: A minor, Meter: 2/2Dance InstructionChoreography/Music: Gary Roodman
Formation: Longways duple minor improperKey: D, Meter: 3/4Dance InstructionChoreography/Music: Gary Roodman (2012) to tune of the same name by lydia ievins
Formation: 3 couple longways setKey: Gm, Meter: 6/8Dance InstructionChoreography/Music: Gary Roodman, 1982
Formation: Longways duple minorKey: G, Meter: 3/4Dance InstructionChoreography/Music: Loretta Holz (2005) to Colony Cove Waltz: by Charlene Thomson(2004) with a variation
Formation: Siciilian CircleKey: G, Meter: 9/8Dance InstructionChoreography/Music: Brooke Friendly and Chris Sacket (2009) tune by Jonathan Jensen, published in Impropriety Vol. III
Formation: Longways duple minor improperKey: A, Meter: 2/2Dance InstructionChoreography/Music: Gary Roodman (2000)
Formation: 3 couple longways setMeter: 6/8Dance InstructionChoreography/Music: Philippe Callens (1999) to Downland 557 by Pat Shaw
Formation: Square of TriosKey: D, Meter: 6/8Dance InstructionChoreography/Music: John M Ramsay, 1985 to "Air Jenny"
Formation: Longways triple minorMeter: 6/8Choreography/Music: Slingee
Formation: Longways duple minorKey: A, Meter: 6/8Dance InstructionChoreography/Music: Pat Shaw 1971
Formation: Longways Duple MinorMeter: 6/8Choreography/Music: Audrey Laver. Tune by Steve Hunt, 2000
Formation: Longways duple minor improperKey: G, Meter: 6/8Choreography/Music: Elizabeth Goossen
Formation: Longways duple minorKey: E, Meter: 4/4Dance InstructionChoreography/Music: Jenna Simpson (2012), to the tune Killarney Boys of Pleasure (Trad)
Formation: Longways duple minor improper double progressionKey: Dm, Meter: 6/8Dance InstructionChoreography/Music: Pat Shaw
Formation: 3 couple longways set Key: D, Meter: 6/8Dance InstructionChoreography/Music: Wright's Compleat Collection Vol. I 1742; Andrew Shaw interpretation
Formation: 3 couple longways setKey: Bb, Meter: 4/4Dance InstructionChoreography/Music: Nathaniell Kynastan, publshed by by J Walsh (1710) as intererpreted by Andrew Shaw (2002)
Formation: Circle mixerMeter: 32 Jig/ReelChoreography/Music: Kathryn & David Wright (Vesey Collection 1990)
Formation: 3 couple circleMeter: 3/4Choreography/Music: Loretta Holz
Formation: Longways duple minorKey: Em, Meter: 6/8Choreography/Music: Jenny Beer (2016) to Bingo Wings by Sarah Gowen
Formation: 3 couple longways setKey: D dorian, Meter: 4/4Dance InstructionChoreography/Music: Fried de Metz Herman (1994) to Dance (adapted) by George Vanbrughe (1713)
Formation: Longways duple minorKey: G, Meter: 3/2Dance InstructionChoreography/Music: Brooke Friendly/Chris Sackett (c 2011) to tune Flights of Fancy by Shira Kammen (2011), published in Impropriety Vol. I
Formation: Longways duple minorKey: G, Meter: 6/8Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: 3 couple longways setKey: G/Gm, Meter: 2/2Dance InstructionChoreography/Music: Gary Roodman to a tune by Jonathan Jensen
Formation: Longways duple minorMeter: 4/4Dance InstructionChoreography/Music: John Ramsay to Birthday Canon by Pablo El Russo
Formation: 3 couple longways setKey: Em, Meter: 6/8Choreography/Music: Gary Roodman 1999
Formation: Longways duple minorKey: Gm, Meter: 9/8Dance InstructionChoreography/Music: The Dancing Master 9th Ed. 1695
Formation: 3 couple longways setKey: A/G minor, Meter: 6/8Dance InstructionChoreography/Music: Fried deMetz Herman (2002) to The Witch Under the Stars (1995) and Black Cat Jig (1996) by Jonanthan Jenson
Formation: longways triple minorKey: A, Meter: 4/4Dance InstructionChoreography/Music: Thompson 1778; W.S. Porter, 1931
Formation: Longways duple minorKey: Dm, Meter: 3/4Dance InstructionChoreography/Music: Victor Skowroski 2003 to tune by Chris Rua
Formation: Processional line of couplesKey: F, Meter: 6/8Dance InstructionChoreography/Music: Millar, Elizabethan Country Dances
Formation: Longways triple minorKey: Am, Meter: 2/2Dance InstructionChoreography/Music: The Dancing Master 7th Ed. 1686 Farnicle Huggy (Andrew Shaw)
Formation: Longways duple minorKey: D major, Meter: 6/8 Dance InstructionChoreography/Music: The Dancing Master, 1696-1728
Formation: Longways duple minorMeter: 9/8Dance InstructionChoreography/Music: Brooke Friendly and Chris Sackett (2005) to Islin's Jig by Ruth Anne Fraley (2004) published in Impropriety Vol. 1
Formation: Sicilian CircleKey: G Major, Meter: 6/8Dance InstructionChoreography/Music: Playford, 1670
Formation: 3 couple longways setKey: Dm, Meter: 6/8Dance InstructionChoreography/Music: Playford 1657 and Cecil Sharp version. See 'Dance Istruction" above
Formation: Circle mixerKey: G Mixolydian, Meter: 3/4Dance InstructionChoreography/Music: Brooke Friendly & Chris Sackett 2015. Tune is Ahi, Amours by Conon de Bethune (1150-1219)
Formation: Longways duple minorKey: Gm, Meter: 2/2Dance InstructionChoreography/Music: Walsh 1718, interpretations/reconstructions by Fried de Metz Herman, Kalia Kliban
Formation: 3 couple longways setMeter: 4/4Choreography/Music: Robert Jamison
Formation: Longways duple minorKey: D, Meter: 4/4Dance InstructionChoreography/Music: Nathaniel Kynaston (1710)
Formation: 3 couple longways set (also as a longways duple minor)Key: G, Meter: 4/4Dance InstructionChoreography/Music: Playford 1703, interpretation by Andrew Shaw (2009), and Walsh 1718
Formation: 3 couple longways setKey: G mixolydian , Meter: 3/4Choreography/Music: Susan & Tom Amesse. Music by Rachel Bell
Formation: Longways duple minorKey: Dm, Meter: 9/8Dance InstructionChoreography/Music: Joseph Pimentel (2005) tune by Debbie Jackson
Formation: Longways duple minorKey: A minor, Meter: 6/8Dance InstructionChoreography/Music: Brooke Friendly & Chris Sackett to a traditional English tune All Among the Barley
Formation: 4 Couple SquareMeter: 3/4Choreography/Music: Cécile Laye (3rd part of a Purcell Triptych)
Formation: 3 couple longways setKey: C, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651 and backwards
Formation: Longways duple minor improperKey: G, Meter: 6/8Dance InstructionChoreography/Music: Mike Richardson (7/26/99) to tune by Anita Anderson
Formation: Longways duple minorKey: C, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651
Formation: 4 Couple Longways SetMeter: 3/4Choreography/Music: Sue Dupre
Formation: Longways Duple MinorKey: E minor, Meter: 6/8Dance InstructionChoreography/Music: Val Medve (2014)
Formation: Longways Duple MinorMeter: 3/4Dance InstructionChoreography/Music: Fried de Metz Herman
Formation: Longways duple minor improperMeter: 6/8Dance InstructionChoreography/Music: Chris Page, 2013
Formation: Longways Duple MinorMeter: 3/4Choreography/Music: Sharon Spengler (2017), to a traditional tune. (See also a different dance: "Bonny at Morn", to the same tune.)
Formation: 2 couple set (facing couples)Dance InstructionChoreography/Music: M. Heffer and W. Porter in Maggot Pie to "Magot Pie"
Formation: Longways Duple Minor ImproperMeter: 3/4Dance InstructionChoreography/Music: Alan Winston, to a traditional tune. (See also a different dance, "Bonnie at Morn", to the same tune.)
Formation: Longways Triple MinorKey: D, Meter: 4/4Dance InstructionChoreography/Music: Thomas Preston, 1800
Formation: 4 couple longways setKey: D, Meter: 3/4Dance InstructionChoreography/Music: Gail Ticknor to Si Beag Si Mhor by Turlough O'Carolan
Formation: Longways duple minorKey: Bb, Meter: 2/2Dance InstructionChoreography/Music: Playford 1713. Nathaniel Kynaston
Formation: 3 couple longways setKey: Dm, Meter: 6/8Dance InstructionChoreography/Music: Nathaniel Kynaston, J. Wasch, L. Hare (1718), reconstruction by Andrew Shaw (2009
Formation: Longways duple minorMeter: 3/4Choreography/Music: Susan Kevra; tune by Rachel Bell
Formation: 6 couple longways setMeter: 6/8Dance InstructionChoreography/Music: Jean Butler
Formation: Circle (no progression)Key: G, Meter: 6/8Dance InstructionChoreography/Music: William Campbell(1790)
Formation: Longways Duple MinorKey: D Major, Meter: 6/4Dance InstructionChoreography/Music: Playford 1679; Interp. Bernard Bentley 1980 (Fallibroome Vol. 6)
Formation: Longways duple minor improperKey: G, Meter: 4/4Dance InstructionChoreography/Music: Sharon Green to Good King Wenceslas
Formation: 3 couple longways setKey: G, Meter: 2/2Dance InstructionChoreography/Music: Johnson 1757
Formation: 3 couple longways setMeter: 9/8Dance InstructionChoreography/Music: Cantelo, Twenty Four American Country Dances (London: 1785)
Formation: Longways duple minor improperKey: Dm, Meter: 4/4Dance InstructionChoreography/Music: Melanie Axel-Lute (2015) to Bransle de la Torche, Praetorius
Formation: Longways duple minorKey: A, Meter: 9/8Dance InstructionChoreography/Music: Thomas Braye, 1699, and as reconstructed by Diana Cruickshank
Formation: Longways duple minor improperMeter: 4/4Dance InstructionChoreography/Music: Brook Friendly and Chris Sackett, tune by Dave Bartley 2009
Formation: Longways duple minorKey: Gmajor, Meter: 2/2Dance InstructionChoreography/Music: Colin Hume 2003, rev 2007
Formation: Longways duple minorKey: Bm, Meter: 3/4Dance InstructionChoreography/Music: Bob Green/ Larry Unger
Formation: Longways duple minorMeter: 4/4Choreography/Music: Robert Moir
Formation: 2 couple set (facing couples)Key: F, Meter: 4/4Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: 4 couple longways setMeter: 4/4Choreography/Music: unknown choreographer; tune is "Train Wreck" by Dave Wiesler
Formation: Longways triple minor or longways duple minorKey: A, Meter: 3/8Choreography/Music: Wilson 1808 reconstruction by Eugenia Eremina-Solenikova
Formation: 3 couple circleKey: G, Meter: 3/4Dance InstructionChoreography/Music: Gary Roodman (2015) tune by Charlene Thomson
Formation: Longways Triple MinorMeter: 4/4Dance InstructionChoreography/Music: Saltator 1807; Interp. Ralph Page 1950
Formation: 4 couple longways setKey: F, Meter: 2/2Dance InstructionChoreography/Music: Playford 1651
Formation: 4 couple longways set; 1s and 3s improperKey: D, Meter: 2/2Dance InstructionChoreography/Music: Fried de Metz Herman (1991) to Hubbub by Bryon Bonnett
Formation: 3 couple longways setMeter: 6/8Dance InstructionChoreography/Music: Dafydd Arth to The Rights of Man trad. Irish tune(choreogrphed for 3 couples, here adapted for 4 couples.)
Formation: longways triple minorKey: F, Meter: 2/2Dance InstructionChoreography/Music: Playford 1696, and as reconstructed by Andrew Shaw. 2008
Formation: Longways duple minorMeter: 6/8Dance InstructionChoreography/Music: Feuillet 1706
Formation: Longways Duple MinorKey: G, Meter: 2/4Dance InstructionChoreography/Music: English Traditional
Formation: Longways duple minor improperKey: E Dorian, Meter: 9/8Choreography/Music: Bob Olson to The Butterfly (Trad. Irish)
Formation: 4 couple longways set; 2s and 4s improperMeter: 2/2Dance InstructionChoreography/Music: Anne Welch (1995), to the tune “Bellows & Bows” by Fred Grimshaw
Formation: 4 couple longways set; 1s and 3s improperMeter: 3/4Dance InstructionChoreography/Music: Philippe Callens
Formation: Longways duple minor improperKey: Em, Meter: 9/8Dance InstructionChoreography/Music: Gary Roodman (1996)
Formation: Longways duple minor improperKey: E minor, Meter: 9/8Dance InstructionChoreography/Music: Gary Roodman, Sum Further Calculated Figures (1996)
Formation: Longways Duple MinorMeter: 6/8Choreography/Music: Preston 1794
Formation: Longways duple minorKey: Dm, Meter: 3/2Dance InstructionChoreography/Music: Dancing Master (1710), Bernard Bentley in The Fallibroome Collection, to a tune by Daniel Purcell.
Formation: Longways Duple MinorKey: Em, Meter: 9/8Dance InstructionChoreography/Music: Colin Hume (2023), to The Butterfly (Trad. Irish)
Formation: Longways Triple MinorKey: D, Meter: 3/4Dance InstructionChoreography/Music: Thompson, 1816
Formation: Longways triple minorMeter: 32 bar reelDance InstructionChoreography/Music: Pat Shaw
Formation: Longways duple minorKey: Bm, Meter: 3/4Dance InstructionChoreography/Music: Loretta Holz (2007), tune by Jonathan Jensen(2004)
Formation: Longways Duple MinorMeter: 4/4Dance InstructionChoreography/Music: 24 New Country Dances for the Year 1797, by Corri, Dussek & Co.
Formation: longways triple minorKey: D Major, Meter: 6/8Dance InstructionChoreography/Music: Daniel Beal (2023) to “Off She Goes,” 2 variants: Traditional English/Scottish Jig (ca. 1790)
Formation: 3 couple longways set Key: F, Meter: 2/2Dance InstructionChoreography/Music: Playford (1696). Interpreted by Andrew Shaw (2006)
Formation: 3 couple longways setMeter: 3/2Dance InstructionChoreography/Music: Playford, 1701. Interp. by Andrew Shaw, 2024
Formation: 4 couple longways setKey: D, Meter: 3/4Dance InstructionChoreography/Music: Pat Shaw to ‘Het Sneeker Klokspel’
Formation: Longways duple minorMeter: 3/4Dance InstructionChoreography/Music: Philippe Callens (2010) to a tune by John Blow (1649-1708)
Formation: Circle mixerMeter: 3/4Choreography/Music: Arduina Alonzo (2016) to 'Carousel' by Charlene Thomson (2005)
Formation: 2 couple set (facing couples)Meter: 3/4Dance InstructionChoreography/Music: Alan Winston (2002) to Cast Away Waltz by Colin Hume 2003
Formation: Longways duple minorMeter: 4/4Dance InstructionChoreography/Music: Bob Green to Geoge Paul's "March of the Lost Boys"
Formation: Longways Duple MinorMeter: 6/8Dance InstructionChoreography/Music: James Longman, 1770
Formation: 3 couple longways mixer with 2nd couple activeKey: Gm, Meter: 3/4Dance InstructionChoreography/Music: Fried de Metz Herman (1994) to a tune by O'Carolan
Formation: 4 couple longways setMeter: 4/4Dance InstructionChoreography/Music: Pat Shaw to ‘Cecilia’ from Oude en Nieuwe Hollantse Boerenlietjes en Contredansen
Formation: 4 couple squareMeter: 4/4Choreography/Music: Elizabeth Goosen
Formation: 3 couple longways setKey: Am, Meter: 3/4Dance InstructionChoreography/Music: Rosemary Hunt, tune by Stephen Hunt
Formation: 4 couple longways set; 1s and 3s improperKey: F, Meter: 3/2Choreography/Music: Philippe Callens to a tune by Jonathan Jensen
Formation: Longways duple minorKey: E, Meter: 2/2Dance InstructionChoreography/Music: Jenna Simpson to Fete de Village
Formation: Longways Duple MinorMeter: 4/4Dance InstructionChoreography/Music: Sharon Green/David Marcus
Formation: Longways Duple MinorMeter: 4/4Choreography/Music: Drew Delaware
Formation: 4 couple longways setKey: Am, Meter: 3/2Dance InstructionChoreography/Music: Gary Roodman (2005)to Elizabethan Tango Man by Charlene E. Thomson
Formation: Longways Duple MinorMeter: 6/8Dance InstructionChoreography/Music: Jenna Simpson (2011), to the tune "Lucas Forever" (Johnson, 1750)
Formation: Longways Duple MinorMeter: 2/4Dance InstructionChoreography/Music: Walsh (1730). Interpreted by Andrew Shaw (2024)
Formation: 3 couple longways setKey: G, Meter: 6/8Dance InstructionChoreography/Music: Johnson c. 1750
Formation: 4 couple squareKey: F, Meter: 6/8Dance InstructionChoreography/Music: Playford 1657, 2 reconstructions by Cecil Sharp
Formation: Longways Triple MinorKey: Am, Meter: 6/8Dance InstructionChoreography/Music: Miriam Newman
Formation: Longways duple minorKey: D, Meter: 3/2Dance InstructionChoreography/Music: Dancing Master 11th ed 1701;Walsh 1718; Charles Bolton (retreads)
Formation: 3 couple longways setMeter: 4/4Choreography/Music: Trumbull, 1798
Formation: 3 couple longways setKey: Am, Meter: 2/2Dance InstructionChoreography/Music: DancingMaster 1651-1796; Cecil Sharp 1912
Formation: Longways Duple MinorKey: C Major, Meter: 4/4Dance InstructionChoreography/Music: Gary Roodman (2003)
Formation: Longways duple minor improper double progressionKey: G, Meter: 2/2Dance InstructionChoreography/Music: Pat Shaw 1971, Adapted by Pat Shaw from a traditional Essex song
Formation: Longways duple minorKey: Dm, Meter: 6/8Dance InstructionChoreography/Music: Sharon Green(2014, rev 2015) to a tune of the same name by Rebecca King (2014)
Formation: Longways duple minor improperKey: Dm, Meter: 2/2Dance InstructionChoreography/Music: Playford 1701 with reconstructions by Cecil Sharp, Douglas Kennedy., The Jane Austen Society, Christine Feyeabend, and others. see'"Dance Instruction' above...
Formation: Longways Duple MinorKey: Em, Meter: 3/2Dance InstructionChoreography/Music: Chris Sackett, 2018
Formation: Circle mixerMeter: 4/4Choreography/Music: Brian Wedgbury
Formation: 4 couple longways setKey: G, Meter: 4/4Dance InstructionChoreography/Music: Brooke Friendly and Chris Sackett, 2009, to Shira Kammen's tune 72%, published in Impropriety Vol. III
Formation: Longways duple minorKey: D, Meter: 9/8Dance InstructionChoreography/Music: Brooke Friendly & Chris Sackett (2008) to Top o' the Mornin' by Jonathan Jensen (2007), published in Impropriety Vol. II
Formation: 4 couple squareKey: F major, Meter: 9/8Dance InstructionChoreography/Music: Brook Friendly and Chris Sackett to the tune "The Maid's Complaint"
Formation: longways triple minorMeter: 6/8Dance InstructionChoreography/Music: Brooke Friendly and Chris Sackett to “The Goldfinch” by Paul Gitlitz (1999)t, published in Impropriety Vol. IV
Formation: Longways duple minor improperKey: Am, Meter: 2/2Dance InstructionChoreography/Music: Fried de Metz Herman
Formation: Longways duple minorKey: D, Meter: 6/8Dance InstructionChoreography/Music: Dodd 24CD 1795
Formation: Longways duple minorKey: C, Meter: 2/2Dance InstructionChoreography/Music: Playford 1679; Cecil Sharp 1916
Formation: Longways duple minor improperKey: F, Meter: 2/2Dance InstructionChoreography/Music: Naomi Alexander
Formation: 3 couple longways set; top and bottom couples improperMeter: 3/4Dance InstructionChoreography/Music: Philippe Callens (1999)
Formation: 4 couple squareKey: D, Meter: 2/2Dance InstructionChoreography/Music: Fried de Metz Herman (1992) to a tune by George Davis
Formation: Longways Duple MinorMeter: 3/4Choreography/Music: Howe 1862; Interp. by Alan Winston
Formation: Circle mixerMeter: 2/2Dance InstructionChoreography/Music: Fried de Metz Herman, to a bourrée by Leopold Mozart
Formation: Circle MixerMeter: 4/4Choreography/Music: Trevor Monson
Formation: 4 couple longways setMeter: 4/4Dance InstructionChoreography/Music: George Williams, 2019
Formation: Longways duple minorKey: Dm, Meter: 4/4Dance InstructionChoreography/Music: Sharon Green
Formation: 3 couple longways set 2's improperKey: C, Meter: 3/4Dance InstructionChoreography/Music: Colin Hume (2012)
Formation: 3 couple longways set or longways duple minorKey: Dm, Meter: 3/2Dance InstructionChoreography/Music: Jenny Beer
Formation: Longways duple minorKey: Dm, Meter: 2/2Dance InstructionChoreography/Music: Playford 1701, reconstruction by Charles Bolton
Formation: Longways Duple MinorKey: G Dorian, Meter: 4/4Dance InstructionChoreography/Music: Playford, 7th Ed. 3d Supplement (1689)
Formation: 3 couple longways setKey: D, Meter: 3/4Dance InstructionChoreography/Music: Fried de Metz Herman (2005) to a tune by O'Carolan
Formation: Longways Duple MinorMeter: 4/4Dance InstructionChoreography/Music: Bob Olson (2021); tune is Colemans’s March
Formation: Longways triple minorKey: B flat, Meter: 4/4Dance InstructionChoreography/Music: Willcox 1793; Interp. van Winkle Keller & Sweet 1976
Formation: Longways duple minorKey: Gm, Meter: 2/2Dance InstructionChoreography/Music: EDM Vol 2, 4th edition,1728. Cecil Sharp reconstruction 1916
Formation: Longways duple minorKey: D, Meter: 3/4Dance InstructionChoreography/Music: Bob Green to Sarah's Waltz by Kristen Grahm
Formation: Longways Duple MinorMeter: 4/4Choreography/Music: Jenna Simpson. Tune by Anna Patton
Formation: Longways Duple Minor or Sicilian CircleMeter: 6/8Choreography/Music: Traditional(?)
Formation: 3 couple longways setKey: G, Meter: 3/4Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: 3 couple longways setKey: D, Meter: 3/4Dance InstructionChoreography/Music: The Dancing Master 1727 (Interp. Tom Cook 1982)
Formation: Longways duple minorKey: E(D), Meter: 3/2Dance InstructionChoreography/Music: Joseph Pimentel to tune by Dave Wiesler(2009)
Formation: Longways duple minorKey: D, Meter: 6/8Dance InstructionChoreography/Music: Thompson 1776. see "Dance Instruction" above
Formation: Longways duple minorKey: D Dorian, Meter: 2/2Dance InstructionChoreography/Music: Victor Skorownski to Ronde II, Mon Amy by Tielman Susato
Formation: Longways Duple MinorMeter: 6/8Dance InstructionChoreography/Music: Graham Foster 2010 / Roger Nicholls 2010
Formation: Longways duple minorKey: Cm, Meter: 2/2Dance InstructionChoreography/Music: Thomas Bray 1699
Formation: 2 trios facingKey: Em, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651 - 1698
Formation: Longways triple minorKey: A, Meter: 2/2Dance InstructionChoreography/Music: Playford 1726; Interp. Andrew Shaw. Tune by Mouret.
Formation: Longways duple minorKey: C, Meter: 4/4Dance InstructionChoreography/Music: Playford 1703, reconstructed by Andrew Shaw
Formation: Longways duple minor improperKey: G, Meter: 3/4Dance InstructionChoreography/Music: Victor Skowronski (2007) to 'Cool Breezes' by Leslie Lassetter (2007)
Formation: Longways duple minor improperKey: F, Meter: 2/4Dance InstructionChoreography/Music: Cathy and John Millar (c. 1993)tune adapted from 4th movement of Arcangelo Corelli's opus 5, Sonato #10 1700.
Formation: Longways duple minorKey: D, Meter: 2/2Dance InstructionChoreography/Music: 3 couple version c. 1725; longways Trad: Peter Kennedy
Formation: 3 couple specialMeter: 4/4Dance InstructionChoreography/Music: John Searle
Formation: Longways Duple MinorMeter: 4/4Dance InstructionChoreography/Music: Playford, 1698, interpretation by Colin Hume, 2022
Formation: 3 couple longways setKey: G, Meter: 6/8Dance InstructionChoreography/Music: Thompson 1777; WS. Porter
Formation: Longways duple minor improperKey: Am, Meter: 2/2Dance InstructionChoreography/Music: Fried de Metz Herman (1996)
Formation: 3 couple longways setKey: Cm, Meter: 3/2Dance InstructionChoreography/Music: Philippe Callens; Tune is One Charming Night, from the Fairy Queen, by Purcell
Formation: longways triple minorKey: G, Meter: 2/4Dance InstructionChoreography/Music: The Richmond Assemblies c 1790 to Coterie 204 Favorite Country Dances of 1774
Formation: Siciilian CircleMeter: 6/8Dance InstructionChoreography/Music: Trad. Mrs. Boyle
Formation: Longways duple minorKey: D, Meter: 6/8Dance InstructionChoreography/Music: Twenty Four New Country Dances, 1702, Douglas and Helen Kennedy, 1929
Formation: Longways duple minorKey: Am, Meter: 6/8Dance InstructionChoreography/Music: Brooke Friendly & Chris Sackett (2003) to Cottonwood by Dave Bartley (2002) published in Impropriety Vol. 1
Formation: 3 couple longways set Key: Amin, Meter: 3/2Dance InstructionChoreography/Music: Kynaston 1710
Formation: Typically 4-8 couple longways setMeter: 32 bar jigsDance InstructionChoreography/Music: Sylvan Harmer (1821-1831); Various interpretations by Michael Barraclaugh (1979), Colin Hume (2020?), and Harold Downing
Formation: longways triple minorKey: A Minor, Meter: 3/4Dance InstructionChoreography/Music: Robert Jamison (2024)
Formation: 3 couple longways setMeter: 3/4Choreography/Music: Sol Weber as modified by Tara Bolker
Formation: Longways Duple MinorMeter: 4/4Choreography/Music: Gary Roodman, to a tune by Dave Wiesler
Formation: 3 couple longways setKey: G, Meter: 4/4Dance InstructionChoreography/Music: Jenna Simpson (2016) to the tune Little Sky by Guillaume Sparrow-Pepin
Formation: 6 couple set (cross formation)Meter: 2/4Dance InstructionChoreography/Music: Siôn Andreas o Wynedd (Ian A. Engle) to Bourée from Bach's Suite in E Minor for Lute played as a slip jig
Formation: Longways Duple MinorMeter: 6/8Choreography/Music: Drew Delaware
Formation: 3 couple longways setMeter: 6/8Choreography/Music: Loretta Holz to a tune by Dave Wiesler
Formation: 4 couple longways setKey: Gm, Meter: 2/2Choreography/Music: Sascha Glimmann to Soldier Boy for Me
Formation: Longways duple minorKey: B minor, Meter: 3/4Dance InstructionChoreography/Music: Fried de Metz Herman (2002) to "Crown the Year", to H. Purcell 1712
Formation: Longways duple minor improperKey: Dm, Meter: 3/4Dance InstructionChoreography/Music: Orly Krasner (2003 rev 2008) to the English folksong collected by Sharp, One Hundred English Folksongs (1916)
Formation: 2 couple set (facing couples)Key: C, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651, and as interpreted by Michael Barraclaugh
Formation: 3 couple longways setKey: D, Meter: 2/4Dance InstructionChoreography/Music: Rutherford. 1775
Formation: Longways duple minorKey: C, Meter: 2/2Dance InstructionChoreography/Music: Playford 1703, as interpreted by Colin Hume, Part 2 by Colin Hume
Formation: 3 couple longways set Key: F, Meter: 4/4Dance InstructionChoreography/Music: Ignatius Sancho; Twelve Country Dances for the year 1779
Formation: 4 couple squareKey: D, Meter: 4/4Dance InstructionChoreography/Music: unknown: EFDSS Community Dance Manuals
Formation: 3 couple longways setKey: G, Meter: 3/2Dance InstructionChoreography/Music: Marjorie Heffer & William Porter published in Maggot Pie (1932
Formation: Longways duple minor improperKey: G, Meter: 3/2Dance InstructionChoreography/Music: Jenna Simpson (2016) to the tune Apollo and Daphne (Walsh 1740)
Formation: longways triple minorKey: G, Meter: 2/4Dance InstructionChoreography/Music: Mary Pugh (1983)
Formation: Longways Duple MinorMeter: 4/4Choreography/Music: Drew Delaware
Formation: 3 couple longways setMeter: 3/4Dance InstructionChoreography/Music: David Macemon (1992)
Formation: 3 couple longways setKey: D, Meter: 3/4Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: 3 couple longways setMeter: 6/8Dance InstructionChoreography/Music: Tom Senior, 2014; tune by Mady Newfield, 2014 in memory of Mars Longden
Formation: Circle mixerKey: C, Meter: 3/4Dance InstructionChoreography/Music: Joseph PImentel to Yonder, Year by Year by Dave Wiesler
Formation: Longways triosKey: C, Meter: 2/2Choreography/Music: Fried de Metz Herman (1993) to a tune by Jeremiah Clarke
Formation: 3 couple longways setMeter: 6/8Dance InstructionChoreography/Music: Don Bell/Playford
Formation: 4 couple squareMeter: 3/4Dance InstructionChoreography/Music: Keith Wood April 2010 to waltz esp. "When the Boat Comes In"
Formation: Longways duple minor improperMeter: 3/4Choreography/Music: Karen Shaw to "New Moon" by Doug Plummer
Formation: longways triple minorMeter: 3/4Dance InstructionChoreography/Music: Rebekah Valencia; tune by Ruth Valencia (triple minor)
Formation: Longways duple minorKey: Am/A, Meter: 6/8Dance InstructionChoreography/Music: Loretta Holz (2005) to Dancing up a Storm by Charlene Thomson
Formation: Longways duple minorKey: Bb, Meter: 6/6Dance InstructionChoreography/Music: Brooke Friendly and Chris Sackett; tune arranged from "A Health to Betty" Playford 1651 by Chris Sackett 2007
Formation: Longways duple minorKey: D, Meter: 4/4Dance InstructionChoreography/Music: Pat Shaw 1973
Formation: Longways Duple MinorKey: D Major, Meter: 2/2Dance InstructionChoreography/Music: Robert Jamison (2010)
Formation: 3 couple longways setMeter: 3/2Dance InstructionChoreography/Music: Paul Ross/Roger Davidson
Formation: 4 couple longways setKey: D, Meter: 2/4Dance InstructionChoreography/Music: Pat Shaw
Formation: Longways duple minorKey: Am, Meter: 2/2Dance InstructionChoreography/Music: Gary Roodman (2005) to Pell Mell from Payford 1679
Formation: Longways duple minor improperKey: G, Meter: 4/4Dance InstructionChoreography/Music: Elizabeth Goossens (oct 2013)
Formation: Longways Duple MinorMeter: 4/4Dance InstructionChoreography/Music: Jenna Simpson. The tune is "Dimanche a Paris" by Kathleen Fownes.
Formation: Longways duple minorKey: F, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651
Formation: Longways duple minor improperMeter: 4/4Choreography/Music: Naomi Alexander
Formation: Longways duple minorKey: C, Meter: 3/2Dance InstructionChoreography/Music: Brooke Friendly & Chris Sackett to Hunana Hornpipe by Jonanthan Jensen, published in Impropriety Vol. II
Formation: 2 couple setKey: A Mixolydian, Meter: 6/8Dance InstructionChoreography/Music: Brooke Friendly and Chris Sackett. Tune by Shira Kammen
Formation: 3 couple longways set (was triple minor)Key: C, Meter: 4/4Dance InstructionChoreography/Music: EDM 1721, Reconstruction by Andrew Shaw
Formation: Circle mixerKey: Gm, Meter: 3/4Dance InstructionChoreography/Music: Pat Shaw (1975)
Formation: Longways Duple MinorMeter: 3/4Choreography/Music: Jaime Hargrove
Formation: 3 couple longways setKey: A, Meter: 2/2Dance InstructionChoreography/Music: Ellen Taylor
Formation: Longways duple minorKey: G, Meter: 4/4Dance InstructionChoreography/Music: Jonathan Ogle, 2003 to 'Banks of Inverness
Formation: Longways duple minorKey: C, Meter: 2/4Dance InstructionChoreography/Music: Sharon McKinley (2007) to her tune of the same name
Formation: Longways Duple MinorMeter: 6/8Choreography/Music: Drew Delaware
Formation: Longways duple minorKey: C/Cm, Meter: 6/8Dance InstructionChoreography/Music: Diane Schmit (1985) to a tune of the same name by Jonathan Jensen (1985)
Formation: Longways Duple Minor ImproperKey: Dm, Meter: 2/2Dance InstructionChoreography/Music: Brian Wedgbury
Formation: 3 couple longways setMeter: 2/2Dance InstructionChoreography/Music: Paul Ross/Roger Davidson
Formation: Longways duple minorKey: A, Meter: 3/4 Dance InstructionChoreography/Music: David Macemon (2017), music: "Butterflies Waltz", Ruth McLain
Formation: Longways duple minorKey: G, Meter: 3/2Dance InstructionChoreography/Music: Playford 1702 and a reconstruction by Eugenia Eremina-Solenikovoy.
Formation: Longways duple minorKey: A, Meter: 4/4Dance InstructionChoreography/Music: Unknown, pub in Sheffield,From Two Barns, v3
Formation: 3 couple longways setKey: c, Meter: 6/8Dance InstructionChoreography/Music: Sharon Green (2009) to The Serpent with Corners by Thomas Bending (1999)
Formation: 3 couple longways mixerKey: D, Meter: 6/8Dance InstructionChoreography/Music: Charles Bolton (1983)
Formation: 3 couple longways set (was triple minor)Meter: 6/8Dance InstructionChoreography/Music: Trevor Monson, 2009 to Jordan's Shore by Elvyn Blomfield
Formation: 4 couple longways setMeter: 4/4Choreography/Music: Kimberly, Ellie & Chava Hall/Mary Hall
Formation: Longways duple minor improperKey: D, Meter: 2/2Dance InstructionChoreography/Music: Gary Roodman(2009)
Formation: Round for as many as willKey: A, Meter: 6/8Dance InstructionChoreography/Music: Pat Shaw
Formation: 4 couple longways setKey: D, Meter: 2/4Choreography/Music: Dance and tune by Naomi Alexander (1998)
Formation: 3 couple longways setMeter: 4/4Choreography/Music: Don Corson with suggestions from Alan Winston and Colin Hume. This version is modified by Veronica Lane. Music is "Catharsis" played by Moving Violations.
Formation: 2 couple set (all in a line)Key: G/A, Meter: 2/4Dance InstructionChoreography/Music: Community Dance Manuals
Formation: Longways duple minorKey: G/A, Meter: 4/4Dance InstructionChoreography/Music: Community Dance Manuals
Formation: Longways duple minor improperKey: Am, Meter: 3/4Dance InstructionChoreography/Music: Gary Roodman (1999)/Gavotte by Pierre Caroubel (c. 1600)(?)
Formation: 3 couple longways setKey: A modal, Meter: 2/2Dance InstructionChoreography/Music: Gary Roodman to a tune by David Wiesler
Formation: Sicilian Circle or longways duple minor improperKey: G, Meter: 6/8Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: Longways duple minor improper mixerMeter: 6/8Dance InstructionChoreography/Music: Philippe Callens, 1999; Music: “Captain Tom,” published Walsh 1711
Formation: Longways duple minorKey: Bb, Meter: 2/4Dance InstructionChoreography/Music: Preston 1791
Formation: Longways Duple MinorMeter: 3/4Choreography/Music: Jenna Simpson (2023). The tune is "Release the Ender Dragon" by Dave Wiesler (2019)
Formation: Longways triple duple minor Key: D, Meter: 3/4Dance InstructionChoreography/Music: The Dancing Master 17th Ed. Vol. I 1721, reconstructed by Douglas and Helen Kennedy, 1929
Formation: Longways duple minorKey: G, Meter: 3/4Dance InstructionChoreography/Music: The Dancing Master 17th Ed. Vol.I 1721
Formation: Longways duple minorKey: F, Meter: 4/4Dance InstructionChoreography/Music: Young 1710, reconstruction by Andrew Shaw
Formation: Longways duple minorKey: A, Meter: 2/2Dance InstructionChoreography/Music: Thompson (1744)
Formation: 3 couple longways set; also as a circle mixerKey: Dm, Meter: 6/4Dance InstructionChoreography/Music: DancingMaster 1651; Interp. Bolton (2003). Choreography reconstructed as circle by Cécile Laye
Formation: Longways duple minorKey: Gm, Meter: 2/4Dance InstructionChoreography/Music: Thompson (1757) as reconstructed by Charles Bolton in Retreads 2 (1992)
Formation: 4 couple longways setMeter: 6/8Dance InstructionChoreography/Music: Renée Camus (2022); Tune by Dave Wiesler (1997)
Formation: Longways duple minorKey: Cm, Meter: 12/8Dance InstructionChoreography/Music: Playford (1713) as We'll Wed and We'll Bed, reconstruction by Bernatd Bentley (1962)
Formation: 3 couple longways set (was triple minor)Key: C, Meter: 4/4Choreography/Music: Ignatius Sancho 1779
Formation: 3 couple longways set (was triple minor)Key: Gm, Meter: 4/4Dance InstructionChoreography/Music: Young 1710; Interp. by Bernard Bentley
Formation: Double longways Becket variantKey: Gm, Meter: 2/2Dance InstructionChoreography/Music: Pat Shaw to ‘Sarabande op de Duchesse’ from Oude en Nieuwe Hollantse Boerenlietjes en Contredansen
Formation: Longways duple minorMeter: 3/4Choreography/Music: Bob Green to I’m Takin’ My Time by Larry Unger
Formation: Longways duple minorKey: Gm, Meter: 2/2Dance InstructionChoreography/Music: Bernard Bentley
Formation: Longways duple minorKey: G, Meter: 3/4Dance InstructionChoreography/Music: Choreography/Music: Cahusac 1801, interp. A. Simons 1970;,triple minor reconstruction:Reconstruction by Eugenia Solenikova and other variants. See 'Dance Instruction' above
Formation: Longways Triple MinorMeter: 3/4Dance InstructionChoreography/Music: Thompson 1816; Researched by Diana Campbell
Formation: 4 couple squareKey: Gm, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651
Formation: 3 couple longways set 2's improperKey: G Major, Meter: 3/4Dance InstructionChoreography/Music: Colin Hume to a tune by Roger Davidson (1991)
Formation: Longways duple minor improperKey: A, Meter: 4/4Choreography/Music: Brian Wedgbury (1972)
Formation: 3 couple longways set (was triple minor)Key: A minor, Meter: 2/2Dance InstructionChoreography/Music: Walsh 1798, Recontruction by Andrew Shaw
Formation: 3 couple longways setKey: F, Meter: 3/4Dance InstructionChoreography/Music: Bruce Hamilton (an adaptation of John Drewry's The Dunsmuir Strathspey) tune Breakaway Heart by Kathy Talvitie
Formation: 4 couple longways setMeter: 6/8Choreography/Music: Communiity Dance manuals
Formation: 3 couple longways setKey: G, Meter: 3/2Dance InstructionChoreography/Music: Neal Collection(c. 1726)
Formation: 8 couples in a square gridKey: G Major, Meter: 2/2Dance InstructionChoreography/Music: Ernst van Brakel to a tune by Colin Hume (1990)
Formation: Longways duple minor, 2's improperKey: G Major, Meter: 3/4Choreography/Music: Peter André for Bill and Daphne Holland’s 60th wedding anniversary to Langtan efter Sally ( Longing for Sally) by Bruce Sagan.
Formation: longways triple minorKey: A, Meter: 9/8Choreography/Music: Thompson 1800
Formation: Longways Duple MinorMeter: 4/4Choreography/Music: Robert Jamison
Formation: Processional line of couplesKey: G, Meter: 6/8Dance InstructionChoreography/Music: Unknown. Published in John Fitzhugh Milar, Elizabethan Country Dances
Formation: Longways duple minorKey: G/Em, Meter: 3/4Dance InstructionChoreography/Music: Philippe Callens, 2000 to Midwinter Blossom by Bob Pasquarello, 1989
Formation: 3 couple circleKey: D, Meter: 3/4Choreography/Music: Veronica Lane, to Ashokan Farewell
Formation: Longways duple minorKey: F, Meter: 2/4Dance InstructionChoreography/Music: Scott Higgs, 1994
Formation: 3 couple longways setKey: G Major, Meter: 2/2Dance InstructionChoreography/Music: Joseph Pimentel (2018), to "Sagina" by Thomas Campbell (1825)
Formation: longways triple minorKey: D, Meter: 6/8Dance InstructionChoreography/Music: Thompson 1783, 1788
Formation: 3 couple longways setKey: Am, Meter: 6/8Dance InstructionChoreography/Music: Kevin Prigmore (2015) to the tune 'Serpent with Corners' (Thomas Bending, 1999)
Formation: Longways Duple MinorKey: Gm, Meter: 2/2Dance InstructionChoreography/Music: Henry Playford, 1721. Interpreted by Graham Christian
Formation: Longways duple minorKey: Cm, Meter: 4/4Dance InstructionChoreography/Music: Erna Lynn Bogue (1994) to Miss Gordon of Gight by Issac Cooper (1790)
Formation: Longways duple minorKey: Dm, Meter: 3/2Dance InstructionChoreography/Music: J. Johnson Caledonian Country Dances 1733, reconstruction by Bernard Bentley (1977)
Formation: Longways Duple MinorKey: C Major, Meter: 6/8Dance InstructionChoreography/Music: Playford, 1695
Formation: Longways duple minorKey: Gm, Meter: 6/8Choreography/Music: Robin Burke to "The Tide" by Rebecca King, 2007
Formation: 3 couple longways setMeter: 4/4Dance InstructionChoreography/Music: Jenna Simpson, to the tune "Six Feet Under" by Becky Tracy
Formation: Longways duple minor improperMeter: 3/4Dance InstructionChoreography/Music: Susan Kevra to "Anita's Waltz" by Rachel Bell (2016)
Formation: Longways duple minorKey: D, Meter: 9/4Choreography/Music: Playford 1698 reconstructed by Andrew Shaw
Formation: 3 couple longways set Key: D Major, Meter: 6/8Dance InstructionChoreography/Music: Scott Higgs, 2018; to the tune The White Joak (Walsh, 1730)
Formation: Longways duple minorKey: G, Meter: 3/2Dance InstructionChoreography/Music: J. Walsh, 24 Country Dances for the year 1727; reconstruction by Andrew Shaw 2017
Formation: 3 couple longways setMeter: 4/4Choreography/Music: ?
Formation: Longways duple minorKey: G, Meter: 3/4Dance InstructionChoreography/Music: Colin Hume (1991)
Formation: 4 couple squareMeter: 3/4Choreography/Music: Elizabeth Goossen
Formation: 3 couple longways setMeter: 6/8Choreography/Music: Fried de Metz Herman (1984)
Formation: 4 couple longways setMeter: 3/4Choreography/Music: Cécile Laye (2nd part of a Purcell Triptych)
Formation: Longways duple minorKey: A, Meter: 4/4Dance InstructionChoreography/Music: Walsh 24CD,1712 as interp. by Tom Cook, to Come Let Us Be Merry 1975
Formation: Circle mixerKey: C, Meter: 4/4Choreography/Music: Loretta Holz?
Formation: Circle mixerMeter: 3/4Dance InstructionChoreography/Music: Colin Hume 2006
Formation: Sicillian Circle of TriosKey: D, Meter: 2/2Dance InstructionChoreography/Music: Gary Roodman(2003)' tune by Jonathan Jensen
Formation: Longways duple minorKey: F, Meter: 3/4Dance InstructionChoreography/Music: Alan Simpson-Vlach to Murray's Passage by Debbie Jackson
Formation: 4 couple longways setKey: D, Meter: 3/4Dance InstructionChoreography/Music: Colin Hume(2009) to a tune by Brian Stone
Formation: Longways duple minorKey: G minor, Meter: 2/2Dance InstructionChoreography/Music: Kynaston (1690; ) Andrew Shaw recontruction (2006)
Formation: 4 couple squareKey: D, Meter: 3/4Choreography/Music: Antony Heywood, 1990
Formation: 4 couple squareMeter: 4/4Choreography/Music: Loretta Holz to a tune by Charlene Thomson
Formation: Longways duple minorKey: Dm, Meter: 3/2Dance InstructionChoreography/Music: Playford 1701
Formation: Longways duple minorKey: G, Meter: 6/8Dance InstructionChoreography/Music: Johnson c. 1750
Formation: Longways duple minor improperKey: Gm, Meter: 6/8Dance InstructionChoreography/Music: Sharon Green (2013);,tune by Martha Stokely (2012)
Formation: Longways duple minorKey: D, Meter: 6/8Dance InstructionChoreography/Music: Fried de Metz Herman to A Soldier and a Sailor (Walsh - 1718) Dance written for Andrew Shaw
Formation: 3 couple longways setKey: G, Meter: 2/2Dance InstructionChoreography/Music: Fried deMetz Herman to "For Al" by John Stapledon (2004)
Formation: Circle (no progression)Key: Gm, Meter: 6/8Dance InstructionChoreography/Music: Playford 1670
Formation: Longways duple minorKey: Gm, Meter: 3/2Dance InstructionChoreography/Music: Walsh & Hare, Twenty-four New Country Dances for the year 1708 as reconstucted by Andrew Shaw c2009
Formation: Longways duple minorKey: F, Meter: 3/4Choreography/Music: Playford 1696
Formation: Longways duple minor improperMeter: 6/8Choreography/Music: Terry Glasspool to tune of the same name by Charlene Thomson
Formation: 3 couple longways setKey: D, Meter: 2/4Dance InstructionChoreography/Music: Pat Shaw (1972)
Formation: 8 couples in a square gridMeter: 4/4Dance InstructionChoreography/Music: Keith Wood November 2013 TO 4X32 bar reels
Formation: Longways Duple MinorMeter: 4/4Choreography/Music: Susan Kevra (2023), to a tune by Rachel Bell
Formation: Longways Duple Minor ImproperMeter: 3/4Dance InstructionChoreography/Music: Playford 1698; Interp. Andrew Shaw 2023
Formation: Longways duple minorKey: Bm, Meter: 3/4Dance InstructionChoreography/Music: Bob Green to tune by Larry Unger (was Flowers for Bridget)
Formation: 3 couple longways set Meter: 3/4Dance InstructionChoreography/Music: Robert Jamison (2023); Tune: Evening Waltz, by Dave Marcus (2014)
Formation: Longways Duple Minor ImproperMeter: 3/4Dance InstructionChoreography/Music: Orly Krasner (1999); tune is "Hewlett" by O'Carolan
Formation: Longways duple minorKey: Gm, Meter: 6/8Dance InstructionChoreography/Music: The Dancing Master 10th Ed. 1698 Walsh c. 1735 Neal c. 1726
Formation: 4 couple longways setMeter: 4/4Choreography/Music: Elizabeth Goossen
Formation: Longways duple minorKey: Em/E, Meter: 4/4Dance InstructionChoreography/Music: Fried de Metz Herman (1989) to "Fiddling David"
Formation: 4 couple squareKey: Gm, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651 (Faine through EDM 1670, then Fain)
Formation: Longways duple minor Key: Dm, Meter: 3/4Dance InstructionChoreography/Music: Walsh 1728 reconstructed by Tom Cook (1979)
Formation: Longways duple minor improperKey: C, Meter: 3/4Dance InstructionChoreography/Music: Gary Roodman (1996); to a tune by Michael Praetorius
Formation: Longways duple minorKey: Gm, Meter: 2/2Choreography/Music: Scott Higgs; tune by Thomas Farmer (1683)
Formation: Longways duple minorKey: Fmajor, Meter: 2/2Choreography/Music: John Farmer 1565-1605
Formation: Longways duple minorKey: D, Meter: 6/8Dance InstructionChoreography/Music: Playford 1718; Interp. Pat Shaw 1961
Formation: 3 couple longways set (was triple minor)Key: Gm, Meter: 9/8Dance InstructionChoreography/Music: Thompson 1773 to tune by Thomas Arne
Formation: Longways Duple Minor ImproperMeter: 3/2Dance InstructionChoreography/Music: A Finite Set of Calculated Figures (Gary Roodman, 2023)
Formation: 4 couple longways setMeter: 3/4Choreography/Music: Mario Tille, to the tune Waltz for Richard
Formation: Longways duple minorKey: D, Meter: 4/4Dance InstructionChoreography/Music: Anna Bidder (c. 1969) to A'rovin
Formation: Longways Duple MinorKey: G, Meter: 4/4Choreography/Music: Jenna Simpson, to the tune "Nancy Dawson’s Fancy" (1765)
Formation: 3 couple longways setKey: D, Meter: 6/8Dance InstructionChoreography/Music: Thompson 1765 (triple minor), reconstucted as 3 couple dance by W.S. Porter (1931). see 'Dance Instruction' above
Formation: Longways duple minor improperKey: Bm, Meter: 3/4Dance InstructionChoreography/Music: Gary Roodman (2003) to tune of the same name by Peter Jung
Formation: 4 couple longways set; 1s and 3s improperMeter: 4/4Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: Longways duple minor improperKey: Bm, Meter: 3/4Dance InstructionChoreography/Music: Dan Seppler, 2012 to Farewell Marian
Formation: Longways duple minorKey: A, Meter: 6/8Dance InstructionChoreography/Music: Joseph Pimentel; tune by Adam Broome
Formation: 3 couple longways setKey: G, Meter: 3/4Dance InstructionChoreography/Music: Mr. Nathaniel Kynaston in J. Walsh J Hare 1718, reconstructed by Andrew Shaw (2009)
Formation: 2 couple setMeter: 2/2Dance InstructionChoreography/Music: Gary Roodman 2009; tune is Branle De Bourgogne composed by T. Arbeau
Formation: Longways duple minorKey: D, Meter: 4/4Dance InstructionChoreography/Music: Bob Lilley (1999)
Formation: Sicilian CircleKey: C, Meter: 6/8Dance InstructionChoreography/Music: Fried de Metz Herman (2005)to Gloria by A. Vivaldi ca. 1708
Formation: 4 couple squareKey: C, Meter: 4/4Dance InstructionChoreography/Music: Elizabeth Goossen to her tune "Caoline's Fancy"
Formation: 4 couple longways setKey: Dm, Meter: 3/4Dance InstructionChoreography/Music: Colin Hume to a tune by Dave Brown (2002)
Formation: Longways duple minorKey: D, Meter: 6/8Dance InstructionChoreography/Music: Michael Cicone
Formation: Longways duple minorKey: Gm, Meter: 6/8Dance InstructionChoreography/Music: Walsh & Essex, For the Improvement of Music 1710
Formation: Longways duple minorKey: C, Meter: 4/4Dance InstructionChoreography/Music: Joyce Walker to Nancy's Fancy by Fred Grimshaw
Formation: Longways Duple MinorKey: G Major, Meter: 3/4Dance InstructionChoreography/Music: Robert Jamison (2023)
Formation: 3 couple longways setKey: Am, Meter: 2/4Choreography/Music: Ferry Crossing by Peggy Roe (2017) Music: 'Rushin' for the Ferry' by Dan Page (2007)
Formation: Longways duple minorMeter: 6/8Choreography/Music: Loretta Holz
Formation: Longways duple minor improperKey: D, Meter: 4/4Choreography/Music: Alan Winston (2007) tune by Jon Berger
Formation: Longways duple minorKey: C, Meter: 2/4Choreography/Music: Rosemary Lach to "Lady Marian" by Gregory Brown @2008
Formation: Longways Duple MinorKey: Bm, Meter: 6/8Dance InstructionChoreography/Music: John Nash, 2025
Formation: 4 couple squareKey: Dm, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651
Formation: Longways duple minor improperKey: D, Meter: 3/4Dance InstructionChoreography/Music: Gary Roodman (2008)/Charlene Thomson
Formation: 4 couple longways setKey: Em, Meter: 9/8Dance InstructionChoreography/Music: Gary Roodman (1996/)A Fig for a Kiss (trad.
Formation: Longways Duple MinorKey: D minor, Meter: 2/4Dance InstructionChoreography/Music: Fried de Metz Herman, 1987, to Friar Bungy (trad)
Formation: Longways duple minorKey: Bb, Meter: 6/8Dance InstructionChoreography/Music: Fried Herman (1991) to 'Lady Gregory's Fair Flower'
Formation: Longways Duple MinorKey: A Major, Meter: 6/8Dance InstructionChoreography/Music: Thompson, 1780
Formation: Longways duple minor improperKey: Am, Meter: 2/2Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: 2 couple setMeter: 6/8Dance InstructionChoreography/Music: Loretta Holz, 2011; Music: “The Gates of Heck” by Dave Wiesler
Formation: longways triple minorKey: D, Meter: 2/2Choreography/Music: Dancing Master 1788-1833, John Griffiths
Formation: Longways duple minor improperMeter: 3/4Choreography/Music: Burt Hunter
Formation: Longways duple minor improperKey: Am, Meter: 2/2Dance InstructionChoreography/Music: Fried de Metz Herman the Lover's Petition by John Barrett 1700
Formation: Longways duple minorKey: C, Meter: 3/4Choreography/Music: Hazel Moir (April 2015) to tune "The Lovely Nymph" by J. Jones.
Formation: Longways duple minor improper, 1's alternating proprietyKey: G, Meter: 6/8Dance InstructionChoreography/Music: Sharon Green (2009)
Formation: Longways duple minorKey: G, Meter: 3/2Choreography/Music: Brian Wedgbury
Formation: Longways duple minorKey: G, Meter: 3/2Dance InstructionChoreography/Music: J. Walsh, J. Hare 1718; reconstruction by Andrew Shaw
Formation: Longways duple minorKey: G, Meter: 4/4Dance InstructionChoreography/Music: Unknown, American Revolutionary War period
Formation: Longways duple minorKey: C, Meter: 3/4Dance InstructionChoreography/Music: Kalia Kliban to "A Bruxa" by Anton Seoane.
Formation: Longways Duple MinorMeter: 2/2Dance InstructionChoreography/Music: Jenna Simpson, to the tune "The Brewer Laddie" (Trad.)
Formation: Longways duple minorKey: C, Meter: 3/4Dance InstructionChoreography/Music: Dance and music by Colin Hume (2005); written for the band :focuspocus Dan and Caroline Hollingshurst
Formation: Longways Duple MinorMeter: 4/4Choreography/Music: Bob Olson, to the tune 'Faeries and Fools', by Leal Whitehead
Formation: Longways duple minorKey: Dm, Meter: 3/4Dance InstructionChoreography/Music: Brook Friendly and Chris Sackett , published in Impropriety Vol. III
Formation: Longways duple minorKey: F, Meter: 3/2Dance InstructionChoreography/Music: Kynaston, interpretation by Andrew Shaw
Formation: 4 couple longways, 1st couple on centre line man at top, lady at bottomKey: D, Meter: 6/8Dance InstructionChoreography/Music: Julian Hill to a tune by Eileen Muscroft (2004)
Formation: Longways duple minorKey: A Minor, Meter: 6/8Choreography/Music: Ron Coxall, 1991
Formation: Longways Duple MinorKey: A Minor, Meter: 3/4Dance InstructionChoreography/Music: Robert Jamison (2023)
Formation: Longways duple minor improperKey: G, Meter: 3/2Dance InstructionChoreography/Music: Gary Roodman (2013) to a tune by Debbie Jackson.
Formation: Longways duple minor improperKey: Gm, Meter: 9/8Dance InstructionChoreography/Music: Gary Roodman tune: Jonathan Jensen @2012
Formation: 4 couple longways setKey: G/A, Meter: 6/8Dance InstructionChoreography/Music: Traditional; pub. in Hamilton, EFSS Comunity Dance Manual
Formation: 3 couple longways setMeter: 6/8Choreography/Music: Mary Devlin to McFarland's Jig
Formation: 3 couple longways set Meter: 4/4Dance InstructionChoreography/Music: John Sweeney
Formation: 3 couple longways setKey: G, Meter: 3/2Dance InstructionChoreography/Music: Pat Shaw (1972)
Formation: Longways duple minorKey: Gm, Meter: 6/8Dance InstructionChoreography/Music: Playford 1709
Formation: Longways duple minorKey: Dm, Meter: 6/8Dance InstructionChoreography/Music: Steve Sargent to tune by Daron Douglas
Formation: Longways duple minorKey: D, Meter: 9/8Dance InstructionChoreography/Music: Colin Hume (2009) to a trad. Irish slip jig
Formation: Longways Duple MinorMeter: 4/4Choreography/Music: Keith Woods, 2025
Formation: 3 couple longways set (was triple minor)Key: Gm, Meter: 2/2Dance InstructionChoreography/Music: Thompson 1778
Formation: longways triple minorKey: G, Meter: 2/2Dance InstructionChoreography/Music: David and Kathryn Wright/Edgeworth Bumpkins trad
Formation: Longways Duple MinorMeter: 6/4Dance InstructionChoreography/Music: Walsh 1706; Interp. Andrew Shaw
Formation: 4 couple longways set; 1s and 3s improperMeter: 6/8Dance InstructionChoreography/Music: Hilary Herbert (2014), to 'The Falling Leaf' by Dave Wiesler (1994)
Formation: Longways duple minor improperKey: Gm, Meter: 3/2Dance InstructionChoreography/Music: Gary Roodman (2015) to "Without his Tiger" by Dave Wiesler
Formation: longways triple minorKey: E minor, Meter: 9/8Dance InstructionChoreography/Music: Chris Sackett, 2001 to "The Butterfly" traditional Irish
Formation: 3 couple longways setKey: Gm, Meter: 2/2Choreography/Music: W, Pearson and John Young, 1718. Interp. as 3-couple set by Andrew Shaw
Formation: 3 couple longways setKey: D, Meter: 2/2Dance InstructionChoreography/Music: Fried deMetz Herman to Orielton House
Formation: 3 couple longways setMeter: 3/4Choreography/Music: Robert Jamison, to his tune "Calm Sea"
Formation: longways triple minorKey: G, Meter: 2/2Dance InstructionChoreography/Music: The Dancing Master 1698 (10th Edition)
Formation: Longways duple minorKey: G, Meter: 3/4Dance InstructionChoreography/Music: Leslie Lassetter, 2002; to her tune "Turning and Spinning"
Formation: Longways Duple MinorKey: D minor, Meter: 4/4Dance InstructionChoreography/Music: Brooke Friendly and Chris Sackett, 2024; tune by Shira Kammen 2024
Formation: Longways duple minorKey: Gm, Meter: 2/2Dance InstructionChoreography/Music: Playford 1651
Formation: Longways duple minorKey: C, Meter: 6/8Choreography/Music: Don Theyken in 2008, to Doctor Who Pirate Jig by Martha Stokely
Formation: 6 couple longways setKey: G, Meter: 2/4Dance InstructionChoreography/Music: unknown; interp. Sharp 1909
Formation: 4 couple longways setKey: A, Meter: 2/4Dance InstructionChoreography/Music: Jenna Simpson to tune Shepherd and Shepherdess (1799)
Formation: Longways duple minorMeter: 6/4Dance InstructionChoreography/Music: David Smukler 2000, to "Archibald MacDonald of Keppoch" (an 18th century Scottish tune)
Formation: 4 couple longways setKey: C, Meter: 3/4Dance InstructionChoreography/Music: Orly Krasner to Judy’s Jubilation by Dave Wiesler
Formation: Longways duple minorKey: C, Meter: 4/4Dance InstructionChoreography/Music: Playford 1688 inter. by Tom Cook
Formation: Longways duple minorKey: D, Meter: 4/4Dance InstructionChoreography/Music: Essex 1710; Feuillet 1706. interpretation Pat Shaw
Formation: Circle mixerMeter: 3/4Choreography/Music: Tune and dance c2014 by Sharon McKinley
Formation: Circle mixerKey: A, Meter: 2/2Dance InstructionChoreography/Music: Choreography/Music: Playford 1651 see 'Dance Instruction' above
Formation: Longways duple minorKey: Am, Meter: 3/4Dance InstructionChoreography/Music: Greta Christina to "Welcome" by O'Carolan
Formation: Longways duple minor improperKey: D, Meter: 6/8Dance InstructionChoreography/Music: Pierre Trappeniers c. 1777 reconstriction by Philippe Callens (2002)
Formation: 3 couple longways set Key: Bflat, Meter: 6/8Dance InstructionChoreography/Music: Pat Shaw (1972)
Formation: Longways duple minorKey: Gm, Meter: 4/4Dance InstructionChoreography/Music: Nathanial Kynaston (1718) as interpreted by Andrew Shaw (2002
Formation: Longways Duple MinorMeter: 3/4Choreography/Music: David Smukler (2024); tune by Debbie Jackson (2024)
Formation: 3 couple circleKey: A Dorian, Meter: 4/4Dance InstructionChoreography/Music: Playford, 1657
Formation: Longways duple minor, 2's improperKey: Gm, Meter: 6/8Dance InstructionChoreography/Music: Sharon Green (2012 ) to G Minor Jig, by Martha Stokely (2012)
Formation: Longways triple minorKey: D modal, Meter: 2/2Dance InstructionChoreography/Music: Orly Krasner
Formation: Longways duple minorKey: D, Meter: 2/2Dance InstructionChoreography/Music: Brooke Friendly and Chris Sackett, to "March for Warren" by Peter Barnes (2010)
Formation: 2 couple set (facing couples)Meter: 6/8Dance InstructionChoreography/Music: Fried de Metz Herman
Formation: Longways duple minorKey: C, Meter: 2/2Dance InstructionChoreography/Music: Philippe Callens to the tune “Duke of Buckingham,” by Geoff Mendham.
Formation: Longways duple minorKey: A, Meter: 6/8Dance InstructionChoreography/Music: EDM 1696-1728; Playford 1698 to Hunt the Squirrel; Cecil Sharp 1922
Formation: 3 couple longways setKey: G, Meter: 6/8Dance InstructionChoreography/Music: Daniel Herr 1975, to Greenholm, trad.
Formation: 3 couple longways setMeter: 3/4Choreography/Music: Elizabeth Goosen
Formation: 3 couple longways setKey: Bm, Meter: 2/4Dance InstructionChoreography/Music: Chris Sackett and Brooke Friendly to Kuparai Eeva
Formation: Longways duple minorMeter: 3/4Dance InstructionChoreography/Music: Paul Harris/Samuel Sim for BBC'sEmma 2009 Reconstruction here by M.Angad Gaur. JASNL
Formation: 4 couple squareKey: G, Meter: 4/4Choreography/Music: Peggy Roe to a Lancashire Morris dance tune by the same name and a variant source unknown.
Formation: Longways duple minor improperKey: Em, Meter: 3/4Dance InstructionChoreography/Music: Fried deMetz Herman (1988) to Bonnie George Campbell and Wandering Willie
Formation: Longways duple minorKey: B-flat Major, Meter: 6/8Dance InstructionChoreography/Music: Jenna Simpson, to a tune by Guillaume Sparrow-Pepin
Formation: Longways Duple MinorMeter: 4/4Choreography/Music: Jenna Simpson 2023. Tune is "Trip to the Boiling Lake" (Dave Wiesler, 2022).
Formation: Longways duple minorKey: D, Meter: 4/4Dance InstructionChoreography/Music: Pat Shaw (1974)
Formation: Longways Duple MinorMeter: 4/4Choreography/Music: Susan Kevra 2023, to a tune by Rachel Bell
Formation: Longways duple minorKey: Gm, Meter: 6/4Choreography/Music: Thomas Bray 1699
Formation: 3 couple longways setKey: Gm, Meter: 4/4Dance InstructionChoreography/Music: Ron Coxall to a tune by Heather Bexton
Formation: 2 couple set (facing couples)Key: G, Meter: 2/2Dance InstructionChoreography/Music: Playford 1651
Formation: Longways triple minorKey: D, Meter: 3/4Dance InstructionChoreography/Music: Anne Broderip and Georges Wilkinson, 1806
Formation: 3 couple longways setKey: G, Meter: 4/4Dance InstructionChoreography/Music: Thomas Bray 1699 tune by John Lenton
Formation: Longways duple minorMeter: 3/4Choreography/Music: Charlene Thomson
Formation: 4 couple squareKey: G, Meter: 4/4Choreography/Music: Yorkshire Trad. Pat Shaw
Formation: Longways duple minorKey: Em, Meter: 4/4Choreography/Music: John Gardiner-Garden
Formation: 4 couple longways setKey: Gm, Meter: 2/2Dance InstructionChoreography/Music: Playford 1651
Formation: 3 couple longways set or longways duple minorKey: Bm/D, Meter: 9/8Dance InstructionChoreography/Music: Scott Higgs (2018), to Humours of Whiskey (Irish Trad.)
Formation: 3 couple longways setKey: D, Meter: 2/2Dance InstructionChoreography/Music: Philippe Callens - 1986, to Spagnolette Reformeert (Dutch traditional tune)
Formation: Longways duple minorKey: D, Meter: 6/8Choreography/Music: Fried de Metz Herman/tune by John Stapledon?
Formation: Longways triple minorKey: G, Meter: 3/4Dance InstructionChoreography/Music: Christine Helwig to Eric’s Scott's tune “Christine and Ed’s Waltz,”
Formation: Sicilian circleMeter: 3/4Choreography/Music: Nicolas Broadbridge, 1993
Formation: 4 couple squareKey: G, Meter: 3/4Dance InstructionChoreography/Music: Philippe Callens/ Jonathan Jensen
Formation: Longways duple minorKey: Am, Meter: 4/4Dance InstructionChoreography/Music: Gary Roodman (1992)/Rondo Alla Turca, W.A. Mozart
Formation: Longways duple minor improperKey: D, Meter: 4/4Dance InstructionChoreography/Music: Sharon McKinley, August 2011
Formation: 3 couple longways setKey: A, Meter: 6/8Dance InstructionChoreography/Music: Thompson's Compleat Collection of 200 Favorite Dances Vol 3, 1768
Formation: Longways duple minorKey: G, Meter: 6/8Dance InstructionChoreography/Music: Fried deMetz Herman (2000) to Bryant Aveniue Blues by George Davis (2000)
Formation: Longways duple minorKey: G, Meter: 6/8Dance InstructionChoreography/Music: Loretta Holz (2006) to Joyful Jig by Charlene Thomson
Formation: Longways duple minorMeter: 6/8Choreography/Music: Elias Howe
Formation: Longways duple minorKey: C, Meter: 9/8Choreography/Music: Sol Weber (2006) to a traditional South Wales tune
Formation: 3 couple longways setKey: Dm, Meter: 2/2Dance InstructionChoreography/Music: Playford 1651
Formation: Longways duple minorKey: Bb, Meter: 2/2Choreography/Music: Thomas Bray 1699
Formation: Longways duple minorMeter: 2/2Dance InstructionChoreography/Music: Keith Wood April 2012 to 16 bar march esp. Hagsätra Brudmarsch by Väsen
Formation: Longways duple minorKey: Dm, Meter: 4/4Choreography/Music: Melissa Running, tune by Josh Burdick @2006
Formation: Longways Duple MinorMeter: 4/4Dance InstructionChoreography/Music: John Essex, 1710; Interp. Pat Shaw, 1965
Formation: Longways Duple MinorKey: B-flat Major, Meter: 4/4Dance InstructionChoreography/Music: Renée Camus (2024), to the tune Evergreen, by Jon Berger
Formation: 3 couple longways set (was triple minor)Key: DM, Meter: 6/8Dance InstructionChoreography/Music: Neal c. 1726
Formation: Longways duple minorKey: G Mixolydian, Meter: 6/8Dance InstructionChoreography/Music: Brooke Friendly and Chris Sackett, 2014, tune is "Walnut Hill" by Shira Kammen
Formation: Longways Duple MinorMeter: 6/8Choreography/Music: Bob Thompson, 2025
Formation: 3 couple longways setKey: Gm, Meter: 6/8Dance InstructionChoreography/Music: Playford 1721, reconstructed by Douglas and Helen Kennedy (1919)
Formation: 5 couple longways setMeter: 4/4Choreography/Music: Chris Sackett and Brooke Friendly (2015)
Formation: Longways Duple MinorKey: D minor, Meter: 6/8Dance InstructionChoreography/Music: Playford 1718; Interp. Simons 1990
Formation: 3 couple longways setKey: A, Meter: 3/8Dance InstructionChoreography/Music: Playford 1651
Formation: Longways duple minorKey: Dm, Meter: 6/4Choreography/Music: The Dancing Master 17th Ed. Vol. I 1721
Formation: Longways duple minor improperKey: Am, Meter: 3/4Dance InstructionChoreography/Music: Eric Leber
Formation: 3 couple longways setKey: A, Meter: 3/4Dance InstructionChoreography/Music: Wright, 1740
Formation: longways or circle mixerKey: G, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651 (longways and circle)
Formation: 3 couple longways setMeter: 6/8Dance InstructionChoreography/Music: Fried de Metz Herman, to "Jump at the Sun" by John Kirkpatrick
Formation: 3 couple longways setKey: G, Meter: 6/8Dance InstructionChoreography/Music: Mary Devlin (2001) to tune by Liz Donaldson
Formation: Sicilian CircleKey: D Major, Meter: 6/8Dance InstructionChoreography/Music: Pat Shaw 1970
Formation: longways triple minorKey: Cm, Meter: 3/2Dance InstructionChoreography/Music: Playford 1710, reconstructed by Bernard J. Bentley (1962)
Formation: Longways duple minorMeter: 4/4Dance InstructionChoreography/Music: Pat Shaw to McDonald’s Reel
Formation: Longways duple minor improperKey: Gm, Meter: 3/2Dance InstructionChoreography/Music: Gary Roodman (2005)/adapted from Virgin's Frolic(Playford 1713)
Formation: 2 couple set (facing couples)Key: D, Meter: 2/2Dance InstructionChoreography/Music: Gary Roodman (1992)/Bouree from G.F Handel's Water Music, Suite No.2 in D
Formation: Longways duple minorKey: G, Meter: 3/2Dance InstructionChoreography/Music: Dance and tune by Tom Siess, 2006
Formation: Longways duple minorKey: Dm, Meter: 2/4Dance InstructionChoreography/Music: Paula Kelly (2007) to "Koker-yes" by Lar Dugan (2007
Formation: 3 couple longways set (was triple minor)Key: D, Meter: 6/8Dance InstructionChoreography/Music: Thompson, Twenty Four Country Dances, 1777
Formation: 3 couple longways setKey: D, Meter: 6/8Dance InstructionChoreography/Music: Nathaniel Kynaston, 1716
Formation: Longways duple minorKey: A, Meter: 4/4Dance InstructionChoreography/Music: Sharon Green. Tune by Jonathan Jensen (2014)
Formation: Longways Duple MinorMeter: 4/4Choreography/Music: Bruce Herbold to a tune by Maggie Moore
Formation: Longways duple minorKey: D, Meter: 6/8Dance InstructionChoreography/Music: Playford 1696
Formation: 3 couple longways set (was triple minor)Key: G, Meter: 2/2Dance InstructionChoreography/Music: Walsh 1736
Formation: 3 couple longways setMeter: 3/4Choreography/Music: Pat Shaw, 1974
Formation: 3 couple longways setKey: C, Meter: 3/2Dance InstructionChoreography/Music: Published: Dancing Master (Playford) I: 1703-1728 Renovated Eugenia Eremina-Solenikovoy
Formation: Longways duple minorMeter: 6/8Dance InstructionChoreography/Music: Pat Shaw to 'Harlequin' from Oude en Nieuwe Hollantse Boerenlietjes en Contredansen,
Formation: Longways duple minorKey: F, Meter: 6/8Dance InstructionChoreography/Music: Johnson c 1742 / reconstuction by Andrew Shaw (2012)
Formation: 1 couple shortways setMeter: 4/4Dance InstructionChoreography/Music: Don Bell (2020)
Formation: Longways Duple Minor (or as a 2 couple set)Meter: 4/4Dance InstructionChoreography/Music: Diane Bell (2021)
Formation: Longways duple minorKey: Am, Meter: 4/4Dance InstructionChoreography/Music: Neal c. 1726
Formation: Longways duple minorKey: D, Meter: 6/8Dance InstructionChoreography/Music: Chris Sackett and Brooke Friendly (2006) to La Maison de Glace by Rejean Brunet, published in Impropriety Vol. II
Formation: Longways duple minorKey: D, Meter: 9/8Dance InstructionChoreography/Music: Jenny Beer
Formation: Longways duple minorKey: Gm, Meter: 6/8Dance InstructionChoreography/Music: Walsh 1718
Formation: 4 couple longways setKey: G, Meter: 2/2Dance InstructionChoreography/Music: Playford 1651
Formation: Longways Duple MinorMeter: 3/4Dance InstructionChoreography/Music: Jenna Simpson (2020), to the tune "22 more" by Dave Wiesler
Formation: Longways duple minor improperKey: F, Meter: 3/2Dance InstructionChoreography/Music: 2008, Orly Krasner; tune by Jonathan Jensen
Formation: 2 couple set (facing couples)Key: Gm, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651
Formation: Longways Duple MinorMeter: 3/4Dance InstructionChoreography/Music: Michael Wood/Dave Wiesler
Formation: Longways duple minor improperKey: D, Meter: 6/8Choreography/Music: Lena Rees and John Lagden c. 1983
Formation: 4 couple squareKey: G, Meter: 3/4Dance InstructionChoreography/Music: Pat Shaw/ trad tune
Formation: Circle MixerKey: F, Meter: 4/4Choreography/Music: Don & Diane Bell (2026), to Simple Gifts
Formation: 3 couple longways mixer, 2's improperMeter: 3/4Dance InstructionChoreography/Music: Philippe Callens, to "The Healing Physician" by Roger Davidson
Formation: 4 couple longways setKey: G, Meter: 2/2Dance InstructionChoreography/Music: Colin Hume for Helena Moss on the occasion of her wedding to Jim Crouch, 26Mar1988
Formation: Longways duple minorKey: A, Meter: 6/8Dance InstructionChoreography/Music: Claudio Buchwald
Formation: Longways Duple MinorKey: D minor, Meter: 4/4Dance InstructionChoreography/Music: Melissa Running, to a tune by Dave Wiesler
Formation: 4 couple longways setMeter: 6/8Dance InstructionChoreography/Music: Pat Shaw 1975
Formation: Longways duple minorKey: C, Meter: 2/4Choreography/Music: Bernard Bentley
Formation: Longways duple minorKey: Dm, Meter: 3/2Dance InstructionChoreography/Music: Gary Roodman (1999)
Formation: Longways duple minorKey: Gm/G, Meter: 3/2Dance InstructionChoreography/Music: Gary Roodman (2003)
Formation: 7 dancers (2 lines of 3 and one in the middle)Meter: 6/8Choreography/Music: Alan White
Formation: 4 couple longways setMeter: 12/8Dance InstructionChoreography/Music: Lord Iulstan Sigewealding/ Heather Rose Jones 1990
Formation: 4 couple longways setMeter: 12/8Choreography/Music: written by Heather Rose Jones, arranged by Paul Butler,c.1990)
Formation: Longways Duple MinorMeter: 6/8Choreography/Music: Melissa Running, 2024
Formation: 4 couple longways setKey: D, Meter: 2/2Dance InstructionChoreography/Music: Pat Shaw, 1974
Formation: Longways Duple MinorKey: C, Meter: 6/4Dance InstructionChoreography/Music: Playford, 1679. (This is NOT the same as "Cuckolds All In a Row".)
Formation: 2 couple set (facing couples)Key: C, Meter: 6/8Dance InstructionChoreography/Music: Cecil Sharp (Hey Boys Up Go We modified/renamed by FolkinMotion)
Formation: 4 couple longways setMeter: 4/4Choreography/Music: Dave Turner; Tune is Independence, by Orly Krasner
Formation: Longways duple minorKey: Em, Meter: 9/8Dance InstructionChoreography/Music: Brooke Friendly and Chris Sackett (2003) to Spatter the Dew, trad. Irish, published in Impropriety Vol. 1
Formation: Longways duple minorKey: F Maj, Meter: 6/8Dance InstructionChoreography/Music: Liz Donaldson, 2011, tune is her "Hazelfern Jig" (2000)
Formation: Longways duple minorKey: C, Meter: 4/4Dance InstructionChoreography/Music: Pat Petersen (2014) to Highlander's Farewell (trad).
Formation: longways triple minorKey: C, Meter: 4/4Dance InstructionChoreography/Music: John & William Neal, 1726
Formation: Sicilian Circle of TriosMeter: 4/4Dance InstructionChoreography/Music: George Appleton, 1848
Formation: Longways Duple MinorMeter: 2/4Dance InstructionChoreography/Music: Playford (John Young) 1726; Interp. Andrew Shaw 2024
Formation: Longways duple minorKey: E/Cm, Meter: 2/4Dance InstructionChoreography/Music: Mr. Nathaniel Kynaston. Walsh. Hare (1718) reconstruction by Andrew Shaw (2008)
Formation: Longways duple minorKey: Am, Meter: 9/8Dance InstructionChoreography/Music: John Nash to A Minor Slip Jig, by Martha Stokely 2006.
Formation: Longways triple minorKey: G Major, Meter: 2/2Dance InstructionChoreography/Music: Daniel Beal (2024) to “Mike’s Per Diem,” by Katie Grennan (2017). Note: There is an unrelated dance from 1750, interpreted by Colin Hume.
Formation: 2 couple set (facing couples)Key: Em, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651
Formation: 3 couple longways setKey: G, Meter: 6/8Dance InstructionChoreography/Music: Ian Hughes 1999 to Wheatsheaf Tavern
Formation: Longways duple minorKey: F, Meter: 4/4Dance InstructionChoreography/Music: Wright 1740
Formation: Longways duple minorKey: Bb, Meter: 3/2Dance InstructionChoreography/Music: Choreography/Music: EDM 1701 and a reconstruction into circular formation; reconstructions by Cecil Sharp and Eugene Solennikovoy, see 'Dance Instruction' above
Formation: Longways duple minorKey: D, Meter: 6/8Dance InstructionChoreography/Music: Brooke Friendly and Chris Sackett (2005); to Le Brandevin by Robert Amyot (1990 & 2005),published in Impropriety Vol. 1
Formation: Longways duple minor improperKey: Gmx, Meter: 9/8Dance InstructionChoreography/Music: Gary Roodman(1999)/Jonathan Jensen
Formation: Longways Duple MinorMeter: 4/4Dance InstructionChoreography/Music: Preston 1806
Formation: Longways duple minorKey: Bb, Meter: 3/4Dance InstructionChoreography/Music: Gary Roodman(2003)/Jonathan Jensen
Formation: Longways duple minorKey: D, Meter: 6/8Dance InstructionChoreography/Music: Preston, 1794, reconstruction by Bert Simons c. 1991
Formation: 3 couple longways setKey: D, Meter: 9/8Dance InstructionChoreography/Music: Thompson 1786
Formation: Longways duple minor improperKey: Gmx, Meter: 2/2Dance InstructionChoreography/Music: Gary Roodman (2003)/Branle de Cheveaux (T. Arbeau, 1589)
Formation: 4 couple longways set; 2s and 4s improperKey: G, Meter: 4/4Dance InstructionChoreography/Music: Philippe Callens to Squire Parsons by Turlough O'Carolan
Formation: Longways Duple MinorKey: D Major, Meter: 3/4Dance InstructionChoreography/Music: Jenny Beer (2017); Tune is "A Man of Consequence" by Kathy Talvitie
Formation: 4 couple squareKey: Gm, Meter: 3/4Dance InstructionChoreography/Music: Colin Hume (2017)
Formation: Longways duple minorKey: G, Meter: 3/4Dance InstructionChoreography/Music: Jacqueline Schwab & Charles Hamond, 1974. Tune: Dance to Your Daddy.
Formation: 3 couple longways setKey: Dm, Meter: 3/4Dance InstructionChoreography/Music: Kynaston 1710 The Dancing Master 15th Ed. 1713 Walsh 1718
Formation: 4 couple squareKey: C, Meter: 6/8Dance InstructionChoreography/Music: Playford 1657
Formation: longways triple minorKey: G, Meter: 6/8Dance InstructionChoreography/Music: Playford 1709
Formation: Longways triple minor or longways duple minorMeter: 4/4Dance InstructionChoreography/Music: Trad. Interp. Sharp 1909
Formation: Longways duple minorKey: Dm, Meter: 2/2Dance InstructionChoreography/Music: Playford 1721; Fallibroome Collection, Bernard Bentley
Formation: Longways duple minorKey: G, Meter: 6/8Choreography/Music: Walsh, 1713, interpreted by Michael Barraclaugh, c 1970)
Formation: longways triple minorKey: D, Meter: 2/4Dance InstructionChoreography/Music: Preston 24 Country Dances for the Year 1794
Formation: 4 couple squareKey: C, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651
Formation: Longways duple minorKey: F, Meter: 2/4Dance InstructionChoreography/Music: Thompson, 24 Country Dances for the Year 1804
Formation: Circle mixerKey: C, Meter: 6/8Dance InstructionChoreography/Music: Katherine Creelman Skrobela(1969) to a tune by Thomas Campion (1601)
Formation: Longways duple minorMeter: 6/8Dance InstructionChoreography/Music: Pat Shaw 1974 to ‘Nu wil ik een liedeke zingen’ from Oude en Nieuwe Hollantse Boerenlietjes en Contredansen
Formation: Longways Duple MinorKey: Am, Meter: 2/2Dance InstructionChoreography/Music: Playford (1706); adapted by Jamie Hargrove, to the tune of Red-House.
Formation: 4 Couple SquareKey: G, Meter: 6/8Choreography/Music: Ron Coxall
Formation: 4 couple squareKey: D, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651
Formation: 3 couple longways setKey: A Minor, Meter: 3/4Dance InstructionChoreography/Music: Choreography (2023) and music (2004) by Robert Jamison
Formation: Longways duple minorKey: Gm, Meter: 2/2Dance InstructionChoreography/Music: Fried deMetz Herman (1990) to an adaptation of Handel's Impertinence
Formation: Longways duple minor improper, 1's alternating proprietyKey: Dm, Meter: 6/8Dance InstructionChoreography/Music: Brooke Friendy & Chris Sackett (1999) to Millisons Jegge, Playford 1651,published in Impropriety Vol. 1
Formation: 3 couple longways setKey: D Major, Meter: 3/4Dance InstructionChoreography/Music: Choreography (2023) and music (2009) by Robert Jamison
Formation: Longways duple minor improperKey: F, Meter: 2/2Dance InstructionChoreography/Music: Robin Hayden (1997); tune by Gustav Hoslt (1905)
Formation: Longways duple minorKey: Dm, Meter: 2/2Dance InstructionChoreography/Music: Playford 1710
Formation: Longways Duple Minor ImproperKey: Am, Meter: 3/2Dance InstructionChoreography/Music: Fried de Metz Herman
Formation: 3 couple longways setMeter: 3/4Choreography/Music: Robert Jamison
Formation: Circle mixerKey: F, Meter: 2/2Dance InstructionChoreography/Music: Colin Hume (1982) to Indian Queen
Formation: Longways duple minorKey: D, Meter: 2/2Dance InstructionChoreography/Music: Choreography/Music: EDM 1701 and a reconstruction into circular formation; reconstructions by Cecil Sharp and Eugene Solennikovoy. see 'Dance Instruction" above
Formation: Longways duple minorKey: Am, Meter: 3/4Dance InstructionChoreography/Music: Elizabeth Goossen, 2002 to Susan's Waltz by Jonathan Jensen @1984
Formation: Longways duple minorKey: Em, Meter: 9/8Dance InstructionChoreography/Music: Renée Camus, 2018; tune is "It Rains by Dogs and Cats" by Dave Wiesler
Formation: Longways duple minorMeter: 4/4Choreography/Music: Loretta Holz/ Dave Wiesler
Formation: 3 couple longways set Key: G, Meter: 3/4Dance InstructionChoreography/Music: Susan Amessé to The Good Lady of Cottage Place, by Tom Amessé
Formation: 3 couple longways setKey: G, Meter: 6/8Dance InstructionChoreography/Music: Charles & Samuel Thompson 1772
Formation: Longways duple minorKey: D, Meter: 3/4Dance InstructionChoreography/Music: Miriam Newman to Haapavesi Waltz by Keith Murphy
Formation: 3 couple longways setMeter: 4/4Choreography/Music: Robert Jamison
Formation: 4 couple longways setKey: Am, Meter: 3/4Dance InstructionChoreography/Music: Fried de Metz Herman (1999)/Turlough O'Carola
Formation: 4 couple squareKey: F, Meter: 3/4Dance InstructionChoreography/Music: Gary Roodman to tune of the same name by Peter Barnes (2012)
Formation: Longways duple minor, 2's improperMeter: 3/4Dance InstructionChoreography/Music: Mary Williams to tune by Charlene Thomson
Formation: Longways duple minorKey: F, Meter: 4/4Dance InstructionChoreography/Music: 3rd Volume Dancing Master c. 1726, Andrew Shaw interpretation; tune arranged by Rebecca King
Formation: Longways duple minorKey: G, Meter: 3/4Dance InstructionChoreography/Music: Walsh c.1735/ Interpr. Tom Cook
Formation: Longways duple minor Key: G, Meter: 9/8Dance InstructionChoreography/Music: Asa Willcox called as contra by Ralph Page
Formation: Longways Duple Minor ImproperMeter: 3/4Dance InstructionChoreography/Music: John Nash, 2017, to the tune Mazulma, by Maarten de Splenter
Formation: Longways Duple MinorMeter: 3/4Choreography/Music: Louise Siddons, to a tune by Liz Carroll
Formation: 3 couple longways setKey: Dm, Meter: 6/8Dance InstructionChoreography/Music: Colin Hulme to Lull Me Beyond Thee
Formation: Longways duple minor improperMeter: 4/4Choreography/Music: Nicholas Rockstroh; tune is "Rampant Tolerance"
Formation: 3 couple longways setMeter: 3/4Choreography/Music: Shanda McDonald
Formation: 3 couple longways setKey: A, Meter: 6/8Dance InstructionChoreography/Music: Brook Friendly and Chris Sackettt, published in Impropriety Vol. IV
Formation: 3 couple longways setKey: G or F, Meter: 3/2Choreography/Music: Jenny Beer, 2015/tune by Jonathan Jensen
Formation: Longways duple minorKey: C, Meter: 6/8Dance InstructionChoreography/Music: Jan Dale/John Stapledon
Formation: 3 couple longways setKey: Gm, Meter: 6/4Dance InstructionChoreography/Music: Playford, 1650
Formation: Longways duple minorKey: G, Meter: 6/8Choreography/Music: 8 different dances by this name were published between 1756 and 1809. This version is from Trumball, Gentleman and Lady's Companion (Norwich CT 1708)
Formation: Longways duple minorKey: Am, Meter: 6/8Dance InstructionChoreography/Music: Playford 1721 to "Bolt the Door 1686
Formation: Longways duple minorKey: D, Meter: 2/2Dance InstructionChoreography/Music: Playford 1702; Diagonal hey variation; Renovated by Eugenia Eremina-Solenikovoy. see 'Dance Instruction' above
Formation: 4 couple longways setKey: Dm, Meter: 12/8Dance InstructionChoreography/Music: Bob Green
Formation: Longways duple minorKey: D, Meter: 6/8Dance InstructionChoreography/Music: Choreographed and composed by Elizabeth Goossen
Formation: Longways Duple MinorMeter: 6/8Dance InstructionChoreography/Music: Joseph Pimentel, to "The Very Wrestled and Nestled Mad Robin Hey Medley" by Debbie Jackson (2014)
Formation: Longways duple minorKey: Fm, Meter: 6/8Dance InstructionChoreography/Music: Playford 1695, (interp Cecil Sharp) to tune Under and Over Playford 1652 (trad); interepretation by Pat Shaw
Formation: Longways duple minorKey: G, Meter: 2/4Choreography/Music: Raoul-Auger Feuillet English Country Dances from the French Court, 1716
Formation: Longways duple minorKey: F, Meter: 2/2Dance InstructionChoreography/Music: Playford 1670 and variants. Aka "La Bonne Amitie".
Formation: Longways Duple MinorMeter: 4/4Choreography/Music: Interp. by Andrew Shaw
Formation: 3 couple longways setMeter: 3/4Dance InstructionChoreography/Music: Alan Winston
Formation: 4 couple longways setKey: G, Meter: 3/4Dance InstructionChoreography/Music: Philippe Callens (2010) to"Jane's Song' by Charlene Thomson
Formation: Longways Duple MinorMeter: 3/4Choreography/Music: Margaret & Jeff Bary; tune is "Jane's Tune" by Kathy Talvitie (written for Jane McCarty)
Formation: Longways duple minorKey: G, Meter: 2/4Dance InstructionChoreography/Music: English Dances for the Dutch Court 1755
Formation: Longways duple minorKey: Am, Meter: 6/8Dance InstructionChoreography/Music: tradtional - published in Country Dances of Colonial America (John Millar)
Formation: Longways duple minor improperMeter: 4/4Dance InstructionChoreography/Music: Called as contra by Ralph Page
Formation: Longways duple minorMeter: 2/4Choreography/Music: Gregory Reynolds, to Mr. Reynolds' arrangement of the "Jenny Lind Polka"
Formation: Longways duple minorKey: D, Meter: 6/8Dance InstructionChoreography/Music: Playford 1690
Formation: 3 couple circle (sometimes more couples)Key: Am, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651; Cecil Sharp 1911 inter, zesty variation, Russian reconstruction. see 'Dance Instruction' above
Formation: Longways duple minorKey: A, Meter: 6/8Dance InstructionChoreography/Music: Dan Blim, 2012 Tipperty's Jean," traditional; "Rod's Birthday," Barbara McOwen
Formation: 3 couple longways set Meter: 4/4Choreography/Music: Veronica Lane; modification of Alan Winston's "Woodshed"
Formation: Longways duple minorKey: Bb, Meter: 6/8Dance InstructionChoreography/Music: Playford 17th Ed Vol1, 1721, reconstructed by Charles Bolton in Retreads 8
Formation: Longways duple minorKey: G, Meter: 6/8Dance InstructionChoreography/Music: Pat Shaw (1965)
Formation: Longways duple minor improperKey: Em, Meter: 3/2Dance InstructionChoreography/Music: Brooke Friendly and Chris Sackett, published in Impropriety Vol. II
Formation: 3 couple longways set or longways triple minorKey: D, Meter: 4/4Dance InstructionChoreography/Music: Walsh 1718: reconstruction by Andrew Shaw
Formation: Longways duple minor improperKey: F, Meter: 3/4Dance InstructionChoreography/Music: Victor Skowronski to Lulaje Jezuniu/Wesola Novine, traditionl Polish Carols
Formation: Longways duple minorKey: G, Meter: 6/8Dance InstructionChoreography/Music: Pat Shaw 1974
Formation: Longways duple minor improperKey: G, Meter: 4/4Dance InstructionChoreography/Music: Dance and tune by Naomi Alexander (1992)
Formation: Longways duple minorKey: Bb, Meter: 6/8Dance InstructionChoreography/Music: Playford 1702
Formation: 3 couple longways setKey: Am, Meter: 3/4Dance InstructionChoreography/Music: Dancing Master 1719; Reconstruction by Fried deMetz Herman
Formation: Longways duple minor improperKey: Am, Meter: 4/4Dance InstructionChoreography/Music: Gary Roodman (2008)
Formation: Longways duple minorKey: D Major, Meter: 2/2Dance InstructionChoreography/Music: Joseph Pimentel (2019)
Formation: longways triple minor triple progressionKey: D, Meter: 4/4Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: Longways duple minor improperMeter: 4/4Dance InstructionChoreography/Music: Brooke Friendly & Chris Sackett (2012) to "Mother’s Day Kas-a-Barh” by Shira Kammen and Ray Price (1999)
Formation: Longways duple minor improperKey: D, Meter: 6/8Dance InstructionChoreography/Music: Philippe Callens. l996
Formation: 4 couple squareKey: G, Meter: 6/8Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: Longways Duple Minor ImproperMeter: 6/8Dance InstructionChoreography/Music: Fried de Metz Herman (1995), to an 18th Century Dutch tune
Formation: Longways duple minorKey: G, Meter: 3/4Dance InstructionChoreography/Music: Colin Hume (2000) to trad. tune
Formation: Longways duple minorKey: Am, Meter: 6/8Dance InstructionChoreography/Music: Playford 1690 reconstruction by Cecil Sharp (1916)/Purcell; variation in claps; unattributed variations. see 'Dance Instructions' above
Formation: longways triple minorKey: D, Meter: 6/8Dance InstructionChoreography/Music: Wilson 'Pleasures of Terpsichore' 1810
Formation: Longways duple minor improperKey: Gm/Em, Meter: 6/8Choreography/Music: Scott Higgs to tune of the same name by John Kirkpatrick
Formation: Longways Duple MinorMeter: 4/4Choreography/Music: Gregory Reynolds, 2013
Formation: Longways duple minorKey: Bb, Meter: 3/2Dance InstructionChoreography/Music: Walsh 1714 reconstructed by Andrew Shaw (2016)
Formation: Longways duple minorKey: F, Meter: 3/4Dance InstructionChoreography/Music: Sharon Green 2011/ Jonathan Jensen's Drifting on the Dreamy Juniata
Formation: Double longways BecketKey: A, Meter: 2/4Dance InstructionChoreography/Music: Pat Shaw 1974
Formation: Longways duple minor improperMeter: 3/4Dance InstructionChoreography/Music: Bob Green to "Evergreen" by Keith Murphy
Formation: Longways duple minor improperKey: F, Meter: 6/8Dance InstructionChoreography/Music: Sharon Green (2006) to Silly Jig by Jonathan Jensen
Formation: Longways duple minor improperKey: G, Meter: 2/2Dance InstructionChoreography/Music: Orly Krasner/ John Austin
Formation: Longways duple minor improperKey: Gm, Meter: 6/8Dance InstructionChoreography/Music: Playford 1710 Note: Also known as Katharine Street, Katherine Street, Catherine Street
Formation: 3 couple longways setKey: Dm, Meter: 4/4Dance InstructionChoreography/Music: Playford 1727; Tom Cook (1975)
Formation: 3 couple circleKey: Gm, Meter: 6/4Dance InstructionChoreography/Music: Playford 1728
Formation: Longways duple minorKey: D, Meter: 4/4Dance InstructionChoreography/Music: Pat Shaw 1964
Formation: Longways duple minorKey: Dm, Meter: 4/4Dance InstructionChoreography/Music: Playford DM, 9th edition, 1695, interpretation by Charles Bolton, in Retreads I, #5
Formation: 3 couple circleMeter: 2/2Dance InstructionChoreography/Music: Keith Wood
Formation: 4 couple squareKey: Dm, Meter: 2/2Dance InstructionChoreography/Music: Playford 1651
Formation: 3 couple longways set Key: Em, Meter: 3/2Dance InstructionChoreography/Music: Don Bell (3-couple modification of Jenny Beer's Key to the Cellar)
Formation: longways triple minorKey: Em, Meter: 3/2Dance InstructionChoreography/Music: Jenny Beer, 2004 to traditional tune.
Formation: Longways duple minorKey: Am, Meter: 3/2Dance InstructionChoreography/Music: Walsh 1719; The Dancing Master Vol. III 1728
Formation: 3 couple longways setMeter: 6/8Choreography/Music: Seth Tepfer to "The New Bag" by Dave Marcus
Formation: Longways duple minorKey: D, Meter: 6/8Dance InstructionChoreography/Music: Walsh 1716, as interpreted by Andrew Shaw (2006)
Formation: Longways Duple MinorKey: A Minor, Meter: 3/4Choreography/Music: Tom Senior. Tune is "Tom's Song" by Rebecca King
Formation: Longways duple minor improperKey: Gm, Meter: 6/8Dance InstructionChoreography/Music: Playford 1698 (as The King of Poland)
Formation: 3 couple longways setKey: Bb, Meter: 3/2Dance InstructionChoreography/Music: DM John Young 1718. Intepretation by Andrew Shaw
Formation: 4 couple longways setKey: D, Meter: 3/4Choreography/Music: Alan Davies to Planxty Irwin by O'Carolan
Formation: 3 couple longways setKey: D/A, Meter: 2/2Dance InstructionChoreography/Music: Fried deMetz Herman (1984)
Formation: Longways Duple MinorMeter: 6/8Dance InstructionChoreography/Music: Button and Whitaker — Twelve Elegant New Dances for the Year 1810
Formation: 3 person setMeter: 3/4Dance InstructionChoreography/Music: John Sweeney, Karen Sweeney & Lani Graham
Formation: 3 couple longways setKey: G, Meter: 2/4Dance InstructionChoreography/Music: Gary Roodman (1987)/La Basque by M. Marais
Formation: Longways duple minor BecketMeter: 3/4Dance InstructionChoreography/Music: John Sweeney
Formation: 3 couple longways setMeter: 4/4Choreography/Music: Dave Turner. Tune attributed to Turlough o' Carolan called Princess Royal.
Formation: Longways duple minorKey: G, Meter: 3/2Dance InstructionChoreography/Music: Neal, 1726
Formation: Longways Duple MinorMeter: 2/4Dance InstructionChoreography/Music: Gene Murrow
Formation: Longways duple minorKey: D, Meter: 2/4Dance InstructionChoreography/Music: A Simons (Kentish Hops) 1961. dance from Noel Park) Voight 1809/Fentum 1810; music (Knowles Park ) Bishop 1788.
Formation: 4 couple squareKey: Gm, Meter: 3/2Dance InstructionChoreography/Music: Pat Shaw to ‘Gaillarde Koepoort’ from Oude en Nieuwe Hollantse Boerenlietjes en Contredansen
Formation: Longways triple minorMeter: 2/4Dance InstructionChoreography/Music: Lucy Mussey 1790; Interp van Winkle Keller & Sweet 1976
Formation: 3 couple longways setKey: Dm, Meter: 3/4Dance InstructionChoreography/Music: Jenny Beer (2024); tune by by Thomas Blacklock (ca. 1790)
Formation: Longways Duple MinorKey: F, Meter: 6/8Dance InstructionChoreography/Music: Playford 1679; Interp. Andrew Shaw
Formation: 4 couple squareMeter: 6/8Choreography/Music: Dave Ricker 1982
Formation: Longways Duple Minor ImproperKey: Em, Meter: 6/8Dance InstructionChoreography/Music: Susan Amesse, to Lady Wrixon (Carolan)
Formation: Longways duple minorKey: Dm, Meter: 3/2Dance InstructionChoreography/Music: The Dancing Master 3rd Ed. App. 1665; interp. Cecil Sharp
Formation: Longways Duple MinorMeter: 3/4Dance InstructionChoreography/Music: Greg Reynolds
Formation: Longways duple minorKey: D, Meter: 2/2Dance InstructionChoreography/Music: The Dancing-Master: The Tenth Edition … London. H. Playford, 1698
Formation: Longways Duple MinorKey: B, Meter: 4/4Choreography/Music: Ignatius Sancho; Twelve Country Dances for the year 1779; duple minor interpretation by Bob Olson
Formation: Longways duple minorKey: G, Meter: 4/4Dance InstructionChoreography/Music: Thomas Wilson, The Treasures of Terpsichore (1809)
Formation: Longways duple minorKey: Bm, Meter: 3/2Dance InstructionChoreography/Music: Rich Galloway
Formation: Longways duple minorKey: D, Meter: 6/8Choreography/Music: Dancing Master 1788-1833, John Griffiths
Formation: Longways duple minorKey: G, Meter: 3/4Dance InstructionChoreography/Music: Dan Seppeler (ca. 2012) to trad. tune
Formation: 4 couple longways set; 1's and 3's improperKey: Cm, Meter: 3/4Dance InstructionChoreography/Music: Gary Roodman, 2016, to Mylne's Court by Rachel Bell
Formation: 3 person setMeter: 3/4Dance InstructionChoreography/Music: Alan Winston
Formation: 4 couple squareMeter: 3/4Dance InstructionChoreography/Music: Chris Sackett and Brooke Friendly; tune is "O son do ar" by Bieito Romero
Formation: Longways duple minorKey: F, Meter: 6/8Dance InstructionChoreography/Music: Alan Winston, to The Jig is Up by Patti Cobb
Formation: 3 couple longways set (was triple minor)Key: C, Meter: 6/8Dance InstructionChoreography/Music: Thompson 1774
Formation: Longways duple minorKey: C, Meter: 6/4Choreography/Music: Thomas Bray 1699 reconstruction by Diana Cruckshenk
Formation: Longways duple minorKey: D, Meter: 6/8Dance InstructionChoreography/Music: Twenty Four New Country Dances for the Year 1716..by Kynaston, Nathanial; interpretation by Andrew Shaw
Formation: Longways duple minor improperKey: Am, Meter: 3/4Dance InstructionChoreography/Music: David Macemon & Cynthia Stenger/ Music "L is for..." by Bob Pasquarello
Formation: 3 couple longways setKey: Em, Meter: 3/4Dance InstructionChoreography/Music: Fried de Metz Herman (1996)/ Green Fingers by John Stapledon (1968)
Formation: 3 couple longways setMeter: 4/4Choreography/Music: Peggy Roe 2014
Formation: Longways duple minorKey: C, Meter: 4/4Dance InstructionChoreography/Music: Loretta Holz to Hemlock Grove by Charlene Thomson
Formation: 3 couple longways setKey: D, Meter: 3/4Dance InstructionChoreography/Music: Fried de Metz Herman 1989.
Formation: Longways duple minorKey: D, Meter: 2/4Dance InstructionChoreography/Music: C. Wheatstone c. 1811
Formation: Longways duple minor improperMeter: 3/4Dance InstructionChoreography/Music: Bob Green to Lisa, Lisa by Larry Unger
Formation: Longways duple minorMeter: 4/4Choreography/Music: Orly Krasner to "Mr. Tesla's Magnet" by Dave Bartlett (2016)
Formation: Longways duple minor improperKey: C, Meter: 3/2Dance InstructionChoreography/Music: Gary Roodman (2005) to tune by David Schonfeld
Formation: Longways duple minorKey: A/D, Meter: 4/4Dance InstructionChoreography/Music: Henry Bishop. 1788 adopted by Scott Higgs. Tune changed to Pease Strae by Niel Go
Formation: longways triple minorKey: A/D, Meter: 4/4Dance InstructionChoreography/Music: Henry Bishop, 1788 adapted by Scott Higgs
Formation: Longways duple minorKey: A, Meter: 9/8Dance InstructionChoreography/Music: Brook Friendly & Chris Sackett to Bob Mills' Draught by Peter Barnes, published in Impropriety Vol. III
Formation: 3 couple longways setMeter: 2/2Dance InstructionChoreography/Music: David Carpenter
Formation: 3 couple longways setKey: D, Meter: 4/4Choreography/Music: David Bateman to the tune "Fisher's Hornpipe"
Formation: Longways duple minorKey: Bm, Meter: 3/4Dance InstructionChoreography/Music: Michael Barraclough (2012)
Formation: Longways Duple MinorMeter: 2/2Dance InstructionChoreography/Music: Philippe Callens
Formation: 4 couple squareMeter: 4/4Choreography/Music: Thomas Budd. 1780
Formation: Longways duple minorKey: G, Meter: 6/8Dance InstructionChoreography/Music: Scott Higgs, 2001, tune: Miss Grace Hay's Delight published by Neil Gow
Formation: 5 couple set (Becket, with one couple at the head)Key: G, Meter: 2/4Dance InstructionChoreography/Music: Pat Shaw (1975)
Formation: Longways Duple MinorMeter: 2/2Dance InstructionChoreography/Music: Joseph Pimentel (in The Green Jay collection); to a medley of "Old Doc Jones" and "Sad Condition", arranged by Daron Douglas
Formation: Longways duple minor improperKey: A, Meter: 3/4Dance InstructionChoreography/Music: Sharon Green (2009) to Bluesy Waltz by Jonathan Jensen(1995)
Formation: Longways Duple MinorMeter: 6/8Dance InstructionChoreography/Music: Fried de Metz Herman
Formation: Longways duple minor improperKey: C, Meter: 6/8Dance InstructionChoreography/Music: Gary Roodman (2015) tune by Corelli
Formation: 3 couple longways setMeter: 4/4Choreography/Music: Jenna Simpson, to the tune "Quinn Darrow Hornpipe"
Formation: Circle mixer (Becket formation)Key: G, Meter: 3/4Dance InstructionChoreography/Music: Susan English(2018) to The Lighter Than Air Waltz by Daniel Engle
Formation: Longways Duple MinorMeter: 6/8Choreography/Music: Jaime Hargrove (Note: there is an unrelated 3-couple set dance of the same name and to the same tune, which was reconstructed by Andrew Shaw)
Formation: Longways duple minorKey: G, Meter: 6/8Dance InstructionChoreography/Music: Playford 1690/Henry Purcell and and Feuillet: Recueil de Contredance. 1706
Formation: Longways Duple MinorMeter: 4/4Choreography/Music: Michael Wood/Dave Wiesler
Formation: Longways duple minorMeter: 6/8Choreography/Music: Carmen Giunta & David Smukler / Charlene Thomson
Formation: Longways duple minor improperKey: Bm, Meter: 3/4Dance InstructionChoreography/Music: Sharon Green (2016) to "Paulina", Patti Cobb © 2016"
Formation: Longways duple minorKey: A, Meter: 6/8Dance InstructionChoreography/Music: Renée Camus (2023); tune is “The Shepherdess,” a traditional Irish jig
Formation: 2 couple set Key: G, Meter: 6/8Dance InstructionChoreography/Music: Pat Shaw, 1977
Formation: Longways duple minor double progressionMeter: 4/4Dance InstructionChoreography/Music: Pat Shaw to 'Nachtegaaltje kleijne' from Oude en Nieuwe Hollantse Boerenlietjes en Contredansen
Formation: Longways duple minor improper double progressionMeter: 4/4Dance InstructionChoreography/Music: Bob Green/ Jerry Livingston
Formation: Longways duple minor improperMeter: 2/4Dance InstructionChoreography/Music: Terry Glasspool 2016 to American Husband" played AB
Formation: Longways duple minorKey: Dm, Meter: 3/2Dance InstructionChoreography/Music: Sharon Green (2012)
Formation: Longways duple minorKey: D, Meter: 2/4Dance InstructionChoreography/Music: Bernard Bentley, Fallibroome Collection
Formation: Longways duple minorMeter: 6/8Choreography/Music: Ron Coxall to the tune “Deep Water” by Heather Bexton
Formation: Longways Duple MinorKey: Dm, Meter: 3/4Dance InstructionChoreography/Music: Daniel Beal (2022) to Laddie Lie Near Me by Thomas Blacklock (ca. 1790)
Formation: Sicilian CircleKey: G, Meter: 2/2Dance InstructionChoreography/Music: Pat Shaw (1971)
Formation: Longways duple minorKey: A, Meter: 2/4Dance InstructionChoreography/Music: Preston 1791
Formation: Longways duple minorKey: G, Meter: 2/4Dance InstructionChoreography/Music: Pat Shaw (ca1974)
Formation: Longways duple minorKey: A Dorian, Meter: 3/4Dance InstructionChoreography/Music: Brooke Friendly and Chris Sackett; tune by Dave Wiesler
Formation: Longways Duple Minor, improperKey: Am, Meter: 3/4Dance InstructionChoreography/Music: Orly Krasner to her tune "Lucy's Waltz"
Formation: Longways duple minorKey: Gm, Meter: 6/8Dance InstructionChoreography/Music: Rich Jackson (1989) to Jump at the Sun by John Kirkpatrick
Formation: Longways Duple MinorKey: B, Meter: 4/4Dance InstructionChoreography/Music: Ignatius Sancho; Twelve Country Dances for the year 1779
Formation: 3 couple longways set Key: A, Meter: 4/4Dance InstructionChoreography/Music: Thompson 1777; in Apted Country Dances (Porter, Heffer & Heffer)
Formation: 4 couple longways setKey: G, Meter: 2/2Dance InstructionChoreography/Music: Playford 1651. Reconstruction Cecil Sharp 1910
Formation: Longways duple minorKey: D modal, Meter: 6/8Dance InstructionChoreography/Music: Brooke Friendly & Chris Sackett to Love and all that Hijaz by Dave Bartley
Formation: 3 couple longways setKey: Gm, Meter: 6/8Dance InstructionChoreography/Music: Walsh/Kynaston 1710, as reconstructed by Bernard Bentley (Fallibroome Collection, v II)
Formation: Longways duple minorKey: Gm, Meter: 6/8Dance InstructionChoreography/Music: Thomas Bray 1699
Formation: Longways duple minor Key: D, Meter: 2/4Dance InstructionChoreography/Music: Altered here to LW duple from LW triple. Asa Willcox 1794
Formation: Longways duple minorKey: F, Meter: 4/4Dance InstructionChoreography/Music: Colin Hume (2018)
Formation: Longways duple minorKey: Gm, Meter: 4/4Dance InstructionChoreography/Music: Playford 1686, interp. by Taras Sleptsov (Traianon studio, Moscow) 2000
Formation: Longways Duple MinorMeter: 4/4Choreography/Music: Robert Jamison
Formation: 3 couple longways set or longways triple minorKey: Bb, Meter: 2/2Dance InstructionChoreography/Music: Playford 1790/Fallibroome; several interpretations
Formation: Longways Duple MinorKey: D Major, Meter: 2/4Dance InstructionChoreography/Music: Choreography (2007) and music (2007) by Robert Jamison
Formation: 3 couple longways mixerKey: Eb, Meter: 2/4Dance InstructionChoreography/Music: Melanie Axel-Lute to"I Will Bow and Be Simple" (traditional Shaker tune)
Formation: Longways duple minorKey: G, Meter: 3/4Dance InstructionChoreography/Music: Johnson III 1744
Formation: 3 couple longways setMeter: 3/4Dance InstructionChoreography/Music: Pat Shaw
Formation: Longways duple minor improperKey: Em, Meter: 6/8Dance InstructionChoreography/Music: Jim Kitch (different tunes are used)
Formation: Longways Duple MinorKey: Gm, Meter: 3/2Dance InstructionChoreography/Music: Thomas Bray (1699) to "The Lover's Luck" attributed to Thomas Tollett
Formation: Longways Duple Minor Improper (Feels like a contra)Meter: 2/2Dance InstructionChoreography/Music: Alan Winston
Formation: Circle mixerMeter: 2/2Dance InstructionChoreography/Music: Barn Dance
Formation: Longways duple minorMeter: 6/8Choreography/Music: Melissa Running
Formation: 4 couple longways set; 3s and 4s improperKey: Dm, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651; Interp. Sharp 1912
Formation: Longways Duple MinorMeter: 3/4Dance InstructionChoreography/Music: W. Burton Hart, 1812
Formation: Longways duple minorKey: A, Meter: 2/4Dance InstructionChoreography/Music: Walsh 1718
Formation: Longways duple minorKey: Bb, Meter: 2/2Dance InstructionChoreography/Music: Playford 1695
Formation: Longways duple minorKey: G, Meter: 3/4Dance InstructionChoreography/Music: Joseph Pimentel to a tune of the same name by Dave Weisler (2018)
Formation: Longways duple minorKey: Bb, Meter: 6/8Dance InstructionChoreography/Music: Preston 24CD,1794
Formation: Longways duple minor improperKey: D, Meter: 3/4Choreography/Music: John Wood, published in his collection Ross of Mull. It is danced here to Ashokan Farewell by Jay Ungar
Formation: Longways duple minorKey: Gm, Meter: 2/2Dance InstructionChoreography/Music: Thomas John Senior
Formation: 4 couple squareKey: Gm, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651
Formation: Longways duple minor Becket Meter: 3/4Choreography/Music: Mark Hillegonds
Formation: Longways Duple MinorKey: F, Meter: 3/2Dance InstructionChoreography/Music: Nicolas Broadbridge, 1995
Formation: Longways duple minorKey: Bm, Meter: 6/8Dance InstructionChoreography/Music: Ric Goldman, 2017 to "Lt. Maguire's Jig", traditional
Formation: 3 couple circleKey: G, Meter: 2/2Dance InstructionChoreography/Music: Playford 4th Ed (1670)
Formation: 3 couple Longways SetKey: D, Meter: 6/8Dance InstructionChoreography/Music: Dancing Master 1788-1833, John Griffiths; James E. Morrison, 1976
Formation: Longways set for 2 to 6 couplesKey: G, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651
Formation: Longways duple minorKey: C, Meter: 6/8Dance InstructionChoreography/Music: The Dancing Master 9th Ed. 1695; Walsh 1718
Formation: 3 couple longways setKey: A, Meter: 2/2Dance InstructionChoreography/Music: The Dancing Master 1675; Playford 1651
Formation: 4 couple longways setKey: D, Meter: 2/2Choreography/Music: Tom Cook/ Brian Jenkins
Formation: 3 couple longways setKey: D, Meter: 6/8Dance InstructionChoreography/Music: Thompson 1794. Interpreted by A. Simons 1990
Formation: Longways duple minorKey: C, Meter: 2/2Dance InstructionChoreography/Music: Playford 1690
Formation: Longways duple minorKey: Dm, Meter: 3/2Dance InstructionChoreography/Music: The Dancing Master Vol II 1696 reconstruction by Fried de Metz Herman
Formation: 4 couple longways setMeter: 3/4Choreography/Music: Elizabeth Goossen
Formation: Longways duple minorKey: Gm, Meter: 6/8Choreography/Music: Feuillet 1706, Pat Shaw interpretation 1960
Formation: Longways duple minorMeter: 3/4Dance InstructionChoreography/Music: Bob Green to "Spring Will Come" by Claire Johnson
Formation: Longways duple minorKey: Gm, Meter: 2/4Dance InstructionChoreography/Music: Victor Skowronski, 2012 to the traditional tune 'A Provencal Carol'
Formation: 2 couple set (facing couples)Key: G, Meter: 2/2Dance InstructionChoreography/Music: Gary Roodman (1996)/Gavotte by Pierre Caroubel (c.1600)
Formation: Siciilian CircleKey: A, Meter: 3/4Dance InstructionChoreography/Music: Pat Shaw (1959)
Formation: 3 couple longways set (was triple minor)Key: G, Meter: 6/8Dance InstructionChoreography/Music: Thompson 1783
Formation: Longways duple minor improperKey: Eminor, Meter: 4/4Dance InstructionChoreography/Music: Elizabeth Zeckley (2004) to tune by Mickie Zekley, (1987)
Formation: Longways duple minorKey: Gm, Meter: 3/2Dance InstructionChoreography/Music: Marjorie Fennessy, 1995
Formation: 3 couple longways setKey: Gm, Meter: 3/2Dance InstructionChoreography/Music: Philippe Callens /Jonathan Jensen
Formation: circle mixerMeter: 4/4Choreography/Music: David Newitt, to the tune “The March of Saint Timothy”, by Judy Morningstar, 1984
Formation: Longways duple minorKey: Em, Meter: 6/8Dance InstructionChoreography/Music: Playford 1728
Formation: Longways duple minorKey: Cm, Meter: 3/2Dance InstructionChoreography/Music: Gary Roodman (2003)/tune adapted from Scherzo in Cm by Dave Wiesler(1999)
Formation: Longways duple minorMeter: 4/4Choreography/Music: Elizabeth Goossen
Formation: Longways Duple MinorMeter: 6/8, JigDance InstructionChoreography/Music: Alan Winston
Formation: 3 couple longways setKey: Gm, Meter: 2/2Dance InstructionChoreography/Music: W. Pearson & J. Young. 1718
Formation: Longways duple minorKey: C, Meter: 3/2Dance InstructionChoreography/Music: David Smukler, 2015 to The Argos Inn by Rachel Bell
Formation: 6 couple longways Becket setMeter: 3/4Dance InstructionChoreography/Music: Pat Shaw to ‘Meester Jacob’ from Oude en Nieuwe Hollantse Boerenlietjes en Contredansen
Formation: Longways Duple MinorMeter: 3/4Choreography/Music: Elizabeth Goosen
Formation: Sicilian Circle of TriosMeter: 4/4Choreography/Music: G.M.S Chivers Swedish Country Dances 1822 reconstruction by Eugenia Eremina-Solenikova
Formation: Circle MixerMeter: 4/4Dance InstructionChoreography/Music: Keith Wood February 2013 to 32 bar reels, esp. Waltzing Matilda
Formation: Longways duple minorKey: Dm, Meter: 6/8Dance InstructionChoreography/Music: Feullet (1706), Essex (1710); La Mattelot, The Matelot
Formation: longways triple minorKey: C, Meter: 3/4Dance InstructionChoreography/Music: Fried de Metz Herman
Formation: Sicilian CircleMeter: 4/4Dance InstructionChoreography/Music: Chris Page, 2016 to "Ladies In May" by Rebecca King 2016
Formation: 4 couple longways set; 1s and 3s improperMeter: 4/4Choreography/Music: John Sweeney
Formation: 2 couple set (facing couples)Key: A, Meter: 6/8Dance InstructionChoreography/Music: Colin Hume (1992)
Formation: Longways duple minor improperKey: G, Meter: 4/4Dance InstructionChoreography/Music: Loretta Holz
Formation: Longways duple minor improperKey: Em, Meter: 3/2Dance InstructionChoreography/Music: Fried DeMetz Herman/ Purcell (adapted)
Formation: Longways Duple MinorMeter: 4/4Dance InstructionChoreography/Music: Alan Winston
Formation: Longways Duple MinorMeter: 3/4Dance InstructionChoreography/Music: Powers, 1820
Formation: 3 couple Longways SetKey: D, Meter: 3/4Choreography/Music: Jonathan LF King to "Crested Hens" by Gilles Chabenat
Formation: Longways duple minorKey: Bm, Meter: 3/2Dance InstructionChoreography/Music: Brooke Friendly & Chris Sackett (2007) to tune by Dave Bartley, published in Impropriety Vol. II
Formation: Longways duple minor Key: Dm, Meter: 6/8Dance InstructionChoreography/Music: Mary Devlin. Bob Fraley, Elizabeth Zekley 2005/Woodlands Walk by Jonathan Jensen
Formation: 3 couple longways setKey: Am, Meter: 2/2Dance InstructionChoreography/Music: Heffer and Porter: Maggot Pie
Formation: Longways duple minorKey: Am, Meter: 3/2Dance InstructionChoreography/Music: Nathaniel Kynaston
Formation: longways triple minorKey: G, Meter: 2/4Dance InstructionChoreography/Music: Thompson 1778
Formation: 4 couple longways setKey: C, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651
Formation: Longways duple minorKey: Am, Meter: 2/2Dance InstructionChoreography/Music: Philippe Callens, to a tune by John Eccles, 1700.
Formation: Longways Triple MinorKey: D, Meter: 6/8Dance InstructionChoreography/Music: Thompson 1755; reconstructed Fried de Metz Herman
Formation: 3 couple longways setMeter: 3/4Choreography/Music: Danyele Gilles
Formation: Longways duple minor improperKey: Am, Meter: 3/4Dance InstructionChoreography/Music: Fried de Metz Herman
Formation: Longways duple minorMeter: 3/4Dance InstructionChoreography/Music: Bob Green/ Larry Unger
Formation: Longways duple minorKey: Em, Meter: 2/4Dance InstructionChoreography/Music: Dan Blim (2014), set to The Carpathian Tune
Formation: Longways duple minorKey: G, Meter: 4/4Dance InstructionChoreography/Music: Erna-Lynne Bogue to a tune by Jan Coray (1995)
Formation: Longways duple minor improperKey: Eminor, Meter: 3/4Dance InstructionChoreography/Music: Orly Krasner
Formation: Longways duple minorKey: D, Meter: 2/2Dance InstructionChoreography/Music: Thompson 1773, interp. by George Fogg
Formation: Longways Duple MinorKey: D Major, Meter: 3/4Dance InstructionChoreography/Music: Daniel Beal (2024) to “Miles Away” by Paul Young (2020)
Formation: Longways duple minorKey: F, Meter: 2/2Choreography/Music: Peggy Roe to "In the Bleak Midwinter" by Gustav Holst
Formation: Longways duple minorKey: Dm, Meter: 2/2Dance InstructionChoreography/Music: Gary Roodman (2012)to tune of the same name by Jonathan Jensen
Formation: Longways duple minorMeter: 3/4Dance InstructionChoreography/Music: Steve Otlowski 2017, to "Hyfrydol" (Prichard 1844)
Formation: Longways duple minorKey: Dm, Meter: 6/8Dance InstructionChoreography/Music: Jan Dale/Terry Willetts
Formation: Longways duple minorKey: C, Meter: 6/8Dance InstructionChoreography/Music: Lynn Jensen to tune by Jonathan Jensen (2011)
Formation: Longways duple minorKey: C, Meter: 2/2Dance InstructionChoreography/Music: Joseph Pimentel tune by Dave Wiesler
Formation: Longways duple minorKey: Gm, Meter: 2/2Dance InstructionChoreography/Music: Playford 1651
Formation: Longways duple minorKey: Am, Meter: 6/8Dance InstructionChoreography/Music: Melissa Running(2011)
Formation: Longways duple minorKey: Em, Meter: 6/8Dance InstructionChoreography/Music: Jenny Beer (2000)
Formation: Longways Duple MinorMeter: 6/8Choreography/Music: Drew Delaware
Formation: 3 couple Longways SetKey: G, Meter: 4/4, 2/4Dance InstructionChoreography/Music: Thompson (1765)
Formation: Longways duple minorKey: Dm, Meter: 6/8Dance InstructionChoreography/Music: Pat Shaw 1962
Formation: 4 trios in a squareKey: C, Meter: 2/2Dance InstructionChoreography/Music: Pat Shaw (1971)
Formation: Longways Duple MinorMeter: 6/8Dance InstructionChoreography/Music: Bob Olson, to the tune 'Belsey Bell'
Formation: Longways Triple MinorKey: D, Meter: 6/8Dance InstructionChoreography/Music: William Campbell, 1793
Formation: Longways duple minorKey: Gm, Meter: 3/4Dance InstructionChoreography/Music: Pat Shaw c.1971
Formation: Longways duple minorKey: Am, Meter: 6/8Dance InstructionChoreography/Music: Johnson c. 1750; Fallibroome Collection 3
Formation: 3 couple longways setKey: F, Meter: 2/4Dance InstructionChoreography/Music: T. Budd 1781
Formation: Sicillian Circle of TriosMeter: 6/8Choreography/Music: G.M.S Chivers Swedish Country Dances 1822
Formation: Longways duple minorKey: G, Meter: 2/4Choreography/Music: David Newitt / Dudley Laufman
Formation: Longways duple minor improperKey: Dm, Meter: 6/4Dance InstructionChoreography/Music: Playford 1701
Formation: Longways duple minorKey: F, Meter: 3/4Dance InstructionChoreography/Music: Brooke Friendly & Chris Sackett (1998)/Saturday Morning Waltz,Dave Wiesler (1997),published in Impropriety Vol. 1
Formation: Longways duple minorKey: D, Meter: 6/8Dance InstructionChoreography/Music: Preston 1793
Formation: longways triple minorKey: A, Meter: 4/4Dance InstructionChoreography/Music: Traditional/tune by Daniel Dow (1776)
Formation: 2 couple setKey: G, Meter: 6/8Dance InstructionChoreography/Music: Pat Shaw (1911)
Formation: 5 couple longways setKey: D, Meter: 6/8Dance InstructionChoreography/Music: Keith Wood, to the tune The Morgan Rattler
Formation: Longways duple minorKey: Gm, Meter: 4/4Choreography/Music: Country Dances of Colonial America (John Millar)
Formation: longways duple minor improperMeter: 2/4Dance InstructionChoreography/Music: Susan Kevra tune by Rachel Bell,
Formation: Longways duple minorKey: Am, Meter: 6/8Choreography/Music: Louis Vosteen( 2004) to Jefferson and Liberty
Formation: Longways duple minorKey: D, Meter: 6/8Dance InstructionChoreography/Music: ThomasPreston(1801)
Formation: Longways duple minorMeter: 3/4Choreography/Music: Loretta Holz
Formation: Longways duple minorMeter: 3/4Dance InstructionChoreography/Music: Bob Olson (2017) to Call It A Night by Julie King (1994).
Formation: Longways duple minor improperKey: G, Meter: 3/4Dance InstructionChoreography/Music: Susan Kevra (2017) to "Moonflower" by Rachel Bell
Formation: Sicilian CircleKey: D, Meter: 6/8Dance InstructionChoreography/Music: Pat Shaw Collection Book 2 -Dances
Formation: Longways Duple MinorKey: A, Meter: 2/2Dance InstructionChoreography/Music: The Blind Harper Dances, edited by Allison Thompson
Formation: 5 couple longways setKey: F, Meter: 3/4Dance InstructionChoreography/Music: Dance and music by Colin Hume 2010
Formation: 3 couple longways set (was triple minor)Key: A, Meter: 2/4Dance InstructionChoreography/Music: 3 Co long set Thompson Compleat vol V c 1789
Formation: Longways duple minorKey: D, Meter: 2/2Choreography/Music: Trad. northern England. Maud Karpeles
Formation: Longways triple minorKey: D, Meter: 2/2Dance InstructionChoreography/Music: William Campbell, 1795
Formation: Longways duple minorKey: D, Meter: 2/2Dance InstructionChoreography/Music: Playford 1721
Formation: 3 couple longways set Meter: 6/8Dance InstructionChoreography/Music: Lise Dyckman, to the tune "Sierra Scamper" by Maggie Moore, 2024
Formation: 3 couple longways setKey: C Major, Meter: 3/4Dance InstructionChoreography/Music: Choreography (2024) and music (2007) by Robert Jamison
Formation: Longways duple minorKey: G, Meter: 2/2Dance InstructionChoreography/Music: Susan Kevra to Duck, Duck, Go by Rachel Bell
Formation: 3 couple longways setKey: Gm, Meter: 3/4Dance InstructionChoreography/Music: Alan Winston
Formation: Longways duple minorKey: Am, Meter: 6/8Dance InstructionChoreography/Music: Gary Roodman(1999)/My Robe is New, trad.Shaker song)
Formation: Longways duple minor improperKey: D, Meter: 6/8Choreography/Music: Ron Coxall c 1994. It was published in his book The Blackbrune Tunes. The tune is Miss Hariot Edwick's Favourite (a 5x32 bar jig)
Formation: Longways duple minor improperKey: Am, Meter: 4/4Dance InstructionChoreography/Music: Gary Roodman (2003)/to Adsonn's Masque, John Adson (1621) as modified by Gary Roodman
Formation: Longways duple minorKey: Gm, Meter: 3/2Dance InstructionChoreography/Music: Playford 1695 with 4 major recostructions by: Cecil Sharp, Pat Shaw, Jane Gibson for Pride and Prejudice) and Colin Hume(2007). see 'Dance Instruction" above
Formation: Longways duple minor improperKey: Em, Meter: 3/4Dance InstructionChoreography/Music: Gary Roodman (2009)
Formation: Longways duple minorKey: C, Meter: 2/2Dance InstructionChoreography/Music: New Country Dancing Master 3d Bk (Walsh), 1728, Douglas and Helen Kennedy, 1929
Formation: 3 couple longways setMeter: 6/8Dance InstructionChoreography/Music: Kynaston 1718; Interpretation by Andrew Shaw 2024
Formation: Longways duple minorKey: Em, Meter: 2/2Dance InstructionChoreography/Music: William Ganiford, c. 1940
Formation: longways triple minorKey: D, Meter: 6/8Dance InstructionChoreography/Music: Pat Shaw (1971)
Formation: Longways duple minorKey: G, Meter: 9/8Dance InstructionChoreography/Music: Joseph Pimentel/ Debbie Jackson
Formation: 3 couple longways setKey: Gm, Meter: 6/8Dance InstructionChoreography/Music: Gary Roodman to Country Dance from Handel's Water Music.
Formation: Longways duple minorMeter: 6/8Choreography/Music: Sheila Bywaters
Formation: Longways duple minorKey: C, Meter: 3/2Dance InstructionChoreography/Music: Playford 1695
Formation: 3 couple longways setKey: Dm, Meter: 2/2Dance InstructionChoreography/Music: Kynaston 1718, reconstruciion by Andrew Shaw
Formation: Longways duple minorKey: C, Meter: 2/2Dance InstructionChoreography/Music: Joseph Pimentel; tune by Dave Wiesler (1997)
Formation: Longways duple minorKey: F, Meter: 4/4Dance InstructionChoreography/Music: Bob Green to Tequila by Chuck Rio
Formation: Longways duple minorKey: Gm, Meter: 2/2Choreography/Music: Fried Herman, 1989 to "Westminster Hall" 1700's
Formation: Longways duple minorKey: Bb, Meter: 4/4Dance InstructionChoreography/Music: Joseph Pimentel/ Dave Wiesler
Formation: Circle mixerKey: D, Meter: 6/8Dance InstructionChoreography/Music: Charles Bolton, 2002
Formation: 3 couple longways set Key: D, Meter: 3/4Dance InstructionChoreography/Music: Philippe Callens to "At the Brow of the Hill" (c. 1745-46)
Formation: 3 couple longways set Key: C, Meter: 4/4Dance InstructionChoreography/Music: Pat Shaw to "Christchurch Bells" (traditional)
Formation: Longways Duple MinorMeter: 4/4Dance InstructionChoreography/Music: Jenna Simpson (2024); tune by Dave Wiesler
Formation: Longways duple minorKey: Gm*32bars AABBC, Meter: 3/2Dance InstructionChoreography/Music: Philippe Callens (2010) to "The 6th November" by Sue Stapledon (2009)
Formation: Longways duple minorKey: F, Meter: 2/4Choreography/Music: Williamsburg Heritage Dancers
Formation: Longways duple minor improperKey: C, Meter: 2/2Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: Longways duple minorKey: F, Meter: 2/2Dance InstructionChoreography/Music: Playford 1696
Formation: Longways duple minorKey: Gm, Meter: 2/2Dance InstructionChoreography/Music: Susan Amesse and Beverly Francis (2004) to Mr. Beveridge's Ground (1696).
Formation: 3 couple longways set (was triple minor)Key: D, Meter: 4/4Dance InstructionChoreography/Music: Playford 1710; reconstruction by Andrew Shaw
Formation: Longways duple minorMeter: 4/4Choreography/Music: Ken Sheffield
Formation: 3 couple longways setKey: Gm, Meter: 2/2Dance InstructionChoreography/Music: Charles Bolton 1986
Formation: Longways duple minorKey: Bm, Meter: 3/2Dance InstructionChoreography/Music: Playford, 1710, Recontruction by Bernard Bentley
Formation: 4 couple longways set; 2s and 4s improperMeter: 4/4Dance InstructionChoreography/Music: Keith Wood October 2011 to a 4 x 32 bar reel
Formation: longways triple minorMeter: 2/4Dance InstructionChoreography/Music: Thomas Budd. 1780
Formation: Longways duple minorKey: Dm, Meter: 6/8Dance InstructionChoreography/Music: Playford 1670
Formation: Longways Duple MinorKey: B, Meter: 6/8Dance InstructionChoreography/Music: Ignatius Sancho; Twelve Country Dances for the year 1779; duple minor interpretation by George Williams
Formation: Longways duple minorKey: D, Meter: 2/2Dance InstructionChoreography/Music: Colin Hume 1996
Formation: Longways Duple MinorMeter: 3/2Choreography/Music: Jenna Simpson, 2024; Tune by Dave Wiesler
Formation: longways triple minorKey: D minor, Meter: 3/4Dance InstructionChoreography/Music: Choreography (2023) and music (2001) by Robert Jamison
Formation: longways duple minor improperMeter: 3/4Dance InstructionChoreography/Music: Fried de Metz Herman, to a tune by W. Croft (1730)
Formation: Longways Duple MinorMeter: 3/4Dance InstructionChoreography/Music: Bob Olson (2022), to the tune Valse du Bapteme, by Susan Conger and Friends
Formation: Longways duple minorKey: C, Meter: 6/8Dance InstructionChoreography/Music: Thompson 1777 & TV version
Formation: 4 couple squareKey: G, Meter: 3/4Dance InstructionChoreography/Music: Don & Diane Bell as part of Canada's 150th birthday celebrations (2017) to ""My Cape Breton Home", " by Jerry Holland (1998)
Formation: Longways duple minorKey: Dm, Meter: 2/2Dance InstructionChoreography/Music: Playford 1651
Formation: Longways duple minorKey: E minor, Meter: 3/4Dance InstructionChoreography/Music: Loretta Holz (2005) to Lavinia's Waltz by Charlene Thomson
Formation: 3 couple longways set or longways triple minorKey: G, Meter: 2/2Dance InstructionChoreography/Music: The Dancing Master Vol. III 1728; edited by Cecil Sharp (to "Nobody's Jigg); edited by Charles Bolton
Formation: Longways duple minorKey: D, Meter: 6/8Dance InstructionChoreography/Music: Playford 1701
Formation: Longways duple minorKey: Dm, Meter: 3/4Dance InstructionChoreography/Music: Fried deMetz Herman(1996)to a Manx (Isle of Man) tune
Formation: Sicilian CircleKey: G, Meter: 3/4Dance InstructionChoreography/Music: Pat Shaw (1946)
Formation: 3 couple longways setMeter: 2/2Choreography/Music: John Short
Formation: 3 couple longways set (was triple minor)Key: A, Meter: 2/2Dance InstructionChoreography/Music: Walsh 1718, reconstruction by Andrew Shaw
Formation: 4 couple longways setMeter: 4/4Dance InstructionChoreography/Music: Jamie Hargrove
Formation: Longways duple minorKey: G, Meter: 6/8Dance InstructionChoreography/Music: Playford 1679; Interp. Sharp 1922
Formation: 3 couple longways setKey: D Maj, Meter: 2/2Dance InstructionChoreography/Music: Philippe Callens to "Another Classic Cliché" by Mik Lammers (1998)
Formation: 3 couple longways setKey: Gm, Meter: 3/4Dance InstructionChoreography/Music: Gary Roodman(1992)/minuet from G.F.Handel's Water Music Suite No. 3 in G
Formation: Longways duple minorKey: G, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651
Formation: 3 couple longways setMeter: 3/4Choreography/Music: Alan Winston, to the tune Alta Sierra Waltz (1993) by Larry Unger.
Formation: Longways Duple MinorMeter: 4/4Choreography/Music: Fried de Metz Herman
Formation: Longways duple minorKey: D Major, Meter: 4/4Dance InstructionChoreography/Music: Gary Roodman (2003)
Formation: Longways duple minorKey: G, Meter: 2/4Choreography/Music: Nancy Shepley
Formation: Longways duple minorKey: Dm, Meter: 3/2Dance InstructionChoreography/Music: Brooke Friendly and Chris Sackett to Dave Wiesler's "Mr. Millstone's Defenestration"
Formation: Longways duple minorKey: G, Meter: 2/2Dance InstructionChoreography/Music: Colin Hume (2016)
Formation: Longways duple minorMeter: 9/8Dance InstructionChoreography/Music: Johnson, 1748, as interpreted by Andrew Shaw
Formation: 3 couple longways setKey: D, Meter: 3/2Dance InstructionChoreography/Music: Margaret & Jeff Bary/Anna Patton
Formation: Longways duple minorMeter: 2/2Dance InstructionChoreography/Music: Playford 1651; Interp. Scott Pfitzinger 2019
Formation: 9 dancersMeter: 64-bar reelsDance InstructionChoreography/Music: John Colville
Formation: 3 couple longways set (was triple minor)Key: C, Meter: 2/2Dance InstructionChoreography/Music: Playford 1690
Formation: 3 couple longways set (was triple minor)Key: A, Meter: 6/8Dance InstructionChoreography/Music: Johnson c 1753
Formation: Longways Duple MinorMeter: 2/4Choreography/Music: Kalia Kliban
Formation: 3 couple longways setKey: C, Meter: 2/2Choreography/Music: Colin Hume
Formation: 4 couple longways setKey: G, Meter: 2/2Dance InstructionChoreography/Music: Playford 1651, reconstruction by Cecil Sharp- Keller/Shimer variation with in-line siding; reimagined by Ju Gosling; French German, Lithuanian, Romanian; with swords; Barony of Cynbar see dance Instruction' above
Formation: Circle mixerMeter: 2/2Dance InstructionChoreography/Music: Don Bell
Formation: Longways duple minorMeter: 3/4Dance InstructionChoreography/Music: Sharon Green (2010)
Formation: Longways duple minorKey: Bb, Meter: 3/2Dance InstructionChoreography/Music: Walsh 1710. Pat Shaw 1940/Simons 1973
Formation: Longways duple minorKey: c, Meter: 4/4Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: 4 couple longways set (start in a line for straight heys)Meter: 4/4Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: Double Sicilian circle (two couples facing two couples)Key: G and/or D, Meter: 2/4Dance InstructionChoreography/Music: Pat Shaw to "Nibs Goes WSest" and/or "Jean on the Fiddle"
Formation: 4 couple squareKey: Cm, Meter: 6/8Dance InstructionChoreography/Music: Marjorie Heffer and William Porter, Maggot Pie, 1932
Formation: 4 couple longways set; 1s and 3s improperKey: Em, Meter: 2/2Dance InstructionChoreography/Music: Colin Hume, Music: John New, 2006
Formation: 3 couple longways setKey: D, Meter: 6/8Dance InstructionChoreography/Music: Playford 165l Cecil Sharp (1922)
Formation: Longways duple minor improperKey: Bb, Meter: 3/4Dance InstructionChoreography/Music: Rich Jackson
Formation: Longways duple minor improper double progressionKey: F, Meter: 6/8Dance InstructionChoreography/Music: Dance and tune by Orly Krasner, 1998
Formation: Longways duple minorKey: D, Meter: 2/2Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: 3 couple longways setKey: G Minor, Meter: 6/4Choreography/Music: Peggy Roe (2018) Music: 'Excuse Me' (1701)
Formation: 2 couple setMeter: 2/2Choreography/Music: Elizabeth Goossen
Formation: Longways duple minorKey: G, Meter: 2/2Dance InstructionChoreography/Music: Don and Diane Bell to Part A: Furioso ll’Italiana (1600) by Fabritio Caroso. Part B (2010) by modern Canadian composer Sabrina Schroeder
Formation: Longways duple minorKey: Bb major, Meter: 3/2Dance InstructionChoreography/Music: Philippe Callens (2004)/Tune by John Stapledon
Formation: 4 couple longways setKey: Dm, Meter: 2/2Dance InstructionChoreography/Music: Playford 1651.Sharp reconstruction.The Playford Ball variant; SCA and RenFair reconstructions see 'Dance Instruction' above
Formation: 2 couple set or longways duple minorKey: Gm, Meter: 6/8Dance InstructionChoreography/Music: Playford 1697; Interp. Cook 1982
Formation: Longways duple minorKey: G, Meter: 6/8Dance InstructionChoreography/Music: Fried de Metz Herman (2000) to tune by Fred Grimshaw (1999)
Formation: Longways Duple MinorKey: D minor, Meter: 4/4Dance InstructionChoreography/Music: John Carroll 2011, to Pachelbel's Canon
Formation: Longways duple minorKey: Bb, Meter: 3/4Dance InstructionChoreography/Music: Goulding 1820, reconstructed by A Simons 1971
Formation: 4 couple longways set; 1s and 3s improperMeter: 6/8Dance InstructionChoreography/Music: Keith Wood December 2011
Formation: longways duple minor improperKey: Gm, Meter: 6/8Dance InstructionChoreography/Music: Dancing-Master 4th ed 1670; Charles Bolton (Retreads)
Formation: Longways duple minorKey: G, Meter: 2/2Dance InstructionChoreography/Music: Jenny Beer (1997), to music by Thomas Morley, 1595
Formation: Longways duple minor, 2's improperKey: C, Meter: 6/8Dance InstructionChoreography/Music: Walsh, 1718. Reconstruction by Andrew Shaw (2013) tune by Rebecca King (2013)
Formation: Longways Duple MinorMeter: 4/4Choreography/Music: Ken Sheffield, to a tune by O'Carolan
Formation: Longways duple minor improperKey: C, Meter: 2/2Dance InstructionChoreography/Music: Victor Skowronski (2000) to Ronde IX by Tielman Susato (1551)
Formation: Sicilian Circle of TriadsMeter: 3/4Choreography/Music: Alan Davies, to "Silence in the Rain" by Vicki Swan
Formation: Longways Duple MinorKey: F Major, Meter: 3/4Dance InstructionChoreography/Music: Susan Kevra (2019), to the tune "Star Hampshire" by Rachel Bell (2018)
Formation: 3 couple longways mixerKey: Gm, Meter: 3/4Dance InstructionChoreography/Music: Fried deMetz Herman
Formation: Longways duple minorKey: D, Meter: 6/8Dance InstructionChoreography/Music: Preston 1805
Formation: Longways duple minorKey: Gm, Meter: 6/4 6/8Dance InstructionChoreography/Music: Playford 1695; Christine Feyerabend
Formation: 3 couple longways setMeter: 4/4Choreography/Music: Loretta Holz/ Roger Davidson
Formation: Longways duple minorKey: D, Meter: 6/8Dance InstructionChoreography/Music: John Walsh, The Complete Dancing Master ca. 1719, reconstruction by Andrew Shaw (2002)
Formation: Longways triple minorKey: Dm, Meter: 2/2Dance InstructionChoreography/Music: Twenty Four New Country Dances for the Year 1716..by.. Natl. Kynaston; interpreation by Andrew Shaw
Formation: 3 couple longways setKey: G, Meter: 3/2Dance InstructionChoreography/Music: Kynaston in Walsh 1718; reconstructed by Tom Cook
Formation: 3 couple longways setKey: D, Meter: 6/8Dance InstructionChoreography/Music: John Walsh, The Complete Dancing Master ca. 1719
Formation: Longways Duple MinorKey: D minor, Meter: 2/4Dance InstructionChoreography/Music: Gary Roodman (2005)
Formation: Longways duple minorKey: F, Meter: 6/8Dance InstructionChoreography/Music: The Dancing Master 12th Ed. 1703
Formation: Longways duple minorKey: G, Meter: 2/2Dance InstructionChoreography/Music: John & William Neal c. 1726; as revised by Rich Jackson and George Fogg 1950
Formation: 2 trios facingMeter: 6/8Dance InstructionChoreography/Music: Pat Shaw to ‘Ouwe wijven’ from Oude en Nieuwe Hollantse Boerenlietjes en Contredansen
Formation: 3 couple longways setKey: C, Meter: 2/2Choreography/Music: unknown (appears in Wright's Humours, vol2) by Kathryn & David Wright
Formation: Longways duple minorKey: G, Meter: 3/4Choreography/Music: Robert Moir to a tune by Janet Collingford
Formation: 3 couple longways setKey: G, Meter: 6/8Choreography/Music: Dawn Winskill to "Consider Yourself' from "Oliver
Formation: Longways duple minorKey: Gm, Meter: 6/8Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: Longways duple minorKey: Em, Meter: 2/2Dance InstructionChoreography/Music: Chris Sackett and Brooke Friendly (2014) to Dance of the Demon Daffodils by John Kirkpatrick (2009)
Formation: Circle mixerKey: C, Meter: 4/4Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: Longways duple minorKey: Am, Meter: 2/2Dance InstructionChoreography/Music: Brooke Friendly and Chris Sackett (2003, tune by Todd Barton (2003), published in Impropriety Vol. 1
Formation: 3 couple longways setKey: D, Meter: 6/8Dance InstructionChoreography/Music: Thompson 1774
Formation: Longways duple minorMeter: 3/4Dance InstructionChoreography/Music: Chris Page to a waltz of the same name by the band Ladies at Play.
Formation: Longways duple minorKey: F, Meter: 3/2Dance InstructionChoreography/Music: 24 Country Dances for the year 1713 (J. Walsh, J. Hare 1712); reconstructed by Andrew Shaw 2002
Formation: 4 couple squareKey: D, Meter: 2/2Dance InstructionChoreography/Music: Playford 1657 (as Oranges and Limons)
Formation: Longways duple minorKey: D mixolydian, Meter: 2/2Dance InstructionChoreography/Music: Ron Coxal (2005), modified from Barry Skelton's Scottish Dance 32 bar reel
Formation: Longways duple minorKey: C, Meter: 2/2Dance InstructionChoreography/Music: Neal c. 1726
Formation: longways triple minorKey: D, Meter: 3/2Dance InstructionChoreography/Music: Cecil Sharp reconstruction (1916) based on Playford 1728
Formation: Longways Duple MinorKey: D minor, Meter: 2/2Dance InstructionChoreography/Music: Playford, 1702
Formation: Longways duple minorKey: C, Meter: 3/4Choreography/Music: Ernst August Jayme: Recueil de Contre Dances 1717, based on Mr. Lane's Trumpet Minuet #1. Playford 1619
Formation: 3 couple longways setKey: A, Meter: 3/4Dance InstructionChoreography/Music: Loretta Holz (2006) to Trade Winds Waltz by Charlene Thomson (2003)
Formation: 3 couple longways setKey: Bb, Meter: 2/2Dance InstructionChoreography/Music: Gary Roodman
Formation: 3 couple longways set Meter: 4/4Dance InstructionChoreography/Music: John Sweeney
Formation: Longways Duple MinorKey: C, Meter: 4/4Dance InstructionChoreography/Music: Clement Weeks, 1783; interpreted by Kate van Winkle Keller & Ralph Sweet, 1976.
Formation: 3 couple circleKey: Dm, Meter: 2/2Dance InstructionChoreography/Music: Colin Hume to the tune Parson's Farewell
Formation: 4 couple longways setKey: Em, Meter: 3/2Dance InstructionChoreography/Music: Bob Green
Formation: 4 couple square mixerMeter: 2/2Dance InstructionChoreography/Music: Melissa Running, 2011, revised 2023; Music: Melissa Running
Formation: Longways duple minorKey: G, Meter: 6/8Choreography/Music: Preston 1779
Formation: Longways Duple MinorKey: A Minor, Meter: 2/2Dance InstructionChoreography/Music: Playford, 1686; Interpreted by Andrew Shaw (2017) [Tune is also used in "The Dancing Wife.]
Formation: Longways duple minorKey: B flat, Meter: 3/4Choreography/Music: Loretta Holz/ Jonathan Jensen
Formation: Longways duple minorKey: B flat, Meter: 2/4Choreography/Music: Peggy Roe to :"Hungarian Dance No. 5" by Johannes Brahms
Formation: Longways duple minorKey: Bb, Meter: 2/2Dance InstructionChoreography/Music: Thomas Bray 1699
Formation: 2 couple set (facing couples)Key: Dm, Meter: 2/2Dance InstructionChoreography/Music: Playford 1651; reconstuctions by Cecil Sharp, SCA, Cecil Sharp, Ilballarino, and others see 'Dance Reconstruction' .
Formation: 4 couple longways setKey: Gm, Meter: 2/2Dance InstructionChoreography/Music: Marjorie Heffer and William Porter, 1932
Formation: Longways duple minor improperKey: C, Meter: 3/4Dance InstructionChoreography/Music: Kalia Kliban, (2008) to Ye Banks and Braes of Bonny Doon trad.
Formation: Longways duple minorKey: G, Meter: 4/4Choreography/Music: Jenna Simpson /trad.
Formation: 3 couple longways setKey: D, Meter: 6/8Dance InstructionChoreography/Music: Cor Hogendijk
Formation: Longways duple minorKey: D, Meter: 3/4Dance InstructionChoreography/Music: Sharon Green, 2014, tune by Dave Brown, Connections 1996.
Formation: 3 couple longways setKey: Cmaj, Meter: 3/4Choreography/Music: Philippe Callens to Kitty's Waltz by Pat Spaeth
Formation: 4 couple square mixerMeter: 6/8Dance InstructionChoreography/Music: Chris Sackett (2025); tune (Pleasure's Patterns) by Shira Kammen
Formation: Longways duple minorKey: D, Meter: 6/8Dance InstructionChoreography/Music: Playford’s Dancing Master, Vol 2, 1713-28
Formation: Longways duple minor improperKey: D, Meter: 6/8Dance InstructionChoreography/Music: Rosemary Hunt, Music The Runcible Spoon, Steve Hunt 2009
Formation: Longways duple minorKey: Am, Meter: 2/2Dance InstructionChoreography/Music: Fried de Metz Herman
Formation: Longways Duple MinorKey: G, Meter: 2/2Dance InstructionChoreography/Music: Ric Goldman, 2011
Formation: 3 couple longways setKey: D minor, Meter: 3/4Dance InstructionChoreography/Music: Choreography (2007) and music (2007) by Robert Jamison
Formation: 4 couple squareMeter: 4/4Dance InstructionChoreography/Music: Jamie Hargrove
Formation: Circle (no progression)Key: D Dorian, Meter: 2/4Dance InstructionChoreography/Music: Playford, 1651
Formation: 5 couple longways setKey: D Major, Meter: 2/2Dance InstructionChoreography/Music: Orly Krasner (2002)
Formation: Longways duple minorMeter: 4/4Choreography/Music: Dan Seppeler. (This dance seems unrelated to another dance of the same name, by Wright (1740), reconstructed by Cook (1979))
Formation: 3 couple longways setKey: C, Meter: 2/2Dance InstructionChoreography/Music: Susan Kevra to a tune by Rachel Bell
Formation: Longways duple minor improperKey: Bb, Meter: 6/8Dance InstructionChoreography/Music: Tom Cook, to tune of the same name by John Stapledon
Formation: 3 couple longways setKey: D, Meter: 4/4Dance InstructionChoreography/Music: DM Book 1, 2nd Edition +3rd ed 1735 and 4th.. interpretation by Andrew Shaw
Formation: Longways duple minorKey: Am, Meter: 3/2Dance InstructionChoreography/Music: Gary Roodman (2003) to tune of the same name by Jonathan Jensen
Formation: Sicilian CircleMeter: 3/4Dance InstructionChoreography/Music: Tony Northey (2017), to three tunes by Bob McInnes: Take your Partners, Collector's Choice, and Castlemaine
Formation: Longways duple minorKey: Gm, Meter: 6/8Choreography/Music: Lou Vosteen's variation of Female Saylor
Formation: 3 couple longways setKey: D, Meter: 3/2Dance InstructionChoreography/Music: Philippe Callens (2003) to Cromlit's Lilt (1740)
Formation: 4 couple longways setMeter: 2/4Choreography/Music: Fried de Metz Herman, to a tune by Giovanni Bononcini (1670-1747)
Formation: 4 couple longways setKey: D, Meter: 2/2Dance InstructionChoreography/Music: Pat Shaw 1975
Formation: 4 couple longways setKey: F, Meter: 2/2Dance InstructionChoreography/Music: Playford 1670
Formation: 3 couple longways setKey: F, Meter: 9/8Dance InstructionChoreography/Music: Unidentified Collection c. 1800
Formation: 3 couple longways setKey: Dm, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651
Formation: 2 couple set (facing couples)Key: A, Meter: 3/4Dance InstructionChoreography/Music: Tom Senior (2014) to "Douglas Russ" by Beth Murray
Formation: 3 couple longways setKey: D, Meter: 2/2Dance InstructionChoreography/Music: originally 1751, this variation by Graham Foster
Formation: Longways duple minorKey: D, Meter: 6/8Dance InstructionChoreography/Music: Playford 1701; Interp. Bentley 1965
Formation: Longways Duple MinorKey: Em, Meter: 6/8Dance InstructionChoreography/Music: Brooke Friendly (2025); Tune by Jacob Chen (2024)
Formation: 3 couple longways setKey: D, Meter: 6/8Dance InstructionChoreography/Music: Pat Shaw (1974)
Formation: 4 couple squareMeter: 6/8Dance InstructionChoreography/Music: Pat Shaw, 1974
Formation: Longways Duple MinorMeter: 4/4Choreography/Music: Susan Kevra 2025, to a tune by Rachel Bell
Formation: Longways duple minorKey: Gmajor, Meter: 9/8Dance InstructionChoreography/Music: Brooke Friendly & Chris Sackett to The Fresh Jug (Irish trad.), published in Impropriety Vol. II
Formation: Longways Duple MinorMeter: 2/2Dance InstructionChoreography/Music: by Scott Higgs for Chris Levey
Formation: 4 couple squareKey: Cm, Meter: 2/2Dance InstructionChoreography/Music: Gary Roodman (2005)/Entree, Mertillo Suite from Il Pastor Fido by G.F Handel
Formation: 3 couple longways set (was triple minor)Key: Bb, Meter: 4/4Dance InstructionChoreography/Music: Thompson, Twenty Four Country Dances, 1777
Formation: Longways duple minorKey: G, Meter: 6/8Dance InstructionChoreography/Music: Anna Rain (2011) to Winter Oranges by Daron Douglas (1995)
Formation: Longways duple minorKey: Bm, Meter: 6/8Dance InstructionChoreography/Music: Brooke Friendly and Chris Sackett to 'The Split Rock' by Kevin Burke
Formation: 5 dancers in a diamond (one at each point, and one in the middle)Meter: 4/4Dance InstructionChoreography/Music: Colin Andrews
Formation: 4 couple squareMeter: 4/4Choreography/Music: Scott Higgs
Formation: Longways duple minor improperKey: D, Meter: 3/4Dance InstructionChoreography/Music: Fried de Metz Herman (1998) to Ashworth by Anita Andersen (1995)
Formation: 3 couple longways setKey: Gm, Meter: 2/2Dance InstructionChoreography/Music: Chris Sackett, Arbeau's 16th Century "Branle de Chevaux" as adapted by Sackett.
Formation: Longways duple minorKey: Dm, Meter: 2/2Dance InstructionChoreography/Music: The Dancing Master 8th Ed. 1690;reconstructed by Christine Robb (2011)
Formation: Longways triple minorMeter: 6/8Dance InstructionChoreography/Music: Thomas Skillern 1782; Variation by Oliver H. Herde 2018
Formation: Longways duple minorKey: Gm, Meter: 4/4Dance InstructionChoreography/Music: Walsh 1715
Formation: 4 couple squareKey: F, Meter: 6/4Dance InstructionChoreography/Music: Playford (1657); Interp. Tom Cook (1993)
Formation: Longways duple minorMeter: 3/4Dance InstructionChoreography/Music: Called as contra by Ralph Page
Formation: Longways duple minorKey: G, Meter: 2/2Dance InstructionChoreography/Music: Playford 1701 and a reintrpretation by Pat Shaw
Formation: 3 couple longways setKey: F Major, Meter: 2/2Dance InstructionChoreography/Music: Daniel Beal (2021) to “Captain’s Magot” by Henry Playford (1696)
Formation: Longways Duple MinorMeter: 4/4Dance InstructionChoreography/Music: Simone Verheyen and Philippe Callens, to the tune "Nutwell" by Roland Butler.
Formation: Longways duple minorMeter: 4/4Choreography/Music: Susan Kevra, to a tune by Rachel Bell
Formation: Longways duple minorKey: D, Meter: 9/8Dance InstructionChoreography/Music: Brooke Friendly and Chris Sackett to The Snowy Path by Mark Kelly 1992, published in Impropriety Vol. III
Formation: Longways duple minorKey: G Major, Meter: 6/8Dance InstructionChoreography/Music: Choreography (2023) and music (2023) by Robert Jamison
Formation: Longways duple minorMeter: 3/4Dance InstructionChoreography/Music: Bob Green to "Hambo from Hamilton" by Jonathan Jensen
Formation: 3 couple longways setKey: D, Meter: 6/8Dance InstructionChoreography/Music: 24 New Country Dances, Compos'd by a Person of Quality and recommended to Mr. Nathaniel Kynaston London. Walsh, [J.] Hare, [1718] interpretation by Andrew Shaw
Formation: Longways Duple MinorKey: A, Meter: 6/8Dance InstructionChoreography/Music: Playford Ed. 3 (1726)
Formation: Longways duple minorKey: Gm, Meter: 3/2Dance InstructionChoreography/Music: Playford 1713
Formation: Longways duple minorKey: Eminor, Meter: 3/4Dance InstructionChoreography/Music: Paula Kelley for her hiking and dancing friend Ken Prince (of Westborough, MA) to the tune The Middle of Night by Peter Barnes
Formation: 4 couple longways setKey: C, Meter: 4/4Dance InstructionChoreography/Music: The Dancing Master 1st Ed. 1651
Formation: 3 couple longways setKey: A, Meter: 2/2Dance InstructionChoreography/Music: Walsh 1731
Formation: Longways duple minorKey: Bb, Meter: 3/4Dance InstructionChoreography/Music: Preston (1801) reconstruction by Pat Woods (1958)
Formation: 3 couple longways set Meter: 3/2Dance InstructionChoreography/Music: William Brearly and Katie Sanger, 2021-2022; music by Purcell (arr. Jean Monroe)
Formation: Longways Duple MinorMeter: 3/4Choreography/Music: Robert Jamison
Formation: 3 couple longways setKey: Gm, Meter: 4/4Dance InstructionChoreography/Music: Pat Shaw
Formation: Longways duple minorKey: Gm, Meter: 6/8Dance InstructionChoreography/Music: Playford 1701
Formation: 3 couple longways setMeter: 2/4Dance InstructionChoreography/Music: Carmen Giunta, to the tune "Molecular Structure" by David Smukler
Formation: Longways duple minorKey: G, Meter: 2/2Dance InstructionChoreography/Music: Gary Roodman, 2023; Tune: Dave Weisler, 2020
Formation: Longways duple minor improperKey: Dm, Meter: 2/2Dance InstructionChoreography/Music: Chris Sackett & Brooke Friendly (1997)/The Kettledrum
Formation: Longways duple minorKey: G, Meter: 3/2Dance InstructionChoreography/Music: Playford 1701
Formation: Longways duple minorKey: Em, Meter: 2/2Dance InstructionChoreography/Music: DM II: 1-4; Walsh 1719; Pat Shaw 1961;variants
Formation: 3 couple circleKey: Dm, Meter: 6/8Dance InstructionChoreography/Music: Playford 1670
Formation: Longways duple minorKey: any, Meter: 4/4Choreography/Music: Trad. Northumberland. EFDSS Community Dance Manuals
Formation: 4 dancers in a diamondMeter: 3/4Dance InstructionChoreography/Music: John Sweeney
Formation: 4 couple longways setKey: G, Meter: 6/8Dance InstructionChoreography/Music: Heffer and Porter 1932
Formation: Longways duple minorKey: C, Meter: 2/2Dance InstructionChoreography/Music: Playford 1703; Interp. Callens 2002
Formation: Longways duple minorKey: D, Meter: 6/8Dance InstructionChoreography/Music: EDM 11th Ed. 1701;reconstruction Cecil Sharp 1922
Formation: Longways duple minorKey: Dmaj, Meter: 4/4Dance InstructionChoreography/Music: The Compleat Dancing Master 1718
Formation: 3 couple longways setKey: A minor, Meter: 2/2Dance InstructionChoreography/Music: Gary Roodman (2003)/An Urgent Tune by Jonathan Jensen
Formation: Longways duple minor double progressionKey: G, Meter: 4/4Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: longways triple minor or 3 couple longways setKey: G, Meter: 3/4Dance InstructionChoreography/Music: Pat Shaw, 1975
Formation: Longways duple minorKey: Gm, Meter: 9/8Dance InstructionChoreography/Music: Dance by Sharon Green, 2014; tune by Martha Stokely.
Formation: Longways duple minorKey: Gm, Meter: 3/4Dance InstructionChoreography/Music: Victor Skowronski to Cutty Wren
Formation: Longways duple minorKey: D, Meter: 6/8Dance InstructionChoreography/Music: Neal c.1726
Formation: Longways duple minor improperKey: Eminor, Meter: 6/8Dance InstructionChoreography/Music: Brooke Friendly and Chris Sackett (2009) to “The White Petticoat” (Traditional Irish), published in Impropriety Vol. IV
Formation: Longways duple minor improperKey: G, Meter: 2/2Dance InstructionChoreography/Music: Thompson IV 1780
Formation: Longways duple minorKey: A, Meter: 2/4Dance InstructionChoreography/Music: Rutherford (1756)
Formation: Longways duple minor improperKey: Gm, Meter: 2/2Dance InstructionChoreography/Music: Gary Roodman(2008); tune by Steve Maranto
Formation: 3 couple longways setKey: F, Meter: 3/4Dance InstructionChoreography/Music: Thomas Budd 1795
Formation: 3 couple circleKey: G, Meter: 3/4Dance InstructionChoreography/Music: Fried deMetz Herman to a tune by Tom Siess
Formation: Longways duple minorKey: G, Meter: 6/8Dance InstructionChoreography/Music: Susan Kevra, tune by Rachel Bell
Formation: 2 couple setKey: G major modal, Meter: 6/4Dance InstructionChoreography/Music: Brooke Friendly and Chris Sackett (2013)
Formation: 4 couple longways setKey: D, Meter: 6/8Dance InstructionChoreography/Music: Pat Shaw (1964)
Formation: Circle (no progression)Meter: 3/4Dance InstructionChoreography/Music: Alan Winston (2019), to the tune Eilean Beag donn a'Chuain
Formation: Longways duple minorKey: G, Meter: 3/2Dance InstructionChoreography/Music: Walsh 1713 as interpreted by Andrew Shaw 2009
Formation: 3 couple longways setKey: G, Meter: 2/4Dance InstructionChoreography/Music: Thompson 1757 interp: Charles Bolton
Formation: Longways duple minorKey: Am, Meter: 2/2Dance InstructionChoreography/Music: Walsh 1718; and from Playford 1695 with variant choregraphies including a varant by Victor Skowronsk (2003)
Formation: Longways Duple MinorKey: E minor, Meter: 3/4Dance InstructionChoreography/Music: Renee Camus (2021); tune by Lael Whitehead (2020)
Formation: Longways Duple MinorKey: D Major, Meter: 6/8Dance InstructionChoreography/Music: Joseph Pimentel, to a tune by Dave Wiesler
Formation: 6 couple longways setMeter: 4/4Choreography/Music: Hilary Herbert/Elegence by Dave Brown
Formation: longways triple minorKey: F, Meter: 4/4Dance InstructionChoreography/Music: Annonymous (1818)
Formation: 3 couple longways setMeter: 3/4Dance InstructionChoreography/Music: Mary Devlin (2008) to Waltz for Mary Kay by Liz Donaldson (1989)
Formation: 4 couple longways set; 3s and 4s improperKey: Bm, Meter: 2/2Choreography/Music: Colin Hume, 1998
Formation: Longways duple minor improperKey: Gm, Meter: 2/2Dance InstructionChoreography/Music: Gary Roodman 2018 "Ashes" by Rebecca King
Formation: 3 couple longways mixerMeter: 4/4Dance InstructionChoreography/Music: Philippe Callens 2002, to "Air" by Joannes de Gruijitters (1746)
Formation: Longways duple minor improperKey: G, Meter: 2/2Dance InstructionChoreography/Music: Gary Roodman to "Mundesse" by Susato
Formation: 3 couple circleMeter: 6/8Choreography/Music: Geoff Todd
Formation: Longways duple minorMeter: 4/4Choreography/Music: Kimberly, Ellie, & Chava Hall/Joseph Galbraith
Formation: Longways Duple MinorKey: A, Meter: 6/8Dance InstructionChoreography/Music: Lise Dyckman [2000], to the tune Reunion Jig, by Russ Barenberg [1989], in Portland Collection Vol. 1
Formation: Longways duple minorKey: Am, Em, Meter: 3/4Dance InstructionChoreography/Music: Jenna Simpson to "She's Sweetest When She's Naked" traditional
Formation: 4 couple longways setKey: A, Meter: 4/4Choreography/Music: Tom Cook/ Brian Jenkins
Formation: 3 couple longways setKey: G, Meter: 3/4Dance InstructionChoreography/Music: Philippe Callens to 18th of August by Daphne Baker (2002)
Formation: Longways Duple Minor ImproperKey: A Minor, Meter: 2/4Dance InstructionChoreography/Music: Choreography (2013) and music (2007) by Robert E. Jamison
Formation: Longways duple minorKey: C, Meter: 3/4Choreography/Music: Veronica Lane, to "Silent Night"
Formation: Longways duple minorMeter: 3/4Choreography/Music: Peter Zarich (2018) to Rings of Saturn (Farewell Cassini) by Marjorie Millner.
Formation: 4 couple squareKey: Gm, Meter: 4/4Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: Longways duple minorMeter: 2/4Dance InstructionChoreography/Music: Carol Ann Krug Graves (2016) to "Verdant Groves" (traditional Shaker song)
Formation: 3 couple longways setKey: Gm, Meter: 3/2Dance InstructionChoreography/Music: Anna Rain; tune by David Wiesler
Formation: Longways Duple MinorMeter: 4/4Choreography/Music: Thomas, from "New Country Dances from Maine 1795", edited by Keller & Fogg
Formation: Longways duple minor improperKey: Bb, Meter: 4/4Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: Longways duple minor improperMeter: 3/4Choreography/Music: Dani Zavasky 2026, to a tune by Artur Gold, ca. 1937
Formation: 4 couple squareMeter: 3/4Dance InstructionChoreography/Music: Pat Shaw (1956)
Formation: Longways duple minorKey: D, Meter: 2/2Dance InstructionChoreography/Music: Walsh 1712, interpretation by Chip and Fran Hendrickson, 1984
Formation: Longways duple minorKey: Dm, Meter: 2/2Dance InstructionChoreography/Music: Thomas Bray 1699
Formation: Longways duple minor improperMeter: 3/4Choreography/Music: Mady Newfield
Formation: 4 couple squareKey: D, Meter: 6/8Dance InstructionChoreography/Music: A.(Bert)Simons, 1970 in KentishHops, to Road to Lisdoonvarna (Irish Trad.
Formation: Longways duple minor improperKey: Cm, Meter: 2/4Dance InstructionChoreography/Music: Fried deMetz Herman
Formation: 5 couple longways setKey: G, Meter: 6/8Dance InstructionChoreography/Music: Pat Shaw (1969
Formation: Longways duple minorKey: F, Meter: 2/4Dance InstructionChoreography/Music: Victor Skowronski (2009) to a folk song Helas madam (Alas my lady) said to be composed by Henry VIII
Formation: 3 couple longways setKey: G, Meter: 3/4Dance InstructionChoreography/Music: Fried de Metz Herman to tune by John Stapledon
Formation: 3 couple circleMeter: 6/8Dance InstructionChoreography/Music: Keith Wood July 2011
Formation: Longways duple minorKey: C, Meter: 9/8Dance InstructionChoreography/Music: Bride 1776, interpretation by Jacqueline Schwab
Formation: Longways duple minorMeter: 4/4Choreography/Music: Loretta Holz, to "Institutes" by Dave Wiesler
Formation: 3 couple circleKey: D, Meter: 6/8Dance InstructionChoreography/Music: Pat Shaw (date unknown)
Formation: Longways duple minorKey: F, Meter: 4/4Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: Longways duple minorKey: Dm, Meter: 2/2Dance InstructionChoreography/Music: DM 1701-1728; Cecil Sharp 1922 to the tune of Mr. Lane's Maggot
Formation: Longways Duple MinorKey: Gm, Meter: 6/4Dance InstructionChoreography/Music: Playford, 1713
Formation: Longways duple minor mixer, 2's improperKey: G, Meter: 6/8Dance InstructionChoreography/Music: EDM 1st Ed 1651; reconst. by Charles Bolton (Retreads6)
Formation: Longways Duple Minor ImproperKey: C Major, Meter: 3/4Dance InstructionChoreography/Music: Gary Roodman, 2000
Formation: Longways duple minorKey: B, Meter: 6/8Choreography/Music: Ignatius Sancho; Twelve Country Dances for the year 1779; duple minor interpretation by Bob Olson
Formation: Longways duple minorMeter: 3/4Choreography/Music: Peggy Roe. (2011) to "Royal City Waltz"composed by Nina Ury
Formation: Longways Duple MinorMeter: 4/4Choreography/Music: Drew Delaware
Formation: Longways Duple MinorMeter: 2/2Dance InstructionChoreography/Music: Susan Kevra 2025, to a tune by Rachel Bell
Formation: 3 couple longways setKey: C, Meter: 3/4Dance InstructionChoreography/Music: Brooke Friendly and Chris Sackett (2011) to Flash of Vermilion by Dave Bartley (2009)t, published in Impropriety Vol. IV
Formation: Longways duple minorKey: C, Meter: 6/8Dance InstructionChoreography/Music: Ignatio Sancho 1779
Formation: 2 couple set (facing couples)Key: D, Meter: 2/2Dance InstructionChoreography/Music: Playford 1670; Sharp; The Playford Ball and four additional varitaions see 'Dance Instruction' above
Formation: 3 couple longways set Meter: 2/2Choreography/Music: Ignatius Sancho; Twelve Country Dances for the year 1779; duple minor interpretation by Bob Olson
Formation: 4 couple squareKey: G/D, Meter: 2/2Choreography/Music: Trad. Peter Kennedy
Formation: 3 couple longways setKey: Dm, Meter: 6/8Dance InstructionChoreography/Music: Dance and Music: Colin Hume, 2006
Formation: 2 couple setKey: Dm, Meter: 6/8Dance InstructionChoreography/Music: Playford 1728
Formation: Longways duple minor improperKey: F, Meter: 3/4Dance InstructionChoreography/Music: Orly Krasner
Formation: 3 couple longways setMeter: 3/4Choreography/Music: Peggy Roe to tune by Vancouver composer Jane Slemon
Formation: 4 couple squareKey: G, Meter: 6/8Dance InstructionChoreography/Music: Playford 1670
Formation: Longways Duple MinorKey: F, Meter: 6/8Dance InstructionChoreography/Music: Preston, 1799
Formation: Longways Duple MinorMeter: 6/8Dance InstructionChoreography/Music: Playford, Interpreted by Andrew Shaw
Formation: Longways duple minorMeter: 4/2Choreography/Music: Jamie Hargrove
Formation: Longways duple minorKey: G, Meter: 2/2Dance InstructionChoreography/Music: Playford 1701
Formation: Longways duple minorMeter: 4/4Choreography/Music: Thomas Bray 1699 reconstruction by Diana Cruckshenk
Formation: Longways duple minorKey: D, Meter: 3/2Dance InstructionChoreography/Music: Original dance 1708, reconstruction by Andrew Shaw in 2013
Formation: Longways duple minorKey: G, Meter: 4/4Dance InstructionChoreography/Music: Neal c. 1726
Formation: 3 couple longways setKey: Gm, Meter: 3/2Dance InstructionChoreography/Music: Playford 1713
Formation: 2 couple setKey: Am, Meter: 2/2Dance InstructionChoreography/Music: Playford 1651; Interp. Sharp 1911
Formation: 3 couple longways setKey: Gm, Meter: 2/2Dance InstructionChoreography/Music: Dancing Master,9th Ed,1st Supp 1696 to music from "The Virtuous Wife by Purcell, 1694
Formation: Longways Duple MinorMeter: 4/4Choreography/Music: Seth Tepfer/David Marcus
Formation: 6 couple crossMeter: 6/4Choreography/Music: Jamie Hargrove plus verses by Gwommy, and Aliina
Formation: Longways Duple MinorKey: D Major, Meter: 3/4Dance InstructionChoreography/Music: Choreography (2023) and Music (2007) by Robert E. Jamison
Formation: 3 couple longways set (was triple minor)Key: Gm, Meter: 3/4Dance InstructionChoreography/Music: Button and Whitaker, 24 Country Dances for the year 1813
Formation: Longways duple minor improperKey: D/Bm, Meter: 32 bar 4/4Dance InstructionChoreography/Music: Peggy Roe (2017) to "Bright Shining Sea"' by Dan Page (2007)
Formation: Longways duple minorMeter: 3/4Dance InstructionChoreography/Music: Brooke Friendly and Chris Sackett, 2008, tune by Debbie Jackson.
Formation: Longways duple minorKey: D, Meter: 3/4Dance InstructionChoreography/Music: Pat Shaw to ˜Poolsche Saraâ" from Oude en Nieuwe Hollantse Boerenlietjes en Contredansen
Formation: Longways duple minorKey: C, Meter: 3/2Dance InstructionChoreography/Music: Walsh 1719 ; reconst. Jacqueline Schwab (2000)
Formation: 4 couple longways setKey: Gm, Meter: 3/4Dance InstructionChoreography/Music: Orly Krasner (2001)
Formation: Longways duple minorMeter: 2/2Dance InstructionChoreography/Music: Anna Rain, 2018; Music: “Umami” by Dave Wiesler
Formation: Longways duple minorKey: A, Meter: 3/2Dance InstructionChoreography/Music: Walsh, 1706
Formation: Longways duple minor improperKey: G, Meter: 4/4Choreography/Music: Brian Wedgebury, 1977
Formation: longways triple minorKey: Em, Meter: 2/4Dance InstructionChoreography/Music: Walsh c.1728; reconstruction by Andrew Shaw
Formation: 3 couple longways setKey: D minor, Meter: 3/4Dance InstructionChoreography/Music: Choreography (2004) and music (2004) by Robert E. Jamison
Formation: Longways duple minorKey: F, Meter: 2/2Dance InstructionChoreography/Music: Christine Robb to Tom Kruskal's by Amelia Mason and Emily Troll
Formation: Longways duple minor improperKey: Am, Meter: 3/2Dance InstructionChoreography/Music: Gary Roodman, (1999)/Agatha by Erasmus Widmann (1631)
Formation: Longways duple minorKey: G, Meter: 2/4Dance InstructionChoreography/Music: Fried de Metz Herman (2001) to Air by H. Purcell
Formation: 3 couple longways setKey: D, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651
Formation: 3 couple longways setKey: G, Meter: 6/8Dance InstructionChoreography/Music: Fried de Metz Herman
Formation: Longways duple minorKey: G, Meter: 2/2Dance InstructionChoreography/Music: Francis Werner, 1784
Formation: 3 couple longways set Meter: 4/4Dance InstructionChoreography/Music: Pat Shaw to Sawdl Y Fuwch from Musical Relics of the Welsh Bards by Edward Jones 1794, arranged by Pat Shaw
Formation: 4 couple longways Becket setKey: G, Meter: 2/2Choreography/Music: Gary Roodman (2005)/Pat's Rag, Jonathan Jensen
Formation: Longways Duple minorKey: A Dorian, Meter: 4/4Dance InstructionChoreography/Music: Chris Sackett and Brooke Friendly (2008) to tune by Shira Kammen(2006)
Formation: 3 couple longways setKey: Dm, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651
Formation: Longways duple minorKey: F, Meter: 2/2Dance InstructionChoreography/Music: Thomas Bray 1699 to tune from Amphitryon by Henry Purcell
Formation: Longways Duple MinorKey: Am, Meter: 2/2Dance InstructionChoreography/Music: Wright, 1719. Interpreted by Tom Cook, 1975.
Formation: Longways duple minorKey: F, Meter: 3/4Dance InstructionChoreography/Music: Dance and Tune by Tom Seiss (2011)
Formation: 3 couple longways setKey: Gm, Meter: 9/8Dance InstructionChoreography/Music: Chris Sackett and Brooke Friendly (2013) to Your Slip is Showing By Chris Sackett (2013)
Formation: Longways Duple MinorMeter: 4/4Choreography/Music: Jenna Simpson, to a tune by Dave Wiesler (2023)
Formation: 3 couple longways set or longways duple minorKey: F, Meter: 6/8Choreography/Music: Wilson, 1809 & 1816 (two unrelated dances?)
Formation: Longways duple minorMeter: 6/8Dance InstructionChoreography/Music: Jenna Simpson set to the tune "Nasty Nell" by Kathleen Fownes
Formation: Circle mixerKey: G, Meter: 6/8Dance InstructionChoreography/Music: Playford 1670; Sharp; The Playford Ball and four additional varitaions
Formation: 7 dancers in a circleMeter: 4/4Dance InstructionChoreography/Music: Keith Wood October 2012
Formation: 4 couple longways set; 2s and 4s improperKey: G, Meter: 3/2Choreography/Music: Brian Wedgebury [Note: There is another dance with the same name, written by Rosemary Lach.]
Formation: Longways duple minorKey: C, Meter: 3/4Choreography/Music: Rosemary Lach (2013), to the tune "Waltz for Rosemary" by Don Page, 2004. [Note: There is another dance by the same name, written by Brian Wedgebury.]
Formation: Longways duple minorKey: Dm, Meter: 2/2Dance InstructionChoreography/Music: Joseph Pimentel to a tune by Dave Wiesler
Formation: Longways duple minorKey: Dm, Meter: 3/4Dance InstructionChoreography/Music: Fried deMetz Herman (1977) to Saraband by Corelli
Formation: 3 couple longways setKey: E flat, Meter: 2/2Choreography/Music: Elizabeth Goossen.
Formation: 4 Couple longways setKey: G, Meter: 6/8Dance InstructionChoreography/Music: George Middleton (1977)
Formation: Longways duple minor improperKey: F, Meter: 4/4Choreography/Music: Bob Green to "On the Danforth" by Keith Murphy
Formation: 3 couple longways setKey: Gm, Meter: 4/4Dance InstructionChoreography/Music: Christine Robb (2017); tune Playford, Shawbury Park, The Dancing Master, 1710-1728
Formation: 3 couple longways setKey: A minor, Meter: 3/2Dance InstructionChoreography/Music: Kynaston, 1711; reconstructed as a 3-couple set by Andrew Shaw, 2002
Formation: 3 couple longways setMeter: 3/4Dance InstructionChoreography/Music: Peter Andre 1983
Formation: 3 couple longways setKey: G, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651
Formation: 3 couple longways setKey: Em, Meter: 6/8Dance InstructionChoreography/Music: Playford, 1651-1690; variation by Jutta Voss, to the tune for Hit and Miss
Formation: 3 couple longways setMeter: 6/8Dance InstructionChoreography/Music: Keith Wood, to a tune by Jonathon Zorzetto
Formation: 3 couple longways setKey: G, Meter: 3/4Dance InstructionChoreography/Music: Steve Otlowski, 2016, to Valse des Pastouriaus by Jacky Molard. In honor of Sherry Brodock
Formation: Longways Duple MinorKey: Am, Meter: 2/2Dance InstructionChoreography/Music: Renée Camus; tune is "Texas" (trad.)
Formation: 3 couple longways setMeter: 6/8Dance InstructionChoreography/Music: Paul Harris/Samuel Sim for BBC's Emma 2009
Formation: 4 couple squareKey: Em, Meter: 3/4Dance InstructionChoreography/Music: Steven Sargent
Formation: Longways duple minorKey: G, Meter: 6/8Dance InstructionChoreography/Music: Thomas Bray 1699 to tune from The Gordian Knot Untyed by Henry Purcell
Formation: 4 couple longways set; 2s and 4s improperMeter: 2/2Dance InstructionChoreography/Music: Ron Coxall
Formation: 3 couple longways setKey: D, Meter: 2/2Dance InstructionChoreography/Music: Thompson 1765 as triple minor, and 3 couple
Formation: 3 couple longways setKey: D, Meter: 2/2Dance InstructionChoreography/Music: Playford 1710
Formation: Longways duple minor improperMeter: 4/4Dance InstructionChoreography/Music: Playford 1689
Formation: Longways duple minorKey: Dm, Meter: 3/2Dance InstructionChoreography/Music: Playford 1695
Formation: Longways duple minorMeter: 4/4Choreography/Music: Christine Feyerabend - written to practice basic Playford figures
Formation: 3 couple longways setKey: D, Meter: 3/4Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: 4 couple longways setKey: G, Meter: 3/4Dance InstructionChoreography/Music: Gary Roodman music by Dave Wiesler
Formation: 3 couple longways set or longways triple minorMeter: 9/8Dance InstructionChoreography/Music: Bob Olson (2016), to Chris Sackett's tune "Your Slip is Showing"
Formation: 4 couple squareKey: F, Meter: 3/4Dance InstructionChoreography/Music: Gary Roodman (2013)/Debbie Jackson(2013
Formation: Longways duple minorKey: G, Meter: 2/2Dance InstructionChoreography/Music: Philippe Callens (2003) to D'Uytrechise Vreeden by Estienne Roger (c 1715)
Formation: Sicilian CircleKey: C, Meter: 4/4Dance InstructionChoreography/Music: Victor Skowronski danced to the tune Simple Gifts by Shaker Elder Joseph Brackett, Jr.S 1848 (2012
Formation: 2 couple set (facing couples mixer)Key: C, Meter: 4/4Dance InstructionChoreography/Music: Fried de Metz Herman to a tune by Thomas Ford (1607)
Formation: Longways duple minorKey: F, Meter: 3/2Dance InstructionChoreography/Music: Playford 1701
Formation: 3 couple longways setKey: G, Meter: 4/4Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: 3-8 couple longways setKey: G, Meter: 9/8Dance InstructionChoreography/Music: Wilson Companion 1816
Formation: 3 couple longways setKey: G, Meter: 6/8Dance InstructionChoreography/Music: Johnson 1750
Formation: 3 couple longways setKey: G, Meter: 2/4Dance InstructionChoreography/Music: Weeks 1783
Formation: longways triple minorKey: Dm, Meter: 6/8Dance InstructionChoreography/Music: Dancing Master 11th ed., 1702
Formation: Longways duple minorKey: Am/A, Meter: 4/4Dance InstructionChoreography/Music: Philippe Callens to "Pennruddock" by Brian Jenkins
Formation: 2 couple set (facing couples)Key: Am, Meter: 3/4Dance InstructionChoreography/Music: Pat Shaw. Pat Shaw arrangement of ‘Menuett’ by Johann Kriegers (1651–1735)
Formation: 4 couple longways setKey: F, Meter: 2/2Dance InstructionChoreography/Music: Pat Shaw (1975)
Formation: Longways duple minor improperKey: Dm, Meter: 6/8Dance InstructionChoreography/Music: Tom Cook (1987) / Brian Jenkins
Formation: Longways duple minor improperKey: Gm, Meter: 3/2Dance InstructionChoreography/Music: Chris Sackett and Brooke Friendly to Snowbound by Dave Bartley, published in Impropriety Vol. II
Formation: Longways Duple MinorMeter: 3/4Dance InstructionChoreography/Music: Alan Winston
Formation: Longways duple minorKey: D, Meter: 3/4Choreography/Music: Peggy Roe to "Silver Bells" by Jay Livingston and Ray Evans
Formation: Longways duple minorKey: Dm, Meter: 2/2Dance InstructionChoreography/Music: Andrew Shaw reconstruction; dance and tune by Nathanal Kynaston, pub. in Walsh 24CD, 1718
Formation: Sicilian CircleKey: D, Meter: 4/4Dance InstructionChoreography/Music: Howe 1858
Formation: Longways duple minor improperKey: A, Meter: 3/2Dance InstructionChoreography/Music: Gary Roodman, 2012 to tune of the same name by Peter Barnes
Formation: 4 couple squareKey: G, Meter: 4/4Dance InstructionChoreography/Music: Phillipe Callens (2009) to A Trip to the Bar by John Hymas (2009)
Formation: Longways Duple MinorMeter: 4/4Dance InstructionChoreography/Music: Jenna Simpson, 2010
Formation: 3 couple longways setKey: G, Meter: 3/4Dance InstructionChoreography/Music: Colin Hume; to a variation on a tune by Antonin Dvorak
Formation: longways triple minorKey: Am, Meter: 3/4Dance InstructionChoreography/Music: Fried de Metz Herman (1998); tune by Turlough Carolan (1670-1738)
Formation: Longways duple minorKey: G dorian, Meter: 2/2Dance InstructionChoreography/Music: Jenna Simpson,to A Person of Quality by Linda Lieberman.
Formation: Longways Duple MinorMeter: 3/4Dance InstructionChoreography/Music: David Smukler (2024), to a tune by H. Purcell
Formation: Longways duple minorKey: G, Meter: 6/8Dance InstructionChoreography/Music: Playford 1710; Dancing Master II 1-4 Walsh 1719.
Formation: Longways Duple Minor ImproperMeter: 3/4Dance InstructionChoreography/Music: Olivia Barry 2020; Tune by Colin Hume 2020
Formation: Longways Duple MinorMeter: 3/4Dance InstructionChoreography/Music: Alan Winston
Formation: 3 couple longways setKey: Dm, Meter: 3/4Dance InstructionChoreography/Music: Loretta Holtz (2008) to "South Side Waltz" by Charlene Thomson (2003)
Formation: 4 couple squareKey: G, Meter: 3/4Choreography/Music: Louis Vosteen to the 18th century Scottish tune
Formation: Longways duple minorKey: G, Meter: 6/8Dance InstructionChoreography/Music: Thompson 1777
Formation: Sicilian CircleMeter: 3/4Dance InstructionChoreography/Music: Francis Johnson (1800's); Interp. by Alan Jones and Julia Bengtsson (2024)
Formation: Longways duple minorKey: C, Meter: 6/8Dance InstructionChoreography/Music: The Dancing Master 17th Ed. Vol. I 1721; Walsh 1755
Formation: Longways Duple MinorKey: C, Meter: 6/8Dance InstructionChoreography/Music: Neal 1726; Interp. Jackson & Fogg 1990
Formation: Sicilian CircleKey: G, Meter: 3/4Dance InstructionChoreography/Music: Border Trad. Peter Kennedy
Formation: Longways Duple MinorMeter: 3/4Dance InstructionChoreography/Music: Alan Winston
Formation: Longways Duple Minor ImproperKey: B-flat Minor, Meter: 3/2Dance InstructionChoreography/Music: Daniel Beal (2025) to “Headington” by Rachel Bell (2018)
Formation: Longways duple minorKey: A, Meter: 4/4Dance InstructionChoreography/Music: Trad. Cecil Sharp
Formation: Longways duple minorKey: Am, Meter: 2/2Dance InstructionChoreography/Music: Don Bell to "Chestnut" or "Dove's Figary"
Formation: Longways duple minorKey: C/D, Meter: 2/4Choreography/Music: Country Dances of Colonial America (John Millar)
Formation: 3 couple longways setKey: G, Meter: 6/8Dance InstructionChoreography/Music: Reconstructed by Bernard Bentley
Formation: Longways duple minorKey: D, Meter: 2/4Dance InstructionChoreography/Music: Samuel, Ann & Peter Thompson 1794
Formation: 4 couple longways setKey: Am, Meter: 6/8Dance InstructionChoreography/Music: Playford 1665
Formation: Longways duple minorKey: D, Meter: 4/4Dance InstructionChoreography/Music: Philippe Callens(2009) to Boree The Old Bachelor, Henry Purcell(1691)
Formation: Longways duple minorKey: Am, Meter: 4/4Choreography/Music: Elizabeth Goossen
Formation: Longways duple minorKey: Gm, Meter: 2/2Dance InstructionChoreography/Music: Thomas Bray 1699 tune from The Island Princess by Jeremiah Clark 1699
Formation: 4 Couple SquareMeter: 6/8Dance InstructionChoreography/Music: Marj Hendy
Formation: Longways duple minorKey: Gm, Meter: 4/4Dance InstructionChoreography/Music: Loretta Holz (2007) to Randy's Rondo by Charlene Thomson (2005)
Formation: Longways duple minorKey: D, Meter: 4/4Dance InstructionChoreography/Music: Pat Shaw (1958) to a traditional tune
Formation: Longways duple minorKey: Gm, Meter: 2/2Dance InstructionChoreography/Music: Playford 1651
Formation: 4 couple longways setMeter: 4/4Choreography/Music: Loretta Holz, to "Train Wreck" by Dave Wiesler (compare to the dance "Brighton Express")
Formation: Longways duple minor improperKey: Bm, Meter: 3/4Choreography/Music: Bob Green
Formation: Longways duple minor improperKey: G, Meter: 6/8Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: 4 couple longways setKey: C, Meter: 4/4Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: 3 couple square; One head facing up w/ two sidesKey: D, Meter: 3/4Choreography/Music: Graham Foster
Formation: 3 couple longways setKey: Gm, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651
Formation: Longways duple minor improperKey: Am, Meter: 3/4Dance InstructionChoreography/Music: Tom Cook / Brian Jenkins
Formation: Longways duple minorKey: A, Meter: 3/2Dance InstructionChoreography/Music: Renée Camus (2024); tune is Steppy Downs Road, by Sam Sweeney
Formation: Longways duple minor improperMeter: 6/8Dance InstructionChoreography/Music: Seth Tepfer, to a tune by Dave Marcus
Formation: 6-couple set (Two 3 couple longways sets)Key: Fm, Meter: 6/8Dance InstructionChoreography/Music: Colin Hume 1992, to the tune for Jacob Hall's Jig
Formation: 3 couple longways setKey: F, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651
Formation: Longways duple minorKey: C, Meter: 2/2Dance InstructionChoreography/Music: Gary Roodman (2000)
Formation: Longways duple minorKey: D, Meter: 6/8Choreography/Music: James R. Morrison, 24 Early American Country Dances for 1976
Formation: Square of TriosKey: D, Meter: 6/8Dance InstructionChoreography/Music: Preston 1791
Formation: 3 couple longways setKey: G, Meter: 6/8Dance InstructionChoreography/Music: Ignatius Sancho Twelve Country Dances.1779
Formation: 3 couple longways setMeter: 6/4Choreography/Music: Playford 1718
Formation: Longways duple minor Key: G, Meter: 4/4Dance InstructionChoreography/Music: Asa Willcox
Formation: Sicilian Circle BecketKey: G major, Meter: 2/2Dance InstructionChoreography/Music: Fried De Metz Herman to two tunes by Chris Dewhearst
Formation: Circle MixerMeter: 3/4Choreography/Music: ?, to the tune March Air by Maggie Moore
Formation: 3 couple longways setKey: F, Meter: 4/4Dance InstructionChoreography/Music: Keith Wood January 2015 to "All in a Garden Green"
Formation: Longways duple minorKey: G, Meter: 2/2Dance InstructionChoreography/Music: Phillipe Callens (2003) to Silver Birches by Geoff Mendham (2003)
Formation: Longways duple minor improperKey: D/A, Meter: 6/8Dance InstructionChoreography/Music: Peggy Roe (2017) to "Trip to Mayne" by Karen McIvor (2011)
Formation: Longways Duple MinorKey: A, Meter: 4/4Dance InstructionChoreography/Music: Gary Roodman, to "Smuggler's Reel" (Trad.)
Formation: Longways duple minorKey: A, Meter: 2/4Dance InstructionChoreography/Music: Thompson 1757
Formation: 3 couple circleMeter: 4/4Dance InstructionChoreography/Music: Choreography: John Sweeney; Tune: Lindsey Sterling
Formation: Longways duple minorKey: E minor, Meter: 3/4Dance InstructionChoreography/Music: Choreography (2023) and Music (2007) by Robert E. Jamison
Formation: 4 couple squareKey: G, Meter: 4/4Dance InstructionChoreography/Music: Elizabeth Goossen
Formation: Longways Duple MinorMeter: 4/4Dance InstructionChoreography/Music: Orly Krasner/Peggy Beck
Formation: Longways duple minorKey: D, Meter: 3/4Dance InstructionChoreography/Music: Tom Roby 2002 to Judy and Jim's Wedding by Larry Unger
Formation: 3 couple circleKey: Em, Meter: 3/4Dance InstructionChoreography/Music: Choreographed and composed by Elizabeth Goossen
Formation: Longways duple minorKey: G, Meter: 2/4Dance InstructionChoreography/Music: Toos Heesakkers to "Colored Aristocracy"
Formation: 3 couple longways setMeter: 6/8Dance InstructionChoreography/Music: Chris Turner, 1977
Formation: Longways duple minorKey: G, Meter: 4/4Dance InstructionChoreography/Music: Walsh, Selected Country Dances for 1760
Formation: Longways Duple MinorKey: D, Meter: 2/2Dance InstructionChoreography/Music: Jenna Simpson to Sunlight Room by Dave Wiesler
Formation: Longways duple minorKey: G, Meter: 6/4Dance InstructionChoreography/Music: Playford 1670
Formation: Longways duple minorKey: D Dorian, Meter: 4/4Choreography/Music: Brooke Friendly and Chris Sackett (2014) to tune by Shira Kammen (2014)
Formation: Longways duple minor improperKey: C, Meter: 6/8Dance InstructionChoreography/Music: Sharon Mckinley/tune by Jonathan Jensen, 2014
Formation: Longways duple minorKey: Longways duple, Meter: 2/2 Dance InstructionChoreography/Music: David Macemon, 2016 Tune: Ruth McLain, 2016
Formation: Longways duple minorKey: Gm, Meter: 3/4Dance InstructionChoreography/Music: Choreographed and composed by Elizabeth Goossen
Formation: Longways duple minorMeter: 4/4Dance InstructionChoreography/Music: Pat Shaw to ‘Soet roosie root’ from Oude en Nieuwe Hollantse Boerenlietjes en Contredansen
Formation: Longways duple minorMeter: 2/2Dance InstructionChoreography/Music: Jenny Beer, 2023; Music: “Bruce Hamilton’s Broomstick” by Dave Marcus
Formation: 4 couple squareMeter: 3/4Dance InstructionChoreography/Music: Carolyn and Maurice Dunnett (2002)
Formation: Longways duple minorKey: Dm, Meter: 9/8Dance InstructionChoreography/Music: Playford 1702, interpretaton by Pat Shaw 1968
Formation: 3 couple longways set Meter: 4/4Dance InstructionChoreography/Music: Pat Shaw (1962)
Formation: 4 couple squareKey: C, Meter: 3/4Dance InstructionChoreography/Music: Susan Kevra to tune by Rachel Bell.
Formation: Circle MixerKey: G, Meter: 4/4Dance InstructionChoreography/Music: Michael Barraclaugh, c. 1980's
Formation: Longways duple minorKey: Bm, Meter: 6/8Dance InstructionChoreography/Music: Thompson 1765
Formation: Longways duple minorKey: G, Meter: 4/4Dance InstructionChoreography/Music: Sharon Green (2016) Tune: March for Fred by Dave Bartley (2016)
Formation: 3 couple longways setKey: D minor, Meter: 2/2Choreography/Music: Orly Krasner, 2020; Music by Rebecca King
Formation: 3 couple longways setMeter: 4/4Dance InstructionChoreography/Music: Graham Foster 2015
Formation: Longways duple minorKey: G, Meter: 4/4Dance InstructionChoreography/Music: Walsh, reconstructed by Jacqueline Schwab, 1987
Formation: Longways duple minorKey: Dm, Meter: 2/2Dance InstructionChoreography/Music: Colin Hume (2010)
Formation: Longways duple minorKey: Dm, Meter: 3/4Choreography/Music: David Edgar, 2013; tune by Rebecca King.
Formation: Longways duple minorKey: Bb, Meter: 2/2Dance InstructionChoreography/Music: Jenny Beer (2019)
Formation: 4 couple squareKey: A major, Meter: 3/4Dance InstructionChoreography/Music: Colin Hume, 2006; music Jonathan Jensen, 2002
Formation: Longways Duple MinorMeter: 4/4Choreography/Music: Keith Woods, 2015
Formation: 1 couple shortways setMeter: 3/8Choreography/Music: Val Medve, November 2020
Formation: 5 couple longways setKey: G, Meter: 6/8Dance InstructionChoreography/Music: Colin Hume 1989
Formation: Longways duple minor improperKey: G, Meter: 3/4Dance InstructionChoreography/Music: Gary Roodman (2016) to the tune Tennessee Dawn by Jonathan Jensen.
Formation: Longways duple minorKey: G, Meter: 3/4Dance InstructionChoreography/Music: Victor Skowronski
Formation: 4 couple longways set; 1s and 3s improperKey: D, Meter: 6/8Dance InstructionChoreography/Music: Gary Roodman (2000) to Courante by M.Praetorius c. 1612
Formation: 3 couple longways setKey: G, Meter: 3/4Dance InstructionChoreography/Music: Fried de Metz Herman (2002) to Hagley Assembly bv Terry Willetts
Formation: Longways duple minorKey: C, Meter: 4/4Dance InstructionChoreography/Music: Renée Camus (copyright: January 23, 2019; final revision: February 3, 2020), to the tune "The Gale," by Susan Conger ((c) 1997).
Formation: 2 couple set (facing couples)Meter: 4/4Choreography/Music: Loretta Holz
Formation: 3 couple Longways SetKey: D, Meter: 6/8Dance InstructionChoreography/Music: Susan and Tom Amesse (2014) to "Having Fun" by Charlene Thomson
Formation: 5 couple longways setKey: D, Meter: 6/8Dance InstructionChoreography/Music: Pat Shaw
Formation: Circle mixerKey: G, Meter: 3/4Dance InstructionChoreography/Music: Don and Diane Bell (2017) to a variation of "Over the Water to Charlie"
Formation: Longways Duple MinorMeter: 3/2Dance InstructionChoreography/Music: Colin Hume 2020
Formation: Double Sicilian circle (two couples facing two couples)Key: G, Meter: 6/8Dance InstructionChoreography/Music: Pat Shaw
Formation: Longways duple minor improperKey: D, Meter: 4/4Dance InstructionChoreography/Music: Fried de Metz Herman
Formation: Longways duple minorKey: G, Meter: 6/8Choreography/Music: John Wood (2005) to Wakefield Hunt, 1779
Formation: Longways duple minorKey: Em / D/Dm, Meter: 3/4Dance InstructionChoreography/Music: Jenna Simpson (2011)
Formation: Longways duple minorKey: A Major, Meter: 6/8Dance InstructionChoreography/Music: Renée Camus and Alex Bradley (2024); tune is Bells in Watertown by Dave Wiesler (2014)
Formation: Longways duple minorKey: D, Meter: 3/4Dance InstructionChoreography/Music: Jenny Beer (2018)to "Rose by the Door: by Andrea Hoag (1985)
Formation: Longways duple minorKey: Dm, Meter: 3/4Dance InstructionChoreography/Music: Fried de Metz Herman (2002)
Formation: Longways duple minorMeter: 3/4Choreography/Music: Tune: "Dancing through the Decades" by Rachel Bell. Dance by Susan Kevra 2019
Formation: Longways duple minorKey: A, Meter: 2/2Dance InstructionChoreography/Music: Colin Hume (1992)
Formation: Longways duple minorKey: Cm, Meter: 3/2Dance InstructionChoreography/Music: Brook Friendly and Chris Sackett to “To Ayre is Purcell” by Shira Kammen 2009t, published in Impropriety Vol. IV
Formation: 3 couple longways setKey: D, Meter: 6/8Dance InstructionChoreography/Music: Sudbury collection, 1750, interpretation K. and D. Wright, 1984
Formation: Longways Duple MinorKey: D Major, Meter: 6/4Dance InstructionChoreography/Music: Playford 1651. Interp. Scott Pfitzinger 2019
Formation: Longways duple minorKey: Dm, Meter: 2/4Dance InstructionChoreography/Music: Kynaston 1718; interpretation by Andrew Shaw
Formation: Longways duple minorKey: G, Meter: 6/8Choreography/Music: Bernard Bentley (Falibroome IV Collection (1971)
Formation: 3 couple longways setKey: D, Meter: 2/2Dance InstructionChoreography/Music: Thompson, Twenty Four Country Dances, 1777
Formation: Longways duple minorMeter: 6/8Choreography/Music: Orly Krasner to a tune by Anita Anderson.
Formation: Longways Duple MinorKey: D, Meter: 2/4Dance InstructionChoreography/Music: Bride's "Favourite Collection of Two Hundred Country Dances". 1775
Formation: Longways duple minorKey: Dm, Meter: 3/8Dance InstructionChoreography/Music: Fried de Metz Herman (2000) to Hornpipe by Henry Purcell (1658)
Formation: Longways duple minorKey: Dm, Meter: 2/2Dance InstructionChoreography/Music: Joseph Pimentel(2005) to Lamp of the River by Dave Wiesler
Formation: 3 couple longways setKey: D, Meter: 3/4Dance InstructionChoreography/Music: Fried de Metz Herman/Henry Purcell
Formation: 3 couple longways setKey: A minor, Meter: 6/8Choreography/Music: Brook Friendly and Chris Sackett (2008) to Flaxley Green Dance (Traditional English), published in Impropriety Vol. II
Formation: longways triple minorKey: A minor, Meter: 9/8Dance InstructionChoreography/Music: Brooke Friendly and Chris Sackett (2005) to The Wishing Well(trad.Irish slip jig), published in Impropriety Vol. II
Formation: Longways triosMeter: 3/4Choreography/Music: Christian Länger, Terpsichore, 1824;Reconstructed by E.Solenikova
Formation: Longways duple minorKey: A, Meter: 6/8Dance InstructionChoreography/Music: Philippe Callens to the tune The Last New Vagaries The Dancing Master. 1701
Formation: Longways duple minorKey: A, Meter: 6/8Dance InstructionChoreography/Music: John Walsh, 24 New Country Dances for the year 1714)reconstructed by Phillipe Callens
Formation: Longways duple minor improperKey: Gm, Meter: 2/2Dance InstructionChoreography/Music: Gary Roodman (2012)/Twelfth Eve, PLayford 1702
Formation: 4 couple squareMeter: 3/4Dance InstructionChoreography/Music: Bob Green to "Leptaena Waltz" by Miranda Arana
Formation: Longways Duple MinorKey: G, Meter: 4/4Choreography/Music: Ignatius Sancho; Twelve Country Dances for the year 1779; duple minor interpretation by Bob Olson
Formation: longways triple minorKey: G, Meter: 2/4Dance InstructionChoreography/Music: Cahusac 1794
Formation: Sicilian CircleKey: Em, Meter: 3/4Dance InstructionChoreography/Music: Gary Roodman (2018)
Formation: Longways duple minor improperKey: D, Meter: 2/2Dance InstructionChoreography/Music: Robert Jamison (2008)
Formation: Longways Duple MinorMeter: 9/8Dance InstructionChoreography/Music: David Smuckler
Formation: longways triple minorKey: C Major, Meter: 2/4Dance InstructionChoreography/Music: Choreography (2022) and music (2008) by Robert Jamison
Formation: 3 couple longways setKey: Gm, Meter: 6/8Dance InstructionChoreography/Music: Gary Roodman
Formation: Longways duple minorKey: B flat, Meter: 4/4Choreography/Music: Bob Green to Drop Me Off in Harlem by Duke Ellington
Formation: Longways Duple MinorKey: D Major, Meter: 2/4Dance InstructionChoreography/Music: Choreography (2022) and music (2008) by Robert E. Jamison
Formation: longways triple minorKey: Am, Meter: 2/2Dance InstructionChoreography/Music: Playford 1728
Formation: Longways Duple MinorKey: Am, Meter: 2/2Dance InstructionChoreography/Music: Christine Feyerabend (2000)
Formation: 4 couple longways set; 1s and 3s improperMeter: 4/4Dance InstructionChoreography/Music: Gary Roodman, 2023; Tune is "Well Fed Dragons", by Dave Wiesler (2017)
Formation: 2 couple setKey: G, Meter: 6/8Dance InstructionChoreography/Music: Brian Wedgbury
Formation: Longways Duple MinorKey: A, Meter: 6/8Dance InstructionChoreography/Music: Preston, 1794
Formation: 3 couple longways set 2's improperKey: A, Meter: 2/2Dance InstructionChoreography/Music: Pat Shaw (1959)
Formation: Longways duple minorKey: Am, Meter: 2/2Dance InstructionChoreography/Music: Playford 1728
Formation: Longways duple minorKey: F, Meter: 3/4Dance InstructionChoreography/Music: Susan Kevra to Voyage de la Diabline by Rachel Bell
Formation: Longways duple minorKey: G, Meter: 4/4Dance InstructionChoreography/Music: Kate Riley (1956)
Formation: Circle MixerMeter: 6/8Dance InstructionChoreography/Music: Keith Wood May 2013
Formation: Longways Duple MinorKey: B Minor, Meter: 3/4Dance InstructionChoreography/Music: Renée Camus (2024); tune is by John Whelan (1985)
Formation: Longways duple minorKey: Bb, Meter: 4/4Dance InstructionChoreography/Music: W. Pearson, 1709
Formation: Longways duple minor improperKey: Dm, Meter: 4/4Dance InstructionChoreography/Music: Gary Roodman (2015)
Formation: Longways Duple MinorMeter: 4/4Choreography/Music: Bob Olson (2021); tune is Branle de la Torch
Formation: 2 couple setKey: C, Meter: 2/2Dance InstructionChoreography/Music: Gary Roodman (2000) to his variation of Kemp's Jig (Anon.
Formation: 4 couple longways setKey: A mixolydian, Meter: 2/2Dance InstructionChoreography/Music: Jenna Simpson (2013); tune The King's Reel (traditional)
Formation: Longways Duple MinorMeter: 4/4Dance InstructionChoreography/Music: Joseph Pimentel, 2018/Dave Wiesler
Formation: Siciilian CircleKey: D, Meter: 9/8Dance InstructionChoreography/Music: Brooke Friendly & Chris Sackett (2005) to The Foxhunter's (trad);published in Impropriety Vol. 1 and modification for children
Formation: 3 couple longways setKey: Em, Meter: 2/4Dance InstructionChoreography/Music: Preston, 1793
Formation: 3 couple longways setKey: F, Meter: 2/4Dance InstructionChoreography/Music: Johnson c. 1750; Interp. Callens 2004
Formation: Longways duple minorKey: C, Meter: 2/2Dance InstructionChoreography/Music: Donald Bell to "Ding Dong Merrily" (orinigal tune: ‘Branle l'officiel' from Thoinot Arbeau, Orchesographie,1589
Formation: Longways Duple MinorMeter: 3/4Dance InstructionChoreography/Music: Don & Diane Bell (2019)
Formation: 3 person setKey: F, Meter: 2/2Choreography/Music: Peggy Roe to Corelli's Maggot
Formation: 5 couple circleMeter: 3/4Dance InstructionChoreography/Music: Pat Shaw to ‘Ag Hemel wat sal ik’ from Oude en Nieuwe Hollantse Boerenlietjes en Contredansen
Formation: Longways duple minorKey: Am, Meter: 4/4Dance InstructionChoreography/Music: Gary Roodman(1999/Mr Warwick's Mask (Anon.)
Formation: Longways duple minorKey: Gm, Meter: 2/2Dance InstructionChoreography/Music: Dancing Master 1728
Formation: Longways duple minor improperKey: G, Meter: 3/4Dance InstructionChoreography/Music: Ron Coxall (2002) to Midnight Mororings by Heather Bexon (1998)
Formation: 3 couple circle mixerKey: Bm, Meter: 3/4Dance InstructionChoreography/Music: Gary Roodman (2003)/Tourner á Trois by Paul Machlis
Formation: 4 couple squareMeter: 4/4Dance InstructionChoreography/Music: Keith Wood February 2014 to 4x32 bar reels, esp. The Flowers of Autumn
Formation: Longways Duple MinorKey: F#m, Meter: 3/4Dance InstructionChoreography/Music: Choreography: Margaret & Jeff Bary, 2021; Tune: Rachel Bell
Formation: Longways duple minorKey: Am, Meter: 4/4Choreography/Music: Mike Parker to La Serenissama by Loreena McKennitt
Formation: Longways duple minorKey: G, Meter: 3/4Dance InstructionChoreography/Music: Mike Richardson, 1998. to 'My Cape Breton Home' by Jerry Holland
Formation: Longways duple minorMeter: 6/8Choreography/Music: Susan Kevra to tune by Rachel Bell
Formation: Circle MixerMeter: 3/4Choreography/Music: Cara King, to a tune by Karen McIver
Formation: 4 couple longways setKey: G, Meter: 3/4Choreography/Music: Fried de Metz Herman
Formation: Longways duple minor improperKey: F, Meter: 2/4Dance InstructionChoreography/Music: Sharon Green (2008) to Maxwell's Rant
Formation: Longways duple minorKey: D, Meter: 2/2Dance InstructionChoreography/Music: Playford 1686
Formation: 4 Couple SquareMeter: 3/4Dance InstructionChoreography/Music: Pat Shaw (1956) set to Twickenham Ferry by Theo. Marzials
Formation: Circle mixerKey: G, Meter: 3/2Choreography/Music: Wil van den Berg
Formation: 3 couple longways set Meter: 4/4Dance InstructionChoreography/Music: John Sweeney
Formation: 4 couple longways setKey: D, Meter: 2/4Dance InstructionChoreography/Music: Siôn Andreas o Wynedd (Ian A. Engle)to Barbarini's Tammbourine
Formation: Longways duple minorKey: F, Meter: 6/8Dance InstructionChoreography/Music: Playford 1695; Three 3-couple variation by Martha Kent
Formation: 2 couple setKey: D, Meter: 4/4Choreography/Music: Dave Ricker to Mount Hills (Playford 1721)
Formation: Longways Duple Minor ImproperKey: A Minor, Meter: 2/4Dance InstructionChoreography/Music: Choreography (2023) and Music (2008) by Robert E. Jamison
Formation: 4 couple longways set; 1s and 3s improperKey: F, Meter: 2/2Dance InstructionChoreography/Music: Jenna Simpson to the tune Tom Kruskal's by Amelia Mason and Emily Troll
Formation: longways triple minorKey: D, Meter: 3/4Choreography/Music: Thomas Wilson, The Treasures of Terpsichore; or, A Companion for the ball-Room. - 1809
Formation: Longways duple minorKey: C, Meter: 6/8Dance InstructionChoreography/Music: Sharon Green (2009) to Doctor Who Pirate Jig by Martha Stokely (2006)
Formation: 3 couple longways setKey: A, Meter: 2/2Dance InstructionChoreography/Music: Colin Hume (1986)
Formation: 4 couple squareKey: Dm, Meter: 2/2Dance InstructionChoreography/Music: Pat Shaw
Formation: 4 couple longways setMeter: 6/8Dance InstructionChoreography/Music: Claire Kaley to the tune "Wolstonbury" by Steve Hunt.
Formation: Longways duple minorKey: Am or D, Meter: 3/2 or 9/8Dance InstructionChoreography/Music: Playford 1703
Formation: 3 couple longways setKey: Fm, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651 see 'Dance Instrucion" above
Formation: 4 couple longways setKey: Gm, Meter: 2/2Dance InstructionChoreography/Music: Gary Roodman
Formation: Longways duple minorMeter: 3/4Choreography/Music: Steve Sargent to a tune by Pete Sutherland
Formation: Longways duple minorKey: Dm, Meter: 2/4Dance InstructionChoreography/Music: Sharon Green (2009, updated 20152 to "Bennett" by Maro Avakian (1999).
Formation: Longways duple minorKey: Eminor, Meter: 2/4Dance InstructionChoreography/Music: Brooke Friendly and Chris Sackett (2008)
Formation: longways triple minorKey: Am, Meter: 2/2Dance InstructionChoreography/Music: Brooke Friendly and Chris Sackett (2014) to Incunabula by Dave Bartley (2004)
Formation: Longways Duple MinorKey: G, Meter: 6/8Dance InstructionChoreography/Music: Pat Shaw 1966 DM I: 6a-18; Walsh 1718-1760
Formation: Longways Duple MinorMeter: 3/2 and 4/2Dance InstructionChoreography/Music: Joseph Pimentel/Dave Wiesler
Formation: 4 couple SquareMeter: 4/4Choreography/Music: Cécile Laye
Formation: Longways duple minorKey: G, Meter: 3/2Dance InstructionChoreography/Music: Phillippe Callens
Formation: 4 couple longways set; 1's and 3's improperMeter: 2/4Dance InstructionChoreography/Music: Colin Hume
Formation: Longways Duple MinorKey: D, Meter: 3/4Dance InstructionChoreography/Music: Dan Blim (2024), to "Last Light" by Ben Schreiber
Formation: 3 couple longways set Meter: 3/4Choreography/Music: Antony Heywood
Formation: Longways Duple MinorMeter: 3/4Choreography/Music: Jaime Hargrove
Formation: Longways duple minor improperKey: Gm, Meter: 2/4Dance InstructionChoreography/Music: Gary Roodman (2005) to Antonio Vivaldi and Van Kaynor
Formation: Longways duple minorKey: G, Meter: 3/4Dance InstructionChoreography/Music: Walsh 1712
Formation: longways triple minorKey: C, Meter: 6/8Dance InstructionChoreography/Music: Samuel James Button and John Whitaker, Dances, Reels & Waltzes. #18 (1813)
Formation: Longways duple minorKey: F, Meter: 3/4Dance InstructionChoreography/Music: Playford c.1698; and reconstructed by Christine Helwig
Formation: 3 couple longways setMeter: 6/8Dance InstructionChoreography/Music: Thompson 1783
Formation: 4 couple longways Becket setMeter: 6/8Choreography/Music: Gary Roodman(1992/Year of Jubilo, Trad.
Formation: longways triple minor triple progressionKey: G, Meter: 6/8Dance InstructionChoreography/Music: Thompson 1779 with a reconstruction by Tom Bood (1984)
Formation: Longways duple minor improperKey: F Major, Meter: 2/4Dance InstructionChoreography/Music: Choreography (2022) and Music (2008) by Robert E. Jamison
Formation: Sicilian Circle of TriosKey: D, Meter: 2/2Dance InstructionChoreography/Music: Pat Shaw 1963 alternative tune: "Wardpark by Joan Gilbert
Formation: Longways duple minorKey: F, Meter: 2/2Dance InstructionChoreography/Music: Charles Bolton reconstruction (Retreads 6. c.1990) of Walton Abbey(1698)
Formation: Longways duple minorMeter: 3/4Dance InstructionChoreography/Music: Judi Morningstar
Formation: Longways duple minor improperMeter: 3/4Choreography/Music: Beverly Francis to "Waltzing with You" by Molly Mason
Formation: 4 couple squareMeter: 6/8Choreography/Music: unknown New Zealand choreographer
Formation: Longways duple minorKey: Am, Meter: 4/4Dance InstructionChoreography/Music: Melissa Running (2010)
Formation: Longways Duple MinorMeter: 3/4Choreography/Music: Dan Blim 2026
Formation: Siciilian CircleKey: D, Meter: 3/4Dance InstructionChoreography/Music: Pat Shaw (c.1966) to Caerdroea Welsh trad.
Formation: 3 couple longways setKey: Am, Meter: 2/2Dance InstructionChoreography/Music: Pat Shaw,First version and Second version 1971
Formation: 4 couple longways setKey: G, Meter: 6/8Choreography/Music: Scott Higgs, set to the 16th century ballad, Watkin's Ale.
Formation: 4 couple longways set; 2s and 4s improperMeter: 6/8Dance InstructionChoreography/Music: Hilary Herbert, in Hilary's Humours 2, 1997
Formation: Longways duple minor improper; Starts w/ long wavy lines, gents facing outKey: A, Meter: 3/4Dance InstructionChoreography/Music: Bob Green (2013) to "Wheat" by Martha Edwards
Formation: Longways duple minor improperKey: G, Meter: 2/2Dance InstructionChoreography/Music: Jenna Simpson (2016) to the tune of Mundesse (Playford 1651)
Formation: Longways duple minorMeter: 6/8Choreography/Music: Button & Whittaker 1810
Formation: Longways duple minorKey: D mixolydian, Meter: 3/2Dance InstructionChoreography/Music: Jenna Simpson(2015) to 'Welcome Home, My Dearie' from David Johnson's Scottish Fiddle Music in the 18th Century.
Formation: longways triple minorMeter: 6/8Dance InstructionChoreography/Music: Brooke Friendly & Chris Sackett to The Last Mile by Larry Unger, Michelle Levy, Kyle Hardman, Ken Blackwood, and Bob Anholt (2009), published in Impropriety Vol. III
Formation: Longways triple minorMeter: 2/2Dance InstructionChoreography/Music: Melissa Running, 2018
Formation: Longways duple minorMeter: 6/8Dance InstructionChoreography/Music: Chrystal Gallacci Jones (2008)
Formation: Longways duple minor improperKey: D modal, Meter: 3/4Dance InstructionChoreography/Music: Tom and Susan Amesse
Formation: Longways duple minorMeter: 4/4Choreography/Music: Loretta Holz
Formation: Longways duple minorKey: Am, Meter: 3/4Dance InstructionChoreography/Music: Bob Olson (2016)to O’Carolan’s “Welcome”
Formation: Longways Duple MinorKey: A Major, Meter: 3/2Dance InstructionChoreography/Music: Joseph Pimentel, to Samuel's Gateway (2010) by Dave Wiesler
Formation: Longways duple minorKey: A, Meter: 2/2Dance InstructionChoreography/Music: Nathanial Kynaston (1718), reconstruction by Andrew Shaw (2002)
Formation: Longways triple minorKey: D, Meter: 6/8Dance InstructionChoreography/Music: Jenna Simpson, 2019; Tune "Poet Laureate," traditional
Formation: Longways duple minorKey: F, Meter: 3/2Dance InstructionChoreography/Music: Choreography/Music: DM1(12th edition) 1703 ; several interpretations: see 'Dance Variations'
Formation: Longways duple minor improperMeter: 3/4Choreography/Music: Ellie, & Chava Hall/Jonathan Jensen
Formation: Longways Duple Minor (originally triple minor)Key: Gm, Meter: 6/4Dance InstructionChoreography/Music: Playford/Young 1701-1728 (Tune from The Old Batchelor)
Formation: Longways duple minorKey: C, Meter: 2/4Dance InstructionChoreography/Music: Joseph Pimentel (2009) to Westaire Court by Debbi Jackson
Formation: Longways duple minorKey: Gm, Meter: 2/2Dance InstructionChoreography/Music: Playford 1698
Formation: 4 couple longways Becket setKey: Dm, Meter: 3/4Dance InstructionChoreography/Music: Philippe Callens to "Waiting for Fish by Susie Socco (1996)
Formation: 9 dancersMeter: 6/8Choreography/Music: Chris Turner
Formation: Longways duple minorKey: Em, Meter: 3/2Dance InstructionChoreography/Music: Gary Roodman (2005)/Richard's Reminderby Debbie Jackson (1998)
Formation: 4 couple squareMeter: 4/4Choreography/Music: Chrissy Davis-Camp, 2007 to When At Last by Russ Barenberg;
Formation: Longways duple minorKey: G, Meter: 3/4Dance InstructionChoreography/Music: Orly Krasner, CDSS News #164, 2000 Tune: A Book of Ayres Phillip Rosseter, 1601, words by Thomas Campion
Formation: Longways duple minorKey: Am, Meter: 6/8Dance InstructionChoreography/Music: Tune and Dance by Robert Mills
Formation: Longways duple minorKey: G, Meter: 2/4Dance InstructionChoreography/Music: Thompson 1791
Formation: Longways duple minor improperKey: Gm, Meter: 5/2Dance InstructionChoreography/Music: Playford 1701; Interp. Pat Shaw 1960
Formation: Longways duple minorKey: D, Meter: 6/8Dance InstructionChoreography/Music: Loretta Holz (2006) to Summer Garden Jig by Charlene Thomson (2004)
Formation: longways triple minorMeter: 4/4Dance InstructionChoreography/Music: Pat Shaw from Pat Shaw Collection 3, 1973
Formation: 3 couple longways setKey: Dm, Meter: 6/8Dance InstructionChoreography/Music: Playford 1651 (as The Wherligig)
Formation: 5 couple circle mixerMeter: 4/4Dance InstructionChoreography/Music: Cara King 2024, to the tune Rushin’ For the Ferry (Dan Page, 2007)
Formation: Longways triple minorKey: G, Meter: 2/4Dance InstructionChoreography/Music: J Walsh, J. Hare 1712 reconstructed by Andrew Shaw (2002)
Formation: Longways duple minor improperKey: D modal, Meter: 9/8Dance InstructionChoreography/Music: Gary Roodman (2005)/Jonathan Jensen
Formation: Longways duple minorKey: Em, Meter: 6/8Dance InstructionChoreography/Music: Peggy Roe
Formation: Longways duple minor improperMeter: 2/2Dance InstructionChoreography/Music: Christine Robb 2017; Tune is "Ichabod's Last Ride" by Jay Edmunds
Formation: 3 couple longways setKey: C, Meter: 3/4Dance InstructionChoreography/Music: Hazel Moir to "Bugeilio’r Gwenith Gwyn" (traditional Welsh song, 18th C.)
Formation: 5 couple circleKey: C, Meter: 6/8Dance InstructionChoreography/Music: Gary Roodman (1996)/Hugh O'Donnell by Carolan
Formation: Longways duple minor improperKey: G, Meter: 6/8Dance InstructionChoreography/Music: John Walsh's Twenty-Four dances for the Year 1713. This is a reconstruction by Andrew Shaw published in Farnicle Huggy (2009)
Formation: Longways duple minorMeter: 2/2Dance InstructionChoreography/Music: Lindsey Dono (2025); tune by Casey Murray & Molly Tucker
Formation: Longways duple minorKey: G, Meter: 3/4Choreography/Music: Robert Moir; tune is traditional, "Wild Boy"
Formation: 3 couple longways set (was triple minor)Key: Bb, Meter: 2/4Dance InstructionChoreography/Music: Thompson's Compleat Collection of 200 Favorite Country Dances, vol.1 (London, 1757). recorded version of Contemporary Eugene Eremina-Solenikovoy
Formation: Longways duple minor Becket Meter: 3/4Choreography/Music: Alan Goldthorpe/"Leona Tuttle" by Lary Unger
Formation: Longways duple minorKey: Am, Meter: 4/4Dance InstructionChoreography/Music: Brooke Friendly & Chris Sackett (2016). Tune is "Staying In" by Paul Hutchinson (2016)
Formation: 8 couple longways setKey: G, Meter: 6/8Dance InstructionChoreography/Music: Hugh Rippon
Formation: Longways triosMeter: 4/4Choreography/Music: unknown
Formation: 4 couple squareKey: G, Meter: 6/8Dance InstructionChoreography/Music: Playford 1652; interp. Andrew Shaw 2019
Formation: Longways Duple MinorKey: D Mixolydian, Meter: 9/8Dance InstructionChoreography/Music: Renée Camus (2022); Tune is Wink and She'll Follow You, traditional
Formation: Longways duple minor improperMeter: 6/8Choreography/Music: Jan Dale to First Sign of Spring by Brian Jenkins
Formation: Longways duple minor improperKey: G, Meter: 3/4Dance InstructionChoreography/Music: Gary Roodman (1996)/Jonathan Jensen
Formation: Longways Duple MinorMeter: 4/4Dance InstructionChoreography/Music: Carl Dreher
Formation: 3 couple longways setKey: D, Meter: 6/8Dance InstructionChoreography/Music: Phillipe Callens (2004) to The Dove Cove by John Stapledon
Formation: 4 couple longways setKey: D, Meter: 2/2Dance InstructionChoreography/Music: Colin Hume
Formation: 3 couple longways setKey: Gm, Meter: 6/8Choreography/Music: Carl Dreher 2010
Formation: 5 couple set (Square with an extra couple)Key: F, Meter: 2/2Dance InstructionChoreography/Music: Wendy Crouch to Early One Morning 16th Century Ballad
Formation: 3 couple longways setKey: Em, Meter: 3/4Dance InstructionChoreography/Music: Fried de Metz Herman to Crossing to Ireland, a traditional Scottish melody, and O'Carolan's Captain O'Kain.
Formation: 3 couple longways set Meter: 3/4Dance InstructionChoreography/Music: Alan Winston, to Mary Tabor's "Dorothea's Waltz"
Formation: Longways Duple MinorKey: C, Meter: 2/4Dance InstructionChoreography/Music: Cahusac, 1788
Formation: Longways duple minorKey: Gm, Meter: 6/8Dance InstructionChoreography/Music: Thomas Bray 1699
Formation: Longways duple minor improperKey: Em, Meter: 4/4Choreography/Music: folk-processed version of Wizard's Walk by Ruth Ungar
Formation: 5 couple longways setMeter: 3/4Dance InstructionChoreography/Music: Pat Shaw to 'Ick hebbe mijne klachten’ from Oude en Nieuwe Hollantse Boerenlietjes en Contredansen
Formation: longways triple minorKey: G, Meter: 2/2Dance InstructionChoreography/Music: Thomas Bray 1699
Formation: Circle mixerKey: Am, Meter: 3/4Dance InstructionChoreography/Music: Fried de Metz Herman
Formation: Longways duple minorKey: F, Meter: 2/2Dance InstructionChoreography/Music: Walsh 1718
Formation: Longways duple minorKey: C, Meter: 2/2Dance InstructionChoreography/Music: Playford 1703
Formation: 3 couple longways set or longways triple minorKey: Am, Meter: 6/8Dance InstructionChoreography/Music: Loretta Holz to "East Your Oatmeal" by Charlene Thomson
Formation: Longways duple minorKey: A, Meter: 6/8Dance InstructionChoreography/Music: Lise Dyckman, Jim Saxe, Nancy Baugh and Alan Winston.(7/10/2012 at the Woodshed dance) to Megajig by Larry Unger
Formation: Longways duple minorKey: D, Meter: 6/8Dance InstructionChoreography/Music: Kynaston, 1711, interpretation by Andrew Shaw (2000)
Formation: 3 couple longways set, top couple improperKey: G, Meter: 4/4Dance InstructionChoreography/Music: Scott Higgs
Formation: 4 couple longways setKey: Dm, Meter: 4/4Dance InstructionChoreography/Music: Sharon Green, tune composed by Jonathan Jensen after superstorm Sandy in 2012
Formation: 3 couple longways setKey: Am, Meter: 6/8Dance InstructionChoreography/Music: Gary Roodman
Formation: Longways duple minorKey: Am, Meter: 6/8Dance InstructionChoreography/Music: Brook Friendly and Chris Sackett a tune by Jonathan Jensen, published in Impropriety Vol. III
Formation: Longways duple minorMeter: 4/4Dance InstructionChoreography/Music: Ives 1799; Interp. Morrison 1976
Formation: Longways Duple MinorMeter: 4/4Choreography/Music: Drew Delaware
Formation: Longways Duple MinorMeter: 3/4Dance InstructionChoreography/Music: Bob Green to "Ariel Julia" by Larry Unger
Formation: Longways duple minorKey: D, Meter: 3/2Choreography/Music: John Walsh, The Complete Dancing Master ca. 1740
Formation: Longways duple minorKey: Am, Meter: 9/8Dance InstructionChoreography/Music: Neal ca.1726
Formation: Longways duple minorKey: G, Meter: 3/2Dance InstructionChoreography/Music: David Smuckle (2016) to "Not ... So Vain" by Charlene Thomson
Formation: 3 couple longways setKey: Bm, Meter: 9/8Dance InstructionChoreography/Music: Kynaston 1717,reconstruction by Andrew Shaw (2002)
Formation: Longways duple minorKey: G, Meter: 2/2Dance InstructionChoreography/Music: Twenty Four Country Dances for the Year 1715; interpretation by Andrew Shaw
Formation: longways triple minorKey: G, Meter: 6/8Dance InstructionChoreography/Music: Unknown, published by Mr. John Griffiths, Dancing-Master in Providence. 1788
Formation: Longways duple minor improperKey: G, Meter: 4/4Choreography/Music: Fried deMetz Herman, 1996. to "O Little Town of Bethlehem
Formation: Longways duple minorKey: G, Meter: 2/2Dance InstructionChoreography/Music: Walsh 1715
Formation: 3 couple longways setKey: Gm, Meter: 2/2Dance InstructionChoreography/Music: Colin Wallace
Formation: 3 couple longways set (was triple minor)Meter: 3/4Dance InstructionChoreography/Music: James Platts, 1797
Formation: Longways Duple Minor ImproperMeter: 2/4Choreography/Music: Dan Seppeler